The panda-themed tourist train, a tourism initiative originating from Sichuan, is now running south to Yunnan, linking the region's scenic and cultural landmarks while offering travelers an opportunity to enjoy the vibrant spring landscape and explore local traditions and attractions.
Departing from Chengdu, provincial capital of southwest China's Sichuan, the panda special train, with 466 passengers on board, is heading through northwestern and southern Yunnan, connecting eight cities and a variety of cultural and tourism hotspots.
Among the highlights is Lincang city, known for its lush forests, clear streams, and misty mountains. The area is also home to the Wengding primitive tribe, which preserves traditional Wa ethnic minority group's customs and attracts numerous visitors each spring.
"I had come across information about the Wengding [primitive tribe] online and had long craved for a visit. There, I saw the Lamu drum, and when I strike at different points, it makes a variety of sounds, which was fascinating," said a passenger.
Just 50 kilometers from the Wengding tribe lies the "Thousand-Meter Cliff Mural Corridor", a breathtaking karst landscape resembling a dark, vibrant Chinese landscape painting. March is the peak tourist season here, with visitor numbers reaching nearly 20 percent of the total annual flow.
"The growth of cultural tourism has created more job opportunities for the local community to earn money. Many villagers are now working in tourism-related roles such as security, tour guides, and folk performers. Additionally, local specialty foods and agricultural products from surrounding villages are also selling well," said Yang Ping, deputy director of the Lincang City Bureau of Culture and Tourism.
The special train is operated by the Chengdu Railway Bureau and boasts a flexible schedule, with multiple departures throughout the year. The routes not only extend beyond southwest China, but also cover dozens of cities across the country.
Panda-themed tourist train connects cultural, tourism destinations in southwest China
For more than 1,000 years, Jingdezhen, the "porcelain capital" in east China's Jiangxi Province, has shaped how the world understands porcelain, with even discarded shards preserving a living tradition.
Weng Yanjun, president of the Jingdezhen Imperial Kiln Institute, reflected on the scale and challenge behind Jingdezhen's historic creations.
"When I look at this gigantic dragon jar, I couldn't help going back to 600 years ago, when the emperor had this order to create something bigger than ever before. The failure rate of the dragon jar is so high. It could be nine out of 10. Even making failure products like this takes courage, takes techniques and takes commitment," said Weng.
Those failed attempts, once discarded, now preserve the evidence of how Jingdezhen pursued perfection.
For more than 1,000 years, Jingdezhen's porcelain industry has endured through the Song, Yuan, Ming and Qing dynasties (960-1911). What has survived is not only its porcelain, but also a living heritage of raw materials, workshops, kilns and specialized craftsmanship.
Those firings produced masterpieces as well as failures, with the discarded pieces forming another kind of archive.
At the Jingdezhen Imperial Kiln Institute, Weng told archaeology students that fragmented specimens sometimes provide more information than complete artifacts.
Weng leads the development of the world's first Ancient Ceramics Gene Bank, which extracts and catalogs the defining characteristics of each ceramic shard.
"For our institute alone, we have excavated more than 20 million pieces of shards for the past over 1,200 years. Among those shards, we do sorting, we do restoration, and we do scientific tests. And then we find, wow, a small shard can tell us much more information than even a whole piece," said Weng.
Using a standardized sample library and unified data framework, the project records each piece's shape, decoration, body material, glaze, color, firing marks and inscriptions, creating a valuable resource for authentication and research around the world.
"The whole city is a wonderful lab and space range makes Jingdezhen uniquely a wonderful example of how the handicraft ancient industry with porcelain as the focus survived even to today," Weng added.
Jingdezhen once helped establish benchmarks for how porcelain was made. Now, the gene bank is turning fragments into a language that can be read beyond the city. For French artist and researcher Yann Colleu, learning to read that language has also changed the way he creates.
"Since my childhood, my parents had these teapots, tea sets, plates and cups. I was very curious about the pattern, like the meaning, what was behind it? Actually when I discovered in Jingdezhen that it was a bat, because of 'fu' and 'fu' is fortune, but also you have the 'wufu,' like the five blessings. I was like a child with stars in the eyes, discovering the world for the first time," said Colleu, PhD candidate at Jingdezhen Ceramic University.
What once seemed abstract became part of Yann's own visual language. In his work, traditional Jingdezhen motifs and production scenes are reimagined through a contemporary, cross-cultural lens.
"Jingdezhen is a timeless city. The past, the present and even the future are tied together. This is one of illustration of 72 traditional steps developing during the Ming Dynasty (1368-1644). The difference is, instead of using Chinese characters, I use foreigners. I want to use the past to talk about the present and even the future with Jingdezhen," said Colleu.
The Jingdezhen Handicraft Porcelain Industry Sites were inscribed on the UNESCO World Heritage List on Saturday. The inscription recognizes not just a single kiln or masterpiece, but an entire production system, from its archaeological remains and traditional craftsmanship to its industrial knowledge and global influence.
Porcelain shards preserve Jingdezhen’s timeless legacy
