VENICE, Italy (AP) — The Venice Biennale previewed its 61st and most chaotic edition ever on Tuesday, just days after the unprecedented resignation of its jury over the participation of Israel and Russia undermined the very structure of the world’s oldest contemporary art exhibition.
Tensions were evident as Ukrainian artists stood by a truck that had brought a statue of an origami deer from the war-ravaged eastern front to the Biennale's storied Giardini, or gardens. Just meters (yards) away, a handful of participants in the Russian Pavilion danced to house music played by an Argentine DJ.
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From left, Venice Biennale Art curators, Siddhartha Mitter, Rasha Salti Gabe Beckhurst Feijoo, Rory Tsapayi, and Marie Helene Pereira pose in front of the main entrance at the Venice 2026 Biennale Art, in Venice, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
A group of Palestinians gather in front of the main entrance wearing the names of artists who have been killed in Gaza, at the Venice 2026 Biennale Art, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
Visitors look at the sculptures inside the main pavilion at the Venice 2026 Biennale Art, in Venice, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
Artist Belu-Simion Fainaru poses inside the Israel pavilion at the Venice 2026 Biennale Art, in Venice, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
From left, Venice Biennale Art curators, Siddhartha Mitter, Rasha Salti Gabe Beckhurst Feijoo, Rory Tsapayi, and Marie Helene Pereira pose in front of the main entrance at the Venice 2026 Biennale Art, in Venice, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
Musician Alexey Khovalyg performs inside the Russia pavilion at the Venice 2026 Biennale Art, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
At the same time, a group of Palestinians marched through the Giardini wearing the names of artists who have been killed in Gaza. More protests were expected as the preview week continued.
The developments have put pressure on the Biennale’s structure — with 100 national pavilions showing alongside a curated exhibition featuring 110 artists and artist groups — and raised old questions: Is the representation of nations outmoded in a globalized system where artists often operate internationally, and does it give states an undue platform for propaganda?
Marie Helene Pereira, one of the five curators of the main exhibition “In Minor Keys,” said she believes the turmoil surrounding the Biennale shows that "the existence of the nation state within the space of the exhibition’’ is now contested.
“We can see how much that can bring tension, especially in the midst of the political chaos we find our selves,” Pereira said.
Pereira, one of five curators who have taken up the mantle of Koyo Kouoh who died a year ago as she was preparing the exhibition, said that it was “important to be able to rethink structure, rethink institutions, in a way that allows for them to cater more to artists and artmaking.”
That didn’t mean that art should be devoid of politics, she added.
Ahead of its resignation, the jury had said it would not award prizes to countries whose leaders were under investigation by the International Court of Justice, which singled out Russia and Israel.
Some participants welcomed the resignation. Israeli artist Belu-Simion Fainaru said he thought it was “a fair one.”
“I should be treated as an equal artist, and I should not be discriminated because of my race, that I am a Jew, and not because of my nationality or passport. I have to be seen as I am. I am an artist that wants to show my art, and I have the right to be evaluated,” he said standing in front of his installation rooted in the Kabbalah.
The Biennale, he said, should be “a place where you can feel safe to create and do whatever you believe in.”
Ukrainian artist Zhanna Kadryova created “The Origami Deer” to take the place of a nuclear-capable Soviet fighter jet that had long stood in a park in Pokrovsk, in the Donbas region of Ukraine.
Curators of the Ukrainian Pavilion — its third since Russia's 2022 full-scale invasion — evacuated the statue from the park in 2024, with the front line just 5 kilometers (3 miles) away.
Co-curator Ksenia Malykh fiercely opposed the Biennale’s decision to allow Russia to open its pavilion, calling it “a false attempt to stay neutral.”
“You can’t stay neutral in these times. You can’t be neutral when people are dying every day because of Russians,’’ Malykh said.
“Nobody is talking about their art,” she added. “They are only talking about the statement that they are here, and I am absolutely sure this was their goal.”
The Russian Pavilion will only be open to visitors during previews that run through Friday and will not be open to the public after the Biennale opens for its 6 ½-month run on Saturday. The pavilion has organized a series of performers for this week, and had an open bar upstairs near a flowering tree.
Curators were not available for interviews.
Russia’s opening cost the Venice Biennale 2 million euros ($2.3 million) in EU funding over three years. The Biennale has defended the decision, saying that any country with relations with Italy was free to open a pavilion, a position that has put it at odds with the government in Rome.
Still, the official catalog had a place-saving entry where the Russian text should have been, noting that Russia’s participation was “under review” at the time of publication.
Without a jury of peers, there will be no Golden Lion for best national pavilion or best participant in the main curated exhibition — a highly prestigious prize has led some to liken the Biennale to the Olympics of art.
Instead, visitors to both the Giardini and Arsenale sites will choose two winners, for best national participant and best main show participant, to be awarded Nov. 22, the closing day of the Biennale.
The Ukrainian artist Malykh said that lack of professionally awarded prizes damaged the Biennale.
