RESTON, Va.--(BUSINESS WIRE)--Nov 17, 2025--
Comstock Holding Companies, Inc. (Nasdaq: CHCI) (“Comstock”), a leading asset manager, developer, and operator of mixed-use and transit-oriented properties in the Washington, D.C. region, today announced the signing of multiple leases with Booz Allen Hamilton, Inc. (“Booz Allen”) to occupy the entire nearly-finished building located at 1870 Reston Row Plaza and multiple floors in the recently completed adjacent building located at 1800 Reston Row Plaza. The combined leases cover over 310,000 square feet, a to-be-built enclosed bridge that will connect the seventh floors of the two buildings, and expansion options.
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The two LEED Silver, Trophy-office towers are situated in The Row at Reston Station, the second of five planned phases of Comstock’s award-winning Reston Station development. The buildings were designed by HKS Architects, with interior common spaces designed by Michael Graves Architecture.
Booz Allen joins a dynamic roster of leading global and national companies already located at Reston Station. Its workforce will benefit from a modern, walkable neighborhood filled with cafés, restaurants, fitness and wellness providers, retail, and on-site services. A full map of the Reston Station neighborhood can be found here.
“We are extremely proud that Booz Allen has chosen Reston Station for its global headquarters,” said Chris Clemente, Comstock’s Chief Executive Officer. “Comstock is focused on creating extraordinary places where people can live, work, gather, and connect. Booz Allen’s decision reinforces the strength of that vision and Reston Station’s appeal to leading employers.”
About Reston Station
Reston Station is among the largest, most prominent mixed-use, transit-oriented developments in the Mid-Atlantic region, and is among the largest collection of new Trophy office, hotel, and residential towers in Northern Virginia. Covering ~90 acres, spanning the Dulles Toll Road, and surrounding the Wiehle-Reston East Station on Metro's Silver Line, Reston Station is home to multiple office buildings that serve as national or regional headquarters for Google (Nasdaq: GOOGL), ICF International (Nasdaq: ICFI), CARFAX, Spotify (NYSE: SPOT), Qualtrics International (Nasdaq: XM), Rolls-Royce of America, and numerous others. Reston Station is home to more than 2,000 residents in townhomes, mid-rise, and high-rise towers, including Comstock’s two BLVD luxury apartment towers. Reston Station’s signature retail and entertainment offerings include a state-of-the-art 55,000 square foot flagship VIDA Fitness and Spa facility, Founding Farmers, Davio’s Northern Italian Steakhouse, Starbucks, Tous les Jours, CVS, Big Buns, Sweet Leaf, Matchbox, and Scissors & Scotch. Coming soon to Reston Station will be Noku Sushi and Ebbitt House, the first ever expansion of D.C.’s iconic Old Ebbitt Grill brand. For more information, please visit and RestonStation.com.
About Comstock
Founded in 1985, Comstock is a leading asset manager, developer, and operator of mixed-use and transit-oriented properties in the Washington, D.C. region. With a managed portfolio comprising approximately 10 million square feet at full build-out and including stabilized and development assets strategically located at key Metro stations, Comstock is at the forefront of the urban transformation taking place in the fastest-growing segments of one of the nation’s best real estate markets. Comstock’s developments include some of the largest and most prominent mixed-use and transit-oriented projects in the Mid-Atlantic region, as well as multiple large-scale public-private partnership developments. For more information, please visit Comstock.com.
The Row at Reston Station
MILAN (AP) — Milan’s storied Teatro alla Scala celebrates its gala season premiere Sunday with a Russian opera for the second time since Moscow’s 2022 invasion of Ukraine. But this year, instead of drawing protests for showcasing the invader’s culture, a flash mob will demonstrate for peace.
La Scala’s music director Riccardo Chailly will conduct Dmitry Shostakovich’s “Lady Macbeth of Mtsensk” for the gala season opener that draws luminaries from culture, business and politics for one of the most anticipated events of the European cultural calendar.
Shostakovich's 1934 opera highlights the condition of women in Stalin’s Soviet Union, and was blacklisted just days after the communist leader saw a performance in 1936, the threshold year of his campaign of political repression known as the Great Purge.
