France’s largest wildfire in decades contained after devastating southern region and wine country

VILLEROUGE LA CREMADE, France (AP) — France’s largest wildfire in decades was contained Thursday after burning more than 160 square kilometers (62 square miles) in the country's southern wine region and claiming one life, local authorities said.

The blaze erupted Tuesday and tore through the Aude region, spreading rapidly due to hot, dry weather. Cooler overnight temperatures and calmer winds slowed its advance and allowed firefighters to make headway.

Late Thursday, the region's top government official said the fire was contained. However, residents were warned not to return home without authorization, as many roads remained blocked and dangerous.

The fire swept through 15 communes in the Corbières mountain region, destroying or damaging at least 36 homes, with a full damage assessment still underway. One person died at home, and at least 13 others were injured, including 11 firefighters, according to local authorities. Three people who were reported missing have been found safe.

An investigation is underway to determine what sparked the fire.

The fire was the largest recorded since France’s national fire database was created in 2006.

But France’s minister for ecological transition, Agnès Pannier-Runacher, called the blaze the worst since 1949 and linked it to climate change.

“It is a fire that is clearly a consequence of climate change and drought in this region,” she told France Info radio.

Despite the breakthrough, officials warned the situation remained fragile.

“We still have a few days before we can say that the fire is completely out,” region administrator Christian Pouget said. “The battle is not over yet.

The region’s economy relies heavily on winemaking and tourism — both hard-hit.

The fire began in the village of Ribaute, in a rural, wooded area known for its wineries. Pouget said between 8 and 9 square kilometers (more than 3 square miles) of vineyards had burned. Officials estimate 80% of local vines were either destroyed or damaged — and even the grapes that survived may be too smoke-tainted to produce quality wine.

“The vineyards are burnt and the landscape is gone,” said Batiste Caval, a seventh-generation winemaker near Saint-Laurent-de-la-Cabrerisse.

Some vineyards acted as natural firebreaks, leaving a surreal patchwork of scorched hills and untouched green vines. But across the Corbières, entire stretches of historic vineyards were reduced to ash. Caval, who owns 60 of the 400 hectares farmed by a local cooperative, said the fire may tip already struggling winemakers into crisis after years of drought and other harsh weather.

New vines typically take three years to bear usable fruit. Some can produce wine for decades, even up to half a century.

“It’s very sad to think about the image we’re going to give of our Corbières region, with its devastated landscapes and desperate women and men, not just today or tomorrow, but for weeks and months to come. It will take years to rebuild,” said Xavier de Volontat, the mayor of Saint-Laurent-de-la-Cabrerisse, speaking to BFMTV.

Residents and tourists in nearby areas had been asked to stay indoors unless ordered to evacuate. Those forced to flee were housed overnight in emergency shelters across 17 municipalities.

Southern Europe has seen multiple large fires this summer. Scientists warn that climate change is exacerbating the frequency and intensity of heat and dryness, making the region more vulnerable to wildfires. Last month, a wildfire that reached the southern port of Marseille, France’s second-largest city, left around 300 people injured.

Europe is the world’s fastest-warming continent, with temperatures increasing at twice the speed of the global average since the 1980s, according to the European Union’s Copernicus Climate Change Service.

Adamson and Petrequin reported from Paris.

This photo, provided by the Securite Civile on Thursday Aug. 7, 2025, shows a rescuer from the Securite Civile next the wildfire near Saint-Laurent-de-la-Cabrerisse, southern France, Wednesday, Aug. 6, 2025. (Securite Civile via AP)

This photo, provided by the Securite Civile on Thursday Aug. 7, 2025, shows a fireman trying to pull off the wildfire near Saint-Laurent-de-la-Cabrerisse, southern France, Wednesday, Aug. 6, 2025. (Securite Civile via AP)

This photo, provided by the Securite Civile on Thursday Aug. 7, 2025, shows the wildfire near Saint-Laurent-de-la-Cabrerisse, southern France, Wednesday, Aug. 6, 2025. (Securite Civile via AP)

This photo, provided by the Securite Civile on Thursday Aug. 7, 2025, shows firemen from the Securite Civile working at the wildfire near Saint-Laurent-de-la-Cabrerisse, southern France, Wednesday, Aug. 6, 2025. (Securite Civile via AP)

This photo, provided by the Securite Civile on Thursday Aug. 7, 2025, shows a fire man using a hose next to the wildfire near Saint-Laurent-de-la-Cabrerisse, southern France, Wednesday, Aug. 6, 2025. (Securite Civile via AP)

France's biggest wildfire this summer is, raging, near Durban-Corbieres, southern France, Wednesday, Aug.6, 2025. (AP Photo/Hernan Munoz)

Burned trees during France's biggest wildfire this summer, near Durban-Corbieres, southern France, Wednesday, Aug.6, 2025. (AP Photo/Hernan Munoz)

It was at a relatively minor event in upstate New York in September 2022 that Ilia Malinin, the self-anointed “Quad God" who was fast becoming the biggest name in figure skating, finally landed the jump that so many people had thought impossible.

Others had tried quad axels in competition over the years. All of them had fallen. That extra 180 degrees of rotation — necessary for the only jump in skating that starts with a forward-facing entry — proved to be a half-revolution too much.

