Powered by women, ‘Wuthering Heights’ digs up $34.8 million at the box office for a No. 1 debut

Emerald Fennell’s bold reimagining of “Wuthering Heights” brought crowds of women to movie theaters this weekend. The Warner Bros. release topped the box office charts and nabbed the title for the year’s biggest opening with $34.8 million in ticket sales in its first three days in North American theaters, according to studio estimates Sunday. According to PostTrak polling, an estimated 76% of those ticket buyers were women. By the end of Monday's Presidents Day holiday, the total could rise to $40 million from its 3,682 locations.

The romantic drama starring Margot Robbie and Jacob Elordi as the star-crossed Catherine and Heathcliff, won out over the weekend’s other newcomers, including the animated “GOAT” and the heist thriller “Crime 101.” Its biggest day was Saturday's Valentine's Day holiday, where it earned $14 million. “Wuthering Heights” is also performing even better internationally, where it’s expecting to rake in an additional $42 million from 76 territories.

The Warner Bros./MRC production cost a reported $80 million to produce, not accounting for the millions spent on marketing and promotion. If the four-day totals match the estimates, that makes for a strong $82 million global debut. And the film still has several big openings on the horizon, in Japan and Vietnam on Feb. 27, and in China on March 13.

The success comes while the future of Warner Bros. hangs in the balance, as Paramount continues to sweeten its hostile takeover bid in hopes of winning out over Netflix. “Wuthering Heights” is the studio's ninth No. 1 opening in a row.

Fennell’s version of “Wuthering Heights,” which takes many liberties with Emily Brontë’s novel, largely divided critics. It’s currently sitting at a mixed 63% on Rotten Tomatoes. While that didn’t dissuade audiences from buying tickets, only 51% of the opening weekend audience said that they would “definitely recommend” the film to friends. Moviegoers also gave it a less-than-stellar B CinemaScore.

The mid-February weekend has hosted big superhero movies on occasion, including “Black Panther” and “Deadpool,” but a more relevant comparison is “Fifty Shades of Grey” and its two sequels. The first movie opened to over $85 million, the third to $38.6 million.

“This was a solid if not record-breaking Presidents Day/Valentines weekend,” said Paul Dergarabedian, who heads marketplace trends for Comscore. “But that was to be expected without an MCU (Marvel Cinematic Universe) film.”

“GOAT,” an animated Sony release produced by basketball star Stephen Curry, landed in second place with an estimated $26 million from 3,863 locations. It's projected to bring in another $6 million on Monday, which would bring its four day total to $32 million — the biggest animated debut since “Elemental” in 2023. It also pulled in $15.6 million internationally, bringing its global total to $47.6 million.

The family-friendly film was the only new opener of the weekend to get an A CinemaScore. Sony Pictures Animation was also behind “KPop Demon Hunters.”

In third place, “Crime 101” made an estimated $15.1 million in its first three days. Amazon MGM Studios opened the Chris Hemsworth and Mark Ruffalo led Los Angeles-set thriller in 3,161 theaters. It’s expected to pull in about $17.8 million by the end of Monday, but the movie has a long way to go to even hit its production budget, which reportedly exceeded $90 million. Audiences, who were 56% men, also gave “Crime 101” a B CinemaScore.

“Send Help” and “Solo Mio” rounded out the top five with $9 million and $6.4 million, respectively. Further down the charts, at No. 7, was Briarcliff Entertainment’s sci-fi comedy “Good Luck, Have Fun, Don’t Die,” starring Sam Rockwell and Haley Lu Richardson. It made an estimated $3.6 million from 1,610 locations.

The Walt Disney Studios also celebrated a milestone this weekend, becoming the first studio to cross $1 billion at the global box office in 2026, driven almost entirely by “Avatar: Fire and Ash,” but also helped by the continued success of “Zootopia 2,” which remains in the top 10 after twelve weekends in theaters.

The weekend is down significantly from the same weekend last year, when “Captain America: Brave New World” opened, but the pace is starting to pick up and theaters have “Scream 7” and “Project Hail Mary” on the horizon.

“It’s been a rather slow first quarter,” Dergarabedian said. “But this could ignite a spark at the box office.”

With final domestic figures being released Tuesday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1. “Wuthering Heights,” $34.8 million.

2. “GOAT,” $26 million.

3. “Crime 101,” $15.1 million.

