Sly Stone, leader of funk revolutionaries Sly and the Family Stone, dies at 82

NEW YORK (AP) — Sly Stone, the revolutionary musician and dynamic showman whose Sly and the Family Stone transformed popular music in the 1960s and ’70s and beyond with such hits as “Everyday People,” “Stand!” and “Family Affair,” died Monday at age 82

Stone, born Sylvester Stewart, had been in poor health in recent years. His publicist Carleen Donovan said Stone died in Los Angeles surrounded by family after contending with chronic obstructive pulmonary disease and other ailments.

Founded in 1966-67, Sly and the Family Stone was the first major group to include Black and white men and women, and well embodied a time when anything seemed possible — riots and assassinations, communes and love-ins. The singers screeched, chanted, crooned and hollered. The music was a blowout of frantic horns, rapid-fire guitar and locomotive rhythms, a melting pot of jazz, psychedelic rock, doo-wop, soul and the early grooves of funk.

Sly’s time on top was brief, roughly from 1968-1971, but profound. No band better captured the gravity-defying euphoria of the Woodstock era or more bravely addressed the crash which followed. From early songs as rousing as their titles — “I Want To Take You Higher,” “Stand!” — to the sober aftermath of “Family Affair” and “Runnin’ Away,” Sly and the Family Stone spoke for a generation whether or not it liked what they had to say.

Stone’s group began as a Bay Area sextet featuring Sly on keyboards, Larry Graham on bass; Sly’s brother, Freddie, on guitar; sister Rose on vocals; Cynthia Robinson and Jerry Martini horns and Greg Errico on drums. They debuted with the album “A Whole New Thing” and earned the title with their breakthrough single, “Dance to the Music.” It hit the top 10 in April 1968, the week the Rev. Martin Luther King was murdered, and helped launch an era when the polish of Motown and the understatement of Stax suddenly seemed of another time.

Led by Sly Stone, with his leather jumpsuits and goggle shades, mile-wide grin and mile-high Afro, the band dazzled in 1969 at the Woodstock festival and set a new pace on the radio. “Everyday People,” “I Wanna Take You Higher” and other songs were anthems of community, non-conformity and a brash and hopeful spirit, built around such catchphrases as “different strokes for different folks.” The group released five top 10 singles, three of them hitting No. 1, and three million-selling albums: “Stand!”, “There’s a Riot Goin’ On” and “Greatest Hits.”

For a time, countless performers wanted to look and sound like Sly and the Family Stone. The Jackson Five’s breakthrough hit, “I Want You Back,” and the Temptations’ “I Can’t Get Next to You” were among the many songs from the late 1960s that mimicked Sly’s vocal and instrumental arrangements. Miles Davis’ landmark blend of jazz, rock and funk, “Bitches Brew,” was inspired in part by Sly, while fellow jazz artist Herbie Hancock even named a song after him.

“He had a way of talking, moving from playful to earnest at will. He had a look, belts, and hats and jewelry,” Questlove wrote in the foreword to Stone’s memoir, “Thank You (Falettinme Be Mice Elf Agin),” named for one of his biggest hits and published through Questlove’s imprint in 2023. “He was a special case, cooler than everything around him by a factor of infinity.”

In 2025, Questlove released the documentary “Sly Lives! (aka The Burden of Black Genius).”

Sly’s influence has endured for decades. The top funk artist of the 1970s, Parliament-Funkadelic creator George Clinton, was a Stone disciple. Prince, Rick James and the Black Eyed Peas were among the many performers from the 1980s and after shaped in part by Sly, and countless hip-hop artists have sampled his riffs, from the Beastie Boys to Dr. Dre and Snoop Dogg. A 2005 tribute record included Maroon 5, John Legend and the Roots.

“Sly did so many things so well that he turned my head all the way around,” Clinton once wrote. “He could create polished R&B that sounded like it came from an act that had gigged at clubs for years, and then in the next breath he could be as psychedelic as the heaviest rock band.”

