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HK Media’s Jiangsu Tour: Fading Memories - Survivors' Portraits Turn Black and White at Nanjing Massacre Hall

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HK Media’s Jiangsu Tour: Fading Memories - Survivors' Portraits Turn Black and White at Nanjing Massacre Hall
China

China

HK Media’s Jiangsu Tour: Fading Memories - Survivors' Portraits Turn Black and White at Nanjing Massacre Hall

2026-04-01 17:31 Last Updated At:17:31

The Hong Kong media delegation visited the Memorial Hall of the Victims of the Nanjing Massacre by Japanese Invaders in Nanjing on March 24. Guided by a staff member, the delegation toured the Square and the Exhibition Hall of Historical Facts, and interviewed Mr. Wang Min, Director of the Educational Services Department at the Memorial Hall.

The Hong Kong media delegation visited the Memorial Hall of the Victims of the Nanjing Massacre by Japanese Invaders in Nanjing. Photo by Bastille Post

The Hong Kong media delegation visited the Memorial Hall of the Victims of the Nanjing Massacre by Japanese Invaders in Nanjing. Photo by Bastille Post

The wreath sent by the Hong Kong media delegation, Photo by Bastille Post

The wreath sent by the Hong Kong media delegation, Photo by Bastille Post

Every year, on December 13, a national memorial ceremony is held in the Square of the Memorial Hall. The 12th ceremony took place in 2025. Last year, the Memorial Hall received approximately six million visitors, an increase of about 600,000 from the previous year.

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The Hong Kong media delegation visited the Memorial Hall of the Victims of the Nanjing Massacre by Japanese Invaders in Nanjing. Photo by Bastille Post

The Hong Kong media delegation visited the Memorial Hall of the Victims of the Nanjing Massacre by Japanese Invaders in Nanjing. Photo by Bastille Post

The wreath sent by the Hong Kong media delegation, Photo by Bastille Post

The wreath sent by the Hong Kong media delegation, Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

The Peace Bell, Photo by Bastille Post

The Peace Bell, Photo by Bastille Post

The survivors' portraits, Photo by Bastille Post

The survivors' portraits, Photo by Bastille Post

The names of the victims. Photo by Bastille Post

The names of the victims. Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

On either side of the hall are 18 niches containing 18 iron books, engraved with the names of nearly 11,000 confirmed victims. Photo by Bastille Post

On either side of the hall are 18 niches containing 18 iron books, engraved with the names of nearly 11,000 confirmed victims. Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Mr. Wang Min, Director of the Educational Services Department at the Memorial Hall, Photo by Bastille Post

Mr. Wang Min, Director of the Educational Services Department at the Memorial Hall, Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Stones and Iron Rings: Forging the Numbers in the Square

Upon entering the Square, the first thing catching the eye is a black disaster wall, inscribed with the number "300,000" in 11 languages, which represents the death toll during the six weeks of Japanese occupation of Nanjing—from December 13, 1937, to the end of January 1938—as determined by the two post-war international trials.

Photo by Bastille Post

Photo by Bastille Post

At the north side of the Square stands an installation titled "The 300,000 Who Fell": three black pillars, each topped with an iron ring. Five rings symbolize the five zeros in the number "300,000". In the center of the Square sits the Peace Bell, whose truss forms a V-shape when viewed from below. "It means that the 300,000 compatriots who perished support this bell, so that we may ring it as a constant warning for the future."

The Peace Bell, Photo by Bastille Post

The Peace Bell, Photo by Bastille Post

The ground of the Square is paved with cobblestones, designed by Professor He Jingtang, a highly influential Chinese architect and a Fellow of the Chinese Academy of Engineering. The original design intention was for visitors to walk on them, using the stepping sound to evoke reflection. Nevertheless, due to the openness of the Square, it ultimately became an exhibition space rather than a passageway.

One by One, Survivors' Portraits on the Wall Fade to Black and White

Inside the Memorial Hall stands a wall that renders visitors silent. On September 30, 2017, the Memorial Hall displayed color photographs of the survivors of the Nanjing Massacre on this wall, with the design symbolizing December 13.

The survivors' portraits, Photo by Bastille Post

The survivors' portraits, Photo by Bastille Post

"As time passed, many survivors passed away since 2017, making the photographs on the wall eventually fade to black and white," the docent explained. Each time a survivor passes away, the Memorial Hall holds a farewell ceremony to officially convert their color photograph to black and white.

