Shohei Ohtani has won four MVPs, and now he's making an impressive bid for an honor that has thus far eluded the two-way star: the Cy Young Award.
Problem is, the competition in the National League might be a little too stiff this year.
Ohtani is 7-2 with a 1.47 ERA so far this season. With the Los Angeles Dodgers nearly halfway through their schedule, he's made 12 starts and thrown 73 2/3 innings. His career highs in those categories are 28 and 166, back in 2022. That year he went 15-9 with a 2.33 ERA for the Los Angeles Angels and finished fourth in the American League Cy Young race.
Ohtani's hitting has always been more reliable than his pitching on a year-in, year-out basis. He didn't pitch at all in 2019 or 2024, and his teams have been careful with his workload. Even now, he's a few innings shy of qualifying for the ERA title, but with a mark that far below 2.00, he's clearly one of the game's top starters.
Still, he remains a long shot for the Cy Young according to oddsmakers. Milwaukee's Jacob Misiorowski (8-3, 1.45 in 15 starts) is the favorite, and Philadelphia's Cristopher Sánchez (9-3, 1.80) isn't far removed from throwing 50 2/3 consecutive scoreless innings.
Ohtani is a runaway favorite to win another MVP, of course. He isn't on pace for the eye-popping home run and stolen base stats he's produced in the past, but he leads the National League in on-base percentage, and when you factor in his pitching value it's hard to make a case for anyone else.
The very first Cy Young Award went to a member of the Dodgers, back in 1956 when there was one honor covering both leagues. Brooklyn's Don Newcombe won it. Since moving to Los Angeles, the Dodgers have had seven pitchers win the Cy Young. Who were they?
The first two cycles of the 2026 season took place this past week. Pete Crow-Armstrong completed the single-double-triple-homer set for the Chicago Cubs on Monday in a win over Colorado. Then Bryce Harper of the Philadelphia Phillies pulled it off Saturday during a rout of the New York Mets.
Crow-Armstrong did get picked off first immediately after the single that gave him the cycle — so give the slight edge to Harper here.
Honorable mention: Kyle Schwarber of the Phillies hit three home runs in the same game Harper hit for the cycle. The only other time two teammates pulled that off was June 3, 1932, when Lou Gehrig of the New York Yankees hit four home runs and Tony Lazzeri hit for the cycle. The Yankees beat the Philadelphia Athletics 20-13 that day.
The Athletics overcame a seven-run, sixth-inning deficit to beat the Los Angeles Angels 12-11 in 10 innings on Friday night. It was a wild evening, with the A's taking a 4-0 lead before allowing 11 consecutive runs. The Angels had a win probability of 99% by the bottom of the seventh according to Baseball Savant.
The comeback began an inning earlier when Zack Gelof singled home a run to make it 11-5. With two outs in the seventh, Tyler Soderstrom walked and Jacob Wilson followed with a homer to cut the deficit to four. A two-run homer in the eighth by Max Muncy made it 11-9.
The A's were down to their last out when Jonah Heim hit a tying two-run homer in the ninth. After Muncy, the third baseman, threw a runner out at the plate in the top of the 10th, the Athletics won when Nick Kurtz drew a bases-loaded walk in the bottom half.
The A's (38-40) are 1 1/2 games out of first place in the AL West despite what is now the worst run differential in the AL at minus-54.
Sandy Koufax (three times), Clayton Kershaw (three times), Don Drysdale, Mike Marshall, Fernando Valenzuela, Orel Hershiser and Eric Gagne.
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Los Angeles Dodgers starting pitcher Shohei Ohtani delivers during the fifth inning of a baseball game against the Tampa Bay Rays in Los Angeles, Wednesday, June 17, 2026. (AP Photo/Kyusung Gong)
NEW YORK (AP) — Clive Davis, the record company lawyer who became one of the music industry's most powerful figures, launching or resurrecting the careers of such superstars as Janis Joplin, Whitney Houston, Carlos Santana and Alicia Keys, has died, his family confirmed. He was 94.
Earlier this year, Davis was hospitalized following an upper respiratory issue and was released a few days later. His death, in his Manhattan apartment, was confirmed by his publicist Aliza Rabinoff, who also shared a statement from his family.
“To the world, our father was the iconic music legend whose vision, instincts, and relentless pursuit of excellence shaped the soundtrack of countless lives. He discovered, mentored, and championed the greatest artists in modern music history, leaving an indelible mark on culture that will endure for generations,” the statement read.
Unlike other record moguls whose influence waned as they got older, Davis' might only seemed to grow, spanning multiple genres and labels. Into his later years, he was directing the careers of everyone from Barry Manilow to “American Idol” winners Carrie Underwood and Kelly Clarkson. And his exclusive pre-Grammys gala, held the Saturday night before the Sunday award show every year since 1975, continued to be an institution.
