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Notre Dame reopening spectacle caps a stellar year for luxury house LVMH

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Notre Dame reopening spectacle caps a stellar year for luxury house LVMH
News

News

Notre Dame reopening spectacle caps a stellar year for luxury house LVMH

2024-12-14 21:26 Last Updated At:21:30

PARIS (AP) — The reopening of Notre Dame was a solemn celebration of cultural and spiritual renewal. Yet for some, the historic cathedral's revival also felt like a meticulously choreographed branding event by LVMH and other luxury conglomerates.

Bernard Arnault, the lowkey billionaire behind luxury powerhouse LVMH and a key Notre Dame donor who regularly tops the list of the world’s richest men, was at the center of the celebration. He was surrounded by his family, the French president, the archbishop and clergy, and the unmistakable symbols of his luxury empire’s influence, including its brands Louis Vuitton and Dior.

France's first lady Brigitte Macron and her U.S. counterpart, Jill Biden, both had Lady Dior handbags. Louis Vuitton artistic director Pharrell Williams performed kitted out in Louis Vuitton. South African soprano Pretty Yende also contributed with a rendition of “Amazing Grace” while wearing a Dior gown adorned with 110 carats of diamonds.

Welcome to the “inauguration of the LVMH arena,” commented television journalist Yann Barthès about the cathedral ceremony.

LVMH has enjoyed unprecedented visibility in France in 2024, especially as a high-profile sponsor of the Paris 2024 Olympics.

Some questioned the taste of such brand prominence occurring in a sacred space like the beloved Gothic monument, while noting LVMH's crucial contribution to the reconstruction.

“You can’t blame monsieur Arnault, a businessman, to do business. But people are now asking if it was an appropriate venue for a display like that,” said fashion PR consultant Theo Fontaine.

“It’s been a great PR year for LVMH — that's for sure,” Fontaine added. “The Olympics and now Notre Dame. The whole world has been watching.”

Not far behind Arnault sat representatives of Kering, adding another layer to the ongoing rivalry between France’s two largest luxury conglomerates.

Kering CEO François-Henri Pinault attended alongside his wife, actress Salma Hayek, who wore a tailored Gucci coat. Gucci is Kering-owned.

The event, marking the culmination of an 840 million euro ($882 million) restoration effort following a devastating 2019 fire, brought together global dignitaries and cultural icons.

The restoration united France’s corporate giants. Arnault’s 200 million euro donation was the largest, followed by 100 million euro contributions from Pinault and the Bettencourt-Meyers family of L’Oréal. Over 250 companies and 2,000 craftspeople contributed to the five-year restoration effort, which reconstructed the spire, repaired vaulted ceilings and restored stained-glass windows.

As the bells of Notre Dame rang out across Paris, the cathedral’s rebirth stood as a testament to collective effort — but also for some as a symbol of how France’s seats of power and its prized luxury industry are inextricably intertwined.

French President Emmanuel Macron and Brigitte Macron welcomed heads of state, including President-elect Donald Trump, Britain’s Prince William and Elon Musk, to a ceremony steeped in tradition — and high fashion.

Arnault attended with his family, including Dior chair and CEO Delphine Arnault, LVMH image and environment director Antoine Arnault, Moët Hennessy deputy CEO Alexandre Arnault, LVMH Watches CEO Frédéric Arnault, and Louis Vuitton product and development director for watches Jean Arnault. Antoine Arnault’s wife, model Natalia Vodianova, was also in attendance.

“I am proud of the outpouring of generosity from all over the world, to which the LVMH Group and my family wanted to contribute from the very beginning, which has enabled the restoration of this jewel of our heritage,” Antoine Arnault said in a statement posted to LinkedIn.

“This extraordinary project highlighted the excellence of French know-how and the talent of nearly 2,000 architects, workers and craftsmen of all trades,” he added.

Yet, public reaction was mixed

Papuna Biliseishvili, 24, who watched the ceremony in Paris, quipped, “If the devil wears Prada, the cathedral wears Louis Vuitton and Dior.”

Cari Lefebvre, 27, said “this is the most PR the Catholic Church has seen in centuries.”

