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For the US news industry, a tough summer draws to a close with McClatchy chain's cuts

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For the US news industry, a tough summer draws to a close with McClatchy chain's cuts
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For the US news industry, a tough summer draws to a close with McClatchy chain's cuts

2026-09-12 12:00 Last Updated At:12:11

NEW YORK (AP) — Closing out a turbulent summer for the news industry, the McClatchy newspaper chain has made deep cuts at The Miami Herald and other papers it owns across the nation.

The union that represents McClatchy journalists said Friday that more than 90 unionized journalists and media workers across 17 publications had been laid off, accounting for about 30 percent of all McClatchy workers unionized with The NewsGuild-CWA. The layoffs have impacted news outlets including The Sacramento Bee, The Kansas City Star, The Charlotte Observer, Fort Worth Star-Telegram and others.

“We are waist-deep in the quicksand and we are still sinking,” Carol Marbin Miller, deputy investigations editor of The Miami Herald, said in a phone interview.

Marbin Miller, who was not impacted by the layoffs, told The Associated Press she was speaking out to stress how dire the situation was at her paper, where a total of 32 jobs were cut. Those included 28 lost jobs and four positions that were frozen, according to a person familiar with the situation, speaking on condition of anonymity. They included the entire writing staff of El Nuevo Herald, the Spanish-language publication.

“Miami is the biggest city in Florida,” Marbin Miller said. “Florida is a crucial state. I can't imagine any scenario in which Miami no longer has a vibrant, powerful news outlet. It’s just too important.”

A McClatchy spokesperson did not respond to an email requesting comment or information.

The U.S. newspaper industry has been contracting for two decades, pushed first by the rise of the internet and the decline of classified advertising, then by the fragmentation introduced by social media and evolving user consumption habits. More recently, many newspaper operations have reduced or cut print editions. Media advocacy groups warn that fewer eyes of accountability are on U.S. communities and their governments and institutions.

All those laid off from McClatchy were informed on Thursday. Later, an internal memo from Greg Farmer, executive vice president of local news, seen by the AP, told staff: “For the past five years, McClatchy made a deliberate choice to maintain our investment in local news reporters. We believed continued investment in our journalism would strengthen our relationship with subscribers and our business."

“We measured the results,” Farmer added. “The results are clear and require us to make a different choice ... We are making these changes because the status quo no longer works. We cannot continue investing where subscriber interest does not support the investment."

The union said four McClatchy papers in Washington state had lost seven reporters in total. “Tacoma will no longer have even a single dedicated journalist tracking city hall, Pierce County government or local schools,” it said. Other cuts included the only two investigative reporters at The Charlotte Observer, and a team of government accountability reporters at The Kansas City Star.

Other news organizations have taken similar action recently, including USA Today Co., formerly Gannett, earlier this month. It was not immediately clear how many staffers were affected.

“We will continue adapting our business to evolving audience behaviors, changing market dynamics and advances in technology,” spokesperson Lark-Marie Antón said in an email to The AP.

“These decisions are never made lightly,” she wrote. “They are intended to position USA TODAY Co. for long-term success and maintain our ability to invest in innovation, products and experiences that best serve our audiences.” Antón declined to give further information, including numbers.

In an internal memo, Senior Vice President Michael Anastasi told staff: “The challenges we face are not temporary. Rapid shifts in audience behavior, technology and innovation, and continued pressure on advertising and revenue models are changing the economics of journalism at a pace our industry has not experienced before."

Also affected this summer: The Associated Press, where 19 U.S.-based video producer jobs were recently relocated to India, according to their union, with another 10 photo editors told they will lose their jobs sometime this year.

Those cuts come just under four months after the news cooperative laid off 20 U.S.-based journalists, part of a restructuring that pivoted away from print and toward visual journalism “to align our operations with what our top customers need from us today,” an AP spokesman, Patrick Maks, said at the time. He did not immediately respond to an email Friday.

Kimberlee Kruesi, acting president of the News Media Guild, said the union “remains shocked and alarmed by AP’s decisions.”

“Coverage of the U.S. should be done in the U.S.," Kruesi said.

In a June 30 email to staff, executive editor Julie Pace wrote that the new hub in India would “increase the size of our production staff to scale both our video and photo capabilities while improving speed and quality."

“Our ability to sustain world-class reporting depends on adapting to changes in the industry, thinking strategically about where to allocate our resources and investing in the areas where we can grow and best serve customers," Pace wrote.

At the Miami Herald, the union noted, layoffs will leave the paper without a City Hall reporter. Also cut were its only female photographer, the entire audience team, the sole video producer and "all reporters covering an entire South Florida county, Broward.”

In a post on X, Marbin Miller likened the impact of the cuts to a surgical operation.

“We long ago cut past the skin and the bone and the muscle and the tendons and the ligaments,” she wrote. “We are now slicing out the vital organs.”

FILE - The Miami Herald newspaper office building is seen on Feb. 13, 2020, in Doral, Fla. (AP Photo/Wilfredo Lee, File)

FILE - The Miami Herald newspaper office building is seen on Feb. 13, 2020, in Doral, Fla. (AP Photo/Wilfredo Lee, File)

VENICE, Italy (AP) — The 83rd Venice Film Festival ends Saturday with the presentation of jury awards including the Golden Lion for best film.

There is no telling how the Maggie Gyllenhaal -led jury might swing when it comes to the big prizes for film, direction and acting. But some of the 21 entrants have emerged as favorites — judging by the standing ovations — with a mix of current events, Hollywood fare and international productions in contention.

The late festival addition “NAZA,” in which Israeli military insiders give insight into the war in Gaza and what they say is the systemic killing of Palestinian civilians, received a 25-minute standing ovation — the longest on record.

