Black dandyism etches place into Met Gala history

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Black dandyism etches place into Met Gala history — and global visibility

2025-05-02 12:07 Last Updated At：13:31

LOS ANGELES (AP) — Black dandyism is taking center stage at the Met Gala, with cultural powerhouses leading this subversive, sharply tailored style into the global fashion spotlight.

As a gala host committee member, Janelle Monáe and other trendsetters are helping shape the conversation, framing Black dandyism as a proud tradition — rather than a mere trend — claiming its long-overdue moment of visibility.

“It’s always important to educate and reeducate to the world as much as we possibly can through art and through our greatness,” said Monáe, the Grammy-nominated performer who had made dandy style a signature of her fashion.

Monáe, inspired by family members who proudly sported the look throughout her upbringing, views the spotlight as an opportunity to pay homage to the past and inspire the future.

“Dandyism is pretty much a part of my fashion DNA through tailoring and suiting,” the singer-actor said. “I’ve honored my ancestors and my family who wore their uniforms, wore their suits to serve our community. It fell right in line with who I am, and the people I want to bring with me that helped build this country.”

On Monday, with the world watching, a wave of fashion disruptors and stylists will usher Black dandyism from the margins to the Met Gala, as the Metropolitan Museum of Art unveils its new costume exhibit, “Superfine: Tailoring Black Style.” It marks the Met’s first show centered exclusively on Black designers and the first in more than two decades to spotlight menswear. It's also a tribute to the rich legacy of dandyism, a style that has long carved space for radical self-expression, especially for those overlooked or misunderstood.

“It’s been a long time coming,” said Kyle Smith, the NFL’s first-ever fashion editor, who has styled the league’s top players, including Cincinnati Bengals quarterback Joe Burrow, Los Angeles Rams wideout Puka Nacua and receiver Kenny Stills.

“It’s great to see the recognition that Black culture is having or has in fashion for years,” Smith said. “It’s been there and very subtle, or just not recognized. I think this year’s theme is long overdue. I’m excited to see everybody’s outfits and how they interact with the idea of Black dandyism.”

This year’s Met Gala co-chairs include Pharrell Williams, Lewis Hamilton, Colman Domingo, A$AP Rocky and honorary chair LeBron James, with Monáe joining the host committee alongside the likes of Simone Biles, Spike Lee, Ayo Edebiri and André 3000.

“I think honoring minorities, honoring Black and brown people in these spaces and outside every day, is important,” said Monáe, who plans to use the red carpet to debut an exclusive collaboration with 1800 Tequila. “The ones who have dedicated their lives to this country to serve, build and give us art to sustain us for a lifetime. We should continue to honor them and push forward and stand on their shoulders.”

Several trailblazers helped popularize Black dandyism, a style whose roots trace back to the trans-Atlantic slave trade. From the beginning, dandyism served as a sartorial declaration, reclaiming elegance and luxury as tools of empowerment, challenging stereotypes and honoring Black legacy.

This Met Gala moment stands on the shoulders of icons like Frederick Douglass, who wielded sharp dress as a form of power, and Duke Ellington, who transformed suiting into cultural brilliance.

Host committee member Dapper Dan reimagined Harlem fashion, remixing luxury into bold statements of Black pride, while the late André Leon Talley — with his capes and commanding presence — redefined fashion authority.

Today’s Black dandies carry that legacy forward, blending tradition and rebellion in every lapel for a style that speaks volumes before a word is ever spoken.

“We are the walking versions that they imagined,” said El Lewis, an Atlanta-based stylist, who has worked with several entertainers including Usher, Young Thug, Chloe and Halle Bailey, and Justin Skye. “A lot of these people died not being able to have these realities come to fruition. We have a lot of autonomy to ourselves, and I think that’s what they were probably seeking. They wanted to be able to do anything at any moment at any time. And I think that’s what they get to see us do.”

Stylist Brian Robinson said that if Talley were alive, he would have left an unforgettable mark on the gala’s defining looks.

“He would definitely be behind conversation pieces underneath the restraint to educate,” Robinson said of Talley, the influential former creative director and editor at large at Vogue magazine. He died at the age of 73 in 2022.

“He would have been able to put dandyism in a positive light for people to understand the importance of being able to celebrate and highlight our culture,” said Robinson, who has worked with Keyshia Cole and Naturi Naughton. “He would push for the understanding of the agricultural aesthetic of style, being able to understand how it highlights not only your personality, but how it can also make you feel good as a person.”

Smith hopes the Met Gala inspires people to embrace the joy of dressing up, because that's the heart of dandyism. He's eager to see that spirit reflected both on the streets and in the player tunnels at professional games.