By the early ’70s, Stone himself was beginning a descent from which he never recovered, driven by the pressures of fame and the added burden of Black fame. His record company was anxious for more hits, while the Black Panthers were pressing him to drop the white members from his group. After moving from the Bay Area to Los Angeles in 1970, he became increasingly hooked on cocaine and erratic in his behavior. A promised album, “The Incredible and Unpredictable Sly and the Family Stone” (“The most optimistic of all,” Rolling Stone reported) never appeared. He became notorious for being late to concerts or not showing up at all, often leaving “other band members waiting backstage for hours wondering whether he was going to show up or not,” according to Stone biographer Joel Selvin.

Around the country, separatism and paranoia were setting in. As a turn of the calendar, and as a state of mind, the ’60s were over. “The possibility of possibility was leaking out,” Stone later explained in his memoir.

On “Thank You (Falettinme Be Mice Elf Agin),” Stone had warned: “Dying young is hard to take/selling out is harder.” Late in 1971, he released “There’s a Riot Going On,” one of the grimmest, most uncompromising records ever to top the album charts. The sound was dense and murky (Sly was among the first musicians to use drum machines), the mood reflective (“Family Affair”), fearful (“Runnin’ Away”) and despairing: “Time, they say, is the answer — but I don’t believe it,” Sly sings on “Time.” The fast, funky pace of the original “Thank You (Falettinme Be Mice Elf Agin)” was slowed, stretched and retitled “Thank You For Talkin’ to Me, Africa.”

The running time of the title track was 0:00.

“It is Muzak with its finger on the trigger,” critic Greil Marcus called the album.

“Riot” highlighted an extraordinary run of blunt, hard-hitting records by Black artists, from the Stevie Wonder single “Superstition” to Marvin Gaye’s “What’s Going On” album, to which “Riot” was an unofficial response. But Stone seemed to back away from the nightmare he had related. He was reluctant to perform material from “Riot” in concert and softened the mood on the acclaimed 1973 album “Fresh,” which did feature a cover of “Que Sera Sera,” the wistful Doris Day song reworked into a rueful testament to fate’s upper hand.

By the end of the decade, Sly and the Family Stone had broken up and Sly was releasing solo records with such unmet promises as “Heard You Missed Me, Well I’m Back” and “Back On the Right Track.” Most of the news he made over the following decades was of drug busts, financial troubles and mishaps on stage. Sly and the Family Stone was inducted into the Rock & Roll of Fame in 1993 and honored in 2006 at the Grammy Awards, but Sly released just one album after the early ’80s, “I’m Back! Family & Friends,” much of it updated recordings of his old hits.

He would allege he had hundreds of unreleased songs and did collaborate on occasion with Clinton, who would recall how Stone “could just be sitting there doing nothing and then open his eyes and shock you with a lyric so brilliant that it was obvious no one had ever thought of it before.”

Sly Stone had three children, including a daughter with Cynthia Robinson, and was married once — briefly and very publicly. In 1974, he and actor Kathy Silva wed on stage at Madison Square Garden, an event that inspired an 11,000-word story in The New Yorker. Sly and Silva soon divorced.

He was born Sylvester Stewart in Denton, Texas, and raised in Vallejo, California, the second of five children in a close, religious family. Sylvester became “Sly” by accident, when a teacher mistakenly spelled his name “Slyvester.”

He loved performing so much that his mother alleged he would cry if the congregation in church didn’t respond when he sang before it. He was so gifted and ambitious that by age 4 he had sung on stage at a Sam Cooke show and by age 11 had mastered several instruments and recorded a gospel song with his siblings. He was so committed to the races working together that in his teens and early 20s he was playing in local bands that included Black and white members and was becoming known around the Bay Area as a deejay equally willing to play the Beatles and rhythm and blues acts.

Through his radio connections, he produced some of the top San Francisco bands, including the Great Society, Grace Slick’s group before she joined the Jefferson Airplane. Along with an early mentor and champion, San Francisco deejay Tom “Big Daddy” Donahue, he worked on rhythm and blues hits (Bobby Freeman’s “C’mon and Swim”) and the Beau Brummels’ Beatle-esque “Laugh, Laugh.” Meanwhile, he was putting together his own group, recruiting family members and local musicians and settling on the name Sly and the Family Stone.

