The wait in Hollywood is over: The 98th Academy Awards are underway.
Comedian Conan O’Brien is back for a second year to host the ceremony, held at the Dolby Theatre in Los Angeles. It’s an Oscars race that seemed like a runaway for “One Battle After Another” but may be a close call after all, thanks to some late-season wins for “Sinners.” Other films with several nominations include “Sentimental Value,” “Marty Supreme,” “Frankenstein” and “Hamnet.”
The Latest at the Academy Awards:
Blues changed the life of Göransson’s family.
“My dad bought his first blues album in Sweden, 1964,” Göransson said.
“Even though it was on the other side of the world from a place my dad had never been, and a place he could not relate to, the music was so powerful it changed my dad’s life.”
“'Mr Nobody Against Putin' is about how you lose your country. And what we saw when working with this footage is that you lose it through countless small, little acts of complicity,” filmmaker David Borenstein said.
“We all face a moral choice, but luckily, even a nobody is more powerful than you think,” he said.
In this short directed by Joshua Seftel and produced by Conall Jones, journalist Steve Hartman and photographer Lou Bopp document the empty bedrooms of children killed in school shootings over the course of seven years.
Gloria Cazares, whose child was killed in the Uvalde school shooting, accepted the award.
“My daughter, Jackie, was nine years old when she was killed in Uvalde. Since that day, her bedroom has been frozen in time,” she said.
Jimmy Kimmel’s return to the Oscars stage (“Wait, am I not hosting?”) and ABC telecast where he served as host four times still can’t possibly be as dramatic as the year he just had.
ABC and parent company Disney yanked his late-night show “Jimmy Kimmel Live!” off the air in September for remarks he made following the assassination of conservative activist Charlie Kirk.
Kimmel’s indefinite suspension was celebrated by President Donald Trump. But it wouldn’t even be a week before he returned to the air with much stronger ratings than before.
His jokes at Trump’s expense prompted the president to post that ABC needed to “get the bum off the air.”
But Kimmel instead got a contract extension in December.
The award recognizes the work of Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett.
Tamara Deverell and Shane Vieau won best production design for the film.
Barbra Streisand’s tribute to Robert Redford highlighted the late actor-director’s history of defending press freedoms, protecting the environment and encouraging new voices in film.
“Bob had real backbone on and off the screen,” she said.
Babs, as Redford used to call her, sang “The Way We Were” at the end of her tribute.
“I miss him now more than ever, even though he loved teasing me,” she said, explaining how she got the nickname.
“Believe me when I say there is an actress of my generation who was not inspired by and enthralled with her absolute singularity,” she said.
McAdams told the audience a Girl Scout song Keaton used to sing set on film sets:
"Make new friends, but keep the old. One is silver, the other is gold. A circle is round, it has no end. That’s how long, I will be your friend."
Billy Crystal opened the in memoriam segment honoring his best friend, Rob Reiner.
He ticked off a list of Reiner’s films, including “When Harry Met Sally,” starring Crystal and Meg Ryan, “Stand By Me,” “Say Anything” and “This is Spinal Tap,” among many others.
A photo of Reiner and his wife, Michelle Singer Reiner, appeared behind Crystal.
The Reiners were found dead in their Los Angeles home in December. Their son, Nick Reiner, has been charged in the deaths of his parents and has pleaded not guilty.
Having a slew of actors with longstanding ties to Reiner — Meg Ryan, Kiefer Sutherland, Fred Savage, Demi Moore, John Cusack, Ione Skye and many others — come on stage for the tribute was reminiscent of how the Academy did the same for director John Hughes at the Oscars 16 years ago.
For his first original film, not adapted from any source material, Coogler won the original screenplay Oscar — his very first. He’s also up for more awards tonight.
Before accepting his award for original screenplay, Coogler embraced his wife, Zinzi Coogler, who is a producer and worked with him on “Sinners.” He then went down the line with his cast, hugging Jack O’Connell, Wunmi Mosaku, Delroy Lindo and, lastly, his frequent collaborator and friend, Michael B. Jordan.
During his speech, he asked the “Sinners” cast and crew to stand up. “You’re all winners in my book,” he said.