The names of the victims. Photo by Bastille Post

The names of the victims. Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

On either side of the hall are 18 niches containing 18 iron books, engraved with the names of nearly 11,000 confirmed victims.

On either side of the hall are 18 niches containing 18 iron books, engraved with the names of nearly 11,000 confirmed victims. Photo by Bastille Post

On either side of the hall are 18 niches containing 18 iron books, engraved with the names of nearly 11,000 confirmed victims. Photo by Bastille Post

Soldier's Diary: Tracing the Roots of Atrocities

In the hall, the docent systematically explained the causes of the massacre, summarizing them into five key factors: 1. the Japanese army, facing supply shortages along the way, resorted to looting to sustain its advance; 2. overwhelmed by the sheer number of captives, since the troops received orders from superiors to "leave no captives alive"; 3. as Nanjing was the capital of the Nationalist Government, the atrocities were intended to break the residents' willingness to resist; 4. a culture of revenge within the army led soldiers to redirect their anger over injured comrades onto civilians in Nanjing; 5. a distorted, pathological mindset took hold among Japanese soldiers shaped by militaristic education.

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

One of the most striking exhibits comes from the diary of a Japanese soldier, Azuma Shiro. He described how Japanese soldiers stuffed a Chinese man into a sack, bound it tightly with wire, doused it in kerosene, hung a grenade from the wire, pulled the pin, and kicked the sack into a pond to detonate—all while others stood by laughing. "Without military discipline, you could do whatever you wanted," the docent added. "It shows the overall morale of the Japanese army at that time." Elsewhere in the hall, a series of photographs documents two Japanese soldiers engaged in a "killing contest", competing to see who could kill 100 people first. The incident was even reported in the Japanese media at the time.

John Rabe's Identities: Nazi Party Member and Protector of Refugees

In late 1937, foreigners, including German businessman John Rabe and Miner Searle Bates, the Acting President of the University of Nanking, established a safety zone in Nanjing to shelter refugees, following the model previously set up in Shanghai.

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

John Rabe, a Nazi Party member and the Siemens representative in Nanjing, was able to leverage his dual identity to negotiate with the Japanese army and provide protection for civilians. The safety zone covered the area where Nanjing University now stands, and Rabe's diary later became a vital historical record of the atrocities in the city.

The Second Seat at the Tokyo Trial: A Position That Influenced History

On September 2, 1945, Japan signed the instrument of surrender aboard the USS Missouri. General Xu Yongchang, representing the Nationalist Government, accepted the surrender in second place. The seemingly ceremonial arrangement laid the groundwork for the following Tokyo Trial—Chinese Judge Mei Ru'ao argued for China to occupy the second seat, based on China's second-place standing in the surrender ceremony. "Don't underestimate the importance of taking the second seat," the docent said. "It played a crucial role in determining the seating order for the Chinese judge at the Tokyo Trial." The Trial ultimately indicted 28 Japanese Class-A war criminals, with seven—including Matsui Iwane, Commander of the Central China Area Army—sentenced to death.

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Wang Min: Sino-Japanese Tensions Won't Alter Historical Presentation

Following the visit, Hong Kong reporters interviewed Mr. Wang Min, Director of the Educational Services Department at the Memorial Hall. He shared that the Memorial Hall received approximately six million visitors last year, including more than 14,200 Hong Kong residents who visited through reservations, as well as over 50 groups of Hong Kong students and young people, totaling over 2,000 individuals. So far this year, only three groups from Hong Kong—about over 100 people—have visited, with peak visitation expected during the Qingming Festival and summer holidays.

Mr. Wang Min, Director of the Educational Services Department at the Memorial Hall, Photo by Bastille Post

Mr. Wang Min, Director of the Educational Services Department at the Memorial Hall, Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Addressing recent tensions in Sino-Japanese relations, Mr. Wang stated: "No matter how Sino-Japanese relations change, the Memorial Hall's presentation of the history will remain steadfast." He noted that statements from the Japanese government have not dampened the willingness of visitors to come. On the contrary, many research-oriented schools and institutions have become even more eager to visit and explore the historical truth.

Photo by Bastille Post

Photo by Bastille Post

Mr. Wang also revealed that in commemoration of the 80th Anniversary of the Victory of the Chinese People's War of Resistance Against Japanese Aggression, the Memorial Hall co-organized a special exhibition in Hong Kong with the HKSAR Government last year. Looking ahead, the Memorial Hall plans to continue holding exhibitions in Hong Kong at appropriate commemorative moments in a proper manner. "In the future, we will select specific occasions and bring exhibitions to Hong Kong in suitable formats," he said. The International Poster Biennale, now in its fifth edition, is one of the options being considered for a special exhibition in Hong Kong.

