WASHINGTON (AP) — With Tuesday's White House Cabinet meeting chugging past the two-hour mark, President Donald Trump 's eyes fluttered and closed. His budget director busied himself doodling a fluffy cloud. Defense Secretary Pete Hegseth was lucky enough to speak early, but the title on his nameplate was misspelled.
The sleepy, and occasionally slipshod, gathering nonetheless ended with a flurry of news. Trump declared that he didn't want Somalis in the U.S. and Hegseth cited the “ fog of war ” in defending a follow-up strike on an alleged drug-carrying boat in the Caribbean Sea in September.
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President Donald Trump stands up to depart following a Cabinet meeting at the White House, Tuesday, Dec. 2, 2025, in Washington. (AP Photo/Julia Demaree Nikhinson)
President Donald Trump closes his eyes as Defense Secretary Pete Hegseth speaks during a Cabinet meeting at the White House, Tuesday, Dec. 2, 2025, in Washington. (AP Photo/Julia Demaree Nikhinson)
Russ Vought, Director of the Office of Management and Budget, attends the Cabinet meeting at the White House, Tuesday, Dec. 2, 2025, in Washington. (AP Photo/Julia Demaree Nikhinson)
President Donald Trump listens during a Cabinet meeting at the White House, Tuesday, Dec. 2, 2025, in Washington. (AP Photo/Julia Demaree Nikhinson)
The president started things off by noting that it was the last time his Cabinet would gather until 2026. And, though marathon sessions with his top advisers lavishing praise have become a Trump trademark since he returned to the White House, this latest installment felt at times like a holiday break was needed.
Trump offered lengthy opening comments largely rehashing his key previous policy announcements from recent months. He also repeated old grievances, going back to his falsehoods about having won the 2020 election.
The president then gave each Cabinet member a chance to speak, declaring, “We're gonna go quickly.” That did little to stop most Cabinet members from offering long presentations.
Hegseth went first and praised the Trump administration's move to rename his agency the Department of War — something that can't be officially done without an act of Congress. But the nameplate in front of Hegseth labeled him the “ssecretary of war,” including a mistaken double “S” that quickly became the source of searing online ridicule.
After that, as each official took turns speaking, a TV camera trained on Trump showed him struggling to stay alert. The president sat back in his chair with his eyes occasionally drooping and sometimes shutting completely.
Trump's apparent sleepiness followed his criticism of a recent New York Times story examining his schedule and stamina at age 79. Trump again slammed the Times story early in Tuesday's meeting and even slipped into the third person to assure all involved that “Trump is sharp.”
Another indication that things were dragging came from budget director Russell Vought, who was spotted sketching a bucolic scene on White House letterhead.
Vought drew mountains framed by pine trees topped by the kind of friendly-seeming clouds that public television legend Bob Ross preferred to crowd his serene landscape paintings with. The budget chief also sketched an arrow underneath his mountain. Where it was supposed to be pointing was not clear.
Just as Trump's admonishments to keep things tight were flouted, some of the Cabinet members also defied the president in their presentations when it came to the issue of affordability.
Trump made a point in his opening remarks to call concerns that Democrats have raised about rising costs a “con job." That didn't stop many of his administration's top voices from earnestly detailing how they were indeed seeking to reduce prices nationwide.
Agriculture Secretary Brooke Rollins talked about economic pressures on farmers, Treasury Secretary Scott Bessent called affordability a “crisis," and Housing and Urban Development Secretary Scott Turner said that hundreds of thousands of Americans becoming first-time homebuyers was an example of how the administration was making strides to achieve greater affordability.
The final speaker was Secretary of State Marco Rubio, who spoke for several minutes and acknowledged: “I know I’m last, so I wanted to be fast. But there’s a lot to cover."
All told, Tuesday's gathering lasted more than two hours. That fell short of Trump's Cabinet meeting record: an August marathon that stretched to a whopping three hours and 17 minutes.
Still, even the president acknowledged that the latest meeting was going long. “We're spending a lot of time in here," he said.
Trump wrapped things by taking questions from reporters, but only after jokingly asking, “After that, do you WANT to ask any questions?” He also pointed at a journalist holding a boom mic to capture sound from the Cabinet meeting and playfully offered, “How strong are you?”
“You've been holding that for two hours,” the president continued, drawing laughs from Cabinet members. “There are very few people who could do that. I'm very proud of you.”
Reporters' questions shook off the doldrums.
Hegseth said he did not see that there were survivors in the water when the second strike on the boat off Venezuela was ordered and launched in early September. He said “the thing was on fire” and cited the “fog of war” in defending what occurred. He also said he “didn’t stick around” for the remainder of the Sept. 2 mission following the initial strike.
In response to a later question, Trump declared he didn't want Somali immigrants in the U.S., adding that residents of the war-ravaged eastern African country should stay there and try to fix their homeland. He also accused Somalis of being too reliant on U.S. aid programs while offering little to the nation in return.
That drew applause from his Cabinet, though the questions ended abruptly with journalists soon hustled out of the room. Trump punctuated the conclusion by slapping his hand twice on the table, pushing his chair back, standing up and thumping Hegseth on the shoulder.
