Fears of massive battery fires spark local opposition to energy storage projects

More and more, big arrays of lithium-ion batteries are being hooked up to electrical grids around the U.S. to store power that can be discharged in times of high demand.

But as more energy storage is added, residents in some places are pushing back due to fears that the systems will go up in flames, as a massive facility in California did earlier this year.

Proponents maintain that state-of-the-art battery energy storage systems are safe, but more localities are enacting moratoriums.

“We’re not guinea pigs for anybody ... we are not going to experiment, we’re not going to take risk,” said Michael McGinty, the mayor of Island Park, New York, which passed a moratorium in July after a storage system was proposed near the village line.

At least a few dozen localities around the United States have moved to temporarily block development of big battery systems in recent years.

Long Island, where the power grid could get a boost in the next few years as offshore wind farms come online, has been a hotbed of activism, even drawing attention recently from the Trump administration. Opponents there got a boost in August when Environmental Protection Agency Administrator Lee Zeldin visited New York to complain that the state was rushing approvals of sites in order to meet “delusional” green power goals — a claim state officials deny.

Battery energy storage systems that suck up cheap power during periods of low demand, then discharge it at a profit during periods of high demand, are considered critical with the rise of intermittent energy sources such as wind and solar.

Known by the acronym BESS, the systems can make grids more reliable and have been credited with reducing blackouts. A large battery system might consist of rows of shipping containers in a fenced lot, with the containers holding hundreds of thousands of cells.

China and the United States lead the world in rapidly adding battery storage energy systems. However, Saudi Arabia, South Africa, Australia, Netherlands, Chile, Canada and the U.K. have commissioned or started construction on large projects since 2024, too, according to research from BloombergNEF.

In the U.S., California and Texas have been leaders in battery storage. But other states are moving quickly, often with privately developed systems. While the Trump administration has been unsupportive or even hostile to renewable energy, key tax credits for energy storage projects were maintained in the recently approved federal budget for qualified projects that begin construction in the next eight years.

Developers added 4,908 megawatts of battery storage capacity in the second quarter of 2025, with Arizona, California and Texas accounting for about three-quarters of that new capacity, according to a report from American Clean Power Association, an industry group. That’s enough to power nearly 1.7 million households.

New York has an ambitious goal to add 6,000 megawatts of energy storage by 2030, half of it large-scale systems.

Opposition to the storage systems usually focuses on the possibility of thermal runaway, a chain reaction of uncontrolled heating that can lead to fire or an explosion. Opponents point to past fires and ask: What if that happens in my neighborhood?

A battery storage system in Moss Landing, California caught fire in January, sending plumes of toxic smoke into the atmosphere and forcing the evacuation of about 1,500 people..

Experts in the field say battery systems have become safer over the years. Ofodike Ezekoye, a combustion expert and professor of mechanical engineering at The University of Texas at Austin, notes that failures are relatively infrequent, but also that no engineered system is 100% foolproof.

“This is a relatively immature technology that is maturing quickly, so I think that there are a lot of really thoughtful researchers and other stakeholders who are trying to improve the overall safety of these systems,” Ezekoye said.

Battery storage proponents say a facility like Moss Landing, where batteries were stored indoors, would not be allowed in New York, which has adopted fire codes that require modular enclosure design with required minimum spacing to keep fires from spreading.

People who live near proposed sites are not always assured.

In Washington state, the city of Maple Valley approved a six-month moratorium in July as a way “to protect us until we know more,” said city manager Laura Philpot.

Voters in Halstead, Kansas, which has a moratorium, will be asked this Election Day whether they want to prohibit larger battery storage systems inside the city limits, according to Mayor Dennis Travis. He hopes the city can one day host a safely designed storage system, and said local opponents wrongly fixate on the California fire.

The number of localities passing moratoriums began rising in 2023 and 2024, mirroring trends in battery storage deployment, with a notable cluster in New York, according to a presentation last year by the Pacific Northwest National Laboratory.

