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'El Mal' from 'Emilia Pérez' wins Oscar for best original song. 'The Brutalist' wins original score

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'El Mal' from 'Emilia Pérez' wins Oscar for best original song. 'The Brutalist' wins original score
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'El Mal' from 'Emilia Pérez' wins Oscar for best original song. 'The Brutalist' wins original score

2025-03-03 12:32 Last Updated At:12:44

French composer duo Clément Ducol and Camille took home the original song award at the Oscars on Sunday for their track, “El Mal.”

In January, “El Mal” earned the pair a Golden Globe in the same category.

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Daniel Blumberg accepts the award for best original score for "The Brutalist" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Daniel Blumberg accepts the award for best original score for "The Brutalist" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Clement Ducol, from left, Jacques Audiard, and Camille accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Clement Ducol, from left, Jacques Audiard, and Camille accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Daniel Blumberg arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Daniel Blumberg arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Clement Ducol, from left, Camille, and Jacques Audiard, accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Clement Ducol, from left, Camille, and Jacques Audiard, accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

The musical “Emilia Pérez” is a lot of things — a musical, a transgender parable, endlessly controversial and frequently criticized for its depiction of Mexican culture.

“We are so grateful,” Camille said in her acceptance speech. “We wrote ‘El Mal’ as a song to denounce corruption, and we hope it speaks to the role music and art can play and continue to play as a force of good and progress in the world.”

The award was presented by Mick Jagger. “I wasn’t the first choice,” he joked. “The producers really wanted Bob Dylan to do it.”

Ducol and Camille beat Diane Warren for “The Journey” from “The Six Triple Eight,” Elton John, Bernie Taupin, Brandi Carlile and Andrew Watt for “Never Too Late” from “Elton John: Never Too Late,” and Abraham Alexander, Brandon Marcel and Black Pumas’ Adrian Quesada for “Like A Bird” from “Sing Sing.”

They also beat themselves: Their composition “Mi Camino” from “Emilia Pérez” was also up for the award.

The first-time Oscar nominees had a total of three nominations, including original score, at the 97th Academy Awards.

“You go from anxiety to relief, and you’re filled up with energy and you need that,” Camille told The Associated Press in January, when nominations were announced. “We’ve worked so much, and we’ve worked so much for the campaign ... I feel very fulfilled and very happy for all the team.”

Camille said the film’s recognition “represents something very important.”

“It’s a very free, provocative and empathic, compassionate movie. And I really think this is what we need now.”

“It’s totally incredible. I was like, ‘What?’ It’s three nominations. It’s huge,” added Ducol. “We were involved at the beginning of the construction of the story in music ... So everything is linked together, is woven together between the script, the screenplay, the songs. And so, we feel like it’s our story, our movie ... It’s not just a musical or reflecting a story or reflecting action in the movie. The music and the songs, in this movie, is the script. It is the story.”

In another music category, first-time Academy Award nominee Daniel Blumberg is now an Oscar winner. He took home the trophy for original score for “The Brutalist” on Sunday.

Blumberg beat Ducol and Camille (“Emilia Pérez”), Kris Bowers (“The Wild Robot”), Volker Bertelmann (“Conclave”) and John Powell and Stephen Schwartz (“Wicked”).

“I've been an artist for 20 years now,” Blumberg said in his acceptance speech. "And when I met (director) Brady (Corbet) I met my artistic soulmate.”

Corbet’s “The Brutalist” follows Lázló Tóth, a fictional visionary Hungarian architect who escaped the Holocaust, sailed to the United States to find his American Dream and created the style of architecture the film takes its name from.

When the nominations were announced in January, Blumberg told The Associated Press that he was actually with Corbet when he learned of his first-ever nod. “It’s been quite a surreal day,” he said. The pair shared a hug when the news arrived.

“‘The Brutalist’ was always such an important project for me,” Blumberg continued, describing the team behind it as dedicated to making “something with urgency, to make something with no compromise.”

