'Project Hail Mary' adds to a winning streak for originality at the movies

NEW YORK (AP) — Franchise movies have been the dominant currency in Hollywood for years, but, lately, the upside of originality has been hard to miss.

A week after “One Battle After Another,” “Sinners” and “KPop Demon Hunters” all triumphed at the Academy Awards, Phil Lord and Chris Miller’s “Project Hail Mary” notched the biggest non-franchise opening weekend since “Oppenheimer.” In the first three months of 2026, the two biggest hits in theaters are it and the Pixar original “Hoppers.”

All of these successes came at considerable expense. “Project Hail Mary,” based on the Andy Weir bestseller, cost close to $200 million to make. But its $80.5 million debut vindicated Amazon MGM’s big bet, and gave the studio its largest box-office hit yet.

“They made a tremendous investment and it’s going to pay off,” Lord said in an interview alongside Miller last week. “How exciting to reward the people that took a shot.”

“Project Hail Mary,” despite its title, isn’t anyone’s idea of a long shot. It stars one of the most widely liked actors in Ryan Gosling. Its source material, Weir’s novel, is beloved. And it trades on much of the same science-first sci-fi appeal of 2015’s best picture-nominated “The Martian,” from an earlier book by Weir. Lord and Miller, the filmmakers of the “Spider-Verse” movies and “The Lego Movie,” have a long track record of success with both audiences and critics.

But the recent run for originality — at the Oscars and the multiplex — suggests audiences may be more eager for something different from the same old. At the least, the potentially cascading rewards of an original hit are freshly apparent at a time when a lot of big bets — like the $130 million-plus that Paul Thomas Anderson’s best picture winner “One Battle After Another” cost Warner Bros. to make — have paid off so massively.

“People go to the movies to see a new experience,” Miller said. “They don’t go to see a thing they’ve already seen. Originality has value, especially as AI gets into the picture. The value that we can bring as filmmakers is to bring something that can’t be AI because it hasn’t been thought of before.

“So it’s good business.”

Franchises have hardly been displaced. They will, no doubt, largely control the box office for the rest of year, beginning with Universal's “The Super Mario Galaxy Movie” next month, followed by anticipated releases like “Toy Story 5,” “Avengers: Doomsday” and “Dune: Part Three.” Last week, the 11th “Spider-Man” movie this century, Sony Pictures' “Spider-Man: Brand New Day,” set a new trailer record with 718.6 million views in its first 24 hours.

So, yes, franchises still very much rule the day. But waves upon waves of sequels, reboots and remakes have made the few big-budget originals that manage to get made all the more singular.

“If we don’t continue to do originals, we’re going to run out of stuff,” Pete Docter, Pixar chief creative officer, earlier told The Los Angeles Times.

Since its founding, Pixar has clung to a belief that original movies are part of its mission, though that quest has grown more arduous in recent years. During the pandemic, “Soul,” “Luca” and “Turning Red” were diverted to Disney+. “Elemental” seemed like a disappointment at first but it just needed time to catch hold, eventually collecting $496 million.

“Hoppers,” directed by Daniel Chong, is hoping to follow that trajectory. So far, in three weeks of release, it’s grossed $242.6 million worldwide for The Walt Disney Co. — good business, to be sure, but a far cry from the pace of the 2024 blockbuster sequel “Inside Out 2.” It grossed $1.7 billion.

Such economics are tough for original movies to compete with, plus non-franchise films take more effort, and money, to market. For a $200 million movie, marketing costs can come to nearly rival production budgets.

Though some of Timothée Chalamet’s showmanship, complete with a blimp and a trip to the Sphere, might have cost him an Oscar, his promotional efforts were surely necessary to help lift “Marty Supreme,” A24’s most expensive movie ever — with a budget of $70 million — to $179.3 million in ticket sales.

An ambitious marketing campaign also accompanied “Project Hail Mary.” Gosling was everywhere from hosting “Saturday Night Live” to doing the “La La Land” dance with his alien co-star, Rocky. But the movie always rested on the appeal of the comic sensibilities of its filmmakers, Weir’s book and Gosling.

“We’re all united by the fact that we’ve spent the last two decades having people ask us: What genre is this?” says Drew Goddard, who scripted both “The Martian” and “Project Hail Mary.” “We’re constantly hard to classify because we love existing in those strange places. We like drama, we like comedy. We like heartbreak, we like terror. We like silliness.”

