Maurizio Cattelan, Zoe Saldana join iconoclastic Vatican Biennale exhibition inside women’s prison

VENICE, Italy (AP) — A pair of nude feet — dirty, wounded and vulnerable — are painted on the façade of the Venice women’s prison chapel. It's the work of Italian artist Maurizio Cattelan and part of the Vatican’s pavilion at the Venice Biennale contemporary art show in an innovative collaboration between inmates and artists.

That Cattelan is the lead artist is striking, given that his provocative life-size wax statue of Pope John Paul II lying on his side, crushed by a massive meteorite, shocked Catholics when it was displayed at the 2001 Biennale. The new work, titled “Father,” is considered a thematic counterpoint to a performance piece he produced for the 1999 Biennale titled “Mother,” during which a religious ascetic was buried under sand, with only his hands clasped in prayer showing.

The Vatican’s culture minister, Cardinal Jose Tolentino de Mendonca, praised the work, which he said recalled the naked, dirty feet of Caravaggio’s saints, while also being highly symbolic of the journey behind the Holy See’s pavilion, showing “the desire to dirty one’s feet, to show that whoever has feet has a carnality.’’

Tolentino de Mendonca, prefect of the Dicastery for Culture and Education, said the Vatican did not want to shy away from artists or works that might be considered iconoclastic, or critical of institutions like the Catholic church.

“Pope Francis calls us to dialogue. Dialogue is not just with the people who are mirrors of ourselves,’’ he told The Associated Press. “We did not seek out easy artists. We sought real artists. Cattelan’s work is very interesting under a religious point of view, because there is something iconoclastic in his work, but also in the mystic there is something that can be called iconoclastic, in the sense of deconstructing the religious representation.’’

Pope Francis, who met with over 200 artists in the Sistine Chapel last year, will see for himself when he visits the pavilion April 28, meeting inmates and artists, and according to the prefect not just the ones participating in the pavilion.

Cattelan, who wandered by the work as preview tours continued this week, declined to discuss his contribution but said the feet would be reproduced on a church in Rome in the future.

Cattelan’s artwork can be viewed by anyone who makes the trek to the Giudecca island prison. Those who want to see the other works will be guided through the prison on four daily tours by inmates, leaving bags and mobile phones in lockup.

Closed Wednesdays, a maximum 600 people will view the pavilion each week during the Biennale's run from April 20-Nov. 26. The 60th International Art Exhibition comprises 88 national pavilion s along with a main show curated this year by Brazilian Adriano Pedrosa.

On a recent tour, three inmates wearing elegant black and white smocks made by prison seamstresses guided journalists through an installation by Simone Fattal who transformed inmates’ poems into small ceramic plaques hung along a brick alleyway.

The tour continued to a prison coffee bar decorated with posters by onetime Catholic nun Corita Kent and into a gallery where Claire Tabouret has painted images from photographs provided by inmates of themselves and loved ones.

The conceptual artistic duo known as Claire Fontaine provided a neon eye with a slash through it for an outdoor corridor, and another neon sign that reads: “Siamo con voi nella notte," (“We are with all of you in the night”).

That sign, in a courtyard where the inmates can gather during the day, provides a reassuring blue glow into the overlooking cells where they sleep.

“When we read this writing, it gives us encouragement, because there is someone with us day and night,” said one inmate named Manuela, who like the others declined to give their full names. “At night, we see the blue light, so we know it is there.”

The tour ended with a 15-minute film by Italian director Marco Perego starring his wife, actor Zoe Saldana, both of whom tagged along. Saldana plays an inmate in her final hours before release, and she took inspiration from the inmates who appeared in the film. To protect their privacy, the film can only be seen within the prison walls.

“What we wanted to provide for them was just a little bit of visibility, and to add a little bit of levity through art, which is exactly what we accomplished,’’ Saldana said.

Their desire for visibility was expressed in letters that the women gave the couple each night after filming, and through requests to pose with the couple for photos, which Saldana said they printed as keepsakes for the women.

Chiara Parisi, the director of the Centre Pompidou-Metz and one of the curators, said the project created a unique synergy between artists and inmates that opened lines of empathy. After the pavilion closes at the end of the Biennale, she said a coat of paint would likely cover Cattelan’s work, while the other pieces will find other venues; she said she hoped its larger legacy would be other similar initiatives.

“Through this pavilion, we hope to truly demonstrate the desire for freedom, the work to get out, to be free is something essential," Parisi told AP. “Detention is a moment in their lives, and the artists say so, they themselves say so. Just a moment, a photograph, that should not impact what comes after, should not prejudice their future lives.”

U.S. actress Zoe Saldana looks to her husband and movie director Marco Perego during press preview inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Simone Fattal is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Claire Tabouret is displayed inside the women's prison of he Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Sonia Gomes is displayed inside the church Santa Maria Maddalena Convertita at the women's prison of he Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Sonia Gomes is displayed inside the church Santa Maria Maddalena Convertita at the women's prison of he Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Simone Fattal is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

Reporters watches an installation by artist Corita Kent displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Simone Fattal is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

An installation by artist Simone Fattal is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

The installation 'White Sight' by artist Claire Fontaine is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

The installation 'Siamo con voi nella notte' (We are with you overnight) by artist Claire Fontaine is displayed inside the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

The installation '"I piedi, insieme al cuore, portano la stanchezza e il peso della vita" ('The feet, together with the heart, carry the tiredness and weight of life') by Italian artist Maurizio Catalan is displayed on the facade of the church next to the women's prison at the Giudecca island during the 60th Biennale of Arts exhibition in Venice, Italy, Wednesday, April 17, 2024. A pair of nude feet dirty, wounded and vulnerable are painted on the façade of the Venice women's prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican's pavilion at the Venice Biennale in an innovative collaboration between inmates and artists. (AP Photo/Luca Bruno)

CALGARY, Alberta (AP) — Lauren Coughlin held onto the lead Friday in the CPKC Women’s Open, while Canadian star Brooke Henderson was derailed by closing bogeys at windy and smokey Earl Grey Golf Club.

