Dolan farmers' paintings, a grassroots art form born in Makit County of northwest China's Xinjiang, are gaining fresh recognition as a vivid symbol of how cultural heritage and modernization flourish side by side in the region.
On the edge of the Taklimakan Desert, Makit County is known not only for its tough fight against the sands, but also for its colorful imagination. For more than half a century, local farmers have transformed scenes of everyday life into vibrant artistic works deeply rooted in local culture, painting new possibilities for this remote area.
"Makit County has had its first farmers' painting team since 1970. Now it has been more than 50 years. The most striking feature of Dolan farmers' paintings is the use of especially vivid colors. You can tell right away it's a style from Makit," said Minawar Mutallip, chairman of the Makit County Artists Association.
Dolan farmers' paintings draw inspiration from everyday life, sometimes with sharp humor. They are also a reflection of hope and gratitude for better days.
"Our main themes include patriotism and love of life. Because Makit is a rather remote place, the country's policies have been especially good to us, and our lives are getting better and better. So many of our works reflect this better life," said Mutallip.
What began as a local tradition is now reaching beyond Makit. Dolan farmers' paintings are attracting outsiders, who come not just to admire the art, but also to help carry it forward.
Xu Jiawei traveled thousands of kilometers to Makit seven years ago from southwest China's Sichuan Province with a determination to help the county alleviate poverty. Trained in fine arts, he was struck by the power of Dolan paintings -- the artists there have no formal training, so their works know no boundaries or rules.
"It was a huge shock to my academic training. I thought, how could yellow and purple be placed so close together? It seemed impossible. But their combinations turned out especially beautiful. I even felt humbled. Their use of colors makes more impact than our muted art," he said.
Xu now serves as the director of the Dolan Painting Village Scenic Area, exploring how to make Uygur folk traditions an engine of cultural tourism in Makit County.
"Their cultural heritage is very deep, but it has to be combined with modern market demand. Luckily, in recent years there's been strong support at all levels for developing the cultural tourism industry, so I feel I need to work even harder in this area," said Xu.
With government support and grassroots efforts, Dolan painting is adding new strokes to Makit's cultural and economic landscape.
"Combined with our desert culture, Dolan farmers' painting has become a cultural calling card," said Mutallip.
Farmers' paintings fuel cultural revival in Xinjiang desert county
