MIAMI (AP) — Felipe Hernandez Espinosa spent 45 days at “ Alligator Alcatraz,” an immigration holding center in Florida where detainees have reported worms in their food, toilets that don't flush and overflowing sewage. Mosquitoes and other insects are everywhere.
For the past five months, the 34-year-old asylum-seeker has been at an immigration detention camp at the Fort Bliss Army base in El Paso, Texas, where two migrants died in January and which has many of the same conditions, according to human rights groups. Hernandez said he asked to be returned to Nicaragua but was told he has to see a judge. After nearly seven months in detention, his hearing was scheduled for Feb. 26.
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FILE - Trucks come and go from the "Alligator Alcatraz" immigration detention center in the Florida Everglades, Thursday, Aug. 28, 2025, in Collier County, Fla. (AP Photo/Rebecca Blackwell,File)
FILE - Migrants wearing face masks and shackles on their hands and feet sit on a military aircraft at Fort Bliss in El Paso, Tx., Jan. 30, 2025, awaiting their deportation to Guatemala. (AP Photo/Christian Chavez, File)
FILE - Cars wait to enter Fort Bliss in El Paso, Texas, Sept. 9, 2014. (AP Photo/Juan Carlos Llorca, File)
FILE - President Donald Trump tours "Alligator Alcatraz," a new migrant detention facility at Dade-Collier Training and Transition facility, on July 1, 2025, in Ochopee, Fla. (AP Photo/Evan Vucci, File)
FILE - Work progresses on a new migrant detention facility dubbed "Alligator Alcatraz," at Dade-Collier Training and Transition facility in the Florida Everglades, on July 4, 2025, in Ochopee, Fla. (AP Photo/Rebecca Blackwell, File)
Prolonged detention has become more common in President Donald Trump's second term, at least partly because a new policy generally prohibits immigration judges from releasing detainees while their deportation cases wind through backlogged courts. Many, like Hernandez, are prepared to give up any efforts to stay in the United States.
“I came to this country thinking they would help me, and I’ve been detained for six months without having committed a crime,” he said in a phone interview from Fort Bliss. “It is been too long. I am desperate.”
The Supreme Court ruled in 2001 that Immigration and Customs Enforcement cannot hold immigrants indefinitely, finding that six months was a reasonable cap.
With the number of people in ICE detention topping 70,000 for the first time, 7,252 people had been in custody at least six months in mid-January, including 79 held for more than two years, according to agency data. That's more than double the 2,849 who were in ICE custody at least six months in December 2024, the last full month of Joe Biden's presidency.
The Trump administration is offering plane fare and $2,600 for people who leave the country voluntarily. Yet Hernandez and others are told they can't leave detention until seeing a judge.
The first three detainees that attorney Ana Alicia Huerta met on her monthly trip to an ICE detention center in McFarland, California, to offer free legal advice in January said they signed a form agreeing to leave the United States but were still waiting.
“All are telling me: ‘I don’t understand why I’m here. I’m ready to be deported,’” said Huerta, a senior attorney at the California Collaborative for Immigrant Justice. “That’s an experience that I’ve never had before.”
A Chinese man has been held for more than a year without seeing an immigration judge, even though he told authorities he was ready to be deported. In the past, Huerta said, she encountered cases like this once every three or four months.
The Department of Homeland Security said its policies follow the law. It noted a court ruling that the administration can continue to detain immigrants without bond.
“The conditions are so poor and so bad that people say, ‘I’m going to give up’,” said Sui Chung, executive director at Americans for Immigrant Justice.
The wait time may depend on the country. Deportations to Mexico are routine, but countries including Cuba, Nicaragua, Colombia and Venezuela have at times resisted accepting deportees.
Among those detained for months are people who have won protection under the United Nations Convention Against Torture, who cannot be deported to their home country but may be sent elsewhere.
In the past, those migrants were released and could get a work permit. Not anymore, said Sarah Houston, managing attorney at Immigrant Defenders Law Center, who has at least three clients with protection under the U.N. torture convention who have been in custody for more than six months. One is from El Salvador, detained for three years. He won his case in October 2025 but is still in custody in California.
“They’re just holding these people indefinitely,” said Houston, noting that every 90 days, attorneys request the release of these migrants and ICE denies those requests. “We’re seeing people who actually win their immigration cases just languishing in jail.”