The Italian liberal party +Europa announced a demonstration outside the theater as dignitaries arrive “to draw attention to the defense of liberty and European democracy, threatened today by Putin’s Russia, and to support the Ukrainian people.’’
The party underlined that Shostakovich's opera exposes the abuse of power and the role of personal resistance.
Due to security concerns, authorities moved the protest from the square facing La Scala, to another behind City Hall.
Chailly began working with Russian stage director Vasily Barkhatov on the title about two years ago, following the 2022 gala season premiere of the Russian opera “Boris Godunov,” which was attended by Italian Premier Giorgia Meloni and European Commission President Ursula von der Leyen, both of whom separated Russia’s politicians from its culture.
But outside the Godunov premiere, Ukrainians protested against highlighting Russian culture during a war rooted in the denial of a unique Ukrainian culture. The Ukrainian community did not announce any separate protests this year.
Chailly called the staging of Shostakovich’s “Lady Macbeth" at La Scala for just the fourth time “a must.’’
“It is an opera that has long suffered, and needs to make up for lost time,’’ Chailly told a news conference last month.
La Scala’s new general manager, Fortunato Ortombina, defended the choices made by his predecessor to stage both Shostakovich’s “Lady Macbeth” and Modest Mussorgsky’s “Boris Godunov " at the theater best known for its Italian repertoire, but which has in recent years showcased other traditions.
‘‘Music is fundamentally superior to any ideological conflict,’’ Ortombina said on the sidelines of the press conference. “Shostakovich, and Russian music more broadly, have an authority over the Russian people that exceeds Putin's own.’’
American soprano Sara Jakubiak is making her La Scala debut in the title role of Katerina, whose struggle against existential repression leads her to commit murder, landing her in a Siberian prison where she dies. It’s the second time Jakubiak has sung the role, after performances in Barcelona last year, and she said Shostakovich's Katerina is full of challenges.
“That I’m a murderess, that I’m singing 47 high B flats in one night, you know, all these things,’’ Jakubiak said while sitting in the makeup chair ahead of the Dec. 4 preview performance to an audience of young people. “You go, ‘Oh my gosh, how will I do this?’ But you manage, with the right kind of work, the right team of people. Yes, we’re just going to go for the ride.”
Speaking to journalists recently, Chailly joked that he was “squeezing” Jakubiak like an orange. Jakubiak said she found common ground with the conductor known for his studious approach to the original score and composer’s intent.
“Whenever I prepare a role, it’s always the text and the music and the text and the rhythms,'' she said. “First, I do this process with, you know, a cup of coffee at my piano and then we add the other layers and then the notes. So I guess we’re actually somewhat similar in that regard.''
Jakubiak, best known for Strauss and Wagner, has a major debut coming in July when she sings her first Isolde in concert with Anthony Pappano and the London Symphony.
Barkhatov, who has a flourishing international career, called the choice of “Lady Macbeth,” “very brave and exciting.”
Barkhatov's stage direction sets the opera in a cosmopolitan Russian city in the 1950s, the end of Stalin’s regime, rather than a 19th-century rural village as written for the 1930s premier.
For Barkhatov, Stalin’s regime defines the background of the story and the mentality of the characters for a story he sees as a personal tragedy and not a political tale. Most of the action unfolds inside a restaurant appointed in period Art Deco detail, with a rotating balustrade creating a kitchen, a basement and an office where interrogations take place.
Despite the tragic arc, Barkhatov described the story as “a weird … breakthrough to happiness and freedom.’’
“Sadly, the statistics show that a lot of people die on their way to happiness and freedom,’’ he added.
Stage director Vasily Barkhatov sits during an interview with The Associated Press prior to the dressed rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)
A wig receives final touches ahead of the dress rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)
A wig receives final touches ahead of the dress rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)
External view of Teatro all Scala ahead of the dress rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)
Soprano Sara Jakubiak has her makeup done ahead of the dress rehearsal of Dmitri Shostakovich's Lady Macbeth of the Mtsensk District at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)
The stage is prepared ahead of the dressed rehearsal of the Lady Macbeth of Mtsensk District, by Dmitri Shostakovich, at La Scala Opera House in Milan, Italy, Thursday, Dec. 4, 2025. (AP Photo/Antonio Calanni)