In matching broad-appeal material with the right filmmakers and stars, “Project Hail Mary” relied on not just old-school studio moviemaking but the sometimes overlooked lessons of “Barbenheimer.” Both Christopher Nolan's “Oppenheimer” and Greta Gerwig's “Barbie” showed what can happen when the right filmmakers are given free rein on a big canvas. There is a definite downside, though. Warner Bros.' “The Bride!” by Maggie Gyllenhaal seemed like a compelling, filmmaker-driven concept but its losses might approach $100 million.

Aside from having Gosling in common, “Project Hail Mary” also shared the producer of “Barbie” in Amy Pascal. Before the studio’s acquisition by Amazon, it was greenlit by then-MGM chiefs Mike De Luca and Pam Abdy. They later moved on to Warner Bros., where they made both “One Battle After Another” and Ryan Coogler's much-celebrated “Sinners” ($370 million in ticket sales against a budget of $90 million).

As much as Amazon’s $8.5 billion purchase of MGM was motivated by capturing some of the richest IP in movies, James Bond, it’s also true that studios can establish themselves with homegrown hits. The opening for “Project Hail Mary” was Amazon MGM’s biggest ever.

In fact, three of the biggest original hits of the past year have come from streaming companies: Apple with “F1,” Netflix with “KPop Demon Hunters” and Amazon with “Project Hail Mary.” For these studios, box-office performance is only part of the win; Netflix didn't even publicly record the chart-topping theatrical weekend of “KPop Demon Hunters.”

These companies are sometimes willing to take greater risks because breaking even in theatrical isn’t the end-all-be-all goal. Driving attention to their streaming platforms is just as vital. “KPop” was developed and produced by Sony Pictures, but, sensing the potentially perilous road to opening it theatrically, the company sold it to Netflix. There, it became the streamer's most-watched movie ever.

“It shouldn’t be lost on anyone that three of the biggest original hits over the past year have come from the biggest streamers: Netflix, Amazon and Apple,” says Paul Dergarabedian, head of marketplace trends for Comscore. “What the streamers are finding is that they can parlay their small-screen successes into the big screen, and vice versa.”

As much as franchises will soon take back the multiplex, a number of high-profile movies will try to continue the winning streak for original films, among them Steven Spielberg's “Disclosure Day,” Alejandro G. Iñárritu's “Digger,” J.J. Abrams' “The Great Beyond” and, if you count one of world's oldest stories, “The Odyssey,” by Nolan.

But even in the celebration for “Project Hail Mary,” the pull franchises exert on the movie business was implicit. Amazon MGM, in reporting the movie's performance, included a nod to its marquee IP, 007, in the figures: $80,506,007 in 4,007 theaters.

Michael B. Jordan, left, winner of the award for actor in a leading role for "Sinners," and Ryan Coogler, winner of the award for writing (original screenplay) for "Sinners," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Paul Thomas Anderson, winner of the awards for writing (adapted screenplay), directing, and best picture for "One Battle After Another," attends the Governors Ball after the Oscars on Sunday, March 15, 2026, in Los Angeles. (AP Photo/John Locher)

Phil Lord, left, and Chris Miller pose for a portrait to promote "Project Hail Mary" on Tuesday, March 17, 2026, in New York. (Photo by Andy Kropa/Invision/AP)

Ryan Gosling attends the premiere of "Project Hail Mary" at Lincoln Center Plaza on Wednesday, March 18, 2026, in New York. (Photo by Evan Agostini/Invision/AP)

SANTA ANA, Calif. (AP) — A crack in a damaged chemical tank in Southern California has eliminated the risk of a catastrophic explosion but it's still not safe enough for the remaining 16,000 residents living closest to the aerospace plant to go home, officials said Tuesday.

Crews were spraying water to keep cooling the tank that overheated last week, prompting the evacuation of 50,000 people in the Orange County city of Garden Grove. Most returned home after a crack formed over the Memorial Day holiday weekend, relieving pressure inside.

The evacuation zone remained the same on Tuesday morning, said Orange County Fire Capt. Brian Yau.

Crews worked overnight to ensure two other nearby tanks were neutralized and would not be affected by the compromised tank, he said, adding that material from one of these two tanks was transferred to another that has a neutralizing agent.

“They are moving material over to ensure that all threats have been eliminated,” Yau said.

Those threats include the risk of a very small explosion and potential spill, officials said.

Exposure to methyl methacrylate — a highly flammable chemical used to make plastics — can cause serious respiratory problems, neurological problems and irritation to the skin, eyes and throat, according to the federal Environmental Protection Agency. The tank at the GKN Aerospace Transparency Systems plant contains 6,000 to 7,000 gallons (22,700 to 26,500 liters) of the chemical.