Hernandez, who doesn't have a lawyer, said he signed documents requesting to be returned to his country or Mexico at least five times. An Oct. 9 hearing was abruptly canceled without explanation. He waited months with no news, until early February, when he learned his new hearing date.
Hernandez, who has allergies and needs a gluten-free diet that he says he hasn’t been getting since November, was arrested in July on a lunch break from his job installing power generators in South Florida. His wife was detained with him but a judge allowed her to return to Nicaragua without a formal deportation order on Aug. 28.
Both crossed the Mexican border in 2022 and requested asylum. He said he received death threats after participating in marches against co-presidents and spouses Daniel Ortega and Rosario Murillo.
If he returns, they plan to go to Panama or Spain because they fear for their lives in Nicaragua, he said. His files say only that his case is pending.
DHS said Hernandez appealed a deportation order in January 2025 and he cannot be removed now because it could violate his due process rights.
Yashael Almonte Mejia has been detained eight months since the government sought dismissal of his asylum case in May 2025, said his aunt, Judith Mejia Lanfranco.
Since then, he has been transferred from a detention center in Florida to Texas to New Mexico.
In November, Almonte married his pregnant American girlfriend via a video call and became the father of a daughter he hasn't seen in person. He was unable to attend the funeral of his sister who died in November.
“He has gone through depression. He has been very bad,” his aunt said. “He is desperate and he doesn’t even know what’s going to happen.”
Almonte, 29, came to the U.S. in 2024 and told authorities he cannot return to the Dominican Republic because he fears for his life. In January, he passed his initial asylum screening interview.
DHS did not comment on Almonte.
Some detainees are finding relief in federal court.
A Mexican man detained in October 2024 in Florida was held for a year even though he won a protection under the U.N. torture convention in March 2025.
“Time was passing and I was desperate, afraid that they would send me to another country,” the 38-year-old said.
“I didn’t know what was going to happen to me,” he said, noting that immigration officials weren’t giving him any answers.
DHS could not comment on the Mexican man because he shared his story on condition of anonymity out of fear that it could damage his case.
The man said he had lived illegally in the United States from age 10 until he was deported. In Mexico, he ran his own business, but in 2023 decided to return and illegally crossed the border into the United States. He said he was looking for safety after being threatened by drug cartels who demanded monthly payments.
He was taking antidepressants when he found an attorney who filed a petition in federal court alleging he was being held illegally. He was freed in October 2025, seven months after a judge ordered his release.
But for Hernandez, the Nicaraguan asylum-seeker, desperation led him to request to be returned to the country he had fled.
“I’ve experienced a lot of trauma. It’s very difficult,” Hernandez said from Fort Bliss. “I’m always thinking about when I’m going to get out.”
The story has been updated to correct the spelling of Sui Chung’s last name, from Cheng.
FILE - Trucks come and go from the "Alligator Alcatraz" immigration detention center in the Florida Everglades, Thursday, Aug. 28, 2025, in Collier County, Fla. (AP Photo/Rebecca Blackwell,File)
FILE - Migrants wearing face masks and shackles on their hands and feet sit on a military aircraft at Fort Bliss in El Paso, Tx., Jan. 30, 2025, awaiting their deportation to Guatemala. (AP Photo/Christian Chavez, File)
FILE - Cars wait to enter Fort Bliss in El Paso, Texas, Sept. 9, 2014. (AP Photo/Juan Carlos Llorca, File)
FILE - President Donald Trump tours "Alligator Alcatraz," a new migrant detention facility at Dade-Collier Training and Transition facility, on July 1, 2025, in Ochopee, Fla. (AP Photo/Evan Vucci, File)
FILE - Work progresses on a new migrant detention facility dubbed "Alligator Alcatraz," at Dade-Collier Training and Transition facility in the Florida Everglades, on July 4, 2025, in Ochopee, Fla. (AP Photo/Rebecca Blackwell, File)
The wait in Hollywood is over: The 98th Academy Awards are underway.
Comedian Conan O’Brien is back for a second year to host the ceremony on Sunday, held at the Dolby Theatre in Los Angeles. It’s an Oscars race that seemed like a runaway for “One Battle After Another” but may be a close call after all, thanks to some late-season wins for “Sinners.” Other films with several nominations include “Sentimental Value,” “Marty Supreme,” “Frankenstein” and “Hamnet.”
