Review: In ‘Knives Out,’ a whodunit for the Trump era

Rian Johnson’s “Knives Out” unravels not just a good old-fashioned murder mystery but the very fabric of the whodunit, pulling at loose threads until it has intricately, devilishly woven together something new and exceedingly delightful.

For all the detective tales that dot television screens, the Agatha Christie-styled whodunit has gone curiously absent from movie theaters. The nostalgia-driven “Murder on Orient Express” (2017), popular as it was, didn’t do much to dispel the idea that the genre has essentially moved into retirement, content to sit out its days in a warm puffy armchair, occasionally dusting itself off for a remake.

But Johnson has since his 2005 neo-noir debut “Brick” shown a rare cunning for enlivening old genres with densely plotted deconstruction. He makes very clever movies (“Looper,” “Star Wars: The Last Jedi”) that sometimes, like in the madcap caper “The Brothers Bloom,” verge on showy overelaboration, of being too much.

This image released by Lionsgate shows Katherine Langford, from left, Toni Collette, Jamie Lee Curtis, Don Johnson, Michael Shannon, Riki Lindholm and Jaeden Lieberher in a scene from "Knives Out." (Claire FolgerLionsgate via AP)

But in the whodunit, too much is usually a good thing. Give us all the movie stars, plot twists and murder weapons you can find. When done well, there is almost nothing better. And “Knives Out,” while it takes a little while to find its stride, sticks the landing, right up to its doozy of a last shot. The whodunit turns out not only to still have a few moves left but to be downright acrobatic.

The film begins like many before it: with a dead body that needs accounting for. Harlan Thrombey (Christopher Plummer), a bestselling mystery writer, is found with his throat cut in a small upstairs room in his sprawling Victorian mansion. Production designer David Crank deserves much credit for the film’s fabulously ornate and much-paneled setting — a Clue board come to life and a home that could rival the modernist abode of “Parasite” for movie house of the year.

Thrombey is extremely wealthy with an expansive family of spoon-fed, entitled eccentrics that would likely mix well with the dynasty of HBO’s “Succession.” And as much intrigue as there is about Harlan’s death, for his children there’s even more about his inheritance. There’s his relator daughter Linda (Jamie Lee Curtis) and her cheating husband Richard (Don Johnson), a vocal Trump supporter; his son Walt (a sweater-wearing Michael Shannon) who runs his father’s publishing house and is married to Joni (Toni Collette); and his grandson Ransom (Chris Evans), the arrogant black sheep of the family.

This image released by Lionsgate shows Lakeith Stanfield, left, and Daniel Craig, right, in a scene from "Knives Out." (Claire FolgerLionsgate via AP)

There are others, too, most notably Harlan’s trusted caregiver Marta (Ana de Armas). The Thrombeys casually refer to her as “the help” and, in a running gag, are all over the map when it comes to her native South American country. A deeper political dimension slowly takes shape as the family’s cavalier indifference to Marta plays a role in the movie’s unspooling mysteries. Juggling themes of class privilege, immigration and ethnocentricity, “Knives Out” is a whodunit for the Trump era.

Some mysteries first submerge themselves in set-up, the crime in question and the entrance of its central detective. Johnson is too restless for such an approach. He favors flashbacks, by the boat load, to go along with elaborate plot mechanics of reversals and perspective switcheroos. That gives “Knives Out” a somewhat clunky and imperfectly paced first act, something Johnson makes up for with the payoff of his finale. But for a movie with so many fine actors having so much fun, we get surprisingly little of the Thrombeys as a whole.

Instead, our detective calls almost immediately. Enter Benoit Blanc (Daniel Craig), a flamboyant Louisiana investigator of such renown that he’s already been profiled in the New Yorker as “the last of the gentleman sleuths.” Even with such immaculate set dressing all around him (the mystery writer’s house is decorated throughout with murder weapons, including a throne of knives), Craig still manages to chew plenty of scenery with his heavily accented Southern-style Poirot. One calls him “Foghorn Leghorn,” another “CSI: KFC.” He’s accompanied by another detective (an underused Lakeith Stanfield) but he quickly makes Marta his sidekick; she has a useful aversion to lies, throwing up every time she tells one.

This image released by Lionsgate shows Jamie Lee Curtis, from left, Christopher Plummer, Don Johnson and Michael Shannon in a scene from "Knives Out." (Claire FolgerLionsgate via AP)

There isn’t much that isn’t knowing in Johnson’s dialogue. He delights in playing by the genre’s rules and remaking them at once. There are winking references here to “Hamilton” and “Baby Driver,” and “Knives Out” more than once risks being overwhelmed by self-satisfaction.

But “Knives Out,” in the end, believes earnestly in the whodunit, it just wants to turn it inside out. To say more about that would spoil the fun. But keep an eye here, and elsewhere, on de Armas. The “Blade Runner 2049” actress (soon to be seen in the next James Bond film, also with Craig) isn’t the biggest star in a film awash with A-listers. But with neither cloak nor dagger, she seizes “Knives Out.” It’s hers.

“Knives Out,” a Lionsgate release, is rated PG-13 by the Motion Picture Association of America for thematic content, some disturbing images and strong language. Running time: 126 minutes. Three and a half stars out of four.

This image released by Lionsgate shows Ana de Armas in a scene from "Knives Out." (Claire FolgerLionsgate via AP)

MPAA Definition of PG-13: Parents strongly cautioned. Some material may be inappropriate for children under 13.

Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

This image released by Lionsgate shows Ana de Armas, left, and Daniel Craig in a scene from "Knives Out." (Claire FolgerLionsgate via AP)

The Golden Globes bill themselves as Hollywood’s booziest bash. This year, is anyone ready to party?

