Music Office Seeks Young Musicians for Bands and Choirs

Music Office Seeks Young Musicians for Bands and Choirs – Apply by May 4!

2026-04-08 12:00 Last Updated At：12:19

Music Office bands, choirs and orchestras invite applications for membership

The Music Office of the Leisure and Cultural Services Department is recruiting new members for its 18 bands and orchestras as well as two choirs. Training for 2026-27 will be held from this September to May 2027. The deadline for applications is May 4.

The 20 ensembles are respectively the Hong Kong Youth Chinese Orchestra, the Island Youth Chinese Orchestra, the Kowloon Youth Chinese Orchestra, the New Territories Youth Chinese Orchestra, the Music Office Junior Chinese Orchestra, the Music Office Children's Chinese Orchestra, the Hong Kong Youth Symphony Orchestra, the Music Office Junior Symphony Orchestra, the Hong Kong Youth Strings, the Island Youth Strings, the Kowloon Youth Strings, the New Territories Youth Strings, the Hong Kong Youth Symphonic Band, the Music Office Youth Brass Band, the Kowloon Youth Symphonic Band, the New Territories Youth Symphonic Band, the Music Office Junior Symphonic Band, the Hong Kong Children's Symphonic Band, the Music Office Youth Choir and the Music Office Children's Choir.

Young musicians aged 25 or below who have attained the required music qualifications can now apply to enrol in different levels of ensemble and choir training. Apart from weekly rehearsals, members can also broaden their horizons by performing and participating in various cultural activities and concerts, or attending exchange sessions with young musicians from the Mainland and overseas.

Training is free, but members are required to bring their own instruments (except for bulky instruments) and pay for their uniforms and music scores.

Interested persons can visit the Music Office website (www.lcsd.gov.hk/en/mo/training/bandchoirandorchestratraining.html) for more details and application submission. Course pamphlets and application forms are also available at all of the Music Office's music centres. Qualified applicants will receive an audition notification by May 31. Applicants will be notified of their application results by August 15.

For enquiries, please call the Music Office's music centres at 2802 0657 (Wan Chai), 2796 2893 (Kwun Tong), 2399 2200 (Mong Kok), 2158 6462 (Sha Tin) and 2417 6429 (Tsuen Wan).

New Vision Cantonese Opera: 'To Be or Not To Be' Premieres in Hong Kong This June

"New Vision Cantonese Opera: 'To Be or Not To Be'" brings together Hong Kong and Shenzhen artists in June to reimagine classic legend

"New Vision Cantonese Opera: 'To Be or Not To Be' - The Legendary Story of Lu Wenlong", jointly presented by the Leisure and Cultural Services Department (LCSD) and the Shenzhen Cantonese Opera Troupe, will be staged in Hong Kong this June. With renowned Hong Kong director Fredric Mao serving as artistic director, director and co-playwright, the production brings together talented performers and creative elites from Hong Kong and Shenzhen and reinterprets the classic story of "double-spear general" Lu Wenlong from a contemporary perspective. Peng Qinghua, winner of the China Theatre Plum Blossom Award and the Head of the Shenzhen Cantonese Opera Troupe, will lead a group of outstanding performers from the troupe to perform in Hong Kong, demonstrating the collaborative achievement in a high-quality cultural creation between Hong Kong and Shenzhen.

"To Be or Not To Be" is co-produced by the LCSD of the Hong Kong Special Administrative Region Government, the Shenzhen Association for International Culture Exchanges, the Culture, Media, Tourism and Sports Bureau of Shenzhen Municipality, and the Shenzhen Bao'an District People's Government. This production not only showcases the dedication of the Hong Kong and Shenzhen governments to foster arts, cultural development and talent exchanges in the Guangdong-Hong Kong-Macao Greater Bay Area (GBA), but also encourages innovation in Cantonese opera and promotes Chinese culture. With this premise, Mao has innovatively defined this epic opera with the concept of "new vision, new approach, new audience" - using more creative approaches to preserve the artistic essence of traditional Cantonese opera and bring it into a new era.

Mao selected the newly adapted story of Lu Wenlong, a legendary figure from the Qing dynasty novel "The Story of Yue Fei". The narrative unfolds after the Jingkang Incident, where the Song general Lu Deng and his wife die in the name of their country, leaving their infant son Lu Wenlong. He is adopted by Jin prince Wuzhu, and raised to become a formidable warrior. Upon learning the truth of his origins, Wenlong is torn between national loyalty and the bond of his upbringing. "To Be or Not To Be" explores this classic story through a contemporary narrative approach. By refining the script, developing characters and pursuing the truth, it brings a modern flair to a Cantonese opera classic while preserving the traditional essence.

The creative team of "To Be or Not To Be" boasts exceptional talent. Alongside Mao, it features local young Chinese opera performing arts creator Jason Kong as co-playwright; seasoned Cantonese opera music designer Sunny Li for vocal and music design; lighting designer of the National Theatre of China Han Jiang for lighting design; with set and costume design by veteran Hong Kong artists Ricky Chan and Mandy Tam respectively.

Leading the cast, Peng, who received the title of "Leading Talent in Sheng Roles in Chinese Traditional Theatre", will take on the role of Lu Wenlong. Lin Haitao, a fifth-generation inheritor of the Southern School of Cantonese opera, will portray Jin Wuzhu. Other key performers from the Shenzhen Cantonese Opera Troupe include Bu Meiling and Huang Hui, alongside outstanding young artist Lin Feng.

The collaborative creation on "To Be or Not To Be" fully leverages the complementary strengths of artistic elites from Hong Kong and Shenzhen. Building upon the legacy of traditional Cantonese opera, it infuses modern aesthetics and values, providing a platform to nurture young Cantonese opera talent, as well as enhancing the cohesion and expressive power of culture within the GBA.

The two Hong Kong performances will be held at 8pm on June 12 and 13 (Friday and Saturday) at the Auditorium of Kwai Tsing Theatre. Tickets priced at $180, $280, $380 and $480 are now available at URBTIX (www.urbtix.hk). For telephone bookings, please call 3166 1288. A 30 per cent early bird discount will be offered from now until April 21 for purchasing standard programme tickets. Additionally, a 30 per cent family package discount on standard tickets will be offered for each purchase of two standard tickets and one student or senior citizen concessionary ticket. For programme enquiries and concessionary schemes, please call 2734 2930 or visit www.cxlo.gov.hk/en/gba/page-1712.html.

This programme features two sharing sessions (in Cantonese). The first session, titled "Defining Heroes on Stage: The Challenges of Chinese Opera Adaptation", will be held at 7.30pm on May 5 (Tuesday) at Function Room AC2, Level 4, Administration Building, Hong Kong Cultural Centre. The speakers will be Mao and Kong. The second session, titled "Beyond Fan Culture: Promotion Strategies for Performing Arts in Hong Kong and Shenzhen", will be held at 3.30pm on May 17 (Sunday), at Bar Lemna, Lemna of the Alchemist, G/F, Restaurant Block, Hong Kong Cultural Centre. The speakers will be Mao and the artistic producer of Actors' Family, Mandy Yiu. The General Manager of the International Association of Theatre Critics (Hong Kong), Ms Bernice Chan, will serve as the moderator of both sessions. Admission is free, while online registration (www.iatc.com.hk/doc/107849) is required on a first-come, first-served basis. For the second session, a minimum purchase of one drink per participant is required.

Two Shenzhen performances of "To Be or Not To Be" will be held at 8pm on May 23 and 24 (Saturday and Sunday) at the Shenzhen Grand Theatre. Please visit the above-mentioned programme web pagefor more information.