Film Review: ‘21 Bridges’ puts New York on lockdown

How excited James Brown would have been for “21 Bridges.” Take you to bridge? How about 21 of them?

But I suspect even the Godfather of Soul would give an easy pass to Brian Kirk’s “21 Bridges,” with Chadwick Boseman (who played Brown in the biopic “Get on Up”). It’s a just-good-enough New York crime thriller, made with sufficient slinky shadows and leading-man charisma to do the trick. Even if its best trick is informing you, in case you ever wondered, how many bridges there are crossing into Manhattan.

The filmmakers, themselves, very nearly got it wrong. The movie’s original title was “17 Bridges.” Accounting errors are one thing, but misplacing the Queensboro Bridge plus three more doesn’t exactly engender confidence in the entire enterprise.

This image released by STXfilms shows, from left, J.K. Simmons, Chadwick Boseman and Sienna Miller in a scene from "21 Bridges," in theaters on Nov. 22. (Matt KennedySTXfilms via AP)

The story is simple, even if the arithmetic isn’t. A drug heist goes awry leaving seven cops dead. Andre Davis (Boseman) is put in charge of the investigation, largely because of his shoot-first reputation. The son of a slain officer, Davis has shot eight people in nine years. He’s known as “a trigger.” And no in the force will mind if this case ends with bloodshed.

With the two suspects believed to be in Manhattan, thanks to an image of them running a light from an overhead camera, Davis orders the most audacious dragnet in the history of dragnets: He shuts down Manhattan for the night, stopping all trains and ferries, shuttering the tunnels and, yes, closing all 21 bridges.

Now, Manhattan isn’t actually a medieval castle that protects itself by moat. Believe it not, there are holes in this plan. For starters, you can just about skip a stone across the Harlem River to the Bronx. Sealing off a sprawling metropolis like Manhattan would be such a mammoth undertaking that I wish “21 Bridges” dropped the plot and instead turned its focus to hysterical transit authority officials. It could have been one very entertaining traffic report.

This image released by STXfilms shows Stephan James, left, and Taylor Kitsch in a scene from "21 Bridges," in theaters on Nov. 22. (STXfilms via AP)

But if the movie’s central conceit — putting Manhattan on lockdown — is laughably implausible, Kirk (who has largely worked in television) nevertheless invests his movie with some genre muscle and noirish atmosphere. The whole film takes place at night, as Davis and the narcotics officer he’s paired with (Sienna Miller) hunt their shooters.

The film tells it both from the detectives’ perspective and the criminals (a pair of veterans played by Stephan James and Taylor Kitsch), who stumbled into 300 kilograms of uncut cocaine when expecting a more small-time heist. That police were casually on the scene at the time adds to the mystery that unfolds while Davis steadily closes in.

With J.K. Simmons playing a suspicious NYPD captain, it’s dispiritingly easy to see where “21 Bridges” is heading. But the quality of the actors — particularly James (“If Beale Street Could Talk”) and a nearly unrecognizable Kitsch — gives “21 Bridges” a heft that its generic story doesn’t deserve. Most of all, Boseman smoothly presides over the movie with poise and command, a fine movie star finally unencumbered by both the dictates of Marvel and the pressures of the biopic. (Though “Avengers: Endgame” directors Joe and Anthony Russo are producers.)

The sanitizing of Manhattan hasn’t been good for the New York crime movie. There are still pockets of scuzzy inspiration to be found (see: the Safdie brothers’ “Good Time”). But, for better or worse, the New York of “The French Connection” may be long gone. “21 Bridges” briefly alludes to that, but it’s wholly unconnected — despite being a movie starring a gun-slinging police officer — to today’s debates of excessive force. “21 Bridges” is well crafted enough to pass the time, but anything more than that is a bridge too far.

“21 Bridges,” an STXfilms release, is rated R by the Motion Picture Association of America for violence and language throughout. Running time: 100 minutes. Two and a half stars out of four.

Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

KUALA LUMPUR, Malaysia (AP) — Malaysia and Indonesia have become the first countries to block Grok, the artificial intelligence chatbot developed by Elon Musk’s xAI, after authorities said it was being misused to generate sexually explicit and non-consensual images.

The moves reflect growing global concern over generative AI tools that can produce realistic images, sound and text, while existing safeguards fail to prevent their abuse. The Grok chatbot, which is accessed through Musk’s social media platform X, has been criticized for generating manipulated images, including depictions of women in bikinis or sexually explicit poses, as well as images involving children.

Regulators in the two Southeast Asian nations said existing controls were not preventing the creation and spread of fake pornographic content, particularly involving women and minors. Indonesia’s government temporarily blocked access to Grok on Saturday, followed by Malaysia on Sunday.

"The government sees non-consensual sexual deepfakes as a serious violation of human rights, dignity and the safety of citizens in the digital space,” Indonesia’s Communication and Digital Affairs Minister Meutya Hafid said in a statement Saturday.

The ministry said the measure was intended to protect women, children and the broader community from fake pornographic content generated using AI.

Initial findings showed that Grok lacks effective safeguards to stop users from creating and distributing pornographic content based on real photos of Indonesian residents, Alexander Sabar, director general of digital space supervision, said in a separate statement. He said such practices risk violating privacy and image rights when photos are manipulated or shared without consent, causing psychological, social and reputational harm.

In Kuala Lumpur, the Malaysian Communications and Multimedia Commission ordered a temporary restriction on Grok on Sunday after what it said was “repeated misuse” of the tool to generate obscene, sexually explicit and non-consensual manipulated images, including content involving women and minors.

The regulator said notices issued this month to X Corp. and xAI demanding stronger safeguards drew responses that relied mainly on user reporting mechanisms.

“The restriction is imposed as a preventive and proportionate measure while legal and regulatory processes are ongoing,” it said, adding that access will remain blocked until effective safeguards are put in place.

Launched in 2023, Grok is free to use on X. Users can ask it questions on the social media platform and tag posts they’ve directly created or replies to posts from other users. Last summer the company added an image generator feature, Grok Imagine, that included a so-called “spicy mode” that can generate adult content.

The Southeast Asian restrictions come amid mounting scrutiny of Grok elsewhere, including in the European Union, Britain, India and France. Grok last week limited image generation and editing to paying users following a global backlash over sexualized deepfakes of people, but critics say it did not fully address the problem.

FILE - Workers install lighting on an "X" sign atop the company headquarters, formerly known as Twitter, in downtown San Francisco, July 28, 2023. (AP Photo/Noah Berger, File)

FILE - Elon Musk listens as President Donald Trump speaks during a news conference in the Oval Office of the White House, May 30, 2025, in Washington. (AP Photo/Evan Vucci, File)