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For more coverage of this year’s Academy Awards, visit: https://apnews.com/hub/academy-awards

Daniel Blumberg accepts the award for best original score for "The Brutalist" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Daniel Blumberg accepts the award for best original score for "The Brutalist" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Clement Ducol, from left, Jacques Audiard, and Camille accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Clement Ducol, from left, Jacques Audiard, and Camille accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Daniel Blumberg arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Daniel Blumberg arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Clement Ducol, from left, Camille, and Jacques Audiard, accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Clement Ducol, from left, Camille, and Jacques Audiard, accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

NEW YORK (AP) — No quick dispatching of disease investigators. No televised news conference to inform the public. No timely health alerts to doctors.

In the midst of a hantavirus outbreak that involves Americans and is making headlines around the world, the U.S. government's top public health agency, the Centers for Disease Control and Prevention, has been uncharacteristically missing in action, according to a number of experts.

To President Donald Trump, "We seem to have things under very good control," as he told reporters Friday evening.

To experts, the situation aboard a cruise ship has not spiraled because, unlike COVID-19 or measles or the flu, hantavirus does not spread easily. It has been health experts in other countries, not the United States, who have been dealing primarily with the outbreak in the past week.

“The CDC is not even a player," said Lawrence Gostin, an international public health expert at Georgetown University. “I've never seen that before.”

Not until late Friday did CDC actions accelerate.

Health officials confirmed the deployment of a team to Spain's Canary Islands, where the ship was expected to arrive early Sunday local time, to meet the Americans onboard. They said a second team will go to Offutt Air Force Base in Nebraska as part of a plan to evacuate American passengers from the ship to a quarantine center. Also, the CDC issued its first health alert to U.S. doctors, advising them of the possibility of imported cases.

The CDC's diminished role in this outbreak is an indicator the agency is no longer the force in international health or the protector of domestic health that it once was, some experts said.

The hantavirus outbreak is “a sentinel event” that speaks to “how well the country is prepared for a disease threat. And right now, I’m very sorry to say that we are not prepared,” said Dr. Jeanne Marrazzo, chief executive officer of the Infectious Diseases Society of America.

Early last month, a 70-year-old Dutch man developed a feverish illness on a cruise ship traveling from Argentina to Antarctica and some islands in the South Atlantic. He died less than a week later. More people became sick, including the man's wife and a German woman, who both died.

Hantavirus was first identified as a cause of sickness of one of the cases on May 2. The World Health Organization swung into action and by Monday was calling it an outbreak. About two dozen Americans were on the ship, including about seven who disembarked last month and 17 who remained on board.

For decades, the CDC partnered with the WHO in such situations. The CDC acted as a mainstay of any international investigation, providing staff and expertise to help unravel any outbreak mystery, develop ways to control it and communicate to the public what they should know and how they should worry.

Such actions were a large reason why the CDC developed a reputation as the world's premier public health agency.

But this time, the WHO has been center stage. It made the risk assessment that has told people the outbreak is not a pandemic threat.

“I don’t think this is a giant threat to the United States,” said Jennifer Nuzzo, director of Brown University’s Pandemic Center. But how this situation has played out “just shows how empty and vapid the CDC is right now,” she said.

The current situation comes after 16 tumultuous months during which the Trump administration withdrew from the WHO, has restricted CDC scientists from talking to international counterparts at times and embarked on a plan to build its own international public health network through one-on-one agreements with individual countries.

The administration has laid off thousands of CDC scientists and public health professionals, including members of the agency's ship sanitation program.

As this was playing out, Trump's health secretary, Robert F. Kennedy Jr., said he was working to “restore the CDC’s focus on infectious disease, invest in innovation, and rebuild trust through integrity and transparency.”

The CDC has not been completely silent on hantavirus.

The agency on Wednesday issued a short statement that said the risk to the American public is “extremely low,” and described the U.S. government as “the world’s leader in global health security.”

Said Nuzzo: “Not only was that not helpful, it actually does damage because a core principle of public health communications is humility.”

