PORTLAND, Maine (AP) — One of the world's rarest whale species is having more babies this year than in some recent seasons, but experts say many more young are needed to help stave off the possibility of extinction.
The North Atlantic right whale's population numbers an estimated 384 animals and is slowly rising after several years of decline. The whales have gained more than 7% of their 2020 population, according to scientists who study them.
The whales give birth off the southeastern United States every winter before migrating north to feed. Researchers have identified 15 calves this winter, the National Oceanic and Atmospheric Administration said Monday.
That number is higher than two of the last three winters, but the species needs “approximately 50 or more calves per year for many years” to stop its decline and allow for recovery, NOAA said in a statement. The whales are vulnerable to collisions with large ships and entanglement in commercial fishing gear.
This year's number is encouraging, but the species remains in peril without stronger laws to protect against those threats, said Gib Brogan, senior campaign director with environmental group Oceana. The federal government is in the midst of a moratorium on federal rules designed to protect right whales until 2028, and commercial fishing groups have pushed for a proposal to extend that pause for even longer.
There is still time left for more baby whales to be born this winter, but 50 is not a reasonable expectation because of a lack of reproductive females in the population, Brogan said.
“We're not going to be able to calve ourselves to recovery,” Brogan said. “We also need to be doing more to tackle the two primary causes of right whale deaths, being entanglement in fishing gear and being hit by boats.”
The whales have fared better than last winter, when they gave birth to only 11 calves, according to NOAA data. The whales have reached 20 calves only twice since 2010, and they gave birth to no calves in a disastrous 2018 season. The whales are less likely to reproduce when they have suffered injuries or are underfed, scientists have said.
The whales were hunted to the brink of extinction during the era of commercial whaling and have been federally protected for decades. They remain in a crisis at the moment because there have been more deaths than births in the population in the past decade, NOAA said in its statement.
FILE - A North Atlantic right whale feeds on the surface of Cape Cod bay off the coast of Plymouth, Mass., March 28, 2018. (AP Photo/Michael Dwyer, File)
LAS VEGAS (AP) — The world’s largest tech showcase does not come without theatrics. Innovations and gadgets like a lollipop that sings to you as you consume it, a laundry-folding robot and a “smart” LEGO brick have stolen the spotlight so far at CES 2026. But underscoring this year’s programming is a strong focus on an industry that relies on a similar theatrical flair: entertainment.
More than 25 different panels and events related to the entertainment industry are on the schedule in Las Vegas, focusing on both the traditional studio side of the industry and the digital side driven by content creators. The programming has posed questions about the cinematic capabilities of AI, how advertising has been impacted by AI and the role the burgeoning creator economy plays in the larger entertainment landscape.
Artificial intelligence has long been a sticking point in Hollywood, and many creatives in the entertainment world have been reluctant to embrace the rapidly evolving technology and AI-powered tools. Outrage ensued when Tilly Norwood, an entirely AI-made character, debuted as the first “AI actor” in the fall. Questions about copyrighted characters, images and materials still loom large in conversations about AI. But many speakers in CES programming were optimistic about how the technology can be beneficial, and how AI could be used to help artists harness their creativity rather than stifle it or replace it.
“The tools that we create have unlocked something in us. It’s kind of flattened that bar in terms of what storytelling can be because anyone now can be a storyteller,” said Dwayne Koh, the head of creative at Leonardo.ai, during a Monday session on AI and creativity. “It levels the playing field, but it also makes it easier for people to tell stories that they always want(ed) to tell that they never could have the opportunity to tell.”
Others were quick to point out that Hollywood’s panic over emerging technology is not new.
“When we launched Photoshop in the ’90s, we were also getting pretty angry phone calls from creatives saying that we were destroying craft,” said Hannah Elsakr, Adobe’s vice president of generative AI new business ventures, at a Monday session focused on advertising.
“We’re in early days with AI. I’m not advocating for more cats jumping off diving boards in your feeds. I think it’s about high creativity and so the director, the artist, the actor is going to drive the high quality,” Elsakr continued. “Think of AI as another tool in the toolkit to make you drive that forward.”
Many conversations also centered on influencers and the growing legitimacy of internet-native creators and content in the traditional entertainment industry. The efficiency with which these creators work, sometimes because they are using AI-enabled tools, was a prime focus among many speakers.
Brad Haugen, the executive vice president of digital strategy and growth at Lionsgate and 3 Arts, said traditional media companies should welcome opportunities to work with creators and embrace their importance. “We have, potentially, the next great filmmaker, the next great TV showrunner, the next great digital entrepreneur,” he said. “Creators are not just there to market products. They’re not just there to do internet stuff. They’re actually the next Spike Jonze and the next Sofia Coppola.”
More entertainment-related programming is scheduled for Wednesday, with many sessions coming out of Variety’s Entertainment Summit at the showcase, including panels with leaders from Netflix, Disney and Warner Bros. Discovery and actor Joseph Gordon-Levitt.
In addition to formal programming, a host of entertainment-related products and services are on display at CES. An array of impressive televisions with advanced features, AI-powered smart headphones, a “stringless smart guitar” and even a “sound chair” that has built-in audio were among the innovations aimed at bringing AI and advanced tech to entertainment consumers.
Amazon also announced the rollout of Alexa.com this week, bringing its AI assistant to the web with a host of new features, including personalized movie and TV recommendations. It’s one of many features designed to enhance at-home viewing, including the previously announced feature that enables Alexa to jump to a specific scene you’re searching for with just a simple description.
Angela Gozenput of home appliances and solution marketing and Aaron Westbrook of media entertainment and solution marketing, talk during an LG Electronics news conference ahead of the CES tech show Monday, Jan. 5, 2026, in Las Vegas. (AP Photo/Abbie Parr)
People walk past screens at the LG Electronics booth during the CES tech show Tuesday, Jan. 6, 2026, in Las Vegas. (AP Photo/Abbie Parr)