“I want to see it more in our tunnel fits in the NFL,” he said. “Take some fashion tips from the Met. Look at what everybody’s wearing and how they’re exploring fashion. I want to see how everybody expresses themselves and how they leave their mark in the fashion world.”

For more coverage of the Met Gala, visit https://apnews.com/hub/met-gala.

It's time for Artemis II to break Apollo 13's distance record. What to know about the moon flyby

HOUSTON (AP) — The Artemis II astronauts are already the champions of a fresh new era of lunar exploration. Now it’s time to set a new distance record.

Launched last week on humanity’s first trip to the moon since 1972, the three Americans and one Canadian are chasing after Apollo 13’s maximum range from Earth. That will make them our planet’s farthest emissaries as they swing around the moon without stopping on Monday and then hightail it back home.

Their roughly six-hour lunar flyby promises views of the moon’s far side that were too dark or too difficult to see by the 24 Apollo astronauts who preceded them. A total solar eclipse also awaits them as the moon blocks the sun, exposing snippets of shimmering corona.

“We’ll get eyes on the moon, kind of map it out and then continue to go back in force,” said flight director Judd Frieling. The goal is a moon base replete with landers, rovers, drones and habitats.

A look at Artemis II's up-close and personal brush with another world — our constant companion, the moon.

Apollo 13’s astronauts missed out on a moon landing when one of their oxygen tanks ruptured on the way there in 1970.

With the three lives in jeopardy, Mission Control pivoted to a free-return lunar trajectory to get them home as fast and efficiently as possible. This routing relies on the gravity of Earth and the moon, and minimal fuel.

It worked for Apollo 13, turning it into NASA’s greatest “successful failure.” (For the record, flight director Gene Kranz never uttered “Failure is not an option.” The line is pure Hollywood, originating with the 1995 biopic starring Tom Hanks.)

Commander Jim Lovell, Fred Haise and Jack Swigert reached a maximum 248,655 miles (400,171 kilometers) from Earth before making their life-saving U-turn on Apollo 13.

Artemis II’s astronauts are following the same figure-eight path since they are neither orbiting the moon nor landing on it. But their distance from Earth should exceed Apollo 13’s by about 4,000 miles (, 6400 kilometers).

Artemis II’s Christina Koch said late last week that she and her crewmates don’t live on superlatives, but it’s an important milestone “that people can understand and wrap their heads around,” merging the past with the present and even the future when new records are set.

During the flyby, the astronauts will split into pairs and take turns capturing the lunar views out their windows with cameras.

Because they launched on April 1, the rendezvous won’t have as much of the far lunar side illuminated as other dates would have. But the crew still will be able make out “definite chunks of the far side that have never been seen” by humans, said NASA geologist Kelsey Young, including a good portion of Orientale Basin.

They’ll call down their observations as they photograph the gray, pockmarked scenes. There's a suite of professional-quality cameras on board, and each astronaut also has an iPhone for more informal, spur-of-the-minute picture-taking.

Young’s team made lunar geography flashcards for the astronauts to study before the flight.

“They’ve practiced for many, many, many months on visualizations of the moon,” she said over the weekend, “and getting their eyes on the real thing, I’m really, really looking forward to them bringing the moon a little closer to home on Monday.”

The upside of the April 1 launch is a total solar eclipse. The eclipse won’t be visible from Earth — only from the Orion capsule — treating the astronauts to several minutes’ worth of views of the sun's outermost, radiating atmosphere, the corona.

The astronauts will be on the lookout for any unusual solar activity during the eclipse, Young said, and will use their “unique vantage point” to describe the features of the solar corona, or crown.

All four astronauts packed eclipse glasses to protect their eyes.

Orion will be out of contact with Mission Control for nearly an hour when it’s behind the moon. The same thing happened during the Apollo moonshots.

NASA is relying on its Deep Space Network to communicate with the crew, but the giant antennas in California, Spain and Australia won’t have a direct line of sight when Orion disappears behind the moon for approximately 40 minutes.

These communication blackouts were always a tense time during Apollo although, as Frieling points out, “physics takes over and physics will absolutely get us back to the front side of the moon.”

Once Artemis II departs the lunar neighborhood, it will take four days to return home. The capsule will aim for a splashdown in the Pacific near San Diego on April 10, nine days after its Florida launch.

During the flight back, the astronauts will link up via radio with the crew of the orbiting International Space Station. This is the first time that a moon crew has colleagues in space at the same time and NASA can’t pass up the opportunity for a cosmic chitchat. The conversation will include both members of the first all-female spacewalk in 2019: Koch aboard Orion and Jessica Meir, on the station.

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