Mick Ralphs, founding member of Bad Company and Mott the Hoople, dies at 81

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Mick Ralphs, founding member of Bad Company and Mott the Hoople, dies at 81

2025-06-24 06:53 Last Updated At：07:01

Mick Ralphs, a guitarist, singer, songwriter and founding member of the classic British rock bands Bad Company and Mott the Hoople, has died.

A statement posted to Bad Company's official website Monday announced Ralphs' death at age 81. Ralphs had a stroke days after what would be his final performance with the band at London's O2 Arena in 2016, and had been bedridden ever since, the statement said. No further details on the circumstances of his death were provided.

Ralphs is set to become a member of the Rock & Roll Hall of Fame as a member of Bad Company in November.

“Our Mick has passed, my heart just hit the ground," Bad Company singer Paul Rodgers said in a statement. “He has left us with exceptional songs and memories. He was my friend, my songwriting partner, an amazing and versatile guitarist who had the greatest sense of humour.”

Ralphs wrote the 1970's song “Ready for Love” for Mott the Hoople, later revamped for Bad Company's 1974 debut album, which also included the Ralphs-penned hit “Can't Get Enough.” He co-wrote Bad Company's 1975 classic “Feel Like Makin' Love” with Rodgers.

Born in Stoke Lacy, Herefordshire, England, Ralphs began playing blues guitar as a teenager, and in his early 20s in 1966, he co-founded the Doc Thomas Group. In 1969, the band would become Mott the Hoople, a name taken from the title and title character of a 1966 novel by Willard Manus.

The group's self-titled first album, recorded in a week, won a cult following, but the two that followed were critical and financial flops. They finally found popular success and became glam-rock giants with the 1972 David Bowie-penned-and-produced song “All the Young Dudes." But Ralphs felt creatively cramped in the band led by singer-songwriter Ian Hunter and left in 1973.

He would soon form Bad Company with Rodgers, a singer who had left his own band, Free.

The two had intended only to write songs together, and possibly to make a one-off album as a project. But when Free drummer Simon Kirke asked to sit in, they realized they were nearly a proper group already and went seeking a bassist. They found him in former King Crimson member Boz Burrell.

“We didn't actually plan to have a band,” Ralphs said in a 2015 interview with Gibson Guitars. “It was all kind of accidental I suppose. Lucky, really.”

Kirke said in a statement Monday that Ralphs was “a dear friend, a wonderful songwriter, and an exceptional guitarist. We will miss him deeply."

Bad Company found immediate success. its albums were full of radio-ready anthems, and its live sound was perfectly suited to the 1970s height of arena rock.

Their self-titled debut album went to No. 1 on Billboard's album chart. And Ralphs' “Can't Get Enough” — often mistakenly called “Can’t Get Enough of Your Love” because of its chorus lyrics — would be their biggest hit single, peaking at No. 5 on the Billboard Hot 100.

“We actually did the whole thing in one take live,” Ralphs said in the Gibson interview. “It wasn’t perfect, but we just said, ‘Yeah, that’s great, it’s going to capture the moment.’ That’s what I like to do in recording. It doesn’t have to be perfect as long as it captures the moment. That’s what it’s all about.”

Bad Company's 1975 follow-up, “Straight Shooter,” was also a hit, going to No. 3 on album charts in both the Billboard Hot 100 in the U.S. and the UK Albums Chart.

Its opening track, “Good Lovin' Gone Bad,” written by Ralphs, was a modest hit, and the song that followed it, “Feel Like Makin' Love,” was a big one that would remain in rotation on classic rock radio for decades.

The band's statement says Ralphs is survived by “the love of his life,” his wife Susie Chavasse, along with two children, three step-children and “beloved bandmates” Rodgers and Kirke.

“Our last conversation a few days ago we shared a laugh,” Rodgers said. “But it won’t be our last.”

Box Office: ‘Mandalorian and Grogu’ tops charts and ‘Obsession’ grows in second weekend

After nearly seven years away from the big screen, a new Star Wars movie drew healthy but not record-breaking crowds to global theaters this weekend. According to studio estimates on Sunday, “Star Wars: The Mandalorian and Grogu” made $82 million in ticket sales from 4,300 theaters in the U.S. and Canada. By the end of Monday’s Memorial Day holiday, it’s expected to have earned $102 million domestically and $165 million globally.

It exceeded opening weekend expectations for the movie, a continuation of Disney+ spinoff series “The Mandalorian,” but it’s also on the low end of Disney-era Star Wars releases, closer to “Solo: A Star Wars Story,” which made $103 million over the four-day Memorial Day frame in 2018. While “Solo” was considered a disaster, the metrics around “The Mandalorian and Grogu” are a little different.

The production budget for “Solo” was in the $300 million range, while “The Mandalorian and Grogu” was made for significantly less — a reported $165 million, not accounting for marketing and promotion costs. It makes the journey to profitability more likely, especially when factoring in positive audience scores. Although critics were mixed to negative on the movie (it currently carries a 63% on Rotten Tomatoes), ticket buyers overall gave it an A- CinemaScore. Boys under the age of 13 are especially high on the movie: They gave it an A CinemaScore and a perfect five on PostTrak. Parents also gave it a five out of five.

The Jon Favreau-directed movie stars Pedro Pascal as the titular bounty hunter and puts him and his tiny green companion on a mission to save Jabba’s son Rotta the Hutt, who is voiced by Jeremy Allen White.

“Star Wars: The Mandalorian and Grogu” could also be graded on a bit of a curve because of the streaming component, both that it started as a series, and that it will eventually end up as a value add on Disney+, which was only about a month old when the last Star Wars movie, “The Rise of Skywalker,” debuted in December 2019.

Star Wars as a brand is in a time of transition under its new leadership team of Dave Filoni and Lynwen Brennan; Earlier this year it was announced that Lucasfilm president Kathleen Kennedy, who produced “Star Wars: The Mandalorian and Grogu,” was stepping down after 13 years. The question for the industry is whether audience interest in Star Wars on the big screen might have cooled slightly, and if next year’s “Star Wars: Starfighter,” starring Ryan Gosling, will provide a definitive answer. Until then, the hope is that strong audience and exit scores will propel word-of-mouth generated enthusiasm in the coming weeks.

Word-of-mouth certainly helped Curry Barker’s relationship horror movie “Obsession” defy the standard box office trajectory and do better business in its second weekend. The Focus Features had an astonishing 30% uptick in ticket sales, earning $22.4 million from 2,655 theaters. The studio, which acquired the microbudget movie for some $15 million, is projecting that it will have made $28.2 million by the end of Monday, bringing its running total to $58.5 million. It snagged the second-place spot, while “Michael” landed in third place with $20 million for the three-day weekend. The Michael Jackson biopic has now earned $782.4 million.

“Obsession” also did better than the new horror movie “Passenger,” a Paramount Pictures release with Melissa Leo, which grossed an estimated $8.7 million from 2,534 locations. It’s expected to earn $10.5 million over its first four days. The movie received poor reviews from both critics (44% on Rotten Tomatoes) and audiences (B- Cinema Score).

The mix of movies this year didn’t hold a candle to last year’s record Memorial Day weekend, which was led by Disney’s live-action “Lilo & Stitch” and “Mission: Impossible — The Final Reckoning.” The overall four-day frame this year will net out around $211 million, down about 36% from last year’s $330 million. It’s also far from the disastrous 2024 Memorial Day weekend box office, a 30-year low, when “Furiosa: A Mad Max Saga” opened.