A picture-perfect sunny afternoon greeted early arrivals at the Dolby Theatre on Sunday.
The Latest at the Academy Awards:
Kulukundis thanked the academy for making this award happen: “I dedicate this to you and to the casting directors who never got a chance to get up here, who didn’t even get a chance to get their name on the movie.”
Kulukundis has served as the casting director on past Oscar favorites including “The Brutalist” and “There Will Be Blood.”
She has worked on all 10 of “One Battle After Another” director Paul Thomas Anderson’s feature films, beginning as an intern on his debut film “Hard Eight” in 1996.
Host Conan O’Brien aimed his comedic barbs towards screenagers and the generally phone-obsessed in a short pre-taped segment about a (surely fictional) film lab that reimagines classic films to be optimal for smart phone viewing.
So-called “advanced” technology isolates the most visually interesting part of the shot for the vertical-only version, but that is often not the most interesting or dynamic part of the shot. An example was the infamous orgasm scene from the late Rob Reiner’s “When Harry Met Sally,” where the vertical-only shot does not show an animated Meg Ryan, but rather a woman in the background who is taking a sip from a glass.
Only five awards into the night, “Frankenstein” is a two-time winner already after taking home the Oscar for costume design, as well as hair and makeup.
“While we’re making this film, we had the sense we’re part of something very special, and tonight confirms that,” makeup artist Mike Hill said. Jordan Samuel and Cliona Furey were the other artists on the award-winning team.
“On behalf of myself and the amazing team that I work with, the artisans, the alchemists, dream weavers, we’re so grateful to the Academy for recognizing our craft,” said Kate Hawley, the film’s costume designer.
Miles Caton and Raphael Saadiq are performing “I Lied to You,” the nominated original song from “Sinners.” They’re joined by a bevy of performers onstage — Misty Copeland, Eric Gales, Buddy Guy, Brittany Howard, Christone “Kingfish” Ingram, Jayme Lawson, Li Jun Li, Bobby Rush, Shaboozey and Alice Smith among them — for a near-recreation of the scene in “Sinners” where the song is introduced.
It is one of the more memorable moments in the film, where a blues song in a Mississippi juke joint opens up to showcase hip-hop DJs, rock ‘n’ roll guitarists, ballerinas and more, illustrating the Black music genre’s place at the foundation of American popular culture.
When the live tribute performance to “Sinners” wrapped on stage, there was a slew of applause, some of which came from people who stood for the ovation.
The highest praise may have come from Michael B. Jordan himself, who nodded and smiled.
The message was clear: The star approved, big time.
The Canadian film is about a poor boy who falls in love with a girl who cries those gemstones, and he decides to pawn them for money. Directed by Chris Lavis and Maciek Szczerbowski, the boy ends up making a choice between pearls and love. It takes place in Montreal.
“To Canada,” Lavis and Szczerbowski said while accepting their award.
Three years ago, Arden Cho was ready to walk away from acting. She’d landed her first lead role in the Netflix series “Partner Track,” only to see it canceled after one season. She was heartbroken.
Her agent wouldn’t let her go. “She refused to say, ‘You’re done.’ She just kept sending me things,” Cho said. “She just keep being like, ‘Look, I know you’re not auditioning. I know you’re done, but I think you’d like this.’”
Now, Cho is juggling multiple projects after voicing the lead character Rumi in Netflix’s animated summertime sensation “KPop Demon Hunters,” which has become the all-time most-streamed movie on the platform — and spawned inescapable earworms “Golden” and “Soda Pop” as its soundtrack dominated pop charts.
And now it’s an Oscar winner.
“This is for Korea and Koreans everywhere,” said “KPop Demon Hunters” co-director Maggie Kang.
Madigan, following a deep cackle, said she thought of her speech in the shower the day before.
“We’re kind of advised, ’Don’t say all these names, as nobody knows who the hell these people are,’” she said. “But you’re not rattling them off. They mean something to you; that you couldn’t be here without them.”
AP Film Writers Jake Coyle and Lindsey Bahr both picked Teyana Taylor (“One Battle After Another”) to win best supporting actress. So did 40% of readers on apnews.com, with Amy Madigan (“Weapons”) their second pick.
Madigan won — and Taylor seemed to be the first to leap from her seat in celebration when she was announced.