In adapting Thomas Pynchon’s 1990 novel about a subculture of aging rebels, “Vineland,” Anderson reworked everything from the timeline to the characters’ names to more details than can be listed in brief.
But he does capture the humor, the cynicism and the sweep of Pynchon, the sense of a ragged community of outsiders caught up by forces far beyond even its own paranoid assumptions.
“I wrote this movie for my kids to say sorry for the housekeeping mess that we left in this world we’re handing off to them,” Anderson said.
He won as supporting actor for “One Battle After Another.”
“Sean Penn couldn’t be here this evening,” presenter Kieran Culkin said. “Or didn’t want to, so I’ll be accepting the award on his behalf.”
Penn did little campaigning this awards season, and also stayed away from the Actor Awards and BAFTA Awards, where he won trophies.
It’s not the first time Penn has no-showed at the Oscars.
The 65-year-old actor has never appeared too attached to Hollywood hardware, whether he wins or loses. He previously gave one of his Oscars to Ukraine president Volodymyr Zelenskyy.
The live action short category resulted in a tie (“Two People Exchanging Saliva” and “The Singers” each got statuettes) this year. But this is not the first time this has happened at the Oscars.
The most recent tie came during the 2013 Oscars honoring films from 2012, when “Zero Dark Thirty” and “Skyfall” tied for the sound editing category. There have been five other ties in Oscars history, making Sunday’s tie the seventh.
The first tie, which was at the 5th Academy Awards almost 100 years ago, was based on an old rule. Wallace Beery (“The Champ”) and Fredric March (“Dr. Jekyll and Mr. Hyde”) tied for best actor. They came within exactly one vote of each other, and in accordance with Academy rules at the time, they shared the recognition. That rule has since changed and only an exact match in totals would qualify as a tie today, according to the Academy.
“Thank you to the Academy for supporting a movie that is weird, that is queer, and made by a majority of women!” said Natalie Musteata of “Two People Exchanging Saliva.”
Director Sam A. Davis of “Singers” called his short a “simple story about the power of music and art to bring us together in a moment when we live in an increasingly isolated world.”
Kulukundis thanked the academy for making this award happen: “I dedicate this to you and to the casting directors who never got a chance to get up here, who didn’t even get a chance to get their name on the movie.”
Kulukundis has served as the casting director on past Oscar favorites including “The Brutalist” and “There Will Be Blood.”
She has worked on all 10 of “One Battle After Another” director Paul Thomas Anderson’s feature films, beginning as an intern on his debut film “Hard Eight” in 1996.
Host Conan O’Brien aimed his comedic barbs towards screenagers and the generally phone-obsessed in a short pre-taped segment about a (surely fictional) film lab that reimagines classic films to be optimal for smart phone viewing.
So-called “advanced” technology isolates the most visually interesting part of the shot for the vertical-only version, but that is often not the most interesting or dynamic part of the shot. An example was the infamous orgasm scene from the late Rob Reiner’s “When Harry Met Sally,” where the vertical-only shot does not show an animated Meg Ryan, but rather a woman in the background who is taking a sip from a glass.
Only five awards into the night, “Frankenstein” is a two-time winner already after taking home the Oscar for costume design, as well as hair and makeup.
“While we’re making this film, we had the sense we’re part of something very special, and tonight confirms that,” makeup artist Mike Hill said. Jordan Samuel and Cliona Furey were the other artists on the award-winning team.
“On behalf of myself and the amazing team that I work with, the artisans, the alchemists, dream weavers, we’re so grateful to the Academy for recognizing our craft,” said Kate Hawley, the film’s costume designer.
Miles Caton and Raphael Saadiq are performing “I Lied to You,” the nominated original song from “Sinners.” They’re joined by a bevy of performers onstage — Misty Copeland, Eric Gales, Buddy Guy, Brittany Howard, Christone “Kingfish” Ingram, Jayme Lawson, Li Jun Li, Bobby Rush, Shaboozey and Alice Smith among them — for a near-recreation of the scene in “Sinners” where the song is introduced.
