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Column: The dark side of a sport many still love

Sport

Column: The dark side of a sport many still love
Sport

Sport

Column: The dark side of a sport many still love

2019-07-28 01:24 Last Updated At:01:30

It's impossible to reconcile, so I won't even try.

How can you love a sport so filled with tragedy and heartbreak? How can you cheer when you know getting hit in in the head can cause so much harm?

Maxim Dadashev wasn't a world champion. He didn't have an entourage like Manny Pacquiao, and no one paid $74.99 to see him fight on pay-per-view.

FILE - In this Saturday, Oct. 20, 2018 file photo, Maxim Dadashev celebrates after defeating Antonio DeMarco during a junior welterweight bout in Las Vegas. On Saturday, July 20, 2019, doctors said Dadashev had surgery at a Maryland hospital for swelling on his brain after collapsing outside the ring after losing a match. (AP PhotoJohn Locher)

FILE - In this Saturday, Oct. 20, 2018 file photo, Maxim Dadashev celebrates after defeating Antonio DeMarco during a junior welterweight bout in Las Vegas. On Saturday, July 20, 2019, doctors said Dadashev had surgery at a Maryland hospital for swelling on his brain after collapsing outside the ring after losing a match. (AP PhotoJohn Locher)

Like many young boxers, though, the Russian did have a dream. He would become a world champion one day, a goal that seemed possible after he won his first 13 fights, 11 by knockout.

"He was a lovely young man, totally dedicated to boxing," said his promoter, Bob Arum. "We thought he was going to be somebody who would be contending for a world title in the 140-pound division."

Dadashev never got that chance.

In a fight last week televised by ESPN-plus, Dadashev went 11 grueling rounds in Maryland with Subriel Matias, taking more and more punishment as the fight went on before his corner finally stopped it.

Four days later, Dadashev was dead from bleeding in the brain. He was 28.

Just what went wrong can be — and will be — debated. Arum's matchmakers never thought Dadashev would take a beating to begin with. They thought he would win the fight, another in a progression that would hopefully lead to a title bout.

"He seemed OK. He was ready," trainer Buddy McGirt, a former fighter and member of the International Boxing Hall of Fame, told ESPN. "But it's the sport that we're in. It just takes one punch, man."

It was McGirt who finally stopped the fight, even as Dadashev continued to fight back. Dadashev protested when told the fight would be stopped, intent on finishing the final round and maybe landing one big punch to turn it around.

Sometimes fighters have to be saved from themselves. But sometimes they can't be saved at all.

Dadashev needed help leaving the ring and collapsed before getting to his dressing room. He was taken by ambulance to a hospital, where he underwent surgery for bleeding on the brain, and died on Tuesday.

A few days later there was another boxing death, this one in Argentina. Hugo Santillan, a 23-year-old Argentinian, died five days after collapsing following his super lightweight bout against Uruguayan Eduardo Abreu.

The statistics will say it's an aberration and, indeed, there are years that go by without even one death in a pro fight. Sports like cycling, football and baseball that more people engage in account for far more brain injuries.

But no one disputes that boxing is an inherently brutal sport that can not only kill but cause long-term brain damage.

Muhammad Ali was the most famous and celebrated fighter ever, but even he wasn't immune. The punches he took over his career brought on Parkinson's that silenced his once magnificent voice in his later years.

Still, we watch. Still, we celebrate the violence.

"We know that any blow to the head is potentially traumatic," said Martin Mortazavi, a brain surgeon and medical director of the California Institute of Neuroscience. "We also know football causes injuries but people still do it. But these are accepted sports and part of the sport is you take blows to the head. It intertwines with our cultural addictions when we are used to something."

I've covered boxing for the better part of four decades now, and if there were any illusions about the dangers of the sport they were shattered early by the death of Duk Koo Kim at the hands of Ray "Boom Boom" Mancini in 1982. I was ringside for that fight outdoors at Caesars Palace, and there when Kim's family came from South Korea to take his body home.

I also sat in a neurologist's office with former heavyweight champion Leon Spinks and his family when he was diagnosed with brain damage, and spent an afternoon with former middleweight champion Gerald McClellan, who was left blind and brain damaged after his 1995 title fight with Nigel Benn.

McClellan held my hand as we sat together on a couch and asked me the same questions over and over again.

"Tim, what's your favorite color? Tim, what's your favorite food?"

I walked out of McClellan's home in Illinois shaken and wondering why I would be involved in a sport that did such damage. But a few weeks later I was back at ringside, writing about other fighters with the same dreams.

That didn't stop me — and many others — from cringing earlier this year when heavyweight champion Deontay Wilder said he needed to get a body on his record and that "this is the only sport where you can kill a man and get paid for it at the same time." Wilder was trying to sell a fight, but his comments were not only over the line but deeply troubling.

Arum said this is the first time a fighter he promotes has died in the ring, though he has promoted fights with deaths three times, including Duk Koo Kim. He's planning on paying funeral expenses and making what he said will be a large donation to a GoFundMe account for the fallen Russian fighter.

"It's a horrible, horrible tragedy," Arum said. "He had a young family. It's beyond tragic."

There are other things that can happen, too. Medical regulations need to be standardized across states, and all fighters need to have baseline brain scans and annual scans if they are to be allowed to fight.

But Dr. Mortazavi says no one can easily predict who will be hurt by punches and who will emerge unscathed. So far researchers have not been able to figure out why a fighter with 100 fights might show no symptoms of any kind of brain trauma, while one with 13 fights does.