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

Photo by Bastille Post

The Hong Kong media delegation visited the AI Media Convergence Application Center of Jiangsu Broadcasting Corporation on March 24. According to the on-site technical staff, the broadcaster has fully embedded AI technologies across the entire news workflow—from reporting, production, and review to distribution—and has independently developed more than 80 AI-powered application tools, supporting functions including automated editing, audio dubbing, and vintage video restoration, etc.

The AI Media Convergence Application Center of Jiangsu Broadcasting Corporation, Photo by Bastille Post

The AI Media Convergence Application Center of Jiangsu Broadcasting Corporation, Photo by Bastille Post

Footage Uploaded, AI Delivers Preliminary Cuts

The technical staff at the center introduced that Jiangsu Broadcasting Corporation has established an AI-driven intelligent news production system. After reporters simply upload their footage of field interviews, the system can automatically analyze the shooting angles like wide shots, medium shots, etc. Based on the broadcaster’s previous filming and editing practices, preliminary short videos can be produced. “The large-scale model can independently analyze footage without any human involvement. We only need to verify its accuracy.” The technician added. The system’s preliminary output can be exported as a project file for further editing, greatly reducing the time required to turn professional footage into publishable new media content.

The technical staff at the center introduced that Jiangsu Broadcasting Corporation has established an AI-driven intelligent news production system. Photo by Bastille Post

The technical staff at the center introduced that Jiangsu Broadcasting Corporation has established an AI-driven intelligent news production system. Photo by Bastille Post

Text In, Voice Out: AI Voice Pre-Training

The center also showcased its voice cloning technology. According to technical staff, the voices of all the hosts have undergone pre-training, allowing the system to read aloud in any host's voice from text input alone. The technology is already being used in some broadcasting programs. On-site, a demo of host Meng Fei's AI voice was played — its clarity and intonation were nearly indistinguishable from the real person.

On-site, a demo of host Meng Fei's AI voice was played — its clarity and intonation were nearly indistinguishable from the real person. Photo by Bastille Post

On-site, a demo of host Meng Fei's AI voice was played — its clarity and intonation were nearly indistinguishable from the real person. Photo by Bastille Post

400,000-Hour Footage Library Trains AI for Smart News Production

Jiangsu Broadcasting Corporation has trained a large-scale model on over 400,000 hours of historical video footage, enabling the system to automatically segment news clips and generate summaries and headlines, significantly improving news production efficiency. The technician explained that the training material reflects years of hands-on experience from reporters manually segmenting clips, allowing the large-scale model to learn Jiangsu Broadcasting's unique shooting habits and editing logic — rather than relying on generic AI tools.

During the 2025 Jiangsu Football City League, the broadcaster also used AI technology to track the ball's trajectory and automatically identify key moments such as goals and yellow cards, etc. The technician noted, "Previously, it was a very labor-intensive and time-consuming editing process. Now, AI can analyze the ball's trajectory throughout the entire match and process it in a minute or two, then publish it on new media platforms."

Jiangsu Broadcasting Corporation has trained a large-scale model on over 400,000 hours of historical video footage, enabling the system to automatically segment news clips and generate summaries and headlines, significantly improving news production efficiency. Photo by Bastille Post

Jiangsu Broadcasting Corporation has trained a large-scale model on over 400,000 hours of historical video footage, enabling the system to automatically segment news clips and generate summaries and headlines, significantly improving news production efficiency. Photo by Bastille Post

The center also showcased an experimental short video generated using an AI workflow. Photo by Bastille Post

The center also showcased an experimental short video generated using an AI workflow. Photo by Bastille Post

AI Enables Cross-Civilization Dialogue: Socrates Meets Confucius

The center also showcased an experimental short video generated using an AI workflow. Based on input instructions, the system brought two digital figures — "Socrates" and "Confucius" — together on screen for a conversation on philosophy and life. The technician explained that the video "was not manually edited; it was purely AI-generated." Currently, it serves as an exploratory experiment and represents one of the creative extensions for documentaries exploring the theme of dialogue between Chinese and Western civilizations.

The Hong Kong media delegation, Photo by Bastille Post

The Hong Kong media delegation, Photo by Bastille Post

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