Review: Netflix's 'Have a Good Trip' is only a mild high

We can't take trips these days for obvious reasons. But Netflix is offering a trip into the mind with a gentle new documentary about the world of hallucinogens.

Donick Cary’s “Have a Good Trip: Adventures in Psychedelics” uses celebrities recounting their trips on LSD or mushroom to counteract built-up fears about psychotropic drugs — even offering tips about how to use them better — all against the backdrop of trippy '60s-style cartoons with rainbows and unwinding tongues.

This is a clearly pro-psychedelic film, not too preachy and not too pointed, with lazy science. There are really only two authoritative voices in the film and they both endorse investigation into hallucinogens — the alternative medicine guru Deepak Chopra (“We’re on a trip right now. Life is a trip,” he says) and UCLA psychiatry professor Dr. Charles Grob. There are no dissenting voices.

This image released by Netflix shows Natasha Legerro in a scene from "Have A Good Trip: Adventures in Psychedelics." (Netflix via AP)

So if you prefer your drug advice from celebrities, this is the film for you. David Cross, Nick Kroll, Ben Stiller, Natasha Lyonne, A$AP Rocky and Sarah Silverman are among those talking about their trips, both bad and good. Silverman found herself in the passenger seat of a car driven by a man so high he’d forgotten how to drive.

That leads to one of the film's several drug tips, made to look like those “The More You Know” PSA: Don’t drive while tripping. Control your setting. Don’t ever look in the mirror. (“You can see through your skin,” Silverman warns.)

We learn that Lewis Black once got so high he forgot his own name and flipped through a dictionary for what seems like hours looking for clues. Rosie Perez tripped so bad once in the late 1980s that she was eventually doing the backstroke on a dance club floor.

This image released by Netflix shows Nick Kroll in a scene from "Have A Good Trip: Adventures in Psychedelics." (Netflix via AP)

These stories are often delightful — and enhanced by great cartoons or recreations acted by many of those interviewed — but are we sure we need celebrity insights here? Rob Corddry has played a satirical journalist on “The Daily Show” but we’re not sure he’s the guy who should be dispensing advice about how the national scientific community handles testing on acid ("We blew it," he says, minus an expletive).

Two of the best anecdotes are by terrific storytellers who are no longer with us — TV host and chef Anthony Bourdain and actress Carrie Fisher, both for whom the film is dedicated. (Which makes you wonder how long this film has been on the shelf).

Bourdain talks about his attempt to mimic Hunter S. Thompson by going on a road trip with a buddy to the Catskills with “a pretty dizzying array of controlled substances” — Quaaludes, weed, coke, beer, gin, hash and LSD. They picked up two hitchhiking exotic dancers and that’s when things took a turn.

Fisher confesses she took a lot of LSD over her life, including once in a park where she witnessed a talking acorn who insisted on showing her his choreography. “I never saw anything that wasn’t there. I just saw things that were there misbehave,” she notes, brilliantly.

Some celebrities have clearly thought deeply about their trips, like Sting, who while high on peyote in the English countryside, helped a cow give birth. “For me, the entire universe cracked open.” And Reggie Watts uses this poetic metaphor for hallucinogens: “It’s like a stepladder to look over a brick wall that’s a little bit too tall for you.”

There are intriguing moments when the thread to a better movie is revealed, as when Perez confides that her LSD trip prompted her to seek out therapy to help ease her Roman Catholic guilt. Sting also reveals that some of his trips have helped him write songs. Really? Which ones? More concrete examples of how mushrooms or dropping acid aided life are sorely needed.

And another misfire: Writer and director Cary has decided to lighten the mood by periodically mocking the paranoid anti-drug public service announcements of the ’80s with his own extended send-up that gets tiresome.

Adam Scott in a black leather jacket shows up in each, being ultra-serious about the evil of drugs. “Knock, knock, knock.′ ‘Who is it?′ ’It’s a deranged drifter who wants to torture you for the next 12 hours,’” he says in one ad-within-the-film. “That’s exactly what you’re doing when you open your brain to hallucinogenics.”

