Inside the Met Gala: Under a petal-filled sky, guests honor Black style, hail a ‘monumental night’

NEW YORK (AP) — “Well, it took a minute,” said Spike Lee, surveying the glittering Met Gala crowd during cocktail hour through bright orange glasses that matched his New York Knicks cap. “But we're here now, that’s the most important thing."

Lee was referring to the fact that for the very first time, the Met Gala was making a point of celebrating Black style and Black designers — something he felt was an overdue milestone, but a very welcome one.

“Long overdue,” Lee repeated. “But we’re here to celebrate. And who knows what's gonna happen because of this event? There’s gonna be reverberations around the world."

Lee was echoing an excitement that many of the approximately 400 guests — luminaries in sports, music, fashion, film, theater and more — shared as they sipped cocktails or toured the gala’s accompanying exhibit, “Superfine: Tailoring Black Style.” The show is an exploration of Black menswear from the 18th century onward, with dandyism as a unifying theme.

Another film director, Baz Luhrmann, was touring the exhibit, designed by curator Monica L. Miller, a Barnard professor who literally wrote the book on dandyism: “Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. He, too, mused on the importance of this year’s theme.

“Sometimes the subjects are fun, sometimes you go, that's interesting. But this is a subject where you go, why has light not been shone on this before?" Luhrmann said. “Black sartorial power on culture is so great but how much talk has there been about it?”

For Whoopi Goldberg, the most important person of the evening wasn’t actually there. It was her late friend, André Leon Talley, the fashion editor and personality who was so important to Black style, and with whom she’d attended previous galas.

Talley, who died in 2022, is honored in the exhibit; there's a caftan he wore, among other objects. And Costume Institute curator Andrew Bolton has said he was an inspiration for the show.

“I think they did him proud,” Goldberg said during cocktails. “I’m very happy to be here again, but spectacularly happy to see how they took care of him.”

Asked what Talley would have thought of the show, she guessed he'd say: "I’m glad you understand.” And she added: “What better way to honor him?”

Goldberg was dressed head to toe — meaning mini-top hat to spats-inspired shoes, to handbag – in Thom Browne.

“He said. ‘Will you come?’” Goldberg said of Browne, whose suits, particularly, are hugely popular. “And I said, when you're done, just put it on me, and I’m good. I feel incredible.”

It was a favored topic of conversation; every guest had a slightly different way of defining what a dandy is.

For director Lee, it was simple: “Doing your own thing.”

For Audra McDonald, it was about “a sense of reclaiming” one’s own identity and worth. The Broadway actor, currently starring in “Gypsy,” was among the first guests examining the exhibit, along with her husband and fellow actor, Will Swenson.

Over at cocktails, the Rev. Al Sharpton was describing dandyism as a form of activism: the silent kind.

“It means to me that even in the midst of being in a socially limited situation, we celebrate. I refuse to submit to just having a menial job. I'm gonna dress up . I'm gonna tip my hat. It’s a sense of rebellion without having to speak it.”

Sharpton was full of praise for the Met having chosen this moment to honor Black style.

“It comes at a very important time,” he said. "To make a statement of diversity at the highest cultural level — which is the Met Gala — when diversity is under attack by the highest office in the land is more than if I could do a hundred marches. This is a monumental night."

Broadway actor Alex Newell agreed. It was the performer's third Met Gala in a row, but this one had a special meaning.

“It’s nice to see us represented this way,” Newell said. “Just when it is needed the most."

Once gala guests climb the steps outside and enter the museum’s Great Hall, they encounter each year a monumental centerpiece, usually floral.

This year, it was hundreds — thousands? — of flower petals suspended from the ceiling, with lighting evoking a starry sky. The petals also hung over the Great Hall staircase, which guests ascended to greet the awaiting receiving line of gala hosts.

The petals — made of fabric, truth be told – were meant to symbolize narcissus flowers, and there were also reflecting pools, nodding to the myth of Narcissus.

The greeting was not only visual but musical: An orchestra, accompanied by swaying singers, played favorites like Al Green’s “Let’s Stay Together” and Stevie Wonder’s “Don't You Worry ’Bout a Thing,”

Guests then either proceeded to view the exhibit, or head straight to cocktails in the airy Engelhard Court. Often, they seem to prefer socializing, but this year the exhibit was filled with guests.

One of the more famous dandies, historically speaking, was Oscar Wilde. And so there was symmetry in the fact that Sarah Snook — the “Succession” star — was dressed in a way Wilde would have liked.

It was certainly intentional. Snook now is appearing on Broadway in “The Picture of Dorian Gray,” the stage adaptation of Wilde’s 1891 novel in which she plays all 26 roles.

“Yes, There’s definitely an echo,” Snook said with a smile, about her striking (and aristocratic-looking) black suit. “Oscar would be happy.”

Snook said she was enjoying her night off at the gala — conveniently for the many guests from Broadway, theaters are dark on Mondays.

“I’m loving the celebration of beautiful things,” Snook said of her gala experience.

At every Met Gala, there are newbies — and they're often rather starstruck. One of them was model Christian Latchman, 19, wearing a dramatic white ensemble that combined trousers with a long skirt.

If he looked familiar, that’s because Latchman is the face in the photograph on the cover of the exhibit’s massive hardcover catalog.

Asked to sum up his feelings about the evening, he said simply: “Astonishment. That’s the word for it.”

Also new to the gala was actor Keith Powers, who sat on the sidelines, soaking it in. Was it all intimidating? Overwhelming?

“All of the above,” he said. “It makes me anxious — and happy, and inspired.”

Cocktails are fun, but dinner at the Met Gala sounds even more fun — that’s where guests get an A-plus musical performance, for one thing.