Conan O’Brien is off and running at the Oscars.
“I’m Conan O’Brien and I’m honored to be the last human host of the Academy Awards,” O’Brien said. “Yes! Yeah! Next year it’s going to be a Waymo in a tux.”
And the jokes kept coming.
“Last year when I hosted Los Angeles was on fire,” O’Brien said. “But this year, everything’s going great.”
He also quipped that there’s an alternate Oscars being hosted by Kid Rock, a nod to the hubbub over Bad Bunny’s Super Bowl halftime show.
Conan O’Brien’s opening skit: He complains about wearing too much makeup as Aunt Gladys from “Weapons,” says he looks like “Bette Davis with lupus” and it’s all done to the soundtrack of “Sabotage” from the Beastie Boys, all as he runs through various scenes of this year’s nominated films.
“I can’t believe I learned Norwegian for this,” he says, via subtitles, at one point. He then got chased onto the stage by a horde of children.
The irreverent tone for the opening is now set.
Police arrested one protester on Sunday who was part of a group blocking traffic near the Oscars.
Protesters wearing shirts saying, “Stop child trafficking” huddled in the middle of the road a few blocks from the Oscars. Some sat in the road while others marched and shouted, “Turn the files into trials,” in reference to the Jeffrey Epstein files, and, “Save our children not the pedos.”
Other protesters held signs related to the wars in Iran and Gaza.
After a few minutes, police broke up the blockade and ushered protesters to the sidewalks. A scrum of police forcibly removed one protester sitting in the middle of the road.
The Los Angeles Police Department said information on police response to Oscars-related incidents and arrest numbers were not yet available.
The director of “Selma” and “13th” had some advice for fellow industry professionals.
“You see the industry consolidating, companies are eating each other and becoming one big thing that are controlled by entities that may or may not believe in what you’re making,” DuVernay said.
“It’s so important to remain independent on your own money, make your own films, find your ways to get it to audiences.”
Amy Madigan is here! Oscar buzz for the “Weapons” star is bringing a defiant moment back into the spotlight.
Madigan and husband Ed Harris refused to clap for “On the Waterfront” director Elia Kazan when he received an honorary award at the 1999 Oscars.
In 1952, Kazan revealed the names of former colleagues, who participated in Communist Party activities with him, to the House Un-American Activities Committee. It was a controversial move during the Red Scare when Hollywood figures were getting blacklisted, ending the careers of hundreds.
“Yeah, there was no way we were going to do that. No way,” Madigan recently told the New York Times.
Kate Hudson, Demi Moore, Charithra Chandran and Wunmi Mosaku all have a little something in common at the Oscars: They’re wearing green.
Different shades, sure, but on the red carpet, it sure seemed to be green that was stealing the show. An early trend, for certain.
Not long after Moscow invaded Ukraine in 2022, schools in Russia were told to hold lessons and events that would promote the Kremlin’s war narrative and boost patriotism.
In the mining town of Karabash, some 1,400 kilometers (870 miles) east of Moscow, teacher Pavel Talankin was making government-mandated videos of those lessons in his school. But he also was secretly working with American filmmaker David Borenstein on what would become the documentary “Mr. Nobody Against Putin,” nominated for best documentary.
In multiple interviews after the film’s release in early 2025, Talankin said he kept filming for over two years in Karabash School No. 1, coordinating with Borenstein. He left Russia in 2024 for safety reasons, carrying copies of his footage on hard drives.
The documentary follows Talankin, his students and other teachers as they navigate Russia’s wartime ideology, imposed as part of the school curriculum. It premiered at the Sundance Film Festival in January 2025 and won the BAFTA award for best documentary this year.
He will be onstage tonight performing “I Lied to You,” which is up for best original song.
“That’s what we want to do, that’s what music is supposed to do, we’re supposed to move people,” he said.
The Oscars will be saying farewell to a lot of cinema titans, and taking more time to do so.
Among them are Robert Duvall, Robert Redford, Diane Keaton and Rob Reiner.
Other talents who died in the last year include Brigitte Bardot, Val Kilmer, Michael Madsen, Terence Stamp, Diane Ladd, Sally Kirkland, Tom Stoppard and Malcolm-Jamal Warner.
Already this year, the film world has lost Catherine O’Hara, Robert Carradine, Eric Dane, James Van Der Beek and Bud Cort.
