Inside the Met Gala, an Olympic champion learns just how famous she's become

NEW YORK (AP) — Alysa Liu surveyed the glittery crowd arrayed in front of her, sipping cocktails and chatting. It was her first Met Gala, and she hesitated for a second, searching for a word to describe it.

“It’s … BIG,” the Olympic skater finally said with a grin.

But what Liu, dressed in a blood-red custom Louis Vuitton gown with a full skirt and huge ruffles, couldn’t quite get was how big SHE had become. Even at a party full of very, very famous people, everyone wanted to greet her.

Some Met Gala guests have been famous for many years. Others have achieved fame with dizzying speed. For Liu, all it took was a gold-medal performance that charmed the whole world.

“Everybody recognizes me!” she said, with genuine surprise, of the crowd packed into the airy Charles Engelhard Court at the Metropolitan Museum of Art. “It’s crazy. Imagine that overnight, suddenly everyone knows who you are!”

And then America’s skating sweetheart was off, soon to be spotted laughing with Connor Storrie of “Heated Rivalry,” another star of the night who also arrived from an ice rink.

Some more scenes from inside the Met Gala:

After guests made their way up the carpeted steps to the museum, they entered into the Great Hall, which had been transformed into “a Northern Italian garden,” in the museum’s words. There was a huge moon hanging and swaying from the ceiling, and below it a floral centerpiece surrounded by cypress branches.

A half dozen harpists serenaded the guests, who waited to shake the hands of the gala co-chairs — Nicole Kidman, Venus Williams, Vogue’s Anna Wintour, and honorary chair Lauren Sánchez Bezos — but not, for now, the late-arriving Beyoncé.

The receiving line was a long wait, reported Sarah Paulson.

“I waited 45 minutes,” the actor said, explaining why she hadn’t made it yet to the Conde M. Nast Galleries to see the fashion exhibit, “Costume Art,” which examines the dressed body through centuries of art history. Her feet hurt. “You could cut my legs off at the ankle,” she said.

As the Engelhard court gradually filled, guests milled about snacking on lobster crostini or tomato and mozzarella “pillows.”

Zoë Kravitz, who headed the host committee, greeted Storrie — did we mention he was a top attraction? — and complimented him on his work. Bradley Cooper and Gigi Hadid sat quietly chatting on the sidelines, hand in hand.

Near them, Hugh Jackman and Sutton Foster did the same. Jackman stood up when skier Lindsey Vonn came by, giving her a hug. Vonn, who suffered a traumatic leg injury at the Winter Olympics, used only a cane and sparkled in a Thom Browne gown.

Ever since Amazon founder Jeff Bezos and wife Lauren Sánchez Bezos had been announced as honorary chairs, there had been anti-billionaire backlash in liberal New York City. Mayor Zohran Mamdani said he would not come. A group called Everyone Hates Elon — a reference to Musk — had plastered posters at bus stops, like one on the East Side saying “Dress code: Willful ignorance,” and on subways.

The Rev. Al Sharpton, though, had a different take. He'd attended a few Met Galas, and said billionaires were nothing new.

“There have always been billionaires here,” Sharpton said. “I may not agree with everything Bezos does, but do I abandon Beyoncé and Venus Williams?” He also praised Wintour for paying attention to diversity. “I opted to come.”

He said the gala “brings a cultured meeting space” for people who haven't yet met.

At previous galas, Jon Batiste has performed, sometimes leading a musical band with his melodica to get crowds to head to dinner. This time around, he had no gala responsibilities — and he was happy.

After all, he said, “it’s date night” with his wife, Suleika Jaouad. “A night in the museum,” he quipped. The couple were dinner guests of Wintour herself.

Batiste wore a look by Eli Russell Linnetz that he said echoed the work of late Black portraitist Barkley L. Hendricks — a long white coat and white ensemble underneath. Hendricks often juxtaposed Black skin with white clothes, Batiste noted. Jaouad wore a sumptuous Christian Siriano gown.

Sinéad Burke, the Irish disability activist, said that when she was first approached to be on the host committee, “I said no.”

Unless, she says she told organizers, they made the gala fully accessible.

They did, Burke says, arranging for a step-free entrance for guests who need it, south of the main entrance.

