A masterpiece from Hideki Matsuyama to take Masters lead

Hideki Matsuyama showed he could handle Augusta National when he first showed up as a 19-year-old amateur. Ten years later, the Japanese star put himself on the cusp of a green jacket Saturday at the Masters.

In a stunning turnaround after storms doused the course, Matsuyama had four birdies, an eagle and a superb par at the end of a 7-under 65, turning a three-shot deficit into a four-shot lead as he tries to become the first Japanese player to win a major.

“This is a new experience for me being a leader going into the final round in a major,” Matsuyama said. “I guess all I can do is relax and prepare well and do my best.”

Hideki Matsuyama, of Japan, walks on the 15th hole with his caddie Shota Hayafuji during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoMatt Slocum)

Matsuyama was at 11-under 205, and no one could stay with him after the delay. It lasted 1 hour, 18 minutes because of dangerous weather and just enough rain fell that crusty Augusta National was a little more forgiving.

He hit what he said was his worst shot of the day right before the delay, a tee shot into the trees on the right. He punched a 7-iron out to 20 feet for birdie and was on his way.

The break brought the Masters to life, and at times it was hard to keep up.

Hideki Matsuyama, of Japan, tees off on the 12th hole during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoDavid J. Phillip)

Xander Schauffele ran in a 60-foot eagle putt across the 15th green to momentary join a four-way tie for the lead. Seconds later, Justin Rose holed a 25-foot birdie putt back on the par-3 12th to regain the lead. That lasted as long as it took Matsuyama to rap in his 5-foot eagle putt on the 15th to take the lead for good.

The entire sequence took no more than two minutes.

But after that, no one could catch Matsuyama. When the round ended, Schauffele (68), Rose (72), Marc Leishman (70) and Masters rookie Will Zalatoris (71) were all at 7-under 209.

Hideki Matsuyama, of Japan, runs across the Nelson Bridge on the 13th hole during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoDavid J. Phillip)

Jordan Spieth was within two shots of the lead despite a double bogey on the seventh hole, but he couldn't keep pace and shot 72 to fall six shots behind.

Matsuyama will play in the final group with Schauffele, a comfortable pairing. Schauffele's mother was raised in Japan and he speaks enough Japanese to share a few laughs with Matsuyama during Saturday's pairing.

That won't eliminate all the pressure. His lone shot at a major was at Quail Hollow in the 2017 PGA Championship when he was one shot behind with three holes to play and missed a crucial par putt. He was in tears after that round, a player under enormous pressure in golf-mad Japan.

Justin Rose, of England, walks in the rain to the 13th green during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoGregory Bull)

Matsuyama wasn't the first Japanese star of his generation — that was close friend Ryo Ishikawa — but he is by far the most accomplished. Matsuyama has 14 worldwide wins, five on the PGA Tour. He has reached as high as No. 2 in the world.

He won the Asia-Pacific Amateur in 2010 that earned him a spot in the Masters the following year. He was the only amateur to make the cut, finishing on the same score (1 under) as defending champion Phil Mickelson.

A decade later, he is on the cusp of history. The only other player from an Asian country to win a men's major is Y.E. Yang in the 2009 PGA Championship at Hazeltine.

Hideki Matsuyama, of Japan, hits out of a bunker on the first hole during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoMatt Slocum)

Matsuyama wouldn't have believed he could leave Augusta National on Saturday night with a four-shot lead. But he knew he was playing well, and he showed it. On a course that has played difficult all week, he delivered the first bogey-free round of the week.

The signature shot was his 5-iron to a left pin to 5 feet for eagle. Equally stellar was an 8-iron to the front right shelf on the par-3 16th to 5 feet for a birdie, and then his pitching wedge to 10 feet behind the hole on the 17th. His work still wasn't through.

From a fairway bunker on the 18th, Matsuyama sent it soaring over the green and up the walkway toward the clubhouse, some 25 yards to the hole with little margin for error with a back pin. His chip bounced with enough spin to trickle out to 3 feet for par.

Will Zalatoris chips to the 13th green during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoCharlie Riedel)

It was reminiscent of Spieth closing out his third round in 2015 with a tough par save on the 18th to take a four-shot lead into the final round. That's what Matsuyama has on Sunday, with a nation watching.

He rarely can go anywhere on the PGA Tour without a dozen or more Japanese media following. Their numbers are limited this year because of COVID-19 travel restrictions.