Coughlin followed her opening 4-under 68 on Thursday in chilly and windy conditions with a 70 on Friday to get to 6 under, a stroke ahead of Hannah Green and Haeran Ryu. The temperature made it into the 70s after barely climbing into the 60s on Thursday.

“I think I handled it really well overall,” Coughlin said. “It was just really difficult to judge how far the ball was going to go with the wind and the crosswind and how firm the greens got. And they had some tough pins, especially considering the direction of the wind.”

Playing through a smokey haze from wildfires, Henderson bogeyed the final four holes in her afternoon round for a 73 that left her seven strokes back at 1 over. She won the 2018 tournament.

“Most of the day I was 3 under, so feeling pretty great,” Henderson said. “To walk away 1 over, that’s not the best feeling. But all you can do is move forward and try to learn from some of the things you did out there.”

Coughlin is coming off a fourth-place finish two weeks ago in France in the major Evian Champions. The 31-year-old former University of Virginia player is winless on the LPGA Tour.

On Friday, she had three front-none birdies and dropped a stroke on the par-4 11th. In two rounds, she's 7 under on the first nine holes and 1 over on the second nine.

“I putted extremely well,” Coughlin said. “Two-putted really well all day. Took advantage of the front nine, which you have to, and then kind of hold on on the back nine.”

Green matched Coughlin with a 70. The Australian is a two-time winner this year, taking the HSBC Women’s World Championship in Singapore in February and the JM Eagle LA Championship in April.

“It was tough again out there,” Green said. “There was some pretty strong wind gusts, especially our last few holes, so committing to the shot you were envisioning was kind of difficult.”

Ryu bogeyed the 18th for 69.

“The weather is really bad,” Ryu said. “Is a little bit cold and so windy.”

The 23-year-old South Korean player won the Walmart NW Arkansas Championship last year for her first LPGA Tour title. She was second last week in Ohio in the Dana Open.

Three-time champion Lydia Ko had a 71 to join second-ranked Lilia Vu (70) and Jennifer Kupcho (72) at 3 under. Ko won as an amateur in 2012 at age 15, successfully defended her title as an amateur in 2013 and won as a professional in 2015.

“It’s not easy — and I think the scores are showing,” Ko said. “Anything kind of under par the past couple days is a really solid round. I’m pretty happy with the way I started this week.”

Kupcho topped the leaderboard at 8 under after birdieing five of the first eight holes in her morning round, then was 5 over the rest of the way. She had a double bogey on the par-4 16th, four bogeys and a birdie on her final nine holes.

“I’m pretty upset,” Kupcho said. “I think in hindsight I still hit 15 greens. Like I was hitting the ball really good. Three-putted 10 and 11 and four-putted 16. I didn’t play bad. Just had a couple shaky putts down the stretch — and that’s going to happen.”

Lexi Thompson was in the group with Henderson tied for 26th at 1 over after a 73 The American plans to play a limited schedule after this season.

AP golf: https://apnews.com/hub/golf

Lexi Thompson, of the United States, chips on the first hole during the second round at the LPGA Canadian Women's Open golf tournament in in Calgary, Alberta, Friday, July 26, 2024. (Jeff McIntosh /The Canadian Press via AP)

Jennifer Kupcho, of the United States, watches her tee shot on the fifteenth hole during the second round at the LPGA Canadian Women's Open golf tournament in in Calgary, Alberta, Friday, July 26, 2024. (Jeff McIntosh /The Canadian Press via AP)

Jennifer Kupcho, of the United States, lines up a putt on the fourteenth green during the second round at the LPGA Canadian Women's Open golf tournament in in Calgary, Alberta, Friday, July 26, 2024. (Jeff McIntosh /The Canadian Press via AP)

New Zealand's Lydia Ko hits a tee shot on the first hole during the second round at the LPGA Canadian Women's Open golf tournament in in Calgary, Alberta, Friday, July 26, 2024. (Jeff McIntosh /The Canadian Press via AP)

Korea's Haeran Ryu hits a tee shot on the fourth hole during the second round at the LPGA Canadian Women's Open golf tournament in Calgary, Alberta, Friday, July 26, 2024. (Jeff McIntosh/The Canadian Press via AP)

Canada's Brooke Henderson hits a tee shot on the second hole during the second round at the LPGA Canadian Women's Open golf tournament in Calgary, Alberta, Friday, July 26, 2024. (Jeff McIntosh/The Canadian Press via AP)

Lauren Coughlin, of the United States, hits from the fairway on the sixth hole during the second round at the LPGA Canadian Women's Open golf tournament in Calgary, Alberta, Friday, July 26, 2024. (Jeff McIntosh/The Canadian Press via AP)

Lauren Coughlin, of the United States, hits a tee shot on the seventh hole during the second round at the LPGA Canadian Women's Open golf tournament in Calgary, Alberta, Friday, July 26, 2024. (Jeff McIntosh/The Canadian Press via AP)