Burke ended up working closely with the museum for 18 months before the gala. She made sure there was room for disabled press to cover the gala carpet. She and her organization, Tilting the Lens, also helped train guides who will assist the public when they view “Costume Art,” which has a large section on the disabled body.

And Burke herself, who was born with dwarfism, agreed to pose for a custom mannequin; two outfits are displayed on mannequins created in her image.

“I’m proud of the small moments,” she said.

Model Lauren Wasser, also on the host committee, attended in a custom Prabal Gurung ensemble all in gold, including her trademark gold prosthetic legs.

She said she was glad the museum was shining a light on diversity in body types. But she cautioned that in the outside world, things are looking bleaker. (Research has found that designers are starting to turn away from using plus-size models, for example.)

“I want to see it in real life, too,” Wasser said of such diversity. “We had a moment. But we’ve taken a step back.”

The songwriter who won an Oscar for “Golden” from “KPop Demon Hunters” was wearing, well, silver. But she said she was feeling golden.

In fact, EJAE, part of the team that won best original song for the impossibly catchy tune, said she was trying to channel a specific lyric with her gown, a Swarovski number dripping with crystals.

“I’m done hidin’, now I’m shinin’ like I’m born to be,” the song goes.

“I wanted to literally be shining,” EJAE said. Mission accomplished.

This wasn’t the first rodeo for Paulson. In fact in was her sixth Met Gala, she said.

But Paulson has more after-hours experience at the Met. She shot the movie “Ocean’s 8” there, a film about a heist during … the Met Gala.

“I spent a lot of time here — I know the secrets,” Paulson said. “They should watch out!”

Asked if six Met Galas got a little tiresome, Paulson said they did not.

“You can’t really believe the people here and the oxygen you’re sharing,” the actor said. “People from all the great talents of the world.”

Dinner was under way. Beyoncé had arrived, with Jay-Z and Blue Ivy.

But the assembled media on the carpet and various staffers in the museum lobby weren’t breaking for the night. There was one more big arrival to come. Yes, Rihanna.

When she and partner A$AP Rocky arrived in the Great Hall, they stopped for photos quickly and then headed toward the Temple of Dendur for dinner. But then they ran into Heidi Klum, who knows her way around a costume, virtually unrecognizable as a marble statue.

The couple spent 10 minutes or so laughing with Klum and complimenting her.

“This is the coolest outfit tonight, ain’t gonna lie,” A$AP Rocky noted.

“Oh my god, I can’t stand you!” Rihanna said admiringly.

“How much did they pay you to just stand here for the rest of the night?” the singer asked the statue. They all laughed.

Heidi Klum arrives at The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Costume Art" exhibition on Monday, May 4, 2026, in New York. (Photo by Evan Agostini/Invision/AP)

Jon Batiste, left, and Suleika Jaouad arrive at The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Costume Art" exhibition on Monday, May 4, 2026, in New York. (Photo by Evan Agostini/Invision/AP)

A$AP Rocky, left, and Rihanna arrive at The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Costume Art" exhibition on Monday, May 4, 2026, in New York. (Photo by Evan Agostini/Invision/AP)

Sarah Paulson arrives at The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Costume Art" exhibition on Monday, May 4, 2026, in New York. (Photo by Evan Agostini/Invision/AP)

Connor Storrie arrives at The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Costume Art" exhibition on Monday, May 4, 2026, in New York. (Photo by Evan Agostini/Invision/AP)

Alysa Liu arrives at The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Costume Art" exhibition on Monday, May 4, 2026, in New York. (Photo by Evan Agostini/Invision/AP)

SAN ANTONIO (AP) — Anthony Edwards announced to the San Antonio Spurs he had returned — not that anyone in the sold-out Frost Bank Center needed to be told.

The Timberwolves guard made an unexpected return 10 days after hyperextending his left knee, leading Minnesota to a 104-102 victory Monday night in Game 1 of the Western Conference semifinals.

After hitting his first 3-pointer with 1:27 remaining in the first quarter, Edwards turned to the Spurs bench and screamed: “I’m back! I’m back!”

They were already fully aware.

The four-time All-Star had 18 points, including 11 in the final quarter as the Timberwolves held on to hand the Spurs just the second loss in their past 17 series openers at home.