President Donald Trump stands up to depart following a Cabinet meeting at the White House, Tuesday, Dec. 2, 2025, in Washington. (AP Photo/Julia Demaree Nikhinson)
President Donald Trump closes his eyes as Defense Secretary Pete Hegseth speaks during a Cabinet meeting at the White House, Tuesday, Dec. 2, 2025, in Washington. (AP Photo/Julia Demaree Nikhinson)
Russ Vought, Director of the Office of Management and Budget, attends the Cabinet meeting at the White House, Tuesday, Dec. 2, 2025, in Washington. (AP Photo/Julia Demaree Nikhinson)
President Donald Trump listens during a Cabinet meeting at the White House, Tuesday, Dec. 2, 2025, in Washington. (AP Photo/Julia Demaree Nikhinson)
NEW YORK (AP) — An emotional plea by Iranian filmmaker Jafar Panahi and moving words from Ryan Coogler on the violence in Minneapolis stirred a National Board of Review Awards ceremony Tuesday in which Paul Thomas Anderson’s “One Battle After Another” was again crowned the best film of the year.
Coming two days after Sunday’s Golden Globes, the annual, untelevised New York gala, held in the cavernous midtown banquet all Cipriani 42nd Street and hosted by Willie Geist, played out as a more intimate and frank-spoken alternative.
The winners themselves were already announced, so the night was always going to belong to “One Battle After Another.” The National Board of review, a group that is made up of film enthusiasts and dates to 1909, not only named it 2025’s best film but awarded the best actor prize to Leonardo DiCaprio, best director to Anderson, best supporting actor to Benicio Del Toro and breakthrough performer to Chase Infiniti.
Yet in an ongoing parade of awards for “One Battle After Another,” its night at the NBRs still stood out. The surprise presenter of the movie’s best film award was Martin Scorsese, who praised “the audacity” of Anderson’s narratives and the accomplishment of his latest.
“Like all great films, it can’t really be compared to anything else,” Scorsese said. “It stands alone. It’s a great American film.”
Anderson, trying to take in the wealth of honors, attempted to describe what “ One Battle After Another,” his father-daughter tale of revolution, might represent. His answer came in pointing out his own daughter, sitting at his table.
“I don’t know what our movie is about, but I do know it’s about loving your kids,” Anderson said.
For many of the honorees, the world outside the starry banquet weighed heavily. Coogler’s speech was among the night’s most poignant. The “Sinners” director was honored for his screenplay for the vampire thriller and was introduced by the film’s star, longtime collaborator Michael B. Jordan.
Both were honored 13 years earlier by the board for their first movie together, “ Fruitvale Station.” Recalling that film, based on the true story of the 2009 killing of Oscar Grant by a Bay Area Rapid Transit police officer in Oakland, California, Coogler turned to the recent fatal shooting of Renee Nicole Good by an immigration enforcement agent in Minneapolis.
“I was young and naive, and I thought the movie was going to change the world and make it so you didn’t see people executed by civil service on camera anymore,” Coogler said. “I was proven wrong again and again. And it’s tough to be here and not think about Minnesota.”
“I can’t be here and not think about Renee,” Coogler added.
Still, the ceremony’s most powerful words came from Panahi, the dissident Iranian filmmaker who for nearly two decades worked clandestinely in his native country while being placed under house arrest and jailed. Panahi’s latest, “ It Was Just an Accident,” was awarded best international film.
The movie, inspired by Panahi's own imprisonment, is a revenge drama about stopping the cycle of violence and oppression in Iran. On Tuesday the death toll from a nationwide crackdown on demonstrators in that country surpassed 2,5000, according to activists.
“As we stand here, the state of Iran is gunning down protesters and a savage massacre continues blatantly on the streets of Iran,” Panahi said. “Today the real scene is not on screens but on the streets of Iran. The Islamic Republic has caused a bloodbath to delay its collapse.”
“This is no longer a metaphor,” he continued. “This is not a story. This is not a film. This is a reality written with bullets day after day.”
Panahi called on the film community to speak out and “use any voice and any platform you have.”
“Today, cinema has the power to stand by defenseless people,” Panahi said. “Let’s stand by them.”
Panahi’s remarks, delivered through an interpreter, shook the audience. And when the next award went to Clint Bentley and Greg Kwedar, for adapted screenplay for their plaintive Pacific Northwest period drama “Train Dreams,” the filmmakers seemed to cut short their speech, which was partially about how making the movie and then promoting it through awards season meant sacrificing time with their young children.
“When the world is kind of burning down, it can feel frivolous at times,” Bentley said. “I just want to say thank you most of all to Mr. Panahi for reminding us for what we can do with the medium and why it can be worth doing.”
Jafar Panahi attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Leonardo DiCaprio attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Ryan Coogler attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Chase Infiniti attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Michael B. Jordan attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Benicio Del Toro attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Leonardo DiCaprio attends the National Board of Review Awards gala at Cipriani 42nd Street on Tuesday, Jan. 13, 2026, in New York. (Photo by Evan Agostini/Invision/AP)
Sara Murphy, from left, Teyana Taylor, Paul Thomas Anderson, and Chase Infiniti pose in the press room with the award for best motion picture – musical or comedy for "One Battle After Another" during the 83rd Golden Globes on Sunday, Jan. 11, 2026, at the Beverly Hilton in Beverly Hills, Calif. (AP Photo/Chris Pizzello)