The Breeders’ Cup World Championships are returning to New York in 2027 at the rebuilt Belmont Park, following a massive renovation project to revitalize one of the most important horse racing tracks in the country.
New York Gov. Kathy Hochul, along with officials from the Breeders’ Cup and the New York Racing Association, announced Wednesday that the track on the edge of Queens and Nassau County on Long Island will stage the event in the fall two years from now.
“We wrote the Governor of New York a letter in 2023 that simply said, ‘If you build it, we will come,’” Breeders' Cup Limited President and CEO Drew Fleming said in a phone interview with The Associated Press. “And so we’re very honored to keep our word and have a wonderful Breeders’ Cup World Championships here in 2027 to showcase the new development and investment in Belmont Park to our fans from across the globe.”
Keeneland in Lexington was revealed as the 2026 host.
Belmont Park was last home to the Breeders’ Cup in 2005, the fourth time in two decades after also being there in 1990, '95 and 2001. A goal of the $455 million teardown and reconstruction was to attract the major event.
“It was always part of the plan: We weren’t going to redevelop Belmont Park without Breeders’ Cup in mind, so it was always part of the initial goals,” NYRA President and CEO David O'Rourke told the AP by phone. “Getting the championships back to New York is big from an economic point of view, and probably one of the most important (things), if not the most important, it gives our trainers and horsemen a chance to compete on their home tracks. I think it’s great. It’s been over 20 years.”
Hochul in a statement said the redevelopment is bringing thousands of jobs and $1 billion in long-term economic activity to Long Island.
“Thanks to the investments we are making at Belmont Park, the long held dream of bringing the prestigious Breeders’ Cup back to New York will soon be a reality,” Hochul said.
The Breeders’ Cup has been at a Kentucky or California track every year since 2008. Del Mar outside San Diego has it this year as a back-to-back host and for the fourth time since 2017.
Santa Anita outside Los Angeles, Keeneland and Churchill Downs in Louisville — home of the Kentucky Derby — have become the regular sites for the two-day festival featuring the best thoroughbreds in the world and tens of millions of dollars' worth of races. It's shifting back to the Eastern time zone for the next two years.
“California is and has always been a wonderful spot to have the Breeders’ Cup with Santa Anita Park and Del Mar, but one of the missions of the Breeders’ Cup is to grow the sport and one of the ways we do this is hosting world championships at various venues across the United States,” Fleming said, adding that he expects the event to generate $100 million for the New York economy.
While NYRA has not yet announced a location for the 2026 Belmont Stakes, the third leg of the Triple Crown is set to return to its old home by 2027 at the latest, after a multiyear stint at historic Saratoga Race Course in upstate New York during renovations.
With the Belmont at Belmont Park shifting back to an annual occurrence, it is possible the track known for greats like Secretariat and Seattle Slew rumbling down the stretch to the finish line with fans roaring might get back in a regular rotation.
“The best part about working for the Breeders’ Cup is that nothing is off the table,” Fleming said. “New York City has some of the finest accommodations and restaurants and entertainment in the world, so it’d be a natural fit that we would be at Belmont Park frequently.”
AP horse racing: https://apnews.com/hub/horse-racing
FILE - Saint Liam, left, with jockey Jerry Bailey up, wins the Breeders' Cup Classic horse race at Belmont Park, Saturday, Oct. 29, 2005, in Elmont, N.Y. (AP Photo/Julie Jacobson, File)
NEW YORK (AP) — An emotional plea by Iranian filmmaker Jafar Panahi and moving words from Ryan Coogler on the violence in Minneapolis stirred a National Board of Review Awards ceremony Tuesday in which Paul Thomas Anderson’s “One Battle After Another” was again crowned the best film of the year.
Coming two days after Sunday’s Golden Globes, the annual, untelevised New York gala, held in the cavernous midtown banquet all Cipriani 42nd Street and hosted by Willie Geist, played out as a more intimate and frank-spoken alternative.
