An origin story about the Joker starring Joaquin Phoenix, a Mr. Rogers biopic with Tom Hanks and a film about strippers scamming Wall Street bankers with Jennifer Lopez and Cardi B are among the films premiering at the Toronto International Film Festival in September.
TIFF Artistic Director Cameron Bailey and Executive Director Joana Vicente announced 16 gala selections and 37 in the special presentation category Tuesday morning, including Todd Phillips' "Joker," Marielle Heller's "A Beautiful Day in the Neighborhood" and Lorene Scafaria's "Hustlers." Iranian-born director Marjane Satrapi's Marie Curie film "Radioactive," in which Rosamund Pike plays the groundbreaking physicist, will close the festival on Sept. 15.
Bailey told The Associated Press that "Joker" is somewhat of a first for the festival.
"This is our first entry into the superhero world as far as I can remember," he said. "But it's a really original vision. It's disturbing, utterly compelling, really gripping from start to finish. ... And one of the most remarkable things is that Joaquin Phoenix, in a career of great performances, gives one of his very best."
Other standout performances the programmers love are Michael B. Jordan and Jamie Foxx in Destin Daniel Cretton's civil rights drama "Just Mercy," Meryl Streep in Steven Soderbergh's investigative journalism drama "The Laundromat," Adam Driver and Scarlett Johansson in Noah Baumbach's divorce saga "Marriage Story" and Renee Zellweger in the Judy Garland biopic "Judy."
"It's one of those career-best performances," Bailey said. "And that's coming from a guy who absolutely loves 'Jerry Maguire.'"
The Toronto selections often help define the looming awards race. Last year, TIFF's audience award winner "Green Book" went on to win the best picture Oscar.
"It's not the motivation, but it's always great to be a launchpad for films that will be part of the awards conversation," Vicente said.
Other high-profile films premiering include James Mangold's "Ford v Ferrari" with Christian Bale and Matt Damon, Kasi Lemmons' Harriet Tubman film "Harriet" starring Cynthia Erivo, Rian Johnson's star-studded ode to Agatha Christie "Knives Out," with Chris Evans and Daniel Craig, Edward Norton's adaptation of "Motherless Brooklyn," John Crowley's adaptation of "The Goldfinch" and the Bruce Springsteen concert film "Western Stars."
Some, a little less flashy, but just as worthy according to Bailey include the cancer drama "The Friend," from Gabriela Cowperthwaite with Dakota Johnson and Casey Affleck, the animated teen love story "Weathering With You," from Makoto Shinkai, the Japanese director of the anime breakout "Your Name," and Michael Winterbottom's "Greed."
Bailey said "Greed," about the economy of fast fashion, is "one everybody should see."
Steve Coogan plays a mogul in the fast fashion world and it is "very funny and very biting."
And then of course there is "Hustlers," with Lopez and Constance Wu, which Bailey said is "a great watch."
"It feels like 'Casino' or 'Goodfellas,'" he said. "But instead of gangsters killing, these are women just scamming these guys."
Although films aren't selected with any theme or agenda in mind, Bailey said some do emerge eventually.
"It became clear that although we're living in a complicated, difficult world with a lot of conflict, a lot of the films that really resonated the most this year were ones that were about empathy, about reaching out and across borders to other people," Bailey said. "Maybe most emblematic of that is 'A Beautiful Day in the Neighborhood,' but also 'Just Mercy,' a really tough film about the death penalty ... and 'Jojo Rabbit.'"
"Jojo Rabbit," from filmmaker Taika Waititi, is about a young member of a Hitler Youth group.
"But he grows, he changes, he learns," Bailey said. "And you begin to feel at least some empathy for the possibility of change."
Vicente added that it was "one of our favorites. It really surprises and we all kind of fell in love with it."
The festival kicks off Sept. 5 with the previously announced opening-night film "Once Were Brothers: Robbie Robertson and The Band." More films will be announced in the coming weeks.
Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr
VENICE. Italy (AP) — Jeffrey Gibson’s takeover of the U.S. pavilion for this year’s Venice Biennale contemporary art show is a celebration of color, pattern and craft, which is immediately evident on approaching the bright red facade decorated by a colorful clash of geometry and a foreground dominated by a riot of gigantic red podiums.
Gibson, a Mississippi Choctaw with Cherokee descent, is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. For context, the last time Native American artists were included was in 1932.
Gibson, 52, accepts the weight of the honor, but he prefers to focus on how his participation can forge greater inclusion going forward.
“The first is not the most important story," Gibson told The Associated Press this week before the pavilion’s inauguration on Thursday. “The first is hopefully the beginning of many, many, many more stories to come."
