Yang Yu, director of "Ne Zha 2", an animated feature film that recently became China's all-time top-grossing film, said in an interview with China Media Group (CMG) that he makes every film as if it were his last.
By Thursday, “Ne Zha 2” had taken in more than 5.77 billion yuan (about 804.84 million U.S. dollars) in box office revenue, achieving the milestone in just eight days and five hours, according to ticketing platforms Maoyan and Beacon.
Surpassing 2021 war epic "The Battle at Lake Changjin", the film has become the highest-grossing film of all time in China.
The animated feature is the sequel to the 2019 animated blockbuster "Ne Zha", drawing inspiration from the tale of a mythological figure of the same name from the Ming Dynasty (1368-1644) novel "Fengshen Yanyi", or "The Investiture of the Gods".
The first "Ne Zha" generated an impressive 5 billion yuan in box office revenue, while also winning numerous accolades.
Yang said that making "Ne Zha 2" following the huge success of the first movie brought rising expectations from the audience and pushed the creative team to set high standards for the sequel.
"[The huge success of the prequel] gave us momentum, pressure and anxiety. The prequel was a big surprise to the audience, because they had no expectation for it, but 'Ne Zha 2' was produced amid rising expectation, which put us under pressure and kept pushing us forward. So, we set high standards for 'Ne Zha 2' and pushed ourselves to the limit," said Yang.
Noting that Ne Zha is anxious about his appearance, Yang said he introduced this feature purposely to present the character's inner struggle and avoid depicting a flat character.
"The human nature is complex. One will gradually start to doubt himself after being told 100 times he is wrong. Ne Zha is no exception and he will experience the same inner struggle as everyone does. We did this to avoid building a flat character," Yang said.
Yang said the rise of China's animation movie industry and the excellent works of his fellow filmmakers have been encouraging him to do his best in making masterpieces.
"The Chinese animation movie industry has produced many excellent works over recent years, and I think the trend does exit and I have no doubt about this. Over recent years, animation film makers have been encouraging their colleagues and have been witnessing the release of a slew of masterpieces, which also encouraged me to make more breakthroughs. I produce every film as if it were the last work in my lifetime, leaving no space for further improvement, but I will still try to make breakthroughs in my next work," said Yang.
I make every film as if it were my final work: "Ne Zha 2" director
A former television host from Taiwan, Zhai Xuan, has made a pivotal decision to leave mainstream broadcasting in order to create content that provides a better understanding of the Chinese mainland and cross-strait relations.
Zhai, a seasoned television host with over a decade of experience in Taiwan's media landscape, recently addressed an audience at an event in Beijing, where she revealed her complete transition into independent online media.
In her remarks, she articulated her aspiration to bridge what she perceives as a significant information gap between audiences on both sides of the Strait, highlighting her commitment to fostering a deeper understanding and connection through her new endeavors.
"I was really surprised by all the fake news. There were stories saying people on the mainland can't afford tea eggs or that they live in mud houses and in Taiwan, this was the main information many people received," said Zhai.
Zhai said she initially began producing online videos to challenge such perceptions while continuing her work as a television host.
In April 2025, she travelled to the mainland with her father to fulfill her late grandfather's wish to return to his hometown. The trip, which reunited family members separated since 1949, was recorded in a video series titled "Journey to Find Our Roots", drawing attention from viewers in both Taiwan and the mainland.
"Many people in Taiwan told me that after watching, they wanted to apply for a mainland travel permit immediately and go looking for their relatives. Some had long forgotten these things, but after seeing my story, they began thinking about their hometowns and family members they had never met and decided to search for their roots," Zhai shared her story at the event.
By mid-2025, Zhai said she began to feel increasing pressure amid rising political tensions and a tightening atmosphere around cross-Strait exchanges in Taiwan.
After more than 12 years in the industry, Zhai resigned from her position, believing it was the right thing to do.
"At that moment, I felt this was a major issue，not just for me, but for Chinese people on both sides of the Strait. If I backed down then, I wouldn’t be standing on the right side," said Zhai.
Since leaving television, Zhai has broadened her online programming to encompass a range of daily-life topics, including practical guidance on applying for a mainland travel permit and using commonly employed mobile applications, in addition to content that delves into historical memory and cultural connections across the Strait.
As the debate over cross-Strait relations continues in Taiwan, Zhai said she remains committed to her current path.
Former Taiwan TV host bridges cross-Strait divide via online media