Marie-Claire Dubois, a 45-year-old Catholic worshiper from Paris, expressed her disapproval. “This is a sacred place. It is beautiful that these companies contributed, but the branding should have remained outside," she said "Notre Dame deserves respect as a house of God, not a showcase for luxury.”

While the grandeur of the reopening sparked debate, Arnault’s donation and LVMH’s contributions to the cathedral restoration—including 36 300-year-old oak trees for the spire—have been widely praised.

LVMH’s influence at the Paris 2024 Olympics further cemented its stellar year. The company crafted custom display cases for 5,000 medals and the Olympic torch, showcasing its artistry and precision. Berluti, another LVMH brand, designed costumes for the opening ceremony, while an Olympic-themed Vogue World fashion show, supported by the group, drew international attention during Paris Couture Week.

Tensions between Arnault and Pinault, the driving forces behind LVMH and Kering respectively, were on full display with their brands’ prominent appearances at the cathedral. This rivalry dates back decades to a bitter bidding war over Gucci in the late 1990s, which Pinault’s Kering ultimately won. Since then, their competition has extended beyond fashion into the realms of art, philanthropy and global influence.

In Notre Dame, French luxury was also championed by the French Catholic church — and was on display even in the stitch of the liturgical vestments. French fashion designer Jean-Charles de Castelbajac was called on by the church to design the cathedral’s 2,000 garments. The unorthodox designs were fun, modern — and perhaps shockingly minimalist. They ensured that even the clergy’s robes reflected high-fashion artistry, further underscoring the intersection of faith and fashion at the event.

FILE - French President Emmanuel Macron, center, and his wife Brigitte Macron arrive to attend the inaugural Mass, with the consecration of the altar, at the Notre Dame Cathedral, five-and-a-half years after a fire ravaged the Gothic masterpiece, as part of ceremonies to mark the Cathedral's reopening after its restoration, in Paris, France, Sunday, Dec. 8, 2024. (Sarah Meyssonnier/Pool Photo via AP)

FILE - French President Emmanuel Macron, center, and his wife Brigitte Macron arrive to attend the inaugural Mass, with the consecration of the altar, at the Notre Dame Cathedral, five-and-a-half years after a fire ravaged the Gothic masterpiece, as part of ceremonies to mark the Cathedral's reopening after its restoration, in Paris, France, Sunday, Dec. 8, 2024. (Sarah Meyssonnier/Pool Photo via AP)

FILE - Actress Salma Hayek and her husband CEO of Kering Francois-Henri Pinault sit inside Notre Dame Cathedral before France's iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Saturday Dec.7, 2024 in Paris. (Ludovic Marin/Pool via AP, File)

FILE - Actress Salma Hayek and her husband CEO of Kering Francois-Henri Pinault sit inside Notre Dame Cathedral before France's iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Saturday Dec.7, 2024 in Paris. (Ludovic Marin/Pool via AP, File)

FILE - CEO of LVMH Bernard Arnault, left, Antoine Arnault, CEO of Berluti , center right, and members of the Arnault family talk in Notre Dame Cathedral before France's iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Saturday Dec.7, 2024 in Paris. (Ludovic Marin/Pool via AP, File)

FILE - CEO of LVMH Bernard Arnault, left, Antoine Arnault, CEO of Berluti , center right, and members of the Arnault family talk in Notre Dame Cathedral before France's iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Saturday Dec.7, 2024 in Paris. (Ludovic Marin/Pool via AP, File)

ST. LOUIS (AP) — Madison Chock and Evan Bates danced their way to a record-setting seventh U.S. Figure Skating title on Saturday night, showcasing their trademark creativity, athleticism and precision in their final competition before the Milan Cortina Olympics.

Now, the countdown is on for the moment they have waited for the past four years.

“We like to build momentum through the season,” Bates said, “and it's a great feeling going into a big event knowing you skated well the previous event. So we're going to roll with that momentum into Milan.”

Chock and Bates have dominated ice dance ever since they finished fourth at the Beijing Games, arguably the most disappointing and frustrating placement for any Olympian. They have won the past three world titles, the past three gold medals at the Grand Prix Final, and they have nobody within sight of them when it comes to competing against fellow Americans.