And the filmmaker has employed another marvelous off-kilter figure in Nick Offerman, pretending to be a scientist. “Don’t get me wrong, drugs can be dangerous,” he tells us. “But they can also be hilarious." But Offerman is neither in this film — and so he is wasted. Like this film — wasted but not in a good way.

“Have a Good Trip,” a Netflix release, is rated TV-MA for drug substances and language. Running time: 85 minutes. One and a half stars out of four.

Online: https://www.netflix.com/browse?jbv=80231917&jbp=0&jbr=1

Mark Kennedy is at http://twitter.com/KennedyTwits

Before zombies shambled about, ghoulishly feasting on the flesh of those too slow to flee, aliens from outer space ruled movie theaters, drive-ins and late Saturday night creature features on television.

Even as Hollywood still drives how Americans envision little green men with big eyes and bigger heads, fiction soon could be separated from — or revealed as — fact if government agencies release secret files related to extraterrestrials and UFOs as called for in February by President Donald Trump.

The science fiction genre has shaped how people think about intelligent life elsewhere in the universe — “whether it’s invasion narratives or aliens coming to warn us that we’re on the wrong track or aliens just trying to come and make contact and help us with things or just say ‘hi,’” says Duke University professor Priscilla Wald, who teaches a class on science fiction and film.

Trump's announcement on social media followed former President Barack Obama suggesting in a podcast interview that aliens were real. Obama later clarified that he had not seen evidence that aliens had made contact, but said since the universe is so vast odds are good that life exists elsewhere.

Movies say they are nearly everywhere, from a Pennsylvania cornfield in 2002's “Signs” to Wyoming's Devil's Tower in 1977's “Close Encounters of the Third Kind” to a Central American jungle where 1987's “Predator” was set.

“Hollywood has basically been preparing the public for this,” retired Navy Rear Adm. Timothy Gallaudet says of any revelation that intelligent life from outer space exists and has visited Earth. “I think people can handle it. It does, of course, depend on what information is released (by the government)."

Hollywood quickly latched on following the 1947 discovery of debris near Roswell, New Mexico. Authorities initially identified crash materials as a flying disc before quickly backtracking and saying they were from a high-altitude weather balloon.

About three years after Roswell, “The Flying Saucer” made it to theaters. That was followed by a some low-budget and mostly forgettable movies, while others continue to inspire sci-fi buffs like 1951’s “The Day the Earth Stood Still.”

“If you think back to the flourishing of alien films, this starts really in the U.S. in the 1950s,” Wald says.

“The aliens are gentle souls who come down and try to warn us after nuclear war," she says of “The Day the Earth Stood Still.” “They’re trying to warn that we’re creating problems in the cosmos and that if we don’t stop, they are and have to do something about it."

Still others depict visitors arriving with more nefarious motives and intentions — to kill us, to take over the Earth, sometimes even to make us food.

“I think if we found out aliens were on the way, there would be a mix of responses,” Wald says. “I think there would be a lot of people out there welcoming them. A lot of people would be going down to the cellars and stocking them with canned food."

A plethora of documentaries also have been released, including 2025’s “The Age of Disclosure,” which details government knowledge of the existence of intelligent life outside of humans and attempts to reverse engineer alien technology.

Steven Spielberg has directed such box office hits as 1982's “E.T. The Extraterrestrial” and “Close Encounters of the Third Kind.” His upcoming film “Disclosure Day” teases: “If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you?”

“My question is always, 'Well, what is that fear really about?'” Wald says. “It seems to me it’s a reflection on who we are, that we’re projecting onto aliens the way we treat each other. So, the aliens are coming down, they want to conquer us, they’re violent. Who does that sound like? It sounds like us.”

AP national writer Allen G. Breed in Durham, North Carolina, contributed to this story.

FILE - Model ships hang at the entrance to the Star Trek Experience at the Las Vegas Hilton in Las Vegas on Aug. 25, 2008. (AP Photo/Isaac Brekken, File)