Winnie Sokolowski is among area residents against a proposed 250-megawatt lithium-ion storage system in the Town of Ulster, New York, contending it is too close to schools and homes.

“They’re banking on nothing happening, but I don’t think you can place it where they’re proposing and assume nothing’s going to happen,” Sokolowski said. “It’s just too risky if it does.”

The developer, Terra-Gen, said the design will keep a fire from spreading and that the system “poses no credible, scientific-based threat to neighbors, the public or the environment.”

New York State Energy Research and Development Authority President Doreen Harris said she's confident the state has the right safety rules in place, and that scaling up the use of battery storage systems will “strengthen and modernize our grid.”

She noted there also were local concerns in the early stages of siting solar farms, which have since proven their benefits.

Associated Press writer Jennifer McDermott in Providence, Rhode Island, contributed to this report.

A large lithium battery energy storage system operated by Key Capture Energy that can power 15,000 homes for two hours during outages or high demand is shown in Blasdell, N.Y., Tuesday, Sept. 9, 2025. (AP Photo/Ted Shaffrey)

A large lithium battery energy storage system, center lower left, operated by Key Capture Energy is shown in Blasdell, N.Y., Monday, Sept. 8, 2025. (AP Photo/Ted Shaffrey)

Chris Linsmayer, Key Capture Energy Public Affairs Manager, talks about the company's large lithium battery energy storage system, Tuesday, Sept. 9, 2025 in Blasdell, N.Y., which can power 15,000 homes for two hours during outages or high demand. (AP Photo/Ted Shaffrey)

A large lithium battery energy storage system operated by Key Capture Energy that can power 15,000 homes for two hours during outages or high demand is shown in Blasdell, N.Y., Tuesday, Sept. 9, 2025. (AP Photo/Ted Shaffrey)

A large lithium battery energy storage system operated by Key Capture Energy that can power 15,000 homes for two hours during outages or high demand sits surrounded by a fence in Blasdell, N.Y., Tuesday, Sept. 9, 2025. (AP Photo/Ted Shaffrey)

MILAN (AP) — The gala crowd at Milan's Teatro alla Scala cheered the season premiere of Dmitry Shostakovich's "Lady Macbeth of Mtsensk '' with a 12-minute standing ovation Sunday, as the storied theater synonymous with the Italian repertoire opened with a Russian melodrama for the second time since Moscow's 2022 invasion of Ukraine.

The crowd of luminaries fully embraced stage director Vasily Barkhatov's bold telling of merchant wife Katerina Izmajilova's fall into a murderous love triangle against the backdrop of Stalin's Soviet Union, right up to the jarring final scene with a Soviet truck barreling into a wedding party, and two characters perishing in burst of flames.

U.S. soprano Sara Jakubiak was showered with carnations and cheers for her tireless portrayal of Katarina, the title character, over the 2 hour and 40 minute opera, and the audience cheered its appreciation for conductor Riccardo Chailly, making his last Dec. 7 gala premiere appearance as music director.

“No one ever expects this,'' Jakubiak said backstage of the enthusiastic reception. ”I am just so happy.''

While the 2022 gala season premier of “Boris Godunov” drew protests from the Ukraininan community for highlighting Russian culture in the wake of the invasion, the premiere of "Lady Macbeth'' inspired a flash mob demonstrating for peace.

Shostakovich's 1934 opera highlights the condition of women in Stalin’s Soviet Union, and was blacklisted just days after the communist leader saw a performance in 1936, the threshold year of his campaign of political repression known as the Great Purge.

A dozen activists from a liberal Italian party held up Ukrainian and European flags in a quiet demonstration removed from the La Scala hubub that aimed “to draw attention to the defense of liberty and European democracy, threatened today by (President Vladimir) Putin’s Russia, and to support the Ukrainian people.’’

Another, larger, demonstration of several dozen people in front of city hall called for freedom for the Palestinians and an end to colonialism, but was kept far from arriving dignitaries by a police cordon. Demonstrations against war and other forms of inequality have long countered the glitz of the gala season premiere that draws leading figures from culture, business and politics dressed in their finest frocks.