Political tension and industrywide uncertainty are the prevailing moods heading into Sunday night's 83rd Golden Globes. Hollywood is coming off a disappointing box-office year and now anxiously awaits the fate of one of its most storied studios, Warner Bros.

A celebratory mood might be even more elusive given that the wide majority of the performers and filmmakers congregating at the Beverly Hilton in Beverly Hills, California, oppose the policies of President Donald Trump. Likely to be on the minds of many attendees: the recent U.S. involvement in Venezuela and the fatal shooting of 37-year-old mother Renee Good in Minneapolis by Immigration and Customs Enforcement.

But through their ups and downs, the Globes have always tried to put pomp over politics. Host Nikki Glaser has vowed as much.

“You’d be surprised that half the room had no clue why I was saying ‘Venezuela,’” Glaser told The Associated Press earlier in the week, referring to her comedy-club warm-ups. “People aren’t getting the news like we all are.”

Glaser, a comic known for her roast appearances, has promised to go after A-listers in her second time hosting.

“We’re going to hit Leo,” Glaser said. “The icebergs are coming.”

Here’s what to look for at this year’s Globes:

The Golden Globes kick off at 8 p.m. EST on CBS while streaming live for Paramount+ premium subscribers. E!’s red carpet coverage begins at 6 p.m. EST.

The Associated Press will be have a livestream show beginning at 4:30 p.m. Eastern with a mix of stars' arrivals, fashion shots and celebrity interviews. It will be available on YouTube and APNews.

The overwhelming Oscar favorite “One Battle After Another” comes in with a leading nine nominations. It’s competing in the Globes’ musical or comedy category, which means the drama side might be more competitive. There, Ryan Coogler’s “Sinners,” Chloé Zhao’s “Hamnet” and Joachim Trier’s “Sentimental Value” are all in the mix.

But thus far, “One Battle After Another” has cleaned up just about everywhere. Much of Paul Thomas Anderson’s cast is nominated, including DiCaprio, Teyana Taylor, Sean Penn, Chase Infiniti and Benicio Del Toro.

If it and “Sinners” take home the two biggest prizes, it will be a banner night for Warner Bros. even as its future hangs in the balance. The studio has agreed to be acquired by Netflix is a deal worth $82.7 billion. Movie theaters have warned such a result would be “a direct and irreversible negative impact on movie theaters around the world.”

The merger awaits regulatory approval, while Paramount Skydance is still trying to convince Warner shareholders to accept its rival offer.

After an audacious promotional tour for “Marty Supreme,” Timothée Chalamet is poised to win his first Globe in five nominations. In best actor, comedy or musical, he’ll have to beat DiCaprio, a three-time Globe winner, and Ethan Hawke (“Blue Moon”).

In best actress, comedy or musical, Rose Byrne is the favorite for her performance in the not especially funny A24 indie “If I Had Legs I’d Kick You.” One prominent nominee in the category, Cynthia Erivo (“Wicked: For Good”), won’t be attending due to her schedule in the West End production “Dracula.”

Jessie Buckley (“Hamnet”) is the clear front-runner in best actress, drama. In the star-studded best actor, drama, category, the Brazilian actor Wagner Moura (“The Secret Agent”) may win over Michael B. Jordan (“Sinners”) and Joel Edgerton (“Train Dreams”).

In the supporting categories, Teyana Taylor and Stellan Skarsgård come in the favorites.

The Globes, formerly presented by the Hollywood Foreign Press Association, have no overlap or direct correlation with the Academy Awards. After being sold in 2023 to Todd Boehly’s Eldridge Industries and Dick Clark Productions, a part of Penske Media, the Globes are voted on by around 400 people. The Oscars are voted on by more than 10,500 professionals.

But in the fluctuating undulations of awards season, a good speech at the Globes can really boost an Oscar campaign. Last year, that seemed to be the case for Demi Moore, who won for “The Substance” and gave the night's most emotional speech. Mikey Madison (“Anora”), however, scored the upset win at the Oscars.

A few potentially good moments this year went instead in a Golden Eve ceremony earlier this week. There, the Cecil B. DeMille and Carol Burnett honorees, Helen Mirren and Sarah Jessica Parker, accepted their awards.

One to watch, if he wins, will be the Iranian director Jafar Panahi. His revenge drama “It Was Just an Accident” is up for four awards. Panahi has spent most of his career making films clandestinely, without approval of authorities, and was until recently banned from leaving the country. Last month, he was sentenced to a year in prison, which would be only his latest stint behind bars if Panahi returns home to serve it. This week, protests over Iran’s ailing economy have spread throughout the country in a new test to Iran's leaders.

For the first time, the Globes are trotting out a new podcast category. The nominees are: “Armchair Expert,” “Call Her Daddy,” “Good Hang With Amy Poehler,” “The Mel Robbins Podcast,” “SmartLess” and “Up First.”

In TV, HBO Max’s “The White Lotus” — another potential big winner for Warner Bros. — leads with six nominations. Netflix’s “Adolescence” comes in with five nods.

But the most closely watched nominee might be “The Studio.” The first season of Seth Rogen’s Hollywood satire memorably included an episode devoted to drama around a night at the Globes. (Sample line: “I remember when the red carpet of the Golden Globes actually stood for something.”) “The Studio” is up for three awards, giving three chances for life to imitate art.

For more coverage of this year’s Golden Globe Awards, visit: https://apnews.com/hub/golden-globe-awards

Tessa Thompson arrives at the Golden Globes Golden Eve on Tuesday, Jan. 6, 2026, at The Beverly Hilton Hotel, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)

Nikki Glaser rolls out the red carpet during the 83rd Golden Globes press preview on Thursday, Jan. 8, 2026, at the Beverly Hilton in Beverly Hills, Calif. (AP Photo/Chris Pizzello)