It is one of the more memorable moments in the film, where a blues song in a Mississippi juke joint opens up to showcase hip-hop DJs, rock ‘n’ roll guitarists, ballerinas and more, illustrating the Black music genre’s place at the foundation of American popular culture.
When the live tribute performance to “Sinners” wrapped on stage, there was a slew of applause, some of which came from people who stood for the ovation.
The highest praise may have come from Michael B. Jordan himself, who nodded and smiled.
The message was clear: The star approved, big time.
The Canadian film is about a poor boy who falls in love with a girl who cries those gemstones, and he decides to pawn them for money. Directed by Chris Lavis and Maciek Szczerbowski, the boy ends up making a choice between pearls and love. It takes place in Montreal.
“To Canada,” Lavis and Szczerbowski said while accepting their award.
Three years ago, Arden Cho was ready to walk away from acting. She’d landed her first lead role in the Netflix series “Partner Track,” only to see it canceled after one season. She was heartbroken.
Her agent wouldn’t let her go. “She refused to say, ‘You’re done.’ She just kept sending me things,” Cho said. “She just keep being like, ‘Look, I know you’re not auditioning. I know you’re done, but I think you’d like this.’”
Now, Cho is juggling multiple projects after voicing the lead character Rumi in Netflix’s animated summertime sensation “KPop Demon Hunters,” which has become the all-time most-streamed movie on the platform — and spawned inescapable earworms “Golden” and “Soda Pop” as its soundtrack dominated pop charts.
And now it’s an Oscar winner.
“This is for Korea and Koreans everywhere,” said “KPop Demon Hunters” co-director Maggie Kang.
Madigan, following a deep cackle, said she thought of her speech in the shower the day before.
“We’re kind of advised, ’Don’t say all these names, as nobody knows who the hell these people are,’” she said. “But you’re not rattling them off. They mean something to you; that you couldn’t be here without them.”
AP Film Writers Jake Coyle and Lindsey Bahr both picked Teyana Taylor (“One Battle After Another”) to win best supporting actress. So did 40% of readers on apnews.com, with Amy Madigan (“Weapons”) their second pick.
Madigan won — and Taylor seemed to be the first to leap from her seat in celebration when she was announced.
Conan O’Brien is off and running at the Oscars.
“I’m Conan O’Brien and I’m honored to be the last human host of the Academy Awards,” O’Brien said. “Yes! Yeah! Next year it’s going to be a Waymo in a tux.”
And the jokes kept coming.
“Last year when I hosted Los Angeles was on fire,” O’Brien said. “But this year, everything’s going great.”
He also quipped that there’s an alternate Oscars being hosted by Kid Rock, a nod to the hubbub over Bad Bunny’s Super Bowl halftime show.
Conan O’Brien’s opening skit: He complains about wearing too much makeup as Aunt Gladys from “Weapons,” says he looks like “Bette Davis with lupus” and it’s all done to the soundtrack of “Sabotage” from the Beastie Boys, all as he runs through various scenes of this year’s nominated films.
“I can’t believe I learned Norwegian for this,” he says, via subtitles, at one point. He then got chased onto the stage by a horde of children.
The irreverent tone for the opening is now set.
Police arrested one protester on Sunday who was part of a group blocking traffic near the Oscars.
Protesters wearing shirts saying, “Stop child trafficking” huddled in the middle of the road a few blocks from the Oscars. Some sat in the road while others marched and shouted, “Turn the files into trials,” in reference to the Jeffrey Epstein files, and, “Save our children not the pedos.”
Other protesters held signs related to the wars in Iran and Gaza.
After a few minutes, police broke up the blockade and ushered protesters to the sidewalks. A scrum of police forcibly removed one protester sitting in the middle of the road.
The Los Angeles Police Department said information on police response to Oscars-related incidents and arrest numbers were not yet available.
The director of “Selma” and “13th” had some advice for fellow industry professionals.
“You see the industry consolidating, companies are eating each other and becoming one big thing that are controlled by entities that may or may not believe in what you’re making,” DuVernay said.
“It’s so important to remain independent on your own money, make your own films, find your ways to get it to audiences.”
Amy Madigan is here! Oscar buzz for the “Weapons” star is bringing a defiant moment back into the spotlight.