“That’s kind of who he is,” San Antonio guard Dylan Harper said. “Superstar in this league. He’s going to come back and have games like that even though he hasn’t played for a little bit.”

Edwards, who averaged 36.7 points, 4.0 assists and 3.0 rebounds in three games against the Spurs this season, has stated previously that he enjoys competing against San Antonio star Victor Wembanyama.

They had another duel in Game 1.

Wembanyama had 11 points, 15 rebounds and set an NBA postseason record with 12 blocked shots.

“I don’t think me coming back was because of nothing they got going on,” Edwards said. “It was more so I want to be out there with my brothers. Yeah, just that simple.”

Edwards was expected to miss at least the first two games of the series in San Antonio, but the 6-foot-4 guard expedited his rehabilitation to play in the opener. He was cleared to play 90 minutes before the scheduled tipoff Monday night when Minnesota coach Chris Finch simply said: “He's in.”

“He loves to play the game,” Finch said. “We dodged a bullet when it happened. He’s done an incredible job. Our medical staff has done an unbelievable job of getting him to this point. And he was super motivated by the fact that we were able to get that first series. I think that was kind of a little bit of an inspiration for him, too, just gave him something to work towards.”

Edwards suffered a bone bruise, in addition to hyperextending his left knee, on April 25 during Game 4 of Minnesota’s opening-round series against Denver.

“I think I got the best physical therapist in the world with David Hines," Edwards said of the Timberwolves' vice president of medical operations and performance. "So, just trusting him and working through all the pain that I felt throughout the first two days, three days, and just getting in the pool, running on it. Band work. Just a lot of resistance. So, yeah, he got me right.”

Edwards did not start, but played 25 minutes off the bench, including 9:52 in the final quarter.

“Everybody in the arena is against us,” Edwards said. “Yeah, I think that’s the best thing about it. You start on the road, everybody got on pink, blue, and whatever color shirts there is, chanting ‘Go Spurs Go,’ and doing all that. I’m with Minnesota. I got Minnesota back at all times.

“I’m out there with my brothers and we’re going to war.”

It was uncertain if Edwards will start Game 2 on Wednesday or if his minutes restriction will be lifted, but he is ready regardless.

“I felt great,” Edwards said. “I don’t think I’m limited at all. And just whatever coach needs from me.”

Edwards averaged 28.8 points, 5.0 rebounds and 3.7 assists in 61 games during the regular season. He averaged 36.7 points, 4.0 assists, 3.0 rebounds in three games against San Antonio this season.

“We figured he would want to play,” Spurs forward Julian Champagnie said. “So, we went over him as if he was playing. There was no difference in the strategy. There was no difference in what we were trying to do. This is what he wants to do. This is what we’re going to do to counter it. May the best man win. That’s just what it was. We’ll just go back to the drawing board.”

The Timberwolves were 2-1 against the Spurs during the regular season.

AP NBA: https://apnews.com/hub/NBA

Minnesota Timberwolves guard Anthony Edwards (5) handles the ball as San Antonio Spurs guard Dylan Harper (2) defends during the first half in Game 1 of a second-round NBA playoffs basketball series in San Antonio, Monday, May 4, 2026. (AP Photo/Eric Gay)

San Antonio Spurs guard Dylan Harper (2) works toward the basket as Minnesota Timberwolves guard Anthony Edwards (5) defends during the first half in Game 1 of a second-round NBA playoffs basketball series in San Antonio, Monday, May 4, 2026. (AP Photo/Eric Gay)

Minnesota Timberwolves guard Anthony Edwards (5) celebrates after making a 3-point shot during the first half of Game 4 of a first-round NBA basketball playoff series against the Denver Nuggets, Saturday, April 25, 2026, in Minneapolis. (AP Photo/Abbie Parr)

Minnesota Timberwolves guard Anthony Edwards grabs his knee after an injury during the first half of Game 4 of a first-round NBA basketball playoff series against the Denver Nuggets, Saturday, April 25, 2026, in Minneapolis. (AP Photo/Abbie Parr)

Minnesota Timberwolves guard Anthony Edwards kneels on the court after sustaining an injury during the first half of Game 4 of a first-round NBA basketball playoff series against the Denver Nuggets, Saturday, April 25, 2026, in Minneapolis. (AP Photo/Abbie Parr)