Cross-country skiing, the rugged grandfather of snow competition, will give its brightest stars a defining stage at the Milan Cortina Winter Games.
Sporting greats such as Jessie Diggins of the United States and Italy’s own Federico Pellegrino arrive at the Feb. 6–22 Games still in form but nearing the end of their careers.
A cornerstone winter event, cross-country skiing traces its roots to centuries-old Nordic traditions and is considered one of the purest tests of endurance.
The biggest change at these Olympics is the equalization of race distances for men and women — extending the women’s longest event from 30 kilometers to 50. Twelve competitions are split evenly between genders, with distances ranging from the 1,585-meter sprint to the grueling 50-kilometer race.
The sport features two primary techniques: the classic style, with skiers racing in parallel tracks, and the faster freestyle skating method. The demanding skiathlon blends both styles over a 20-kilometer course, with athletes switching skis mid-race.
Norway has long dominated cross-country skiing, and its powerhouse team is once again led by Johannes Hoesflot Klaebo — already a legend at 29. The five-time Olympic champion, renowned for explosive climbs and all-around versatility, arrives in Italy chasing more medals.
On the women’s side, Diggins remains a standout as the most decorated U.S. cross-country skier in history. This will be her final competitive season. Federico Pellegrino — who will be one of Italy's four flag bearers at the opening ceremony — is also in his final season. The 35-year-old world champion sprinter is seeking a long-awaited Olympic gold after silver-medal finishes at the past two Games.
Sweden's Jonna Sundling is the one to beat in the women's individual sprint, having won three consecutive world titles in the discipline as well as Olympic gold in 2022.
The 2026 Olympic venues are spread across the broccoli-shaped northern tip of Italy, with cross-country skiing held in Val di Fiemme, a valley in the heart of the Dolomites.
The Tesero Cross-Country Skiing Stadium, a regular host of elite competitions, will be familiar terrain for many athletes.
Events begin the day after the opening ceremony and conclude on the Games’ final day, starting with sprints and finishing with the women's 50-kilometer mass start.
Cross-country skiing has produced some of the Olympics’ most enduring moments.
In 2018, Jessie Diggins and Kikkan Randall delivered a dramatic photo-finish to win gold in the team sprint at the PyeongChang Winter Games. Their breakthrough ended the United States’ medal drought in the discipline and inspired a new generation of American skiers — many even copying Diggins’ trademark glitter makeup.
The Sarajevo Games in 1984 were electrified by 22-year-old Swede Gunde Svan, who became a winter sports icon by winning four medals, including two golds, across events from sprints to relays.
Snow sports — cross-country skiing in particular — owe much to the Norwegian military. Soldiers on skis held races as part of their training more than 200 years ago, helping shape the sport into formal competition. Norwegian dominance has continued ever since: cross-country great Marit Bjoergen retired in 2018 as the most decorated Winter Olympian, with 15 medals, including eight golds.
The physical demands of cross-country skiing are among the most extreme in sport. Top athletes often post some of the highest oxygen-uptake scores ever recorded, reflecting the extraordinary cardiovascular capacity needed to drive both arms and legs across varied terrain for hours.
AP Winter Olympics: https://apnews.com/hub/milan-cortina-2026-winter-olympics
FILE - Italy's Federico Pellegrino is seen in action during the 10km men's mass start race of the Tour de Ski cross country in Val di Fiemme, Italy, Jan. 5, 2025. (AP Photo/Alessandro Trovati, File)
FILE - Tour de Ski winner Norway's Johannes Høsflot Klæbo, celebrates after the 10km men's mass start Tour de Ski cross-country race in Val di Fiemme, Italy, Jan. 5, 2025. (AP Photo/Alessandro Trovati, File)
FILE - United States' Jessie Diggins competes during World Cup Tour de Ski mass start 15 km a cross-country ski race in Val di Femme, Italy, Jan. 6, 2024. (AP Photo/Alessandro Trovati, File)
WASHINGTON (AP) — President Donald Trump’s White House ballroom won final approval from a key agency on Thursday, despite a federal judge recently ordering a halt to construction unless Congress allows what would be the biggest structural change to the American landmark in more than 70 years.
The 12-member National Capital Planning Commission, the agency tasked with approving construction on federal property in the Washington region, took the vote because U.S. District Judge Richard Leon’s ruling — which came two days earlier — affects construction activities but not the planning process, said the commission's Trump-appointed chair, Will Scharf.
A vote of 8-1, with two commissioners voting present and one absent, allowed the plan to move forward.
Despite the agency’s approval, the judge’s ruling and a legal fight over the ballroom could stall progress on a legacy project that Trump is racing to see completed before the end of his term in early 2029. It’s among a series of changes the Republican president is planning for the nation’s capital to leave his lasting imprint while he’s still in office.
Before the vote, Scharf, a top White House aide, noted that Leon's order has been stayed for two weeks as the administration seeks an appeal. He said, as he understood the decision, it “really does not impact our action here today.”
