LIVIGNO, Italy (AP) — Perched in the snow-covered Italian Alps, Patti Sherman-Kauf fondly remembers how, four years before, in another valley and a world away in Wyoming, she glowed with pride watching a line of headlights approach in the middle of the night.
Those cars were full of family and friends coming to gather around a television and watch her daughter, freestyle skier Jaelin Kauf, compete in moguls at the 2022 Beijing Winter Games. Bedlam broke out in the bar owned by her father when Jaelin won the silver medal.
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A stuffed monkey is seen on the backpack of United States' Jaelin Kauf before the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
Friends and family hold signs in support of United States' Jaelin Kauf before the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
United States' Jaelin Kauf competes during the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
United States' Jaelin Kauf looks on during the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
Friends and family hold a sign for United States' Jaelin Kauf before the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
“It was a line, at 1:30 in the morning, snaking through the valley up to the bar for the watch party,” Sherman-Kauf recalled. "There were like 150 people there watching in this little bar. Being able to watch it on TV with all our friends and family, that was amazing.”
But, she told The Associated Press, nothing compares to breathing in the frosty alpine air, standing at the foot of a ski course and cheering on Jaelin as she shows her speed, agility and aerial stunts at the 2026 Winter Olympics, especially after the COVID-19 pandemic had stopped her loved ones from accompanying her to China.
In Livigno, Sherman-Kauf is joined by Jaelin’s father and brother, and about 30 more people who had also been at that bar back in Alta, Wyoming, right on the Idaho border. Besides that hard-core group waving “J" for Jaelin signs, there were dozens more family members of Team USA skiers, most decked out in red-while-and-blue caps, coats, scarves and sweaters. And everybody cheered for everyone, regardless of the country they represented.
"Freestyle is a big family,” Sherman-Kauf said, taking a moment to give her daughter a hug before she joined her teammates atop the slope.
Jaelin’s long-standing motto is “deliver the love.”
That reminder to just embrace what she does, despite the outcome, is there written on her helmet.
On Tuesday, Jaelin was on the receiving end of that love delivery.
“I could see all the Js waving from up in the start gate and could hear them cheering for me down here. I love having them around. They give me so much energy,” Jaelin said after completing her qualifying run.
Turns out that the 29-year-old, who made her Olympic debut in 2018 with her family there to support her, is going to need some more of those positive vibrations to keep her quest for another medal alive.
A costly wobble on her qualifying run wrecked her score, which is based on a skier’s execution of those hip-swiveling “turns” used to navigate the bumpy slope, along with the difficulty of two acrobatic jumps, and the time. She finished 27th of 29 riders, missing out on the top 10 who advanced to the final.
She has another shot, though. On Wednesday, she can advance to the final if she finishes among the top 10 skiers of the 20 who failed to advance the day before. The final is later the same day.
“The plan for tomorrow is to just put down some my runs,” Jaelin said. “Obviously, you know, like going for gold out here.”
Jaelin, who has a world championship title in dual moguls and over 50 World Cup podiums, has been here before.
She even has moguls in the blood.
Both Sherman-Kauf and Jaelin’s father, Scott Kauf, are multiple-time champions in the freestyle discipline from the 1980s and ’90s.
Now, at an active 62, Sherman-Kauf said “you couldn’t pay me to get on this course,” while craning her neck to look up at the huge slope where her daughter and the other skiers pound their way down the back-breaking, knee-bending bumps only interrupted by the two ramps where they launch into twisting leaps.
But will she still give her daughter some advice for the do-or-die second round of qualifying on Wednesday
Never.
“A hug and have fun is all,” Sherman-Kauf said. “It’s her thing and not ours, because she gets a lot of, ‘Oh, your parents were skiers,’ and that’s all great, the history and all that, but this is her thing, right?
"We’re not Olympic medalists."
AP Winter Olympics: https://apnews.com/hub/milan-cortina-2026-winter-olympics
A stuffed monkey is seen on the backpack of United States' Jaelin Kauf before the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
Friends and family hold signs in support of United States' Jaelin Kauf before the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
United States' Jaelin Kauf competes during the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
United States' Jaelin Kauf looks on during the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
Friends and family hold a sign for United States' Jaelin Kauf before the women's freestyle skiing moguls qualifications at the 2026 Winter Olympics, in Livigno, Italy, Tuesday, Feb. 10, 2026. (AP Photo/Lindsey Wasson)
New films by Polish filmmaker Paweł Pawlikowski, Japanese writer-director Ryusuke Hamaguchi and Spain’s Pedro Almodovar will premiere at the 79th Cannes Film Festival next month.
Organizers for the South of France festival, which runs May 12-23, laid out a lineup heavy on big-name international auteurs at a news conference Thursday in Paris.
Cannes’ most sought-after slots are in its competition lineup. This year, 21 films will vie for the Palme d’Or. That includes “Fatherland,” a Cold War drama starring Sandra Hüller by Pawlikowski (“Ida,” “Cold War” ); “Sudden,” the French language debut for Hamaguchi ( “Drive My Car” ); and Almodovar’s “Bitter Christmas.”