Among the foreign talents who died were Joan Plowright, Claudia Cardinale, Dharmendra, Cary-Hiroyuki Tagawa, Mohammad Bakri, Béla Tarr and Jimmy Cliff.
Given the large number of bold-faced names, producers have decided the In Memoriam segment will be longer than usual.
Assembling the segment involves deciding who gets placed in what order, choosing music and the graphic design of the names and titles, as well as where pauses are built in for the select giants of the film world.
It’s up to the academy to decide who is included, which often leads to outcries about who gets excluded.
Maggie O’Farrell, who wrote the book that was adapted into Chloé Zhao’s best picture nominee, said she knew the movie wouldn’t be a “conventional, antiseptic kind of costume drama.” One scene in particular read differently from her novel: Will’s proposal.
“They make it really funny, which I never expected it to be,” O’Farrell said.
For the first time in Oscars history, a statuette will be handed out not only to the stars but also to the person who casts them.
The inaugural casting Oscar doesn’t recognize the performance of the actors, unlike the Actor Awards’ best cast prize, which “Sinners” won earlier this month, and other comparable accolades. This award, by contrast, recognizes the behind-the-scenes creative process and collaboration by a casting director with the filmmakers to select the actors for their roles and craft a cohesive ensemble.
The nominees are Nina Gold (“Hamnet”), Jennifer Venditti (“Marty Supreme”), Cassandra Kulukundis (“One Battle After Another”), Gabriel Domingues (“The Secret Agent”) and Francine Maisler (“Sinners”). Each of the five films they worked on are also up for best picture.
The directors of the nominated Iranian documentary “Cutting Through Rocks” plan to be at the Oscars ceremony, but the woman at the center of their film won’t make it as they’d hoped.
The film, shot over many years in Iran by directors Mohammadreza Eyni and Sara Khaki, tells the story of Sara Shahverdi, who fought to loosen the grip of the patriarchy as the first woman to be elected to the council of her village.
“Due to the U.S. travel ban, along with the many ongoing circumstances in Iran, Sara Shahverdi is not able to be present at the Oscars, the directors said in an Instagram post. “We truly hoped to be together after eight years of working on this film side by side, but unfortunately, that won’t be possible.”
“Cutting Through Rocks,” which premiered at last year’s Sundance Film Festival, is nominated for best documentary feature.
The Oscars red carpet sports an naturalistic, Japan-inspired motif this year, with Japanese maple trees lining the path to the Dolby Theatre and wood slat panels adding texture to some of the walls.
The carpet itself is “red rock,” according to Academy representatives, with shades of earthy brown making it darker than the traditional bright red.
If everyone is looking a little shinier today, it’s because it is already quite toasty on the red carpet, which is only going to get more crowded.
Production people say that after two days of blazing heat during rehearsals, they were promised it would be freezing.
Ryan Coogler understands what tonight could mean for Oscar history. He’s just not dwelling on it.
Instead, on Thursday, the Oscar-nominated filmmaker was looking forward to spending one more night with his “Sinners” collaborators who helped bring the film to life.
Coogler could become the first Black filmmaker to win best director in the Academy Awards’ nearly century-long history. While speaking before the eighth annual Macro Pre-Oscars party in Los Angeles, he said he’s trying to stay present as the ceremony approaches.
“I’m just trying to enjoy the days as they come, stay present in the moment,” Coogler told The Associated Press. “When Sunday comes, man, I’m pull up and enjoy celebrating all the movies that’s being celebrated here, including our own.”
▶ Read more from the interview with the “Sinners” director
The Iranian dissident filmmaker, whose film “It Was Just an Accident” was inspired by his time as a political prisoner, is facing a yearlong prison sentence and two-year travel ban for the film.
Yet Jafar Panahi still plans to return home.
“I know where I live and under what government,” he told AP through a translator before the war broke out, something he’s reiterated to news outlets since. “I also know that such works of art come with a price that I have to pay.”
“I also have the experience of living in prison with people who are completely anonymous and unknown, and when they can go through massive pain and no one will hear about it. But as soon as something is wrong with me, the entire world knows.”
“ICE OUT” and “BE GOOD” pins have become one of this awards season’s most visible accessories.