Performing a flamenco-styled dance to a version of the Rolling Stones hit “Paint It Black” from the dystopian sci-fi Western drama “Westworld,” Chock and Bates produced a season-best free skate inside Enterprise Center and finished with 228.87 points.

Emilea Zingas and Vadym Kolesnik were second with 213.65 points and Christina Carreira and Anthony Ponomarenko were third with 206.95, making those two pairs the likely choices to join Chock and Bates on the American squad for the Winter Games.

There wasn’t much drama in the dance competition.

At least for the top step.

Yet sometimes the winning programs aren’t necessarily the ones that win over the crowd. And while Oona Brown and Gage Brown only finished fifth, the sister-brother duo — former world junior champions — earned the first standing ovation of the night for their moody, creative and almost cinematic program set to selections from the film “The Godfather.”

“I think that was one of the best — if not the best — performances we’ve had,” Gage Brown said afterward.

The Browns ended a stretch in which several couples taking the ice made some kind of significant mistake, whether it was a skater stumbling to the ice, someone getting out of synch with their twizzles, or some other calamitous misfortune.

Then it was a parade of near-perfect programs, each couple trying to upstage the previous one.

Emily Bratti and Ian Somerville were the first to knock the Brown siblings from first place, then reigning bronze medalists Caroline Green and Michael Parsons took over first place with their program, set to “Escalate” by Tsar B and “Son of Nyx” by Hozier.

Carreira and Ponomarenko, the U.S. silver medalists the past two years, knew a podium spot would probably earn them a spot on the Olympic team when they took the ice. And they delivered with a sharp program in which they seemed to channel the feeling and the characters from the 2006 psychological thriller film “Perfume: The Story of a Murder.”

“We had a bit of a rocky start to this season,” said Carreira, who was born in Canada but receiver her U.S. citizenship in November, making her eligible to compete at the Olympics. “I'm happy we got our act together and delivered a good performance here.”

It wound up being good enough for bronze.

That's because the 23-year-old Zingas, who made the difficult witch from singles to dance about four years ago, and the 24-year-old Kolesnik quickly assumed the top spot with a program set to music by Sergei Prokofiev from the ballet of “Romeo and Juliet.”

“It hasn't been an easy journey,” Zingas said, “and I think our unique approach to this season, and our unique style on the ice, really helped us, and it's really an emotional moment to be sitting here.”

Zingas and Kolesnik only held the top spot for about four minutes — the length of the free skate by Chock and Bates.

It almost seemed to be a forgone conclusion that they would win Saturday night. But the real pressure now begins: Chock and Bates finished eighth at the 2014 Olympics, ninth four years later, and came in fourth at the Winter Games in 2022.

Yes, they helped the Americans win team gold in Beijing, but even that was somewhat tainted. They never got a medal ceremony there because of a long investigation into Russian doping, which pushed their presentation all the way to the 2024 Summer Games.

They would love to help the U.S. win another team gold. But their target is unquestionably the ice dance title itself.

“It’s going to be a lot more of what it has been — we know what to do, we have our plan and we’re executing,” Chock said. “We don’t plan on deviating from it. We’re going to stick to it. Trust ourselves, trust our team and do what we know to do.”

AP Olympics: https://apnews.com/hub/milan-cortina-2026-winter-olympics

Christina Carreira and Anthony Ponomarenko skate during the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Jeff Roberson)

Christina Carreira and Anthony Ponomarenko skate during the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Jeff Roberson)

Emilea Zingas and Vadym Kolesnik skate during the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Jeff Roberson)

Emilea Zingas and Vadym Kolesnik skate during the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Jeff Roberson)

Emilea Zingas and Vadym Kolesnik react to their scores after the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)

Emilea Zingas and Vadym Kolesnik react to their scores after the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)

Madison Chock and Evan Bates watch for scores after finishing the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)

Madison Chock and Evan Bates watch for scores after finishing the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)

Madison Chock and Evan Bates skate during the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)

Madison Chock and Evan Bates skate during the free dance competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)

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