Cannes is so far light on Hollywood releases and American filmmakers. One exception in competition is Ira Sachs' “The Man I Love,” a New York tale starring Rami Malek set during the 1980s AIDS crisis. In the Un Certain Regard sidebar, Jane Schoenbrun will unveil their follow-up to 2014’s “I Saw the TV Glow”: “Teenage Sex and Death at Camp Miasma,” about the making of a slasher movie. It stars Hannah Einbinder and Gillian Anderson.
A number of former Palme winners are in the mix. That includes Romanian auteur Cristian Mungiu’s Norway-set “Fjord,” starring the recently Oscar-nominated Renate Reinsve and Sebastian Stan. Mungiu’s “4 Months, 3 Weeks and 2 Days” won the Palme in 2007.
Also returning is Japanese director Hirokazu Kore-eda, whose 2018 drama “Shoplifters” won the Palme. He’ll debut the sci-fi “Sheep in the Box,” about a grieving couple in the near future who bring home a humanoid boy as their son.
The specialty distributor Neon has already boarded “Fjord,” “Sheep in the Box” and “Sudden,” giving it a chance to extend its historic record of six Palme winners in a row. Last year, the Neon release “It Was Just an Accident,” by Iranian filmmaker Jafar Panahi, won the Palme.
Neon is also behind an out of competition selection in “Her Private Hell” by Nicolas Winding Refn, the “Drive” filmmaker. A thriller starring Sophie Thatcher and Charles Melton, it's Refn's first feature film since 2016's “The Neon Demon.”
The Russian filmmaker Andrey Zvyagintsev is also back in the Cannes competition lineup with “Minotaur.” Zvyagintsev's last two films, “Loveless” and “Leviathan,” both debuted at Cannes and went on to land Oscar nominations.
Other competition entries include films by Asghar Farhadi (“Parallel Stories”), Lukas Dhont (“Coward”) and Lazlo Nemes (“Moulin”).
Thierry Fremaux, Cannes’ artistic director, announced the selections in a news conference alongside festival president Iris Knobloch. Fremaux said that 2,541 feature films were submitted for inclusion.
“In this moment, bringing together films and artists from around the world is not a luxury, it’s a necessity," Knobloch said. "Because when the world darkens, we lose our bearings. Showcasing films from all horizons is not a trivial act. It is defending what is most precious to humanity, its ability to dream and think freely.”
Cannes is coming off a 2025 festival that produced a number of Oscar contenders, including two best-picture nominees in Joachim Tier’s “Sentimental Value” and Kleber Mendonça Filho’s “The Secret Agent.” This year’s Cannes appears well positioned to continue the festival’s stature as the global launching pad of many of the year’s best international films, some of which are bound to show up at next year’s Oscars.
But Hollywood studios appear to be a no-show. Fremaux has said not to expect red carpet premieres like “Top Gun: Maverick” or “Mission: Impossible — The Final Reckoning” — both of which made splashy premieres in recent years. This year, Cannes announced ahead of the Paris news conference that John Travolta's directorial debut “Propeller One-Way Night Coach” will debut in the Cannes Premiere section.
“The United States will be present, but the studios will be a bit less so,” Fremaux said. “It’s important to know that when studios are less present at Cannes, it means they are generally less present with the type of cinema that used to allow them to thrive.”
Two prominent American directors will debut documentaries in special screenings: Steven Soderbergh with “John Lennon: The Last Interview” and Ron Howard with “Avedon,” about the photographer Richard Avedon.
Opening the festival, out of competition, is the 1920s French film “The Electric Kiss.” Cannes requires its opening movie to release the same week in French cinemas. And entry to its prestigious competition lineup requires theatrical distribution, a stipulation that — given France’s laws guarding theatrical windows — has excluded Netflix movies and other streaming titles since 2017.
This year, the Korean filmmaker Park Chan-wook will preside over the nine-member jury that will decide the Palme. And a pair of honorary Palmes will be handed out, to Barbra Streisand and to Peter Jackson.
Cannes film festival president Iris Knobloch, right, and Cannes film festival delegate general Thierry Fremaux attend a press conference to announce the International Cannes film festival line up for the upcoming 79th edition, Thursday, April 9, 2026 in Paris. (AP Photo/Thibault Camus)
Cannes film festival president Iris Knobloch, right, and Cannes film festival delegate general Thierry Fremaux attend a press conference to announce the International Cannes film festival line up for the upcoming 79th edition, Thursday, April 9, 2026 in Paris. (AP Photo/Thibault Camus)
Cannes film festival president Iris Knobloch, right, and Cannes film festival delegate general Thierry Fremaux pose after a press conference to announce the International Cannes film festival line up for the upcoming 79th edition, Thursday, April 9, 2026 in Paris. (AP Photo/Thibault Camus)