Embeth Davidtz drew on her childhood in Africa to adapt Alexandra Fuller’s memoir

In 1974, when it seemed as though everyone was leaving South Africa, Embeth Davidtz’s family was going back.

Davidtz, a familiar presence in films and television for over 30 years with memorable roles in everything from “Schindler’s List” to “Matilda,” was born in the United States to white, South African parents. When she was 8, they decided to return during a time of upheaval.

Although the transition from “innocent New Jersey” was hard, it was also a life-making, character- and imagination-building experience that she’s still processing to this day. It’s where she grew up. It’s where she began acting. And it’s where she’d return decades later to direct her first film, “Don’t Let’s Go to the Dogs Tonight,” a poetic and deeply personal adaptation of Alexandra Fuller’s memoir about growing up during the Bush War in Zimbabwe, which was then Rhodesia.

The film, which was widely praised at the Telluride and Toronto Film Festivals for its deft handling of complex themes and for the discovery of young newcomer Lexi Venter, opens Friday in limited release and expands nationwide July 18.

“The sun rises and sets on her writing,” Davidtz said in an interview with The Associated Press. “If anything works, it’s because of that memoir.”

Like so many people, especially those who lived in Africa in the 1970s and '80s, Davidtz devoured the book when it came out in 2001. But it would take more than 15 years to start seriously thinking about a film. Davidtz was refocusing after a little hiatus from acting: She’d survived breast cancer, raised children and was reflecting on parts of the book she loved, like Fuller’s mother, a complex figure who struggled with trauma, alcohol and mental health. Davidtz, who is now 59, could have hardly predicted that this journey would lead to her writing, directing and producing her first feature as well.

“It felt like an imperative. It felt like a call,” she said. “Once I dug my teeth into this, I felt like I couldn’t not tell it.”

The adaptation was slow-going but rewarding as Davidtz sprinkled some of her own stories and recollections in and the focus and structure of the story started to reveal itself. A pivotal revelation came four years in: It had to be from the child's point of view.

“I wasn’t thinking about directing it, but at the end, I thought, you know what? I know what kind of shots I like. I know what sort of films I like. I could shoot this so simply,” she said. “I need to take control of this because if I give it away to someone else, they’re not going to tell the story that I’m trying to tell.”

Davidtz was inspired by Terrence Malick films like “Badlands” and “Days of Heaven,” and the young girls' narrations, as well as Steven Spielberg’s “Empire of the Sun,” in which the end of a colonial regime is seen through the eyes of a young, white boy.

“People say, ‘Oh, voiceover is so lazy,’” Davidtz said. “But with a child you hear the quirks, you hear the offbeat, you hear what is wrong and the point of view that is skewed.”

To play Bobo, the 8-year-old center of the film, Davidtz did not want a polished child actor. She wanted a real kid — a wild, little barefoot child, unspoiled and unsophisticated, who could maybe ride a motorbike. They eventually resorted to a Facebook post which led them to Venter, age 7.

“It was such a project of love and torture,” she said. “It was so very hard to direct a 7-year-old who doesn’t act.”

Venter wasn’t given a script. Davidtz instead played games, would give her some lines to say and then pour through the footage to find the most unfiltered moments to sprinkle into the film with the overlaying voiceover — a yawn, the picking of a wedgie, the things kids just do.

“I got a few gray hairs from that, but I love her. She’s perfect,” Davidtz said. “I worry that I have brought her into the world in a way that, cinematically, people will seek her out. I want her to be left to be the wild little creature that she is.”

Filming took place in South Africa as Zimbabwe was too unstable and didn’t have the infrastructure for film. And Davidtz filled the production with an entirely South African crew and cast, including Zikhona Bali as Sarah, who works for Bobo’s family. Authenticity was paramount to Davidtz, from the music to the props and costumes, many of which she sourced herself, including a tattered silk robe she found on eBay.

“I remember someone saying, why don’t you cast Morgan Freeman and bring him out. I said, ‘No, it’s got to be the real thing. It’s got to be the real people,’” she said. “Everyone carries the burden of what was there.”