4. “Send Help,” $9 million.

5. “Solo Mio,” $6.4 million.

6. “Zootopia 2,” $3.8 million.

7. “Good Luck, Have Fun, Don’t Die,” $3.6 million.

8. “Avatar: Fire and Ash,” $3.3 million.

9. “Iron Lung,” $3.1 million.

10. “Dracula,” $3 million.

Director Emerald Fennell, from left, Jacob Elordi and Margot Robbie pose for photographers at the photo call for the film "Wuthering Heights" in London, Wednesday, Feb. 4, 2026. (Photo by Millie Turner/Invision/AP)

MILWAUKEE (AP) — Giannis Antetokounmpo says he’s healthy and wants to play even as the Milwaukee Bucks continue to say the two-time MVP is too injured to take the floor.

Antetokounmpo missed a 10th straight game on Friday night against the Boston Celtics due to what the team has described as a left knee hyperextension and bone bruise. Antetokounmpo hasn’t played since landing awkwardly during a March 15 victory over the Indiana Pacers.

“I’m healthy,” Antetokounmpo told the Milwaukee Journal Sentinel and The Athletic before Friday’s game. “I hate it when people force me to do things against my nature. I’m a player. I get paid to play.”

For the last couple of weeks, Antetokounmpo has participated in pregame warmups without showing any apparent signs of injury.

Antetokounmpo also noted that the Bucks should have known this about him since the 31-year-old has spent his entire 13-year career in Milwaukee.

Throughout that time, Antetokounmpo has had a reputation for rapid returns from injury, most notably when he hyperextended his knee during Milwaukee’s 2021 playoff run but missed two games before returning to lead the Bucks to their first title in half a century.

“You know who you’re dealing with,” Antetokounmpo told reporters. “So, for somebody to come and tell me to not play or to not compete, it’s like a slap in my face.”

The Bucks still had a remote chance of earning a 10th straight playoff berth at the time of that Indiana game, but they were officially eliminated from contention last week. There’s also the possibility of Antetokounmpo getting hurt again if he returns to action — he has missed a career-high 41 games this season and had two extended absences due to calf strains.

“I understand the circumstances — yes, we’re not going to be in the playoffs,” Antetokounmpo said. “For some people’s eyes, it’s not worth it for me to be out there. But for me, it’s something that goes against my nature.”

Antetokounmpo also wanted the opportunity to play alongside his younger brother, Alex, who made his NBA debut Sunday. There was a possibility of three Antetokounmpo brothers playing alongside each other in the same game, since Giannis’ older brother, Thanasis, also is on the Bucks.

“When my dad passed away, I pretty much raised (Alex),” Antetokounmpo said. “He’s able to be on the team and suit up and chase an opportunity to be great. You really think I don’t want to suit up and play with my brother? Anybody who thinks that is an idiot.”

Antetokounmpo’s desire to play — and the Bucks’ wishes to rest him — drew the attention of the National Basketball Players Association last month.

“The Player Participation Policy was designed by the league to hold teams accountable and ensure that when an All-Star like Giannis Antetokounmpo is healthy and ready to play, he is on the court,” the union said in a statement. “Unfortunately, anti-tanking policies are only as effective as their enforcement; fans, broadcast partners, and the integrity of the game itself will continue to suffer as long as ownership goes unchecked. We look forward to collaborating with the NBA on meaningful new proposals that will directly address and discourage tanking.”

This dispute between Antetokounmpo and the Bucks comes at a time when his future in Milwaukee is uncertain. Antetokounmpo’s name dominated league-wide discussions leading up to the trade deadline, though the Bucks ultimately kept him.

Antetokounmpo becomes eligible to sign a four-year contract extension worth up to $275 million in October. If he doesn’t sign the extension, Antetokounmpo could become a free agent after the 2026-27 season, or the Bucks could decide to trade him beforehand.

Now they find themselves at odds over how to handle the rest of this season.

“I don’t know where the relationship goes from there,” Antetokounmpo said. “We’ve got to go to couples therapy.”

AP NBA: https://apnews.com/hub/nba

Injured Milwaukee Bucks' Giannis Antetokounmpo, center right, talks with an official, center left, during the first half of an NBA basketball game against the Boston Celtics, Friday, April 3, 2026, in Milwaukee. (AP Photo/Aaron Gash)