The interior cooled to 93 degrees F (33.9 degrees C), the county's fire division chief Craig Covey said Monday, down from 100 degrees (37.7 degrees C) a day earlier. The company said its technical specialists and the county fire authority have removed insulation from the tank to help cool it.

Health officials sought to reassure people who are returning to homes near the plant.

“There was no contamination. There were no fumes,” Orange County Health Director Regina Chinsio-Kwong said at Monday's news conference. “There was not a leak. So it should be, you should feel comfortable going home even if you’re across the street from that new zone line.”

The South Coast Air Quality Management District will monitor the air for several months and the EPA will be checking sewer and storm drains for spills, Orange County Supervisor Janet Nguyen said.

Garden Grove Unified School District said last week it was shutting a dozen schools through what was supposed to be the last day of the school year on Wednesday but later said only three would remain closed Tuesday. It was unclear if they would reopen before the school year ends this week.

At a parking lot at a large park in Fountain Valley, just southwest of Garden Grove, people sought refuge in an ad hoc shelter there or pitched tents outside. Other people gathered in the park to enjoy Memorial Day.

Kim Yen, a retiree who was still evacuated from her home two blocks from the plant, welcomed news that the worst was not expected.

“I am happy and many of us are happy,” she said Monday.

She said she's ready to go back but wants to be sure it’s safe first. She's also been worrying about the emergency workers, who she called “our heroes.”

As the tank heated up, the chemical converted from liquid to gas, ramping up the pressure and explosion risk, said Andrew Whelton, a Purdue University engineering professor who has studied environmental contamination. Some of the methyl methacrylate may already have hardened into a stable plastic similar to plexiglass, reducing the danger, he said.

The tank could eventually cool enough for crews to safely stabilize and drain the remaining material without triggering a spark or ignition, Whelton said.

However, he said there is still a risk of an explosion while the chemical remains hot and reactive. Temperatures need to fall closer to 60 to 70 degrees Fahrenheit (15.6 to 21.1 degrees C) before conditions are considered significantly safer, he said.

GKN Aerospace Transparency Systems makes cockpit windows, canopies and windshields for military and commercial aircraft. It employs about 16,000 people across 32 manufacturing sites in 12 countries, according to the company website.

“We apologize for the ongoing disruption this incident is causing and our priority remains its safe resolution, so that residents can return to their homes as quickly as possible,” the company said.

GKN Aerospace agreed in 2025 to pay state regulators more than $900,000 to settle violations involving recordkeeping, permitting issues and nitrogen oxide emissions, according to a report on the South Coast Air Quality Management District website.

——

This story has been corrected to attribute a quote to TJ McGovern, interim fire chief of the Orange County Fire Authority, not to division chief Craig Covey.

Willingham reported from Boston. Contributing were Associated Press journalists Jamie Stengle in Dallas; Ethan Swope in Garden Grove, California; and Christopher Weber in Los Angeles.

Two evacuees sit in their pickup truck at a gas station within the evacuation zone in Stanton, Calif., Monday, May 25, 2026. (AP Photo/Jae C. Hong)

An aerial view shows a police checkpoint enforcing a road closure at the evacuation zone boundary in Anaheim, Calif., Monday, May 25, 2026. (AP Photo/Jae C. Hong)

Jan De Jonge and fiancé Sher Stuckman set up a tent with their belonging and pet outside the Elks Lodge in Garden Grove, Calif., on Monday, May 25, 2026. (AP Photo/Ethan Swope)

An evacuation map is displayed at the incident command post at the Los Alamitos Race Course in Cypress, Calif., on Sunday, May 24, 2026. (AP Photo/Ethan Swope)

Water is sprayed on a damaged tank at GKN Aerospace in Garden Grove, Calif., on Sunday, May 24, 2026, after the tank containing a chemical used to make plastic parts overheated Thursday. (AP Photo/Ethan Swope)

People walk outside Freedom Hall, an evacuation center in Fountain Valley, Calif., on Monday, May 25, 2026. (AP Photo/Ethan Swope)

An American Red Cross volunteer walks outside Freedom Hall, an evacuation center in Fountain Valley, Calif.,on Monday, May 25, 2026. (AP Photo/Ethan Swope)

People tend to their pets outside Freedom Hall, an evacuation center in Fountain Valley, Calif., on Monday, May 25, 2026. (AP Photo/Ethan Swope)