“Clive’s talent has always been seeing and hearing what other people don’t,” former President Barack Obama said in a video message played at this year’s gala.
Clive Jay Davis was born on April 4, 1932 in Brooklyn, New York, where he grew up in the Crown Heights neighborhood. His father was electrician and traveling salesman. He attended New York University, and while in school, both of his parents — his father Herman and his mother Florence died. Later, he attended Harvard Law School, eventually leading to a job as an in-house lawyer at Columbia Records.
Davis always had a knack for business, and by 1967, became president of the company, just seven years after being hired as an attorney. He cited attending the Monterey International Pop Festival that year as pivotal; it eventually led him to bringing Bruce Springsteen, Springsteen, Chicago, Neil Diamond and many other groups to the label — bringing a counterculture spirit to a company that had resisted rock ‘n’ roll.
Davis took big swings in the music industry, particularly in his support for Black artists, beginning when he signed Gamble and Huff’s Philadelphia International Records in 1971.
In 2015, the NAACP recognized Davis for his groundbreaking work by presenting him with the Vanguard Award. And last summer, Davis was presented with the Apollo Theater’s Apollo Legacy Award and inducted onto its Walk of Fame.
His success stories were staggering, with Houston a crowning achievement and devastating tragedy: Davis signed her to his Arista record label when she was just a teen and turned her into America's reigning pop princess.
Houston racked up multiple No. 1 hits and became one of the top-selling artists in pop history before drug abuse hobbled her career. She died in a Los Angeles hotel room in 2012, just hours before she was to appear at the annual pre-Grammy Awards gala hosted by Davis, who had been convinced she was turning her life around.
“Maybe I should have been more skeptical,” Davis wrote in his 2013 memoir, “The Soundtrack of My Life,” “but I’ve always been optimistic, and I felt hopeful. It felt like old times.”
He also launched the career of multi-platinum, multiple-Grammy winner Keys — and was quick to note other talents he signed, including Joplin and Billy Joel, Blood Sweat & Tears and other “all-timers,” as he so often put it.
“I signed Patti Smith, the great Renaissance woman ... I signed Lou Reed ... I signed the Grateful Dead,” he proudly touted in an interview with The Associated Press in 1999.
He also signed the then up-and-coming producer Sean “Diddy” Combs to a label deal with his Bad Boy Records. Under Davis, the label would have some of its biggest successes, most notably with late rap icon the Notorious B.I.G. That was long before the hip-hop mogul Diddy would be incarcerated, convicted of violating the federal Mann Act, which bans transporting people across state lines for any sexual crime.
Davis didn't simply have an eye for new talent — he also knew how to keep veterans relevant, decades after their first hit. Aretha Franklin, whose legend was made at Atlantic Records, flourished in her later years at Arista, as did Luther Vandross, who made his last albums for another Davis label, J Records.
It was Davis who conceived of the 1999 album “Supernatural,” which paired guitar god Santana with some of the day's hottest talents. The record won a record-tying eight Grammys and gave Santana more success than he had ever enjoyed in his decades-long career.
And he had middle aged star Rod Stewart trade in his rock hits for standards from “The Great American Songbook.” The album, released in 2003, sold millions and was so successful it spawned four titles in all.
Davis didn’t always make the right choices; he turned down a chance to sign up Meatloaf. And he and his collaborators didn’t always agree.
He and producer David Foster fought bitterly over the arrangement for Houston’s all-time hit, a cover of Dolly Parton’s “I Will Always Love You.” Davis won that fight — and the song was published with its iconic a capella intro.
And Manilow strongly objected to recording “I Write the Songs,” noting that he didn’t even write the song, a Bruce Johnston ballad that became a signature hit for Manilow, who would have similar latter-day success mining the music of the 1950s, 60s and '70s.
“He's just brilliant at picking ideas he thinks the public will connect,” raved Manilow, who had worked with Davis since he was a budding singer at Columbia Records.
Davis also had his struggles. Though he became president of Columbia Records in 1967 after joining the label in 1960 as a lawyer, by 1973 he was gone in a bitter fallout. The label accused him of mismanagement of funds and he was fired. Although Davis says he was later cleared, it wasn't the end of his problems; he later was indicted on tax evasion charges, pleaded guilty to one count and had to pay a $10,000 fine.
However, Davis would declare victory: He says Columbia gave him the money to start Arista to resolve the dispute, and the label would become a huge success with artists like country superstars Brooks & Dunn, sassy R&B group TLC, Babyface, Houston, Franklin and others.
The label had huge success with a debut act — Milli Vanilli. But the male pop duo would become the embarrassment of the industry when, after winning a Grammy, it was revealed that they weren't actually singing their songs (Davis blamed the debacle on the label's European division, which he said signed them; the group was later stripped of its best new artist Grammy).