The commission, his first major show in Europe, comes at a pivotal moment for Gibson. His 2023 book “An Indigenous Present" features more than 60 Indigenous artists, and he has two major new projects, a facade commission for the Metropolitan Museum of Art in New York and an exhibition at the Massachusetts Museum of Contemporary Art.
Gibson’s eye-catching exhibition titled “the space in which to place me," features text in beadwork sculptures and paintings taken from U.S. founding documents, music, sermons and proverbs to remind the viewer of the broken promises of equity through U.S. history. The vibrant use of color projects optimism. In that way, Gibson’s art is a call to action.
“What I find so beautiful about Jeffrey’s work is its ability to function as a prism, to take the traumas of the past and the questions about identity and politics and refract them in such a way that things that realities that have become flattened … can become these beautiful kaleidoscopes, which are joyous and celebratory and critical all at the same time," said Abigail Winograd, one of the exhibition’s curators.
“When I see people walk through the pavilion and kind of gasp when they walk from room to room, that’s exactly what we wanted," Winograd said.
Entering the pavilion, the beaded bodices of sculptures in human form are emblazoned with dates of U.S. legislation that promised equity, the beading cascading into colorful fringe. A painting quotes George Washington writing, “Liberty, when it begins to take root, is a plant of rapid growth," in geometric letters that meld into a colorful patterned background.
By identifying specific moments in U.S. history, Gibson said that he wants to underline that “people who are fighting for equity and justice today, we’re not the first.
“This has been a line in the history of American culture. But I’m hoping that people will think about why … some of these things … have either been revoked or have not come into fruition,” he said.
Craft is at the center of Gibson’s art, both in defiance of past denigration of craft and as a way to confront “the traumatic histories of Native American people,” he said.
“There is something very healing about the cycle of making," Gibson explained.
The pavilion’s intricate beaded sculptures owe a debt to Native American makers of the past without imitating them, employing couture techniques to create something completely new. In the way of his forbears, Gibson uses beads sourced from all over the world, including vintage beads from Japan and China, and glass beads from the Venetian island of Murano.
Paper works incorporate vintage beadwork purchased from websites, estate and garage sales in mixed media displays that honor the generations of Native American makers that preceded him.
Gibson's themes fit well into the message of inclusion of the main Biennale exhibition, titled “Stranieri Ovunque -- Strangers Everywhere,” which runs in tandem with around 90 national pavilions from April 20-Nov. 24.
His personal history has placed him firmly in what he calls the “diasporic history of Indigenous people.” His father's job took his family abroad when he was a child to Germany and then South Korea, and he later studied in Chicago and London. His partner is Norwegian artist Rune Olsen.
Through all of this, Gibson has picked up traditions and practices that go beyond his Indigenous background.
“I’ve looked at op art, pattern and decoration. I've looked at psychedelia, I have taken part in rave culture and queer culture and drag and the whole spectrum," Gibson said.
"And so for me, I would not be telling you the whole truth if I only chose to spoke about indigeneity. But my body is an Indigenous body — it’s all funneled through this body,'' he said. ”And so my hope is that by telling my experience, that everyone else can project their own kind of intersected, layered experience into the world.”
Artist Jeffrey Gibson, right, poses with artist Mark Bradford at the U.S. pavilion during the media open day at the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
Visitors look at sculptures on display inside the US pavilion by artist Jeffrey Gibson during the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
Visitors look at sculptures on display inside the US pavilion by artist Jeffrey Gibson during the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
Visitors look at sculptures on display inside the US pavilion by artist Jeffrey Gibson during the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
Visitors look at sculptures on display inside the US pavilion by artist Jeffrey Gibson during the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
From left, Curator Abigail Winograd, artist Jeffrey Gibson, and Curator Kathleen Ash-Milby pose at the US pavilion during the media open day at the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
From left, Curator Abigail Winograd, artist Jeffrey Gibson, and Curator Kathleen Ash-Milby pose at the US pavilion during the media open day at the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
Artist Jeffrey Gibson poses at the US pavilion during a media open day at the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
Artist Jeffrey Gibson, right, poses with artist Mark Bradford at the U.S. pavilion during the media open day at the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
Artist Jeffrey Gibson, right, hugs artist Mark Bradford at the U.S. pavilion during media open day of the 60th Biennale of Arts exhibition in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
Artist Jeffrey Gibson poses inside the US pavilion during the media open day at the 60th Biennale of Arts in Venice, Italy, Tuesday, April 16, 2024. A Mississippi Choctaw of Cherokee descent, Gibson is the first Native American to represent the United States solo at the Venice Biennale, the world’s oldest contemporary art show. Gibson mixes Western modernism and Native American craft in his vibrantly hued paintings and sculptures. (AP Photo/Luca Bruno)