“A Whole New Thing” came out in 1967, soon followed by the single “Dance to the Music,” in which each member was granted a moment of introduction as the song rightly proclaimed a “brand new beat.” In December 1968, the group appeared on “The Ed Sullivan Show” and performed a medley that included “Dance to the Music” and “Everyday People.” Before the set began, Sly turned to the audience and recited a brief passage from his song “Are You Ready”:

"Don’t hate the Black,

don’t hate the white,

if you get bitten,

just hate the bite.”

FILE - Sly Stone from the group Sly and the Family Stone performs at the 48th Annual Grammy Awards on Feb. 8, 2006, in Los Angeles. (AP Photo/Mark J. Terrill, File)

FILE - Rock star Sylvester "Sly" Stone of Sly and the Family Stone appears in April 1972. (AP Photo, File)

FILE - Sly Stone from the group Sly and the Family Stone performs at the 48th Annual Grammy Awards on Feb. 8, 2006, in Los Angeles. (AP Photo/Mark J. Terrill, File)

FILE - Sly Stone from the group Sly and the Family Stone performs at the 48th Annual Grammy Awards on Feb. 8, 2006, in Los Angeles. (AP Photo/Mark J. Terrill, File)

FILE - Rock star Sylvester "Sly" Stone of Sly and the Family Stone appears in April 1972. (AP Photo, File)

WASHINGTON (AP) — Becky Pepper-Jackson finished third in the discus throw in West Virginia last year though she was in just her first year of high school. Now a 15-year-old sophomore, Pepper-Jackson is aware that her upcoming season could be her last.

West Virginia has banned transgender girls like Pepper-Jackson from competing in girls and women's sports, and is among the more than two dozen states with similar laws. Though the West Virginia law has been blocked by lower courts, the outcome could be different at the conservative-dominated Supreme Court, which has allowed multiple restrictions on transgender people to be enforced in the past year.

The justices are hearing arguments Tuesday in two cases over whether the sports bans violate the Constitution or the landmark federal law known as Title IX that prohibits sex discrimination in education. The second case comes from Idaho, where college student Lindsay Hecox challenged that state's law.

Decisions are expected by early summer.

President Donald Trump's Republican administration has targeted transgender Americans from the first day of his second term, including ousting transgender people from the military and declaring that gender is immutable and determined at birth.

Pepper-Jackson has become the face of the nationwide battle over the participation of transgender girls in athletics that has played out at both the state and federal levels as Republicans have leveraged the issue as a fight for athletic fairness for women and girls.

“I think it’s something that needs to be done,” Pepper-Jackson said in an interview with The Associated Press that was conducted over Zoom. “It’s something I’m here to do because ... this is important to me. I know it’s important to other people. So, like, I’m here for it.”

She sat alongside her mother, Heather Jackson, on a sofa in their home just outside Bridgeport, a rural West Virginia community about 40 miles southwest of Morgantown, to talk about a legal fight that began when she was a middle schooler who finished near the back of the pack in cross-country races.

Pepper-Jackson has grown into a competitive discus and shot put thrower. In addition to the bronze medal in the discus, she finished eighth among shot putters.

She attributes her success to hard work, practicing at school and in her backyard, and lifting weights. Pepper-Jackson has been taking puberty-blocking medication and has publicly identified as a girl since she was in the third grade, though the Supreme Court's decision in June upholding state bans on gender-affirming medical treatment for minors has forced her to go out of state for care.

Her very improvement as an athlete has been cited as a reason she should not be allowed to compete against girls.

“There are immutable physical and biological characteristic differences between men and women that make men bigger, stronger, and faster than women. And if we allow biological males to play sports against biological females, those differences will erode the ability and the places for women in these sports which we have fought so hard for over the last 50 years,” West Virginia's attorney general, JB McCuskey, said in an AP interview. McCuskey said he is not aware of any other transgender athlete in the state who has competed or is trying to compete in girls or women’s sports.