In 1999, as Arista was celebrating its 25th anniversary, Davis faced another crisis: The label's then-parent company, BMG Entertainment, a division of German media conglomerate Bertelsmann, wanted him to retire; most of its executives were eased out by 60, and Davis was in his mid-60s.
In 2000, despite support from his superstar roster, the company ousted him in favor of producer and songwriter Antonio “L.A.” Reid, who would later become chairman of Island/Def Jam.
However, instead of severing its ties with Davis, BMG helped him launch J Records in what BMG has described as the largest record company startup ever created. Vandross was one of his initial artists, along with forgettable acts like the boy-band O-Town.
J Records was a success from the start, though, and only grew in stature with the arrival of a young singer named Keys, a piano-playing singer-songwriter with powerful pipes and dramatic R&B songs. Keys' albums would go on to sell millions and win several Grammys.
His influence grew even more when Davis was tapped for BMG's U.S. division.
He became a key backer of the careers of the winners of “American Idol,” guiding many albums to platinum status. The show's link to Sony BMG came through a deal between Davis and 19 Recordings Unlimited, the label managed by “Idol” creator Simon Fuller.
In 2007, however, Davis disagreed with the direction of Clarkson's “My December,” and she publicly criticized him. The album was a flop, and she later apologized.
In 2008, Sony BMG replaced Davis as chairman and chief executive officer of the BMG label group, giving him the title of chief creative officer.
He was serving as worldwide chief creative officer at Sony Music Entertainment up until his death.
In his memoir, Davis confirmed longtime rumors that he was bisexual and had been living with a man in recent years.
“Do I feel I could have been similarly attracted to a woman?” Davis wrote. “The answer is yes.”
He is survived by his four children, sons Fred, Doug and Mitchell, daughter Lauren, and his eight grandchildren Austin, Charlie, Matthew, Hayley, Harper, Sloane, Billie and Cody, two great grandchildren, cousin Jo Schuman and partner Greg Schriefer.
His family shared a loving statement on Monday.
“Through every chapter of his remarkable life, family remained Clive’s greatest pride and deepest joy. Today, we celebrate not only a towering figure whose influence changed music forever, but the man who led our family with grace, generosity, and kindness. We will miss him greatly, cherish him always, and carry his love with us for the rest of our lives.”
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Former AP writer Nekesa Mumbi Moody was the main writer of this obituary.
FILE - Clive Davis, left, and Usher appear at Davis' 2005 pre Grammy party in Beverly Hills, Calif. on Feb. 12, 2005. (AP Photo/Chris Polk, File)
FILE - Record mogul Clive Davis is pictured in his New York office, Sept. 10, 1980. (AP Photo/Marty Reichenthal, File)
FILE - Clive Davis, left, appears with Aretha Franklin at Aretha's 69th birthday party, in New York, Friday, March 25, 2011. (AP Photo/Charles Sykes, File)
FILE - Bobby Brown, left, and Whitney Houston appear with music producer Clive Davis, right, at a pre-Grammy party in New York on Feb. 24, 1998. (AP Photo/Stuart Ramson, File)
FILE - Music producer Clive Davis attends the special screening of "Western Stars" at Metrograph in New York on Oct. 16, 2019. (Photo by Evan Agostini/Invision/AP, File)
FILE - Music producer Berry Gordy, right, appears with Clive Davis during Davis' Pre-Grammy Party in Beverly Hills, Calif., on Feb. 10, 2007. (AP Photo/Danny Moloshok, File)
FILE - Carlos Santana, left, and producer Clive Davis pose with their Grammys at the 42nd Grammy Awards in Los Angeles, on Feb. 23, 2000. (AP Photo/Reed Saxon, File)
FILE - Clive Davis kisses the hand of Diana Ross at his annual pre- grammy party at the Beverly Hills Hotel in Beverly Hills, Calif. on Saturday Feb. 12, 2005. (AP Photo/Chris Polk)
FILE - Music producer Clive Davis, left, appears with singer Whitney Houston at the pre-Grammy gala in Beverly Hills, Calif., on Feb. 13, 2011. (AP Photo/Mark J. Terrill, file)
FILE - Sony Music Entertainment's Chief Creative Officer and famous hitmaker Clive Davis posing for a portrait in his office in New York on Feb. 18, 2013. (Photo by Dan Hallman/Invision/AP, File)
FILE - Record mogul Clive Davis is pictured in his New York office, Sept. 10, 1980. (AP Photo/Marty Reichenthal, File)
FILE - Clive Davis, chief creative officer of Sony Music, appears during press day in Beverly Hills, Calif., on Jan. 23, 2014, prior to Davis' annual pre-Grammy gala. (Photo by Casey Curry/Invision/AP, File