Madigan and husband Ed Harris refused to clap for “On the Waterfront” director Elia Kazan when he received an honorary award at the 1999 Oscars.
In 1952, Kazan revealed the names of former colleagues, who participated in Communist Party activities with him, to the House Un-American Activities Committee. It was a controversial move during the Red Scare when Hollywood figures were getting blacklisted, ending the careers of hundreds.
“Yeah, there was no way we were going to do that. No way,” Madigan recently told the New York Times.
Kate Hudson, Demi Moore, Charithra Chandran and Wunmi Mosaku all have a little something in common at the Oscars: They’re wearing green.
Different shades, sure, but on the red carpet, it sure seemed to be green that was stealing the show. An early trend, for certain.
Not long after Moscow invaded Ukraine in 2022, schools in Russia were told to hold lessons and events that would promote the Kremlin’s war narrative and boost patriotism.
In the mining town of Karabash, some 1,400 kilometers (870 miles) east of Moscow, teacher Pavel Talankin was making government-mandated videos of those lessons in his school. But he also was secretly working with American filmmaker David Borenstein on what would become the documentary “Mr. Nobody Against Putin,” nominated for best documentary.
In multiple interviews after the film’s release in early 2025, Talankin said he kept filming for over two years in Karabash School No. 1, coordinating with Borenstein. He left Russia in 2024 for safety reasons, carrying copies of his footage on hard drives.
The documentary follows Talankin, his students and other teachers as they navigate Russia’s wartime ideology, imposed as part of the school curriculum. It premiered at the Sundance Film Festival in January 2025 and won the BAFTA award for best documentary this year.
He will be onstage tonight performing “I Lied to You,” which is up for best original song.
“That’s what we want to do, that’s what music is supposed to do, we’re supposed to move people,” he said.
The Oscars will be saying farewell to a lot of cinema titans, and taking more time to do so.
Among them are Robert Duvall, Robert Redford, Diane Keaton and Rob Reiner.
Other talents who died in the last year include Brigitte Bardot, Val Kilmer, Michael Madsen, Terence Stamp, Diane Ladd, Sally Kirkland, Tom Stoppard and Malcolm-Jamal Warner.
Already this year, the film world has lost Catherine O’Hara, Robert Carradine, Eric Dane, James Van Der Beek and Bud Cort.
Among the foreign talents who died were Joan Plowright, Claudia Cardinale, Dharmendra, Cary-Hiroyuki Tagawa, Mohammad Bakri, Béla Tarr and Jimmy Cliff.
Given the large number of bold-faced names, producers have decided the In Memoriam segment will be longer than usual.
Assembling the segment involves deciding who gets placed in what order, choosing music and the graphic design of the names and titles, as well as where pauses are built in for the select giants of the film world.
It’s up to the academy to decide who is included, which often leads to outcries about who gets excluded.
Maggie O’Farrell, who wrote the book that was adapted into Chloé Zhao’s best picture nominee, said she knew the movie wouldn’t be a “conventional, antiseptic kind of costume drama.” One scene in particular read differently from her novel: Will’s proposal.
“They make it really funny, which I never expected it to be,” O’Farrell said.
For the first time in Oscars history, a statuette will be handed out not only to the stars but also to the person who casts them.
The inaugural casting Oscar doesn’t recognize the performance of the actors, unlike the Actor Awards’ best cast prize, which “Sinners” won earlier this month, and other comparable accolades. This award, by contrast, recognizes the behind-the-scenes creative process and collaboration by a casting director with the filmmakers to select the actors for their roles and craft a cohesive ensemble.
The nominees are Nina Gold (“Hamnet”), Jennifer Venditti (“Marty Supreme”), Cassandra Kulukundis (“One Battle After Another”), Gabriel Domingues (“The Secret Agent”) and Francine Maisler (“Sinners”). Each of the five films they worked on are also up for best picture.
Liza Powel O'Brien, left, and Conan O'Brien arrive at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
A general view of atmosphere inside the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
People look on as workers install Oscar statues Saturday, March 14, 2026, at the Dolby Theatre in Los Angeles, in preparation for Sunday's 98th Academy Awards ceremony. (AP Photo/Gregory Bull)
