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Review: New doc shows how Beyoncé changed Coachella, forever

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Review: New doc shows how Beyoncé changed Coachella, forever
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Review: New doc shows how Beyoncé changed Coachella, forever

2019-04-18 03:41 Last Updated At:03:50

Beyoncé is extremely private, and only lets you know what she wants you to know, when she wants you to know it — typically, in a surprise post be it on her website or Instagram.

But throughout the years, she's slightly cracked open her door to reveal parts of her life and personality — apart from what she gives through strong singing and extraordinary dance moves — to help remind us that though she is epic and flawless, she is still mortal.

"HOMECOMING: A film by Beyoncé," which premiered Wednesday on Netflix, captures the human side of the superstar singer with behind-the-scenes, intimate moments of a mother, wife and artist tirelessly working on what's already become one of most iconic musical performances of all-time: Beyoncé's headlining show at the 2018 Coachella Valley Music and Arts Festival.

This image released by Netflix shows Beyonce in a scene from her documentary "Homecoming: A Film by Beyoncé." (Parkwood EntertainmentNetflix via AP)

This image released by Netflix shows Beyonce in a scene from her documentary "Homecoming: A Film by Beyoncé." (Parkwood EntertainmentNetflix via AP)

The performance marked the first time a black woman headlined the famed festival and made Beyoncé just the third woman to score the gig, behind Bjork and Lady Gaga. Beyoncé took on the role seriously — as she does all live performances — giving the audience a rousing, terrific and new show highlighted by a full marching band, majorette dancers, steppers and more that is the norm at historically black colleges and universities (HBCUs).

The film takes it a step further to showcase what was happening to get to the historic moment: you see a mother bouncing back from giving birth to twins via an emergency C-section; an African American woman embracing her family's history and paying tribute to black college culture and honoring black art; and the world's No. 1 pop star defying the odds yet again and pushing herself to new heights, creating an even wider space between herself and whoever is No. 2.

Simply put, Beyoncé changed Coachella — forever — and performing after her is like trying to out-ace Serena Williams or dunk better than Michael Jordan: You won't win.

Woven into the film are audio soundbites from popular figures to help narrate the story: Nina Simone speaks about blackness, Maya Angelou talks about truth, and Tessa Thompson and Danai Gurira explain the importance of seeing people who look like you on large screens.

Beyoncé speaks, too, saying that she dreamed of attending an HBCU, though she explains: "My college was Destiny's Child."

She also says the importance of her Coachella performance was to bring "our culture to Coachella" and highlight "everyone that had never seen themselves represented."

So many people were represented during those performances last April — her stage was packed with about 200 performers, from dancers to singers to band and orchestra players. Beyoncé kicked of the performance dressed like an African queen, walking up the stage as the jazzy, soulful big band sound of New Orleans is played. After letting her dancers and backing band shine, she emerges again, this time dressed down — like a studious, eager, hopeful college student.

The musical direction and song selection flows effortlessly and was purposely crafted to tell a story: the first song is 2003's "Crazy In Love," a massively successful No. 1 hit and her first apart from Destiny's Child. It also was Beyoncé's first of many collaborations with Jay-Z. But then comes "Freedom," representing the Beyoncé of today, unconcerned with having a radio or streaming hit, but more focused on the art, and the message.

And her message was loud and clear on "HOMECOMING": Her performance is a homage to the culturally rich homecoming events held annually at HBCUs, but also showcases Beyoncé's own homecoming — her return to her roots, and how she's found a new voice by reinterpreting her music through the lens of black history.

Young, gifted and black, indeed.

"HOMECOMING: A film by Beyoncé," a Netflix release, is rated TV-MA. Running time: 137 minutes. Four stars out of four.

WASHINGTON (AP) — U.S. intelligence officials have determined that Russian President Vladimir Putin likely didn’t order the death of imprisoned opposition leader Alexei Navalny in February, according to an official familiar with the determination.

While U.S. officials believe Putin was ultimately responsible for the death of Navalny, who endured brutal conditions during his confinement, the intelligence community has found “no smoking gun” that Putin was aware of the timing of Navalny's death — which came soon before the Russian president's reelection — or directly ordered it, according to the official.

The official spoke on the condition of anonymity to discuss the sensitive matter.

Soon after Navalny’s death, U.S. President Joe Biden said Putin was ultimately responsible but did not accuse the Russian president of directly ordering it.

At the time, Biden said the U.S. did not know exactly what had happened to Navalny but that “there is no doubt” that his death “was the consequence of something that Putin and his thugs did.”

Navalny, 47, Russia’s best-known opposition politician and Putin’s most persistent foe, died Feb. 16 in a remote penal colony above the Arctic Circle while serving a 19-year sentence on extremism charges that he rejected as politically motivated.

He had been behind bars since January 2021 after returning to Russia from Germany, where he had been recovering from nerve-agent poisoning that he blamed on the Kremlin.

Russian officials have said only that Navalny died of natural causes and have vehemently denied involvement both in the poisoning and in his death.

In March, a month after Navalny’s death, Putin won a landslide reelection for a fifth term, an outcome that was never in doubt.

The Wall Street Journal first reported about the U.S. intelligence determination.

FILE - Russian opposition politician Alexei Navalny gestures while speaking during his interview to the Associated Press in Moscow, Russia on Dec. 18, 2017. U.S. intelligence officials have determined that Russian President Vladimir Putin likely didn't order the death of Navalny, the imprisoned opposition leader, in February of 2024. An official says the U.S. intelligence community has found "no smoking gun" that Putin was aware of the timing of Navalny's death or directly ordered it. (AP Photo/Alexander Zemlianichenko, File)

FILE - Russian opposition politician Alexei Navalny gestures while speaking during his interview to the Associated Press in Moscow, Russia on Dec. 18, 2017. U.S. intelligence officials have determined that Russian President Vladimir Putin likely didn't order the death of Navalny, the imprisoned opposition leader, in February of 2024. An official says the U.S. intelligence community has found "no smoking gun" that Putin was aware of the timing of Navalny's death or directly ordered it. (AP Photo/Alexander Zemlianichenko, File)

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