So when Malinin landed it inside the arena made famous by the U.S. hockey team's upset of the Soviets at the 1980 Winter Olympics in Lake Placid, it not only sent shockwaves through the tight-knit skating community but made headlines around the world.

“My mind was just blown,” said two-time Olympic skater Jason Brown.

Yet by conquering the gravity-defying jump, Malinin also raised an important question: What comes next?

The six main jumps in figure skating have been standard since the early 1900s. The only difference between then and now is the number of revolutions. Dick Button landed the first double axel in 1948, and the first triple jump four years later. Kurt Browning landed the first quad, a toe loop, in 1988, and it was 10 years before Timothy Goebel landed the first quad salchow.

By landing the quad axel, Malinin may have maxed out the boundaries of human performance. Most sports scientists agree that the speed and amplitude necessary for five-revolution jumps truly is impossible, leaving figure skating at a crossroads, where a dearth of innovation threatens to take the shine off a sport already fighting to maintain popularity.

“I think it's kind of natural that we were going to get to this point,” said Malinin, the overwhelming favorite to win gold for the U.S. at the Milan Cortina Olympics. "But I haven't reached my top, whether it's in the technical and how much I can jump and spin, but also in the creativity.”

Malinin, 20, points to his signature “raspberry twist,” a somersaulting spin unlike anything that anybody else does. He created it himself, and it tends to bring down the house whenever he throws it down near the end of his programs.

Yet the flashy maneuver also underscores one of the inherent problems with trying to be creative: It doesn't get rewarded.

The International Skating Union has rigid requirements for both short programs and free skates, and it rarely pays off to deviate too far from the script. Malinin might not get a lot of extra points for landing his raspberry twist, for example, since it is not one of the six standard figure skating jumps, but a failure to land it could cost him dearly.

“Absolutely, there are a lot of things I've wanted to try,” Malinin told The Associated Press, “because I think it would be really cool and appealing. But it's a bigger risk for the program itself, and the system and scoring means it doesn't make sense.”

In other words, what's the point in trying to innovate?

“There are so many rules in your programs that you don't have too much wiggle room,” said Alysa Liu, the reigning world champion. “A lot of these rules really restrict us. Like, all of our spins look the same now, but they could look so different."

“One of my training mates, Sonja Himler, does these incredible programs," added Amber Glenn, a three-time U.S. champion, and along with Liu one of the favorites to win Olympic gold for the American team in February.

“Like, she spins the other way, jumps the other way — really cool things that, you know, someone who's watched a little bit of skating will be like, ‘Oh, I’ve never seen that before,'” Glenn said. “Whereas if I go and do, you know, the norm, and do it well, versus what she does, my scores will be better, even though what she does is way more impressive, in my opinion.”

Justin Dillon, the manager of high performance at U.S. Figure Skating, acknowledged having had hard conversations with some skaters about their programs. They may have planned something unique or interesting, but the risk wouldn't be worth the reward.

“I encourage individuality, and bringing it to the ice,” Dillon said, “but if they do something so avant-garde that it doesn't check those boxes, then it really doesn't serve them. It doesn't always mean throw it out, but what can we do to make it a home run?”

To its credit, figure skating's governing body has loosened some restrictions in recent years. The backflip, which was long banned in competition because of its inherent danger, is allowed now, though it also doesn't carry a whole lot of scoring weight.

Is that hold-your-breath element of risk and uncertainty the next big step in skating?

“I mean, you're cringing. It legit scares me," Glenn said of the backflip. “If you can do it, great. I think it's so fun. I want to learn it once I'm done competing. But the thought of practicing it in like, a warmup or in training, it just scares me.”

Brown has never been able to consistently land quad jumps in competition. Instead, he relies on near-perfect execution of triple jumps, along with arguably the best artistry in figure skating, to consistently challenge for podium placements in major competitions.

Maybe, Brown mused, the next innovation in figure skating has nothing to do with extreme feats of athletic ability.

“I have so much respect for the ways in which people are pushing the sport technically,” he said, "but I think the more that people fixate on executing an element, the less risk people take artistically, because they’re already taking these risks technically. And it is very hard to do both. So maybe the next step for figure skating is to reward the story we're trying to tell."

AP Winter Olympics: https://apnews.com/hub/milan-cortina-2026-winter-olympics

Amber Glenn skates during the "Making Team USA" performance at the U.S. Figure Skating Championships, Sunday, Jan. 11, 2026, in St. Louis. (AP Photo/Jeff Roberson)

Amber Glenn skates during the "Making Team USA" performance at the U.S. Figure Skating Championships, Sunday, Jan. 11, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)

Ilia Malinin skates during the "Making Team USA" performance at the U.S. Figure Skating Championships, Sunday, Jan. 11, 2026, in St. Louis. (AP Photo/Jeff Roberson)

Ilia Malinin competes during the men's free skate competition at the U.S. Figure Skating Championships, Saturday, Jan. 10, 2026, in St. Louis. (AP Photo/Jeff Roberson)

Ilia Malinin competes during the men's short program at the U.S. Figure Skating Championships, Thursday, Jan. 8, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)