Mark Ruffalo, Jean Smart and Ariana Grande were among the Hollywood stars donning the protest apparel at January’s Golden Globes. But organizers actually took inspiration from AIDS activists of the 1980s and 90s.
Maremoto Executive Director Jess Morales Rocketto says they followed the example of groups like ACT UP, whose red ribbons appeared at the televised 1991 Tony Awards as a sign of solidarity.
“It is supposed to intervene in a place that would otherwise be 100% about the commerce of brand deals and movie promotions,” she said of the white buttons protesting the Trump administration’s immigration enforcement.
Performances are often the most memorable parts of the Academy Awards. If you disagree it is probably because you skipped the 2024 Oscars when Ryan Gosling’s performance of “I’m Just Ken” stole the show. This year, viewers can expect some similarly entertaining moments. EJAE, Audrey Nuna and Rei Ami, the voices behind the fictional girl group HUNTR/X, will perform the massive “Golden” from the animated blockbuster “KPop Demon Hunters.” According to the Academy, the performance will feature “a fusion of traditional Korean instrumentalists and dance” as well.
That’s not all: Miles Caton and Raphael Saadiq will bring their “Sinners” hit “I Lied To You” to the Oscars stage — and will be joined by Misty Copeland, Eric Gales, Buddy Guy, Brittany Howard, Christone “Kingfish” Ingram, Jayme Lawson, Li Jun Li, Bobby Rush, Shaboozey and Alice Smith for the bluesy number.
Josh Groban and the Los Angeles Master Chorale are also scheduled to appear.
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“Sinners” is already in uncharted Oscar waters.
It has 16 Oscar nominations, two more than any other film in history. “Titanic,” “La La Land” and “All About Eve” all had 14.
“Titanic” won 11 Oscars, while “La La Land” and “All about Eve” each won six.
So, it’s reasonable to expect a somewhat sizable haul for “Sinners.” Then again, “The Turning Point” and “The Color Purple” probably felt the same way in their Oscar years. They both went 0-for-11 on Oscar night.
“Sinners” grabbed 16 of a possible 17 Oscar nominations this year. The one it didn’t get: best actress.
The record for Oscar wins is 11: “Ben-Hur” (out of 12 nominations), “Titanic” (out of 14 nominations) and “The Lord of the Rings: The Return of the King” (which went a perfect 11-0, sweeping wins in every category that it was up for).
Lynette Howell Taylor has seen the Oscars from a few different vantage points: As a nominee, in 2019 for “A Star is Born,” as a producer of the broadcast in 2020, as a member of the film academy’s board of governors and, for the last three years, as awards chair. It’s made her first year as the president of the Academy of Motion Picture Arts and Sciences feel like a natural transition. And one thing she is certain of is that every Oscars is unique.
“Every year is different,” Taylor said in a recent interview alongside film Academy CEO Bill Kramer. “Every season is different. Every set of movies is different. And so, the show is always different every year.”
It’s a tricky thing to both honor the people in the room while also making an entertaining show for a home audience. But behind the scenes, from returning host Conan O’Brien to the producers and Emmy-winning production design team, is a group of people who know how to dazzle a global audience.
▶ Read more from the interview
After successfully presiding over the 97th Oscars, Conan O’Brien is hosting for the second year straight. His return to the Oscars stage was announced almost a year ago. In a statement last March, he said, “The only reason I’m hosting the Oscars next year is that I want to hear Adrien Brody finish his speech.”
Showrunner and executive producer Raj Kapoor and executive producer Katy Mullan have been toiling for months putting together Sunday’s show.
“His humor, his tone, his reverence to the art form? He really cares about making this a true celebration,” Mullan said of O’Brien. “We’ve been in tears of laugher … There are so many great moments that he’s going to bring to the show.”
One of the themes of the show this year is the human touch, Kapoor said, from the set design to the packages.
“It’s really the story of how we feel this connection and how this heartbeat of cinema is unmistakably human,” Kapoor said. “Hopefully the entire show and how Conan makes you feel and all of it is like it’s all touched by human hands and human creativity.”
Liza Powel O'Brien, left, and Conan O'Brien arrive at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
A general view of atmosphere inside the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
People look on as workers install Oscar statues Saturday, March 14, 2026, at the Dolby Theatre in Los Angeles, in preparation for Sunday's 98th Academy Awards ceremony. (AP Photo/Gregory Bull)