That beat the 24-minute ovation that followed last year’s premiere of “The Voice of Hind Rajab.” Some were surprised at the time that the film about a 6-year-old girl killed in Gaza received only the runner-up prize known as the Silver Lion, while the big prize went to Jim Jarmusch’s “Father Mother Sister Brother.”

Kaouther Ben Hania, who directed “The Voice of Hind Rajab,” is on this year's jury, which also includes English composer Daniel Blumberg, French filmmaker Xavier Giannoli, Afghan filmmaker Shahrbanoo Sadat and Hong Kong filmmaker Johnnie To.

Also, notably, “NAZA” is the only documentary in competition and boasts one of two female directors in the slate, with Rachel Szor sharing directing duties with Yuval Abraham.

Other films got enthusiastic ovations as well, stretching well into the mid-teens, including the more Hollywood, star-driven offerings “Wild Horse Nine” and “Bunker.”

Martin McDonagh’s “Wild Horse Nine,” a dark comedy about two CIA agents on a trip to Easter Island shortly before the 1973 military coup in Chile, impressed festivalgoers with its sharp script and performances from John Malkovich, who has never won an Oscar, and Sam Rockwell.

McDonagh’s previous two films, “Three Billboards Outside Ebbing, Missouri,” and “The Banshees of Inisherin” both premiered at Venice, where he received screenplay prizes for both, and an actor win for Colin Farrell. Those two films went on to receive multiple Oscar nominations, including best picture. “Three Billboards” won two, for Rockwell and Frances McDormand.

“Bunker,” a psychological thriller that reunited real life couple Javier Bardem and Penélope Cruz on screen also had audiences clapping for over 14 minutes. But the Florian Zeller-written and -directed film about marital tensions when an acclaimed architect is asked to build a luxury bunker for a tech billionaire, received mixed reviews. Sometimes the ovations in Venice can be more about the drawing power of a film's stars than the film itself.

The crime thriller “Primetime " raises the question of whether Robert Pattinson might be celebrated for his widely praised turn as “To Catch a Predator” host Chris Hansen.

Perhaps sisters Rooney and Kate Mara will get some recognition for their synced performances in Werner Herzog’s “Bucking Fastard.”

And then there is the international contingent, which includes Danish-Egyptian filmmaker May El Toukhy’s tense domestic drama “Woman Unknown,” set in the aftermath of World War II, Hirokazu Koreeda’s contemplative manga adaptation “Look Back” and South Korean auteur Lee Chang-dong’s poetic portrait of class and labor, “Possible Love.”

In Lee's latest film, actors Jeon Do-yeon, Sul Kyung-gu, Zo In-sung and Cho Yeo-jeong play two married couples, one wealthy, one struggling, who become connected through a documentary about laid off workers in Korea. “Possible Love” is Lee's first film in eight years, following his acclaimed “Burning,” and became an immediate favorite among critics at the festival.

The main competition jury will have the final say, however, and Venice juries have been known to surprise. Remember when “Joker” won?

For more coverage of the 2026 Venice Film Festival, visit: https://apnews.com/hub/venice-film-festival

Maggie Gyllenhaal speaks to the audience prior to Ellen Burstyn receiving the golden lion for lifetime achievement during the 83rd edition of the Venice Film Festival in Venice, Italy, on Monday, Sept. 7, 2026. (Photo by Scott A Garfitt/Invision/AP)

Maggie Gyllenhaal speaks to the audience prior to Ellen Burstyn receiving the golden lion for lifetime achievement during the 83rd edition of the Venice Film Festival in Venice, Italy, on Monday, Sept. 7, 2026. (Photo by Scott A Garfitt/Invision/AP)

Driector Lee Chang-dong, from left, Sul Kyung-gu, Jeon Do-yeon, Cho Yeo-jeong and Zo In-sung pose for photographers at the red carpet for the film 'Possible Love' during the 83rd edition of the Venice Film Festival in Venice, Italy, on Sunday, Sept. 6, 2026. (Photo by Alessandra Tarantino/Invision/AP)

Driector Lee Chang-dong, from left, Sul Kyung-gu, Jeon Do-yeon, Cho Yeo-jeong and Zo In-sung pose for photographers at the red carpet for the film 'Possible Love' during the 83rd edition of the Venice Film Festival in Venice, Italy, on Sunday, Sept. 6, 2026. (Photo by Alessandra Tarantino/Invision/AP)

John Malkovich, left, and Sam Rockwell pose for photographers at the red carpet for the film 'Wild Horse Nine' during the 83rd edition of the Venice Film Festival in Venice, Italy, on Thursday, Sept. 3, 2026. (Photo by Alessandra Tarantino/Invision/AP)

John Malkovich, left, and Sam Rockwell pose for photographers at the red carpet for the film 'Wild Horse Nine' during the 83rd edition of the Venice Film Festival in Venice, Italy, on Thursday, Sept. 3, 2026. (Photo by Alessandra Tarantino/Invision/AP)

Directors Yuval Abraham, left, and Rachel Szor pose for photographers at the photo call for the film 'Naza' during the 83rd edition of the Venice Film Festival in Venice, Italy, on Thursday, Sept. 10, 2026. (Photo by Scott A Garfitt/Invision/AP)

Directors Yuval Abraham, left, and Rachel Szor pose for photographers at the photo call for the film 'Naza' during the 83rd edition of the Venice Film Festival in Venice, Italy, on Thursday, Sept. 10, 2026. (Photo by Scott A Garfitt/Invision/AP)

Robert Pattinson poses for photographers at the red carpet for the film 'Primetime' during the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (Photo by Alessandra Tarantino/Invision/AP)

Robert Pattinson poses for photographers at the red carpet for the film 'Primetime' during the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (Photo by Alessandra Tarantino/Invision/AP)

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