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CGTN documentary reveals tragedies of Philippine "comfort women"

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CGTN documentary reveals tragedies of Philippine "comfort women"

2025-12-12 23:25 Last Updated At:12-13 13:32

"Last Daughters", a documentary produced by the China Global Television Network (CGTN), traces the destinies of "comfort women" in the Philippines during World War II and charts the struggles of their descendants in the decades that have followed.

The Japanese military's "comfort women" system was a state-enforced regime of sexual slavery during World War II, victimizing over 400,000 women across Asia.

Treated as consumable "supplies" alongside weapons, countless girls - many underage - were brutally assaulted, left infertile, and later forced into silence under post-war stigma.

Among them in the Philippines was survivor Estelita Dy, who passed away last year at 94. Abducted at 14 from a sugarcane field, she endured repeated assaults by soldiers. After decades of silence, she came forward in the 1990s with the support of Lila Pilipina, an organization that helps Filipina survivors of Japanese wartime sexual slavery demand accountability from Japan.

The victims' stories are fading as the number of survivors dwindles, but Estelita's daughter Elizabeth Atillo vowed to keep fighting at her mother's grave.

"My mother, Estelita Dy, is buried here. She was 94 years old when she passed away [on November 24, 2024]. We didn't even know why she kept running out back then. We didn't know she was a 'comfort woman.' We found out when we saw her rallying. We saw her on TV. 'Nanay was a comfort woman? What?' I said. I couldn't believe it. My mother, a 'comfort woman'? She said, 'Believe it. That's how it was during the Japanese time.' Then she told me, 'I was raped,'" said the daughter.

The abduction and brutal violation by the Japanese traumatized Estelita severely and changed the course of her life.

"After that, every day when she remembered what had happened, my grandmother would say, 'Go back to school.' She tried to study, but she couldn't continue. She was still in elementary school then. She wasn't able to finish her studies, and eventually, she went to Manila and just started working. She got up as early as 5:00 every morning. She went to the church to sell rice cakes and stayed until evening. She wouldn't quit until every last rice cake was sold. If she had to, she would even stay up until dawn, so we could have more money. My mother would stop at nothing to provide us with food and clothing. She worked desperately because our father had abandoned us. There were six of us kids, so she worked hard to support us all," said Atillo.

She said her mother was later encouraged by Maria Rosa Luna Henson, the first "comfort woman" victim in the Philippines, to publicly share her war-time tragedy.

"Before, yes, my mother was ashamed. Because of what happened to her, my mother didn't even want to get married. She never told my father that she was raped during the Japanese occupation. She didn't even want to come forward. But then she saw others come forward, especially Grandmother Rosa, right? She was the first one to speak up. Eventually the news about the 'comfort women' came out. That's when my mom started joining Lila Pilipina," she said.

Sharon Cabusao-Silva, executive director of the Lila Pilipina organization, explained in the documentary how difficult it was for the victims to speak up at that time.

"There's this whole stigma about being a rape victim. It's even more difficult to say that I have been gang-raped by so many Japanese soldiers. Immediately after the war, the Filipinos were enraged against the Japanese. So, it was very hard to say that you were with the Japanese. You could be seen as a traitor. You were hiding two things. One, that you were a victim of gang rape; and two, that you could be accused of being a traitor to your country. That's why it was so hard to say it, and so hard to say, 'I was raped in turns by the Japanese,'" she said.

"One time, she [Estelita Dy] told me, 'I actually don't believe that I will achieve justice in my lifetime, but what I only want is that the young people do not experience what we experienced.' I admire her personal qualities, you know, quiet, humble, and also discerning, but at the same time, very, very committed to the struggle for justice. Until her deathbed, actually, she always wanted to join activities," she added.

Atillo said the whole family joined her mother to rally for the rights of the "comfort women", and has repeatedly called for a formal and sincere apology from the Japanese side.

"I supported my mother by joining the rallies. We'd support her. We'd go with her. If she said, 'We have a rally,' we would join. Sometimes I'd even bring my grandchildren. They're grown up now. What we really want is for them to issue an official apology for what they did and to include the 'comfort women system' in historical records, and to ask for forgiveness from the women they abused during the Japanese occupation," she said.

CGTN documentary reveals tragedies of Philippine "comfort women"

CGTN documentary reveals tragedies of Philippine "comfort women"

As young Chinese consumers prepare for the upcoming Spring Festival, they are driving a shift in traditional shopping habits, adding emotional and cultural meaning to their holiday purchases.

Falling on Feb 17 this year, the Spring Festival marks the start of the Chinese New Year and ushers in the Year of the Horse, the seventh animal in the Chinese zodiac.

Buying new clothes has long been part of the cultural customs surrounding Chinese New Year. But among younger shoppers, there is a growing demand for designs that are not only festive but culturally rooted, blending traditional Chinese elements with modern flair. This movement has given rise to a major trend in domestic fashion known as "New Chinese Style."

According to recent industry estimates, China's new Chinese-style fashion market is now valued at approximately 36 billion U.S. dollars, with the Chinese New Year season marking its strongest sales period.

Yang Lingling, founder of Mi Dong Fang, a brand for new Chinese-style clothing said that the visitor flow of the store has been steadily increasing since the first of January.

With the Year of the Horse approaching, items featuring horse motifs -- along with designs carrying auspicious meanings -- are among the best-sellers.

"This piece is called Galloping Horse Welcoming Spring. This one is in festive New Year red. The cuffs feature tiny horses carrying money bags," Yang said.

But the store owner believes the emotional satisfaction of buying New Chinese Style goes beyond simply wishing for good fortune.

"Customers have a deep recognition of traditional Chinese culture," she noted.

This sense of cultural pride is also echoed by designer Li Guanyu. The Year of the Horse cultural and creative products created by him and his team have been well received by younger consumers.

"China is already very strong when these young people were born, so they fully embrace the beautiful aspects of our traditional culture," said Li Guanyu, General Manager of Bushes Culture.

Li says sales of Year of the Horse products are particularly strong compared with previous years, thanks to growing interest among young people in cultural and creative products. And the best-selling products are those that combine traditional elements with playful or fun features.

"For example, this one is inspired by the rocking horse that children play on. We then added traditional Chinese symbols of good luck -- a chubby god of wealth holding a big gold ingot, sitting on the horse," explained Li.

From traditional motifs to creative designs, these products let young shoppers connect with Chinese heritage in a fun and meaningful way -- giving them a strong emotional satisfaction as they express their personality and cultural identity during the Chinese New Year.

Young Chinese consumers add emotional value to Spring Festival shopping

Young Chinese consumers add emotional value to Spring Festival shopping

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