Hezbollah adopts a new weapon: Fiber-optic drones, used widely in the war in Ukraine

TEL AVIV, Israel (AP) — Hezbollah has launched a new weapon against northern Israel in the latest round of fighting: small drones controlled with fiber-optic cables the width of dental floss that avoid electronic detection.

These drones — used widely in the war in Ukraine — are small, hard to track and potentially lethal.

Many drones are susceptible to electronic jamming by air defenses. Jamming can cause a drone to crash or return to its point of origin.

But fiber-optic drones are not controlled remotely. They have a thin cable that connects an operator directly to the drone, making it impossible to electronically jam.

The drones are not infallible because the wind — or other drones — can cause the cables to tangle.

But, “if you know what you’re doing, it’s absolutely deadly,” said Robert Tollast, a drone expert and researcher at the Royal United Services Institute in London, explaining how the drone can fly low and creep up on a target.

Experts say militaries must either intercept the drones, which is difficult due to their small size and short flight path, or find a way to snip the nearly invisible cable.

Hezbollah — the Iran-backed militant group in Lebanon — has mostly been using the fiber optic drones on Israeli soldiers operating in southern Lebanon or towns on the border.

Here’s a closer look at these weapons.

An Israeli military official told AP the fiber optic drones are a relatively new threat during the latest round of fighting with Hezbollah. Hezbollah seems to have turned to them because Israeli air defenses have been successful against larger and more powerful rockets, missiles and other drones, said the official, who spoke on the condition of anonymity in line with military guidelines.

Israel believes the drones are made locally and are easy to produce – requiring little more than an off-the-shelf drone, a small amount of explosives, and transparent wire that is readily available on the consumer market, he said.

He called the drones the biggest threat to troops inside Lebanon but said the Israeli military is working on technological solutions. In the meantime, Israel is taking measures on the ground to defend troops, such as adding nets and cages to military vehicles.

The fiber-optic drones are the latest part of a cat-and-mouse race as Israel’s high-tech defenses race to intercept new threats, especially ones that are less sophisticated.

Ran Kochav, a former head of the Israeli military’s air defense command, said Israel is failing in its attempts to defend against the fiber-optic drones.

“They fly very low and very fast, and they are very small, it’s very difficult to detect them, and even after they’re detected, they are really hard to track,” he said.

Kochav said Israel spent years focusing on strengthening its air defense systems to improve protection against rockets and missiles. But drones were not seen as a top priority.

He said Israel should have been following the advances in fiber-optic drones in the war in Ukraine and assumed that like Russia, other Iranian allies would eventually use them.

Throughout the war in Ukraine, Moscow and Kyiv have been engaged in a race to develop new technology.

Russia pummels Ukraine almost nightly with Shahed long-range attack drones — originally from Iran. Although Moscow has made many improvements to the drones, some can still be taken down by electronic jamming.

Fiber-optic drones were developed to get around that problem — although they do not have the same range as a drone that uses a radio link or artificial intelligence to navigate.

In some cases, fiber-optic drones have been recorded with cables extending as far as 31 miles (50 kilometers) said Tollast, the expert in London.

Russia and Ukraine are using many different types of drones “at a phenomenal scale,” he said.

The fiber-optic drones are in such wide use that footage shows front-line Ukrainian towns coated with shiny, fishing line-like strings, resembling massive spiderwebs shimmering in the sunlight.

Israel has sufficient firepower to intercept drones, but the key is early detection, Kochav said.

He explained that Israel already has suitable technology that tracks changes in light, identifies signals and communications, and can recognize the sound of drone propellers.

But he said these monitoring systems haven’t been widely deployed along the northern border.

Over the past weeks, Hezbollah has aired videos through social media platforms and its Al-Manar TV station of attacks with these new drones, especially against Israeli troops in southern Lebanon.

These attacks have captured public attention. One attack killed one Israeli soldier and wounded six others, some of them seriously, last weekend. Another attack, on Tuesday, killed an Israeli civilian contractor in southern Lebanon.

In the attack that killed the soldier, Hezbollah issued a video taken by the drone until it exploded in the middle of troops gathering near a vehicle. Another drone was fired at the same location as a military helicopter landed to evacuate the wounded but narrowly missed.

Hezbollah announced that it began using fiber-optic guided drones for the first time during the round of fighting that began March 2, after using other types of drones for years.

Israel also has a fleet of drones that carry out surveillance and attacks, though not necessarily with the fiber optics cables, to target Hezbollah militants.

Zevik Glidai, a 78-year-old math teacher and volunteer ambulance driver, discovered coils of the translucent fiber-optic cables surrounding a drone that crashed into his backyard in the northern Israeli city of Kiryat Shmona on April 13.

His house is 2 kilometers (1.5 miles) from the Lebanon border. He was sitting at home when he heard a high-pitched shriek and a small crash. His neighbor yelled that the yard was on fire.

The two of them put out the fire with a garden hose but noticed something new: The destroyed drone was surrounded by loops and curls of a white thread.

“We are very worried about these drones because there's no way to shoot it down, because we can’t detect it,” Glidai said.