But music also accompanies the call to dinner. This time, it was the New York-based High and Mighty Brass Band who did the honors, snaking through cocktails with drums, trombones, a tuba and trumpets.

Then guests headed off — slowly — to dinner, where they feasted on a menu by chef Kwame Onwuachi. Dinner began with papaya piri piri salad, and moved on to creole roasted chicken with a lemon emulsion, and cornbread with honey curry butter and barbecue greens. Dessert? That was a “cosmic brownie” with powdered sugar doughnut mousse.

For more coverage of the 2025 Met Gala, visit: https://apnews.com/hub/met-gala

Rihanna attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Lupita Nyong'o attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Teyana Taylor attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Whoopi Goldberg attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Keith Powers attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Alex Newell attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Al Sharpton attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Whoopi Goldberg attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Sarah Snook attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Colman Domingo attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Simone Biles attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Serena Williams attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Tonya Lewis Lee, left, and Spike Lee attend The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Andra Day attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Superfine: Tailoring Black Style" exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)

Iran's top judge hinted at fast trials and executions for those who were detained in nationwide protests against the country's theocracy, even as activists said Wednesday that the death toll rose to levels unseen in decades with at least 2,572 people killed so far.

Iran’s judiciary chief Gholamhossein Mohseni-Ejei made the comments about trials and executions in a video Tuesday, despite a warning from U.S. President Donald Trump that he would “take very strong action” if executions take place.

The U.S.-based Human Rights Activists News Agency said the number of dead climbed to at least 2,571 early Wednesday. The figure dwarfs the death toll from any other round of protest or unrest in Iran in decades and recalls the chaos surrounding the country’s 1979 Islamic Revolution.

After Trump was informed on the number of deaths, he warned Iran's leaders that he was terminating any negotiations and would “act accordingly.”

Details of the crackdown began emerging Tuesday as Iranians made phone calls abroad for the first time in days after authorities severed communications countrywide when the protests broke out.

Here is the latest:

Major Middle East governments were discouraging the Trump administration from waging a war with Iran, fearing “unprecedented consequences” in the volatile region, an Arab Gulf diplomat said Wednesday.

The Cairo-based diplomat, who was given anonymity because he wasn't authorized to speak to the media, said major governments in the region including Turkey, Egypt, Saudi Arabai and Pakistan have been “in constant contact” with the U.S. administration over a potential American strike on Iran that could explode into a “full-blown war.”

Such a war will “certainly” have dire repercussions “not only on the Middle East but also on the global economy," he said.

Samy Magdy contributed from Cairo.

Iranian state television said Wednesday’s mass funeral in Tehran would include 300 bodies of security force members and civilians. The funeral is expected to take place at Tehran University under heavy security.

The Human Rights Activists News Agency, which is tracking the death toll, said more than 2,550 people have been killed, 2,403 protesters and 147 government-affiliated.

Twelve children were killed, along with nine civilians it said were not taking part in protests. More than 18,100 people have been detained, the group said.

Gauging the demonstrations and the death toll from abroad has grown more difficult and The Associated Press has been unable to independently assess the toll given the communications being disrupted in the country.

Melanie Lidman contributed from Jerusalem.

Trump’s decision to impose a 25% tariff on countries that trade with Iran could impact India, an expert said, as New Delhi already faces existing 50% U.S. trade levies due its purchases of Russian oil.

Abhijit Mukhopadhyay, a senior economist at the Chintan Research Foundation in New Delhi, said the bigger risk is not India-Iran trade, but India’s access to the U.S. market as its exports to Iran are modest.

India mainly exports rice, tea, sugar, pharmaceuticals and electrical machinery to Iran, while importing dry fruits and chemical products. Textiles and garments, gems and jewelry and engineering goods are likely to be the most vulnerable sectors, he said.

Trump’s latest move also could affect India’s investments in Iran including the strategically important Chabahar port, which gives India a trade route to Afghanistan, Central Asia and Europe while bypassing Pakistan, Mukhopadhyay said.

Iran’s judiciary chief signals fast trials and executions for those detained in nationwide protests.

Gholamhossein Mohseni-Ejei made the comment in a video shared by Iranian state television on Wednesday.

He emphasized the need for swift action, saying delays would lessen the impact.

His remarks challenge Trump, who warned Iran about executions in an interview aired Tuesday.

Trump stated the U.S. would take strong action if Iran proceeded with executions. The situation highlights escalating tensions between the two countries over the handling of the protests.

Dozens of Pakistani students studying in Iran have returned home through a remote southwestern border crossing, a Pakistani immigration official said Wednesday.

Federal Investigation Agency spokesperson in Quetta city, Samina Raisani, said about 60 students crossed into Pakistan on Tuesday through Gabd border in Balochistan province with valid travel documents.

More students were expected to return through the same crossing later Wednesday, she said.

Mudassir Tipu, Pakistan’s ambassador to Iran, said Tuesday that Iranian universities had rescheduled exams and permitted international students to leave the country.

The satellite internet provider Starlink now offers free service in to people Iran who have access to the company's receivers, activists said Wednesday.

Mehdi Yahyanejad, a Los Angeles-based activist who helped get the units into Iran, told The Associated Press that the free service had started. Other activists also confirmed in messages online that the service was free.

Starlink has been the only way for Iranians to communicate with the outside world since authorities shut down the internet Thursday night as nationwide protests swelled and they began a bloody crackdown against demonstrators.

Starlink did not immediately acknowledge the decision.

This frame grab from videos taken between Jan. 9 and Jan. 11, 2026, and circulating on social media purportedly shows images from a morgue with dozens of bodies and mourners after crackdown on the outskirts of Iran's capital, in Kahrizak, Tehran Province. (UGC via AP)