Culture Minister Alessandro Giuli was joined by the senator for life Liliana Segre, a Holocaust survivor, and Milan Mayor Giuseppe Sala in the royal box. Italian pop stars Mahmoud and Achille Lauro were also among those in attendance.

Chailly began working with Barkhatov on the title about two years ago, following the success “Boris Godunov,'' which was attended by Italian Premier Giorgia Meloni and European Commission President Ursula von der Leyen, both of whom separated Russia’s politicians from its culture.

But outside the Godunov premiere, Ukrainians protested against highlighting Russian culture during a war rooted in the denial of a unique Ukrainian culture.

Chailly called the staging of Shostakovich’s “Lady Macbeth" at La Scala for just the fourth time “a must.’’

“It is an opera that has long suffered, and needs to make up for lost time,’’ Chailly told a news conference last month.

La Scala’s new general manager, Fortunato Ortombina, defended the choices made by his predecessor to stage both Shostakovich’s “Lady Macbeth” and Modest Mussorgsky’s “Boris Godunov " at the theater whose history is tied to the Italian repertoire.

‘‘Music is fundamentally superior to any ideological conflict,’’ Ortombina said on the sidelines of the news conference. “Shostakovich, and Russian music more broadly, have an authority over the Russian people that exceeds Putin's own.’’

Jakubiak, 47, made her La Scala debut in the title role of Katerina, whose struggle against existential repression leads her to commit murder, landing her in a Siberian prison where she self-immolated to kill herself and her treacherous second husband's new lover — deviating from the original story's drowning. It’s the second time Jakubiak has sung the role, after performances in Barcelona last year, and she said Shostakovich's Katerina is full of challenges.

“That I’m a murderess, that I’m singing 47 high B flats in one night, you know, all these things,’’ Jakubiak said while sitting in the makeup chair ahead of the Dec. 4 preview performance to an audience of young people. “You go, ‘Oh my gosh, how will I do this?’ But you manage, with the right kind of work, the right team of people. Yes, we’re just going to go for the ride.”

Speaking to journalists recently, Chailly joked that he was “squeezing” Jakubiak like an orange. Jakubiak said she found common ground with the conductor known for his studious approach to the original score and composer’s intent.

“Whenever I prepare a role, it’s always the text and the music and the text and the rhythms,'' she said. “First, I do this process with, you know, a cup of coffee at my piano and then we add the other layers and then the notes. So I guess we’re actually somewhat similar in that regard.''

Jakubiak, best known for Strauss and Wagner, has a major debut coming in July when she sings her first Isolde in concert with Anthony Pappano and the London Symphony.

Barkhatov, who at 42 has a flourishing international career, said “Lady Macbeth” is a “very brave and exciting" choice for La Scala's season opening.

Barkhatov's stage direction sets the opera in a cosmopolitan Russian city in the 1950s, the end of Stalin’s regime, rather than a 19th-century rural village as written for the 1930s premier.

For Barkhatov, Stalin’s regime defines the background of the story and the mentality of the characters for a story he sees as a personal tragedy and not a political tale. Most of the action unfolds inside a dark restaurant appointed in period Art Deco detail, with a rotating balustrade creating a kitchen, a basement and an office where interrogations take place — all grim and dingy.

Despite the tragic arc, Barkhatov described the story as “a weird … breakthrough to happiness and freedom.’’

“Sadly, the statistics show that a lot of people die on their way to happiness and freedom,’’ he added.

Stage director Vasily Barkhatov sits during an interview with The Associated Press prior to the dressed rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)

A wig receives final touches ahead of the dress rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)

A wig receives final touches ahead of the dress rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)

External view of Teatro all Scala ahead of the dress rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)

Soprano Sara Jakubiak has her makeup done ahead of the dress rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)

The stage is prepared ahead of the dressed rehearsal of the Lady Macbeth of Mtsensk District, by Dmitri Shostakovich, at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)