“Being in front of the media is still difficult. It's not my favorite thing to do,” Matsuyama said through his interpreter. “It's been a lot less stress for me. I've enjoyed this week.”

Will Zalatoris putts on the 13th hole during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoGregory Bull)

A victory would give Japan a sweep this week. Tsubasa Kajitani won the Augusta National Women's Amateur last Saturday.

Jordan Spieth walks across the Sarazen Bridge on the 15th hole during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoMatt Slocum)

Jordan Spieth watches his putt on the 13th green during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoCharlie Riedel)

Jordan Spieth reacts to a missed birdie putt on the 13th green during the third round of the Masters golf tournament on Saturday, April 10, 2021, in Augusta, Ga. (AP PhotoCharlie Riedel)

AUGUSTA, Ga. (AP) — AP photographer Matt Slocum knows his way around the bucolic Augusta National Golf Club during the week of the Masters — it’s a difficult task with all the regulations that help preserve the aura of the tournament. So, when he saw the light and clouds combining for a perfect backdrop, he knew exactly where he should go to take some tee shots. He also knew how to stay ahead of the patrons to get to his perfect spot. Here’s what he had to say about making this extraordinary image.

The Masters is one of the most revered tournaments of professional golf — it’s also one of the toughest for photographers and golfers. One of golf’s four majors, it's full of history and tradition; rules and etiquette; joy and pain for both us and them.

Photographers are not allowed “inside the ropes” at the Masters — patrons are kept from the playing areas such as fairways and greens by ropes that mark the course. Being on the players’ side of the ropes give photographers better sight lines and ease of movement. But The Associated Press is lucky to have a good mix of photographers and editors onsite to help cover the tournament. We work together under the direction of David J. Phillip. With his vast Masters knowledge and experience, he guides us around the course as the day progresses and golfers charge up the leaderboard. Teamwork and communication are vital when covering this tournament. It’s tough to navigate the course quickly. You learn the hard way which crosswalks to avoid at peak times. Photographers that work together and are organized will have more success and less frustration overall.

Because we are not allowed inside the ropes, we tend to camp out at strategic spots and then leapfrog around before the crowds get too big. There are a few tee boxes that have access from behind. Patrons at the Masters are very polite and helpful when asked if we can kneel in front of them to get a key shot. By staying low, we don’t block them, and it allows us to emphasize the golfer and clean up the background. Once you find an area or light that is productive, you tend to work it, group after group to make scenic photos. You can vary the exposure and lens you use to add variety — wide, normal and telephoto.

In this case, golfers were teeing off toward the back of the box. I carried a fast, moderate-wide angle lens, a Sony 35mm F/1.4 GM and a Sony A1 mirrorless camera in anticipation of making this kind of photo. We are very lucky Sony is onsite to clean, repair and loan equipment. Not that I ever break anything, but many thanks to Van Nguyen, for replacing something I might have broken. I was shooting on a nearby hole when the clouds started to break and the blue sky appeared. This was my 14th Masters; I knew where to go in my area to line up a golfer with the sky.

I set my camera with the lowest native ISO, 100, to emphasize the dramatic sky. As golfer Rory McIlroy walked up the tee, I placed the camera very low and tried to keep him centered among the trees lining the hole. I just about always shoot at the widest aperture available, in this case F/1.4, to keep the emphasis on McIlroy. I was hunched way over on my knees, straining see the built-in level on the back of the screen. The camera was set to its fastest frame rate, 30 frames per second. I set the fastest shutter speed, 1/32,000th, to freeze all movement. I held the shutter release down for less than a second and made 22 crooked frames of the swing sequence. I picked a few visually pleasing moments to send to my editors Chris Carlson and Darron Cummings. It’s not obnoxiously crooked and has a nice feel, but it’s not perfect. “You can do better,” I hear from a ghost my head.

This photo is unique because of the clouds. There was a storm that delayed the start of the tournament that morning. It was dark and grey for most of the day. The shallow depth of field helps keep your eye focused on Rory. Using a very fast shutter speed helps make the bright areas of the image darker. It brings out the clouds, knocks down the crowd and freezes the golfer’s club at the top of his swing. The clouds are still breaking, framing the golfer and starting to add light on his swing.

For more extraordinary AP photography, click here.

Rory McIlroy, of Northern Ireland, hits his tee shot on the ninth hole during the first round at the Masters golf tournament at Augusta National Golf Club Thursday, April 11, 2024, in Augusta, Ga. (AP Photo/Matt Slocum)