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A dark, twisted, heartfelt family pic in 'The Willoughbys'

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A dark, twisted, heartfelt family pic in 'The Willoughbys'
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A dark, twisted, heartfelt family pic in 'The Willoughbys'

2020-04-22 00:11 Last Updated At:00:20

Maya Rudolph loves stories about unconventional families. It’s why her daughter brought Lois Lowry’s “The Willoughbys” to her attention well before she knew that there was a planned film adaptation. The novel, from 2010, is a gently macabre Lemony Snicket-meets-Roald Dahl cocktail of terrible parents and quirky children who’d prefer to be rid of one another.

“I knew right away once she told me about this strange family,” Rudolph said. “That always gets me. I like a strange family story.”

So, Rudolph was especially excited to sign on to the animated film ( on Netflix Wednesday ) in which she plays the cheery nanny to the four grossly neglected Willoughby children — the eldest of which, Tim, is voiced by her longtime friend and comedy peer Will Forte.

This image released by Netflix shows Nanny, voiced by Maya Rudolph, in a scene from "The Willoughbys," premiering Wednesday on Netflix. (Netflix via AP)

This image released by Netflix shows Nanny, voiced by Maya Rudolph, in a scene from "The Willoughbys," premiering Wednesday on Netflix. (Netflix via AP)

“Anytime that Maya is involved in something and I get a chance to be in it makes it a very easy answer,” Forte said.

The cast is brimming with comedic talent. Ricky Gervais plays the narrator cat with his own wry flair; Terry Crews brings a gleeful energy as a Willy Wonka-like candy titan named Commander Melanoff; and Jane Krakowski and Martin Short go delightfully over-the-top as parents who could not be more annoyed about that fact.

Some, like Crews, Forte and Krakowski, had worked with director and co-writer Kris Pearn (“Cloudy with a Chance of Meatballs 2”) before, but Krakowski had the added sell of getting to work with Short.

“I think he’s a comic genius so it was an absolute pleasure to try to riff off of him in the vaudevillian way that the parents exist,” Krakowski said.

And amidst all the veterans is a newcomer to film: Singer-songwriter Alessia Cara, who voices the more adventurous middle Willoughby child Jane.

“I’m very camera shy,” said Cara, who also sings the original song “I Choose” in the film. “It was a perfect medium because I got to act and showcase that side but at the same time not be on camera.”

If the Lemony Snicket and Dahl comparisons are any indication, “The Willoughbys” has a dark sense of humor. At one point, the starving and outcast children decide that the only way they’re going to be saved is to “orphan” themselves. So, yes, they do hatch a plot to make sure their parents don’t come back from vacation.

But take it from the parents in the cast: Younger viewers aren’t going to get any devious ideas.

“The comedy is a bit twisted and yet funny,” Rudolph said. “There is actual heart combined with the most extreme characters.”

Krakowski showed it to her 9-year-old son recently, as they’re navigating sheltering in place and homeschooling like many other families across the country.

“It was just wonderful to have something fun and entertaining to watch and something new to watch at this time,” she said. “(And he) only came away with the most positive response. He took away that it was all about rainbows and a fun adventure and a talking cat.”

Crews, who said the whole film has “Ricky's sensibility,” had a similar experience watching it with his granddaughter in this time of extreme highs and lows.

“I thought, this is the kind of movie we need right now,” he said. “Kids get a lot more than you give them credit for. They understand a lot more. They can handle a lot more than you think they can.”

And it’s a visual feast as well with animation that’s bursting with vibrant imagination in every frame.

“I would be fulfilled just watching it with the sound off,” said Forte. “The best way to describe it is that I went to Red Rocks once and just walking into Red Rocks, you look around and you're like I don't even need to see a concert, this is so beautiful. And then I got to watch Radiohead ... This is the same way."

Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr

NEW YORK (AP) — A federal judge has dismissed the pioneering hip-hop group Salt-N-Pepa’s lawsuit to reclaim ownership of their master recordings from Universal Music Group.

U.S. District Judge Denise Cote on Thursday sided with the recording giant, arguing that the Grammy-winning group never owned the copyrights to their sound recordings and didn't transfer them to anyone else.

“Plaintiffs can only terminate copyright transfers that they executed,” the judge wrote. “None of the contracts identified by Plaintiffs indicate that they ever owned the Master Tapes.”

UMG argued that the recordings were “works made for hire,” which would not allow for the reclaiming of rights. Salt-N-Pepa’s lawsuit said their agreements with the label made it clear that they were not.

“Even with the court’s complete rejection of their claims, we remain open and willing to find a resolution to the matter and turn the page so we can focus our efforts on working together to amplify Salt-N-Pepa’s legacy for generations to come,” UMG said in a statement.

Representatives for Salt-N-Pepa said in a statement that they disagreed with the judge's decision and “fully intend to pursue our rights on appeal,” adding: “We remain committed to vindicating and reclaiming our rights as creators under the Copyright Act."

The Queens, New York, duo of Cheryl “Salt” James and Sandra “Pepa” Denton became Salt-N-Pepa in 1985. They were later joined by DJ Spinderella, who was not part of the early agreements under dispute and is not involved in the lawsuit.

Salt-N-Pepa signed with Next Plateau Records and released their debut album "Hot, Cool & Vicious" in 1986. Next Plateau was an independent label at the time, and it’s now under the banner of Universal’s Republic label. Some of the group's hits include 1993’s “Shoop” and 1987’s “Push It.”

In 1995 they became the first female rap group to win a Grammy, and in 2021, they received a Grammy lifetime achievement award. In November, they followed Missy Elliott as the second female hip-hop act in the Rock & Roll Hall of Fame, handed the Influence Award.

At the podium during the induction ceremony, James noted the group's legal fight: "This is the Influence Award. We have to keep using our influence until the industry honors creativity the way the audience does — with love, respect and fairness.”

In their lawsuit, Salt-N-Pepa claimed that the 1976 Copyright Act gives artists the right to reclaim ownership of master recordings and terminate past agreements after 35 years.

But the judge sided with UMG's argument that there is no evidence that James and Denton granted the label copyright that they can now reclaim.

FILE - Sandra Denton, from left; DJ Spinderella and Cheryl James of Salt-N-Pepa arrive at the 2025 Rock and Roll Hall of Fame Induction Ceremony on Nov. 8, 2025, at L.A. Live in Los Angeles. (Photo by Richard Shotwell/Invision/AP, File)

FILE - Sandra Denton, from left; DJ Spinderella and Cheryl James of Salt-N-Pepa arrive at the 2025 Rock and Roll Hall of Fame Induction Ceremony on Nov. 8, 2025, at L.A. Live in Los Angeles. (Photo by Richard Shotwell/Invision/AP, File)

FILE - Missy Elliott, from left, and Sandra Denton with Cheryl James, right of Salt-N-Pepa, react during the 2025 Rock and Roll Hall of Fame Induction Ceremony on Nov. 8, 2025, at L.A. Live in Los Angeles. (AP Photo/Chris Pizzello, File)

FILE - Missy Elliott, from left, and Sandra Denton with Cheryl James, right of Salt-N-Pepa, react during the 2025 Rock and Roll Hall of Fame Induction Ceremony on Nov. 8, 2025, at L.A. Live in Los Angeles. (AP Photo/Chris Pizzello, File)

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