He said there was no warning siren before the drone crashed into his house, and the bomb squad that responded called it a miracle that nearly 2 kilograms (4.4 pounds) of explosives failed to detonate.

“They told me, ‘You have a lot of luck,’” said Glidai, who noted that he's lived through several iterations of Hezbollah weapons in his 48 years in Kiryat Shmona. “They picked up all of the pieces that they could pick up, and they left me a few optical fibers as a keepsake.”

Mroue reported from Beirut; Burrows from London.

FILE - A Ukrainian made FPV fibre optic drone flies at a military market place at an undisclosed location in the Kyiv region, Ukraine, Jan. 29, 2025. (AP Photo/Efrem Lukatsky, File)

David Allan Coe, the country singer-songwriter who wrote the working class anthem “Take This Job and Shove It″ and had hits with “You Never Even Called Me By My Name” and “The Ride” among others, has died. He was 86.

Coe's wife, Kimberly Hastings Coe, confirmed his death to Rolling Stone on Wednesday.

She described him as one of the best singers and songwriters of our time.

“My husband, my friend, my confidant and my life for many years. I’ll never forget him and I don’t want anyone else to ever forget him either," she wrote to the publication.

A statement from a Coe representative to People said he died around 5 p.m. Wednesday. The cause of death wasn't disclosed.

Whether he was labeled outlaw or underground, Coe was clearly an outsider in Nashville's music establishment, even throughout his successes as an in-demand songwriter and singer, eventually developing a core following around his raw, often obscene lyrics and a checkered and somewhat mysterious past.

His wife posted on Facebook in September 2021 that he had been hospitalized with COVID-19 and he made few appearances since then.

He did concert tours with Willie Nelson, Kid Rock, Neil Young and others. He wrote “Take This Job and Shove It,” a hit by Johnny Paycheck in 1977, and “Would You Lay With Me (in a Field of Stone),” a hit by Tanya Tucker in 1974. He was also the first country singer to record “Tennessee Whiskey,” penned by Dean Dillon and Linda Hargrove, that has since become a genre standard and hits for George Jones and Chris Stapleton.

His own country hit recordings included “You Never Even Call Me by My Name,” written by Steve Goodman and an uncredited John Prine; “The Ride,” and “Mona Lisa Lost Her Smile.” Coe also appeared in a handful of movies, including “Stagecoach” and “Take this Job and Shove It,” which was named after his song.

Coe, born in Akron, Ohio, spent time in reformatories as a youngster, and served time in an Ohio prison from 1963 to 1967 for possession of burglary tools. He also has said he spent time with the Outlaws motorcycle club, but some of the tales about his prison time and his personal life have been wildly exaggerated over the years.

“I’d have never made it through prison without my music,” he said in an AP interview in 1983. “No one could take it (music) away from me. They could put me in the hole with nothing to do but I could still make up a song in my head.”

He recorded his first album, a blues album called “Penitentiary Blues,” using songs that he wrote in prison. He later told reporters that he tried not to lean too heavily on prison as a topic for songs because of the similarities to the backstory of Merle Haggard, but that his criminal history was all people seemed interested in focusing on.

Coe recorded next for Columbia Records and did the album “The Mysterious Rhinestone Cowboy,” which became his nickname after performing in a rhinestone suit and wearing a mask.

During the heyday of the outlaw movement, Coe placed himself at the center of the scene, with songs like “Longhaired Redneck,” which featured lyrics about performing in dive bars, “Where bikers stare at cowboys who are laughing at the hippies who are praying they’ll get out of here alive.”

He was featured in the acclaimed documentary about the outlaw country movement called “Heartworn Highways,” in which he performs a concert at a Tennessee prison.

Coe, himself heavily tattooed and sporting long hair, claimed a diverse fan base that included bikers, doctors, lawyers and bankers. His last record, released in 2006, was a collaboration with Dimebag Darrell and other former members of the heavy metal group Pantera.

He released two R-rated albums, 1978′s “Nothing Sacred” and 1982′s “Underground Album,” that he sold via biker magazines. The songs on these albums have been criticized for being racist, homophobic and sexually explicit. He told “Billboard” magazine in 2001 that author and songwriter Shel Silverstein convinced him to record the songs he had written, something he had come to regret.

“Those were meant to be sung around the campfire for bikers, and I still don’t sing those songs in concert,” he said.

In 2016, Coe was ordered to pay the IRS more than $980,000 in restitution for obstructing the tax agency and was sentenced to three years’ probation. Court documents say Coe earned income from at least 100 concerts yearly from 2008 through 2013 and either didn’t file individual income tax returns or pay taxes when he did file.

FILE - David Allan Coe is pictured during an interview in Nashville, Tenn., May 9, 1983. (AP Photo/Mark Humphrey, File)

FILE - David Allan Coe, sporting Willie Nelson braids, performs at the Willie Nelson July 4th Picnic, on July 4, 1983 at Atlanta International Raceway in Hampton, Ga. (AP Photo/Rudolph Faircloth, File)