Film Archive to present screening programme "Realising Art in Social Realism: The Miracle of Union Film"
The Hong Kong Film Archive (HKFA) of the Leisure and Cultural Services Department (LCSD) will present a programme entitled "Realising Art in Social Realism: The Miracle of Union Film" from August 22 to 30 at the Cinema of the HKFA, featuring a selection of six of the most representative works of the Union Film Enterprise Ltd (Union Film). This screening programme is part of the commemoration of the 25th anniversary of the HKFA and the Chinese Culture Festival (CCF) 2026.
Union Film was co-founded in 1952 by filmmakers who shared a common goal of elevating the artistic quality of Cantonese film, with productions reflecting social realities and bearing educational significance. This programme features six early works of Union Film including masterpieces of five directors during their creative prime: Lee Tit, Lee Sun-fung, Chun Kim, Chu Kea and Ng Wui, as well as a collectively written and directed anthology works. The selection demonstrates Union Film's concerns for society and people's livelihoods, an aspiration for virtuous human relationships, and a philosophy that blends traditional Chinese and modern culture.
Being the longest-serving director at Union Film, Lee Tit was adept at the realistic depiction of the lives of ordinary people in films that resonate deeply with audiences, including "In the Face of Demolition" (1953) (2K Digitised Version), which uses dramatic tension to highlight social issues faced by diverse residents in a dilapidated building, serving as a microcosm of post-war Hong Kong. Although the film's characters are from different walks of life in adverse circumstances, they lend support to each other and live in neighbourly accord, embodying the solidarity spirit of "one for all, all for one".
Chun Kim excelled at portraying intergenerational relationships, with "Parents’ Hearts" (1955) (2K Digitised Version) being especially poignant among his works. The film tells the story of a father working day and night with his wife to put his sons through school, eventually falling ill from overexertion. Starring renowned Cantonese opera actor Ma Si-tsang, the film touches on the mutual assistance between impoverished artists outside the storyline of a familial relationship to highlight the compassion and generosity of human nature and reflect the harsh realities of an economic downturn and the decline of traditional art forms.
Adapted from Ba Jin's renowned eponymous novel and directed by Lee Sun-fung, "Spring" (1953) (2K Digitised Version) tells the quandaries and choices in love and marriage faced by young people amidst traditional and contemporary ideologies. Lee Sun-fung was particularly skilled at conveying the emotions of female characters. In a scene when a young girl, who is about to be forced into marriage, played by Pak Yin, sings "The Death of Daiyu", her melancholy and misery from a tortured romance is delicately revealed.
Chu Kea, who joined the film industry at the age of 13, drew on his diverse behind-the-scenes experiences from working in various posts to become a master of melodrama. His "An Orphan’s Tragedy" (1955) (2K Digitised Version) is the only film that Bruce Lee and Josephine Siao appear in together, and both deliver standout performances. The film tells the story of the protagonist becoming an orphan after his father has been framed by a villain. When the protagonist has grown up, he is set up by the same villain, forcing the father, who is now a fugitive, to come out of hiding to save him.
Ng was the most prolific director at Union Film and was equally at ease across different genres of film. In the Chinese opera film, "The Precious Lotus Lamp" (1956), Ng masterfully blends the languages of Cantonese opera and cinema, setting a new standard for period musical films. With Union Film's rigorous approach to film production, Cheung Wood-yau and Tsi Lo Lin, both trained in Cantonese opera, were cast in the lead roles, offering their vocal prowess and refined stage movements and gestures on screen, while veteran Cantonese opera actor Siu Sun Kuen portrayed the antagonist and served as a consultant to ensure the artistic quality of the film.
Marking the second anniversary of Union Film, an all-star lineup of directors and actors came together for the two instalments of "Love" (Part 1 & The Sequel) (1955) (2K Digitised Version) in a spirit of collective creativity to present six stories involving a wide variety of passengers on a ship, shedding light on the relationships between family members, mothers and sons, sisters, spouses and lovers. The film depicts six different forms of human affection and examines the interpersonal intricacies within.
Tickets priced at $60 will be available from July 17 (Friday) at URBTIX (www.urbtix.hk). There is a 20 per cent discount for every purchase of regular-priced tickets of two or more screenings of this programme. For telephone bookings, please call 3166 1288. For programme details, please call 2739 2139 or visit the HKFA website at www.filmarchive.gov.hk/en/web/hkfa/2026/ccf-art-in-social-realism/pe-event-2026-ccf-art-in-social-realism.html.
The CCF, presented by the Culture, Sports and Tourism Bureau and organised by the Chinese Culture Promotion Office under the LCSD, aims to promote Chinese culture and enhance the public's sense of national identity and cultural confidence, thereby facilitating patriotic education. It also aims to attract top-notch artists and arts groups from the Chinese Mainland and other parts of the world for exchanges in Chinese arts and culture. The CCF 2026 is held from June to September. For more information, please visitwww.ccf.gov.hk.
The Hong Kong Film Archive (HKFA) of the Leisure and Cultural Services Department will present a programme entitled "Realising Art in Social Realism: The Miracle of Union Film" from August 22 to 30 at the Cinema of the HKFA, featuring a selection of six of the most representative works of the Union Film Enterprise Ltd. Photo shows a film still of "Love" (The Sequel) (1955) (2K Digitised Version). Source: HKSAR Government Press Releases
The Hong Kong Film Archive (HKFA) of the Leisure and Cultural Services Department will present a programme entitled "Realising Art in Social Realism: The Miracle of Union Film" from August 22 to 30 at the Cinema of the HKFA, featuring a selection of six of the most representative works of the Union Film Enterprise Ltd. Photo shows a film still of "Spring" (1953) (2K Digitised Version). Source: HKSAR Government Press Releases
The Hong Kong Film Archive (HKFA) of the Leisure and Cultural Services Department will present a programme entitled "Realising Art in Social Realism: The Miracle of Union Film" from August 22 to 30 at the Cinema of the HKFA, featuring a selection of six of the most representative works of the Union Film Enterprise Ltd. Photo shows a film still of "The Precious Lotus Lamp" (1956). Source: HKSAR Government Press Releases
The Hong Kong Film Archive (HKFA) of the Leisure and Cultural Services Department will present a programme entitled "Realising Art in Social Realism: The Miracle of Union Film" from August 22 to 30 at the Cinema of the HKFA, featuring six of the most representative works of the Union Film Enterprise Ltd. Photo shows a film still of "Parents’ Hearts" (1955) (2K Digitised Version). Source: HKSAR Government Press Releases
The Hong Kong Film Archive (HKFA) of the Leisure and Cultural Services Department will present a programme entitled "Realising Art in Social Realism: The Miracle of Union Film" from August 22 to 30 at the Cinema of the HKFA, featuring a selection of six of the most representative works of the Union Film Enterprise Ltd. Photo shows a film still of "In the Face of Demolition" (1953) (2K Digitised Version). Source: HKSAR Government Press Releases