The winners themselves were already announced, so the night was always going to belong to “One Battle After Another.” The National Board of review, a group that is made up of film enthusiasts and dates to 1909, not only named it 2025’s best film but awarded the best actor prize to Leonardo DiCaprio, best director to Anderson, best supporting actor to Benicio Del Toro and breakthrough performer to Chase Infiniti.
Yet in an ongoing parade of awards for “One Battle After Another,” its night at the NBRs still stood out. The surprise presenter of the movie’s best film award was Martin Scorsese, who praised “the audacity” of Anderson’s narratives and the accomplishment of his latest.
“Like all great films, it can’t really be compared to anything else,” Scorsese said. “It stands alone. It’s a great American film.”
Anderson, trying to take in the wealth of honors, attempted to describe what “ One Battle After Another,” his father-daughter tale of revolution, might represent. His answer came in pointing out his own daughter, sitting at his table.
“I don’t know what our movie is about, but I do know it’s about loving your kids,” Anderson said.
For many of the honorees, the world outside the starry banquet weighed heavily. Coogler’s speech was among the night’s most poignant. The “Sinners” director was honored for his screenplay for the vampire thriller and was introduced by the film’s star, longtime collaborator Michael B. Jordan.
Both were honored 13 years earlier by the board for their first movie together, “ Fruitvale Station.” Recalling that film, based on the true story of the 2009 killing of Oscar Grant by a Bay Area Rapid Transit police officer in Oakland, California, Coogler turned to the recent fatal shooting of Renee Nicole Good by an immigration enforcement agent in Minneapolis.
“I was young and naive, and I thought the movie was going to change the world and make it so you didn’t see people executed by civil service on camera anymore,” Coogler said. “I was proven wrong again and again. And it’s tough to be here and not think about Minnesota.”
“I can’t be here and not think about Renee,” Coogler added.
Still, the ceremony’s most powerful words came from Panahi, the dissident Iranian filmmaker who for nearly two decades worked clandestinely in his native country while being placed under house arrest and jailed. Panahi’s latest, “ It Was Just an Accident,” was awarded best international film.
The movie, inspired by Panahi's own imprisonment, is a revenge drama about stopping the cycle of violence and oppression in Iran. On Tuesday the death toll from a nationwide crackdown on demonstrators in that country surpassed 2,500, according to activists.
“As we stand here, the state of Iran is gunning down protesters and a savage massacre continues blatantly on the streets of Iran,” Panahi said. “Today the real scene is not on screens but on the streets of Iran. The Islamic Republic has caused a bloodbath to delay its collapse.”
“This is no longer a metaphor,” he continued. “This is not a story. This is not a film. This is a reality written with bullets day after day.”
Panahi called on the film community to speak out and “use any voice and any platform you have.”
“Today, cinema has the power to stand by defenseless people,” Panahi said. “Let’s stand by them.”
Panahi’s remarks, delivered through an interpreter, shook the audience. And when the next award went to Clint Bentley and Greg Kwedar, for adapted screenplay for their plaintive Pacific Northwest period drama “Train Dreams,” the filmmakers seemed to cut short their speech, which was partially about how making the movie and then promoting it through awards season meant sacrificing time with their young children.
“When the world is kind of burning down, it can feel frivolous at times,” Bentley said. “I just want to say thank you most of all to Mr. Panahi for reminding us for what we can do with the medium and why it can be worth doing.”
Jafar Panahi attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Leonardo DiCaprio attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Ryan Coogler attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Chase Infiniti attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Michael B. Jordan attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Benicio Del Toro attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Leonardo DiCaprio attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Sara Murphy, from left, Teyana Taylor, Paul Thomas Anderson, and Chase Infiniti pose in the press room with the award for best motion picture – musical or comedy for "One Battle After Another" during the 83rd Golden Globes on Sunday, Jan. 11, 2026, at the Beverly Hilton in Beverly Hills, Calif. (AP Photo/Chris Pizzello)