She’s acutely aware that South Africa is not Zimbabwe and the dismantling of white rule differed in each, but there are similarities, too. It allowed her to ask questions about what happens to children surrounded by violence and generational racism through Bobo’s lens. Though she worried about the optics of telling the story from a white child’s point of view, she also didn’t waver.

“That’s what I remember and that’s what I saw,” she said. “There’s a way of informing and telling what you saw that can teach. My connection to my past, as risky as it was, there was nothing to be lost.”

Early audiences seem to be receiving it the way she hoped. For Davidtz, it hardly matters what happens now — awards, box office, whatever.

“I don’t think I was ever the wisest person about what I would choose material-wise or business-wise,” she said. “But it’s so great that I, at almost 60, got this chance to do this. Whatever ends up happening, it got made. That’s a miracle.”

Embeth Davidtz poses for a portrait on Thursday, June 26, 2025, in West Hollywood, Calif. (Photo by Rebecca Cabage/Invision/AP)

Embeth Davidtz poses for a portrait on Thursday, June 26, 2025, in West Hollywood, Calif. (Photo by Rebecca Cabage/Invision/AP)

Embeth Davidtz poses for a portrait on Thursday, June 26, 2025, in West Hollywood, Calif. (Photo by Rebecca Cabage/Invision/AP)

Embeth Davidtz poses for a portrait on Thursday, June 26, 2025, in West Hollywood, Calif. (Photo by Rebecca Cabage/Invision/AP)

Embeth Davidtz poses for a portrait on Thursday, June 26, 2025, in West Hollywood, Calif. (Photo by Rebecca Cabage/Invision/AP)

Embeth Davidtz poses for a portrait on Thursday, June 26, 2025, in West Hollywood, Calif. (Photo by Rebecca Cabage/Invision/AP)

A Ukrainian drone strike killed one person and wounded three others in the Russian city of Voronezh, local officials said Sunday.

A young woman died overnight in a hospital intensive care unit after debris from a drone fell on a house during the attack on Saturday, regional Gov. Alexander Gusev said on Telegram.

Three other people were wounded and more than 10 apartment buildings, private houses and a high school were damaged, he said, adding that air defenses shot down 17 drones over Voronezh. The city is home to just over 1 million people and lies some 250 kilometers (155 miles) from the Ukrainian border.

The attack came after Russia bombarded Ukraine with hundreds of drones and dozens of missiles overnight into Friday, killing at least four people in the capital Kyiv, according to Ukrainian officials. For only the second time in the nearly four-year war, Russia used a powerful new hypersonic missile that struck western Ukraine in a clear warning to Kyiv and NATO.

The intense barrage and the launch of the nuclear-capable Oreshnik missile followed reports of major progress in talks between Ukraine and its allies on how to defend the country from further aggression by Moscow if a U.S.-led peace deal is struck.

Ukrainian President Volodymyr Zelenskyy said Saturday in his nightly address that Ukrainian negotiators “continue to communicate with the American side.”

Chief negotiator Rustem Umerov was in contact with U.S. partners on Saturday, he said.

Separately, Ukraine’s General Staff said Russia targeted Ukraine with 154 drones overnight into Sunday and 125 were shot down.

The Ukrainian Defense Ministry’s main intelligence directorate said Sunday that Russia this month deployed the new jet-powered “Geran-5” strike drone against Ukraine for the first time. The Geran is a Russian variant of the Iranian-designed Shahed.

According to the directorate, the drone can carry a 90-kilogram (200-pound) warhead and has a range of nearly 1,000 kilometers (620 miles).

Follow the AP’s coverage of the war in Ukraine at https://apnews.com/hub/russia-ukraine

This photo provided by the Ukrainian Security Service on Friday, Jan. 9, 2026, shows a fragment believed to be a part of a Russian Oreshnik intermediate range hypersonic ballistic missile that hit the Lviv region. (Ukrainian Security Service via AP)

President of Ukraine Volodymyr Zelenskyy, second left, listens to British Defense Secretary John Healey during their meeting in Kyiv, Ukraine, Friday, Jan. 9, 2026. (AP Photo/Danylo Antoniuk)