JOHANNESBURG (AP) — Tens of thousands of South African comic book fans and cosplayers flocked to Johannesburg on Saturday to celebrate the sixth edition of Comic-Con Africa, the continent’s biggest celebration of pop culture and gaming.
The four-day festival, which began Thursday, celebrated anime, gaming, comics and cosplay with a variety of entertainment, including vintage arcade games, esports and costume competitions.
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People attend the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
A man dressed up as a robot attends the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
People attend the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
People attend the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
People attend the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
Fans dressed up as their favorite comic book heroes and villains, snapping selfies in replicas of famous local sets and donning original character outfits inspired by their own imagination.
“This year’s Comic-Con has been bigger and bolder than ever before," said Comic-Con Africa Show Director Carla Massmann, adding they anticipate a total of 70,000 fans having walked through the gate by Sunday.
Nkosinathi Skhosana, 24, called Comic-Con Africa “nothing short of amazing” because it was another “safe space” where South Africans of all races and classes could forget their social issues and have fun together.
“Just like Rugby brings people of all races together, Comic-Con is also creating that kind of space for us," said Skhosana.
International celebrities were featured on the main stage, including U.S. actor Jessie T. Usher from the Amazon Prime series "The Boys." Also in attendance were actor, comedian and writer Dan Fogler, known for playing Jacob Kowalski in the Harry Potter spinoff “Fantastic Beasts,” and Misha Collins, best known for his role as Castiel in “Supernatural.”
Fans were delighted to be treated to autograph and photograph opportunities with international stars, but they also gushed over each other's outfits.
“The first picture I took was with Sailor Moon, my favorite character of all time,” said Owami Sibanyoni, 23, who was dressed as Musa from the animated franchise ”Winx Club."
The event, which is usually held at the end of September, was moved to August to make way for the G20 summit, which will be held at the same venue later this year.
AP’s Africa coverage at: https://apnews.com/hub/africa
People attend the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
A man dressed up as a robot attends the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
People attend the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
People attend the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
People attend the Comic Con Festival in Johannesburg, South Africa, Saturday, Aug. 30, 2025. (AP Photo/Themba Hadebe)
After nearly seven years away from the big screen, a new Star Wars movie drew healthy but not record-breaking crowds to global theaters this weekend. According to studio estimates on Sunday, “Star Wars: The Mandalorian and Grogu” made $82 million in ticket sales from 4,300 theaters in the U.S. and Canada. By the end of Monday’s Memorial Day holiday, it’s expected to have earned $102 million domestically and $165 million globally.
It exceeded opening weekend expectations for the movie, a continuation of Disney+ spinoff series “The Mandalorian,” but it’s also on the low end of Disney-era Star Wars releases, closer to “Solo: A Star Wars Story,” which made $103 million over the four-day Memorial Day frame in 2018. While “Solo” was considered a disaster, the metrics around “The Mandalorian and Grogu” are a little different.
The production budget for “Solo” was in the $300 million range, while “The Mandalorian and Grogu” was made for significantly less — a reported $165 million, not accounting for marketing and promotion costs. It makes the journey to profitability more likely, especially when factoring in positive audience scores. Although critics were mixed to negative on the movie (it currently carries a 63% on Rotten Tomatoes), ticket buyers overall gave it an A- CinemaScore. Boys under the age of 13 are especially high on the movie: They gave it an A CinemaScore and a perfect five on PostTrak. Parents also gave it a five out of five.
The Jon Favreau-directed movie stars Pedro Pascal as the titular bounty hunter and puts him and his tiny green companion on a mission to save Jabba’s son Rotta the Hutt, who is voiced by Jeremy Allen White.
“Star Wars: The Mandalorian and Grogu” could also be graded on a bit of a curve because of the streaming component, both that it started as a series, and that it will eventually end up as a value add on Disney+, which was only about a month old when the last Star Wars movie, “The Rise of Skywalker,” debuted in December 2019.
Star Wars as a brand is in a time of transition under its new leadership team of Dave Filoni and Lynwen Brennan; Earlier this year it was announced that Lucasfilm president Kathleen Kennedy, who produced “Star Wars: The Mandalorian and Grogu,” was stepping down after 13 years. The question for the industry is whether audience interest in Star Wars on the big screen might have cooled slightly, and if next year’s “Star Wars: Starfighter,” starring Ryan Gosling, will provide a definitive answer. Until then, the hope is that strong audience and exit scores will propel word-of-mouth generated enthusiasm in the coming weeks.
Word-of-mouth certainly helped Curry Barker’s relationship horror movie “Obsession” defy the standard box office trajectory and do better business in its second weekend. The Focus Features had an astonishing 30% uptick in ticket sales, earning $22.4 million from 2,655 theaters. The studio, which acquired the microbudget movie for some $15 million, is projecting that it will have made $28.2 million by the end of Monday, bringing its running total to $58.5 million. It snagged the second-place spot, while “Michael” landed in third place with $20 million for the three-day weekend. The Michael Jackson biopic has now earned $782.4 million.
“Obsession” also did better than the new horror movie “Passenger,” a Paramount Pictures release with Melissa Leo, which grossed an estimated $8.7 million from 2,534 locations. It’s expected to earn $10.5 million over its first four days. The movie received poor reviews from both critics (44% on Rotten Tomatoes) and audiences (B- Cinema Score).
The mix of movies this year didn’t hold a candle to last year’s record Memorial Day weekend, which was led by Disney’s live-action “Lilo & Stitch” and “Mission: Impossible — The Final Reckoning.” The overall four-day frame this year will net out around $211 million, down about 36% from last year’s $330 million. It’s also far from the disastrous 2024 Memorial Day weekend box office, a 30-year low, when “Furiosa: A Mad Max Saga” opened.
Jon Favreau arrives at the premiere of "Star Wars: The Mandalorian and Grogu" on Thursday, May 14, 2026, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
The character Grogu arrives at the premiere of "Star Wars: The Mandalorian and Grogu" on Thursday, May 14, 2026, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