Despite the small numbers of transgender athletes, the issue has taken on outsize importance. The NCAA and the U.S. Olympic and Paralympic Committees banned transgender women from women's sports after Trump signed an executive order aimed at barring their participation.

The public generally is supportive of the limits. An Associated Press-NORC Center for Public Affairs Research poll conducted in October 2025 found that about 6 in 10 U.S. adults “strongly” or “somewhat” favored requiring transgender children and teenagers to only compete on sports teams that match the sex they were assigned at birth, not the gender they identify with, while about 2 in 10 were “strongly” or “somewhat” opposed and about one-quarter did not have an opinion.

About 2.1 million adults, or 0.8%, and 724,000 people age 13 to 17, or 3.3%, identify as transgender in the U.S., according to the Williams Institute at the UCLA School of Law.

Those allied with the administration on the issue paint it in broader terms than just sports, pointing to state laws, Trump administration policies and court rulings against transgender people.

"I think there are cultural, political, legal headwinds all supporting this notion that it’s just a lie that a man can be a woman," said John Bursch, a lawyer with the conservative Christian law firm Alliance Defending Freedom that has led the legal campaign against transgender people. “And if we want a society that respects women and girls, then we need to come to terms with that truth. And the sooner that we do that, the better it will be for women everywhere, whether that be in high school sports teams, high school locker rooms and showers, abused women’s shelters, women’s prisons.”

But Heather Jackson offered different terms to describe the effort to keep her daughter off West Virginia's playing fields.

“Hatred. It’s nothing but hatred,” she said. "This community is the community du jour. We have a long history of isolating marginalized parts of the community.”

Pepper-Jackson has seen some of the uglier side of the debate on display, including when a competitor wore a T-shirt at the championship meet that said, “Men Don't Belong in Women's Sports.”

“I wish these people would educate themselves. Just so they would know that I’m just there to have a good time. That’s it. But it just, it hurts sometimes, like, it gets to me sometimes, but I try to brush it off,” she said.

One schoolmate, identified as A.C. in court papers, said Pepper-Jackson has herself used graphic language in sexually bullying her teammates.

Asked whether she said any of what is alleged, Pepper-Jackson said, “I did not. And the school ruled that there was no evidence to prove that it was true.”

The legal fight will turn on whether the Constitution's equal protection clause or the Title IX anti-discrimination law protects transgender people.

The court ruled in 2020 that workplace discrimination against transgender people is sex discrimination, but refused to extend the logic of that decision to the case over health care for transgender minors.

The court has been deluged by dueling legal briefs from Republican- and Democratic-led states, members of Congress, athletes, doctors, scientists and scholars.

The outcome also could influence separate legal efforts seeking to bar transgender athletes in states that have continued to allow them to compete.

If Pepper-Jackson is forced to stop competing, she said she will still be able to lift weights and continue playing trumpet in the school concert and jazz bands.

“It will hurt a lot, and I know it will, but that’s what I’ll have to do,” she said.

Heather Jackson, left, and Becky Pepper-Jackson pose for a photograph outside of the U.S. Supreme Court in Washington, Sunday, Jan. 11, 2026. (AP Photo/Jose Luis Magana)

Heather Jackson, left, and Becky Pepper-Jackson pose for a photograph outside of the U.S. Supreme Court in Washington, Sunday, Jan. 11, 2026. (AP Photo/Jose Luis Magana)

Becky Pepper-Jackson poses for a photograph outside of the U.S. Supreme Court in Washington, Sunday, Jan. 11, 2026. (AP Photo/Jose Luis Magana)

The Supreme Court stands is Washington, Friday, Jan. 9, 2026. (AP Photo/J. Scott Applewhite)

FILE - Protestors hold signs during a rally at the state capitol in Charleston, W.Va., on March 9, 2023. (AP Photo/Chris Jackson, file)