Reading from notes, Scharf also delivered an impassioned defense of the project that reviewed the full history of changes and additions to the White House that were criticized when they were made but have become beloved with the passage of time. He spoke about the addition of the north and south porticos and the balcony added by President Harry Truman.
Scharf suggested that Trump’s proposed ballroom will similarly come to be viewed as a wise addition — despite drawing contemporary opposition from some members of the public and government officials.
“I believe that in time this ballroom will be considered every bit as much of a national treasure as the other key components of the White House,” Scharf said.
Scharf also said the project has been viewed negatively because of opposition to Trump, instead of the merits, saying, “I feel that we’ve been unfairly slighted in the press and otherwise for the way we’ve gone about reviewing this particular project.”
The vote by the commission, which includes three members Trump gets to appoint, had initially been scheduled for March but was postponed to Thursday because so many people signed up to comment at the commission’s meeting last month. The comments were overwhelmingly in opposition to the ballroom.
The lone “no” vote was cast by Phil Mendelson, a Democrat who chairs the Council of the District of Columbia. Linda Argo and Arrington Dixon, the two commissioners appointed by Mayor Muriel Bowser, a Democrat, voted present.
Mendelson criticized the design of the ballroom addition and how fast it was approved.
“It’s just too large,” he said.
Criticism also came from Public Citizen, a nonprofit consumer advocacy organization. One of its attorneys, Jon Golinger, said the commission had discounted opposition from city officials and thousands of people who commented against the project, and ignored the judge's ruling. Several commissioners, including Scharf, had said they took the public feedback seriously.
“This approval is illegitimate and this vote is a joke," Golinger said.
Trump, in a statement after the vote, thanked the commissioners and said he was honored.
“When completed, it will be the Greatest and Most Beautiful Ballroom of its kind anywhere in the World, and a fabulous complement to our Beautiful and Storied White House!” the president said on social media.
Before voting, the commission considered design changes to the 90,000-square-foot (8,400-square-meter) ballroom addition that the president announced aboard Air Force One on Sunday, as he flew back to Washington from a weekend at his Florida home.
He removed a large staircase on the south side of the building and added an uncovered porch to the southwest side. Architects and other critics of the project had panned the staircase as too large and basically useless since there was no way to enter the ballroom at the top.
A White House official said the president had considered comments from the National Capital Planning Commission and another oversight entity, the U.S. Commission of Fine Arts, which approved the project earlier this year, as well as members of the public.
The official, who was not authorized to publicly discuss the ballroom design and spoke on the condition of anonymity, said additional “refinements” had been made to the exterior.
The ballroom, now estimated to cost $400 million, has expanded in scope and price tag since Trump first announced the project last summer, citing a need for space other than a tent on the lawn to host important guests. Trump demolished the East Wing in October with little warning, and site preparation and underground work have been underway since then.
Two other Trump-appointed commissioners, Stuart Levenbach and James Blair, voted for the project.
Levenbach, who serves as vice chairman and is the federal government’s chief statistician, said the White House is currently “not suited” to accommodate large numbers of guests and the addition will improve the “utility” of the compound.
He said tunnels and other structures underground at the White House made it impossible to place many features of the ballroom there, too, as some have suggested might be possible. Levenbach said the addition is a “multipurpose facility,” noting that, in addition to a ballroom, it will also have offices for the first lady, kitchen space and a theater.
“This is not an expansion for its own sake,” Levenbach said.
Blair, a deputy to White House chief of staff Susie Wiles, said visitors and guests of the president deserve a “better experience."
Scharf and Blair also said Trump will get “very limited use” of the ballroom before his term ends.
Trump went ahead with the project before seeking input from the National Capital Planning Commission and the Commission of Fine Arts, which he reconstituted with allies and supporters.
The National Trust for Historic Preservation, a private nonprofit organization, sued after Trump demolished the East Wing last fall to build the ballroom addition — a space nearly twice as big as the mansion itself.
Trump says it will be paid for with donations from wealthy people and corporations, including him, though public dollars are paying for underground bunkers and security upgrades.
The trust sought a temporary halt to construction until Trump presented the project to both commissions and Congress for approval. Leon agreed but said that his order would take effect in two weeks and that construction related to security would be allowed.
President Donald Trump answers questions from reporters after signing an executive order in the Oval Office of the White House Tuesday, March 31, 2026, in Washington. (AP Photo/Alex Brandon)
Work continues on the construction of the ballroom at the White House in Washington, Wednesday, April 1, 2026. (AP Photo/Allison Robbert)
President Donald Trump holds a rendering of the proposed new East Wing of the White House as he speaks to reporters aboard Air Force One en route from West Palm Beach, Fla., to Joint Base Andrews, Md., Sunday, March 29, 2026. (AP Photo/Mark Schiefelbein)
Work continues on the construction of the ballroom at the White House in Washington, Wednesday, April 1, 2026. (AP Photo/Allison Robbert)
President Donald Trump holds a rendering of the proposed new East Wing of the White House as he speaks to reporters aboard Air Force One en route from West Palm Beach, Fla., to Joint Base Andrews, Md., Sunday, March 29, 2026. (AP Photo/Mark Schiefelbein)