The CDC's acting director, Dr. Jay Bhattacharya, posted a message on social media that the agency was lending its expertise in coordinating with other federal agencies and international authorities. Arizona officials this week said they learned from the CDC that one of the Americans who left the ship — a person with no symptoms and not considered contagious — had already returned to the state. WHO officials said the CDC has been sharing technical information.

The CDC also is “monitoring the health status and preparing medical support for all of the American passengers on the cruise,” Bhattacharya wrote.

But federal health officials have mostly been tight-lipped, declining interview requests.

In interviews this week, some experts made a comparison with a 2020 incident involving the Diamond Princess, a cruise ship docked in Japan that became the setting of one of the first large COVID-19 outbreaks outside of China.

The CDC sent personnel to the port, helped evacuate American passengers, ran quarantines, shared genetic data on the virus, coordinated with the WHO and Japan, held public briefings and rapidly published reports “that became the world’s reference data on cruise ship COVID transmission,” said Dr. Tom Frieden, a former CDC director.

Some aspects of the international response to the Diamond Princess were criticized, and it did not halt the outbreak or stop COVID-19’s spread across the world. But some experts say it was not for the CDC's lack of trying.

“The CDC was right on top of it, very visible, very active in trying to manage and contain it,” Gostin said, while the agency's work now is delayed and subdued.

Instead of working with nearly all of the world's nations through the WHO, the Trump administration has pursued bilateral health agreements with individual nations for information sharing, public health support, and what it describes as “the introduction of innovative American technologies.” Roughly 30 agreements are currently in place.

That's not sufficient, Gostin said. “You can't possibly cover a global health crisis by doing one-on-one deals with countries here and there,” he said.

Associated Press writers Ali Swenson in New York, Darlene Superville in Washington and Susan Montoya Bryan in Albuquerque, New Mexico, contributed to this report.

The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Department of Science Education and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.

Passengers on the the hantavirus-stricken cruise ship, MV Hondius, watch epidemiologists board the boat in Praia, during their voyage to Spain's port of Tenerife, May 6, 2026. (AP Photo)

Passengers on the the hantavirus-stricken cruise ship, MV Hondius, watch epidemiologists board the boat in Praia, during their voyage to Spain's port of Tenerife, May 6, 2026. (AP Photo)

Workers set up temporary shelters in the area where passengers from the MV Hondius cruise ship are expected to arrive at the port of Granadilla in Tenerife, Canary Islands, Spain, Saturday, May 9, 2026. (AP Photo/Manu Fernandez)

Workers set up temporary shelters in the area where passengers from the MV Hondius cruise ship are expected to arrive at the port of Granadilla in Tenerife, Canary Islands, Spain, Saturday, May 9, 2026. (AP Photo/Manu Fernandez)

Crew members of the hantavirus-stricken cruise ship, MV Hondius, wait their turns for a first interview with epidemiologists, during the voyage to Spain's port of Tenerife, May 6, 2026. (AP Photo)

Crew members of the hantavirus-stricken cruise ship, MV Hondius, wait their turns for a first interview with epidemiologists, during the voyage to Spain's port of Tenerife, May 6, 2026. (AP Photo)

Health workers in protective gear evacuate patients from the MV Hondius cruise ship into an ambulance at a port in Praia, Cape Verde, Wednesday, May 6, 2026. (AP Photo/Misper Apawu)

Health workers in protective gear evacuate patients from the MV Hondius cruise ship into an ambulance at a port in Praia, Cape Verde, Wednesday, May 6, 2026. (AP Photo/Misper Apawu)

A Spanish Civil Guard officer inspects the area where passengers from the MV Hondius cruise ship are expected to arrive at the port of Granadilla in Tenerife, Canary Islands, Spain, Saturday, May 9, 2026. (AP Photo/Manu Fernandez)

A Spanish Civil Guard officer inspects the area where passengers from the MV Hondius cruise ship are expected to arrive at the port of Granadilla in Tenerife, Canary Islands, Spain, Saturday, May 9, 2026. (AP Photo/Manu Fernandez)

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