Dversnes wins Giro's 15th stage from breakaway as Vingegaard stays in pink

MILAN (AP) — Norwegian cyclist Fredrik Dversnes claimed the biggest victory of his career as he won the 15th stage of the Giro d’Italia on Sunday, while Jonas Vingegaard remained in the overall lead heading into the final week.

Dversnes won from a four-man breakaway that escaped early on the flat 157-kilometer (98-mile) route that started in Voghera and ended with four laps of the finishing circuit in Milan.

The Uno-X Mobility rider edged out his fellow escapees by almost a bicycle length, with Mirco Maestri finishing second and Martin Marcellusi third.

It is the first Giro for Dversnes and his team.

“Super good help from the other guys in the breakaway … They were really, really strong today,” Dversnes said. "I knew I had good opportunities because I’m pretty good at going in breakaways, so this was my big shot.

“I’ve been joking this year that I will try to trick the peloton in one of these sprint stages, so I really wanted to do that and prove that, so super glad to make it. It's big. It’s a really big and incredible feeling.”

Vingegaard, who had seized control of the race on Saturday, finished safely in the peloton to maintain his overall advantage of 2:26 over Afonso Eulálio, with Felix Gall 24 seconds further back.

The race jury decided to neutralize Sunday's stage for the last lap after several riders — including Vingegaard — complained about the road surface and the placing of the barriers. The overall times were taken at the last passage under the finish arch, before the start of the last lap.

“Maybe today was not the most safe road, so to speak, but we tried to speak with the organization and they really listened to us,” Vingegaard said. “So I want to thank the organization as well for listening to what we had to say today.”

Monday sees the Giro’s third and final rest day before Tuesday’s brutal 16th stage. The 113-kilometer route from Bellinzona includes five classified climbs, including the top-category slog to the finish in Carì.

The Giro ends on May 31 in Rome.

The women’s Giro from May 30-June 7 will be defended by Italian rider Elisa Longo Borghini.

AP cycling: https://apnews.com/hub/cycling

Denmark's Jonas Vingegaard wears the pink jersey of the race overall leader as he stands on the podium after completing the 15th stage of the Giro d'Italia cycling race, from Voghera to Milan, Italy, Sunday, May 24, 2026. (Massimo Paolone/LaPresse via AP)

Norway's Fredrik Dversnes Lavik, left, celebrates winning the 15th stage of the Giro d'Italia cycling race, from Voghera to Milan, Italy, Sunday, May 24, 2026. (Marco Alpozzi/LaPresse via AP)

Norway's Fredrik Dversnes Lavik celebrates winning the 15th stage of the Giro d'Italia cycling race, from Voghera to Milan, Italy, Sunday, May 24, 2026. (Fabio Ferrari/LaPresse via AP)

Pink jersey Denmark's Jonas Vingegaard, center, pedals during Stage 15 of the Giro d'Italia cycling race, from Voghera to Milan, Italy, Sunday, May 24, 2026. (Fabio Ferrari/LaPresse via AP)

The pack of riders pedals during the 15th stage of the Giro d'Italia cycling race, from Voghera to Milan, Italy, Sunday, May 24, 2026. (Gian Mattia D'Alberto/LaPresse via AP)

Denmark's Jonas Vingegaard wearing the pink jersey of the race overall leader, waves to fans ahead of the 15th stage of the Giro d'Italia cycling race, from Voghera to Milan, Italy, Sunday, May 24, 2026. (Massimo Paolone/LaPresse via AP)

After nearly seven years away from the big screen, a new Star Wars movie drew healthy but not record-breaking crowds to global theaters this weekend. According to studio estimates on Sunday, “Star Wars: The Mandalorian and Grogu” made $82 million in ticket sales from 4,300 theaters in the U.S. and Canada. By the end of Monday’s Memorial Day holiday, it’s expected to have earned $102 million domestically and $165 million globally.

It exceeded opening weekend expectations for the movie, a continuation of Disney+ spinoff series “The Mandalorian,” but it’s also on the low end of Disney-era Star Wars releases, closer to “Solo: A Star Wars Story,” which made $103 million over the four-day Memorial Day frame in 2018. While “Solo” was considered a disaster, the metrics around “The Mandalorian and Grogu” are a little different.

The production budget for “Solo” was in the $300 million range, while “The Mandalorian and Grogu” was made for significantly less — a reported $165 million, not accounting for marketing and promotion costs. It makes the journey to profitability more likely, especially when factoring in positive audience scores. Although critics were mixed to negative on the movie (it currently carries a 63% on Rotten Tomatoes), ticket buyers overall gave it an A- CinemaScore. Boys under the age of 13 are especially high on the movie: They gave it an A CinemaScore and a perfect five on PostTrak. Parents also gave it a five out of five.

The Jon Favreau-directed movie stars Pedro Pascal as the titular bounty hunter and puts him and his tiny green companion on a mission to save Jabba’s son Rotta the Hutt, who is voiced by Jeremy Allen White.

“Star Wars: The Mandalorian and Grogu” could also be graded on a bit of a curve because of the streaming component, both that it started as a series, and that it will eventually end up as a value add on Disney+, which was only about a month old when the last Star Wars movie, “The Rise of Skywalker,” debuted in December 2019.

Star Wars as a brand is in a time of transition under its new leadership team of Dave Filoni and Lynwen Brennan; Earlier this year it was announced that Lucasfilm president Kathleen Kennedy, who produced “Star Wars: The Mandalorian and Grogu,” was stepping down after 13 years. The question for the industry is whether audience interest in Star Wars on the big screen might have cooled slightly, and if next year’s “Star Wars: Starfighter,” starring Ryan Gosling, will provide a definitive answer. Until then, the hope is that strong audience and exit scores will propel word-of-mouth generated enthusiasm in the coming weeks.

Word-of-mouth certainly helped Curry Barker’s relationship horror movie “Obsession” defy the standard box office trajectory and do better business in its second weekend. The Focus Features had an astonishing 30% uptick in ticket sales, earning $22.4 million from 2,655 theaters. The studio, which acquired the microbudget movie for some $15 million, is projecting that it will have made $28.2 million by the end of Monday, bringing its running total to $58.5 million. It snagged the second-place spot, while “Michael” landed in third place with $20 million for the three-day weekend. The Michael Jackson biopic has now earned $782.4 million.

“Obsession” also did better than the new horror movie “Passenger,” a Paramount Pictures release with Melissa Leo, which grossed an estimated $8.7 million from 2,534 locations. It’s expected to earn $10.5 million over its first four days. The movie received poor reviews from both critics (44% on Rotten Tomatoes) and audiences (B- Cinema Score).

The mix of movies this year didn’t hold a candle to last year’s record Memorial Day weekend, which was led by Disney’s live-action “Lilo & Stitch” and “Mission: Impossible — The Final Reckoning.” The overall four-day frame this year will net out around $211 million, down about 36% from last year’s $330 million. It’s also far from the disastrous 2024 Memorial Day weekend box office, a 30-year low, when “Furiosa: A Mad Max Saga” opened.

Jon Favreau arrives at the premiere of "Star Wars: The Mandalorian and Grogu" on Thursday, May 14, 2026, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

The character Grogu arrives at the premiere of "Star Wars: The Mandalorian and Grogu" on Thursday, May 14, 2026, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)