I wish I had the answer.

And I wish I didn't care so much for a sport that can hurt so badly.

Tim Dahlberg is a national sports columnist for The Associated Press. Write to him at tdahlberg@ap.org or http://twitter.com/timdahlberg

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'Civil War’ continues box-office campaign at No. 1

2024-04-22 01:51 Last Updated At:02:00

NEW YORK (AP) — “Civil War,” Alex Garland’s ominous American dystopia, remained the top film in theaters in its second week of release, according to studio estimates Sunday.

The A24 election-year gamble, the indie studio’s biggest budgeted film yet, took in $11.1 million in ticket sales at 3,929 theaters over the weekend. The $50 million film, set in a near-future U.S. in which Texas and California have joined in rebellion against a fascist president, has grossed $44.9 million in two weeks.

Its provocative premise – and A24’s marketing, which included images of U.S. cities ravaged by war – helped keep “Civil War” top of mind for moviegoers.

But it was a painfully slow weekend in theaters – the kind sure to add to concern over what’s thus far been a down year for Hollywood at the box office. Year-to-date ticket sales are down almost 20% compared to last year, according to Comscore.

Going into the weekend, Universal Pictures’ “Abigail,” a critically acclaimed R-rated horror film about the daughter of Dracula, had been expected to lead ticket sales. It came in second with $10.2 million in 3,384 theaters.

That was still a fair result for a film that cost a modest $28 million to make. “Abigail,” which remakes the 1936 monster film “Dracula’s Daughter,” is about a 12-year-old girl taken by kidnappers who soon realize they’ve made a poor choice of hostage. It’s directed by the duo Matt Bettinelli-Olpin and Tyler Gillett whose production company goes by the name Radio Silence.

More concerning was the overall tepid response for a handful of new wide releases – and the likelihood that there will be more similar weekends throughout 2024. Last year’s actors and writers' strikes, which had a prolonged effect on the movie pipeline, exacerbated holes in Hollywood’s release schedule.

Horror films, in recent years among the most reliable cash cows in theaters, also haven’t thus far been doing the automatic business they previous did. According to David A. Gross, who runs the consulting firm Franchise Entertainment Research, horror releases accounted for $2 billion in worldwide sales in 2023.

Guy Ritchie’s “The Ministry of Ungentlemanly Warfare” debuted with $9 million in 2,845 theaters. In the based-on-a-true-story Lionsgate release, which reportedly cost $60 million to produce, Henry Cavill leads a World War II mission off the coast of West Africa.

Though Ritchie has been behind numerous box-office hits, including the live-action “Aladdin” and a pair of Sherlock Holmes films, his recent movies have struggled to find big audiences. The Lionsgate spy comedy “Operation Fortune: Ruse de Guerre” grossed $48 million against a $50 million budget, while MGM’s “The Covenant,” also released last year, made $21 million while costing $55 million to make.

A bright sign for “The Ministry of Ungentlemanly Warfare”: audiences liked it. The film earned an A-minus CinemaScore.

The anime “Spy x Family Code: White,” from Sony’s Crunchyroll, also struggled to stand out with audiences. Though the adaptation of the Tatsuya Endo manga TV series “Spy x Family” has already been a hit with international moviegoers, it debuted below expectations with $4.9 million in 2,009 U.S. theaters.

The mightiest film globally, though, continues to be “Godzilla x Kong: The New Empire.” The Warner Bros. monster movie has for the past month led worldwide ticket sales. It added another $9.5 million domestically and $21.6 million internationally to bring its four-week global total to $485.2 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Civil War,” $11.1 million.

2. “Abigail,” $10.2 million.

3. “Godzilla x Kong: The New Empire,” $9.5 million.

4. “The Ministry of Ungentlemanly Warfare,” $9 million.

5. “Spy x Family Code: White,” $4.9 million.

6. “Kung Fu Panda 4," $4.6 million.

7. “Ghostbusters: Frozen Empire,” $4.4 million.

8. “Dune: Part Two,” $2.9 million.

9. “Monkey Man,” $2.2 million.

10. “The First Omen,” $1.7 million.

This image released by Universal Pictures shows Alisha Weir in a scene from the film "Abigail." (Bernard Walsh/Universal Pictures via AP)

This image released by Universal Pictures shows Alisha Weir in a scene from the film "Abigail." (Bernard Walsh/Universal Pictures via AP)

This image released by A24 shows Kirsten Dunst in a scene from "Civil War." (A24 via AP)

This image released by A24 shows Kirsten Dunst in a scene from "Civil War." (A24 via AP)

'Civil War’ continues box-office campaign at No. 1

'Civil War’ continues box-office campaign at No. 1

'Civil War’ continues box-office campaign at No. 1

'Civil War’ continues box-office campaign at No. 1

This image released by Lionsgate shows Alex Pettyfer, Alan Ritchson, Henry Cavill, Hero Fiennes Tiffin, and Henry Golding in a scene from the film "The Ministry of Ungentlemanly Warfare." (Daniel Smith/Lionsgate via AP)

This image released by Lionsgate shows Alex Pettyfer, Alan Ritchson, Henry Cavill, Hero Fiennes Tiffin, and Henry Golding in a scene from the film "The Ministry of Ungentlemanly Warfare." (Daniel Smith/Lionsgate via AP)

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