“It’s an important moment. If the prize is given by the public... It’s not a professional institution after that,” Malykh said.
A group of Palestinians gather in front of the main entrance wearing the names of artists who have been killed in Gaza, at the Venice 2026 Biennale Art, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
Visitors look at the sculptures inside the main pavilion at the Venice 2026 Biennale Art, in Venice, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
Artist Belu-Simion Fainaru poses inside the Israel pavilion at the Venice 2026 Biennale Art, in Venice, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
From left, Venice Biennale Art curators, Siddhartha Mitter, Rasha Salti Gabe Beckhurst Feijoo, Rory Tsapayi, and Marie Helene Pereira pose in front of the main entrance at the Venice 2026 Biennale Art, in Venice, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
Musician Alexey Khovalyg performs inside the Russia pavilion at the Venice 2026 Biennale Art, Italy, Tuesday, May 5, 2026. (AP Photo/Luca Bruno)
BOSTON (AP) — A woman who worked as a live-in personal chef for former New England Patriots receiver Stefon Diggs declined to answer questions Tuesday about financial demands made on her behalf, as defense attorneys pressed her over claims she was owed money and inconsistencies in what she said she was paid.
Both sides finished calling and cross-examining witnesses just about a day after the assault trial began, as Jamila “Mila” Adams became emotional on the stand describing an alleged encounter with Diggs on Dec. 2 in which she said he entered her room following an argument over text.
Adams, who said she lived in the NFL star’s home and prepared all of his meals, testified that Diggs “smacked me with an open hand” before wrapping his arm around her neck and choking her, leaving her struggling to breathe. She described what she called a “complicated” relationship, saying it had previously been sexual but was not at the time of the alleged assault.
A Dedham police officer who took her initial report testified that Adams was visibly upset when she arrived at the station, telling jurors she “sat down on the bench and she was crying.”
Diggs has pleaded not guilty to a felony strangulation charge and a misdemeanor assault and battery charge stemming from a December incident at his home. Closing arguments are expected to begin later Tuesday.
Adams said she met Diggs in 2022 on Instagram and that the two became friends — at times “friends with benefits,” as one of his attorneys described it — before she was later hired to live in his home and prepare his meals during the football season.
The case has turned in part on whether the dispute between them was primarily about money or an alleged assault. Defense attorneys have argued Adams was motivated by a financial dispute, pointing to demands for payment and a planned trip to Miami, while Adams has maintained she was reporting an assault.
Defense attorneys pressed Adams about money she said she was owed after working as a live-in chef. She testified she was paid about $2,000 a week and believed she had not been fully compensated after being sent home. They pointed to a $19,000 demand and said the amount increased over time, with her attorney later seeking $5.5 million.
When asked about the $5.5 million claim, Adams said, “I can’t speak on that,” and at other points told jurors, “I don’t understand the question” and “I don’t know how to answer the question.”
At one point, Adams said Diggs had offered her $100,000 to recant her statement to the police, but that remark was struck from the record after the judge called the attorneys to a sidebar.
At times during her second day on the stand, Adams was instructed by the judge to answer questions directly and not include additional details beyond what was asked. Portions of her responses were struck from the record as nonresponsive, with jurors told to disregard them.
“This is not an opportunity for you to interject your own narrative and evade answering questions,” Judge Jeanmarie Carroll told her at one point, warning that continued nonresponsive answers could result in her testimony being stricken.
Kenneth Ellis, the Dedham police officer who took Adams’ initial report, testified that she arrived at the station visibly upset, telling jurors she “sat down on the bench and she was crying.” He said Adams initially asked to speak with a female officer before later agreeing to give a statement and identifying Diggs as the person involved.
Under cross-examination, Ellis said he did not observe visible injuries, collect photographs or speak with other witnesses, and that his investigation relied largely on Adams’ account and text messages she provided.
Defense attorneys also sought to challenge Adams’ account through testimony from people in Diggs’ orbit and evidence they said reflected her demeanor in the days after the alleged incident.
His chief of staff, massage therapist, a nurse who provided IV treatments and his hairstylist all testified that they saw her around the time of the attack and that she said nothing about being assaulted.
His hairstylist, Xia Charles, testified that she spent time with Adams in New York in the days after the alleged incident and did not notice any injuries. She said Adams appeared normal and that she did not see marks on her neck or elsewhere.
Defense attorneys also showed jurors cellphone videos of Adams socializing, including clips of her in a car listening to music and dancing, which they suggested showed her demeanor in the days following the incident.
Jeanelle Sales, Diggs’ chief of staff, who also goes by “Sunni,” testified she saw Adams at the home on the day she alleged she was assaulted and did not see visible marks, redness or swelling on her neck or face. She said Adams appeared to be in normal spirits.
“She was walking around looking for a piece of paper and a pen to write a card — I guess, write a note to him for his birthday gift,” Sales said.
Prosecutors pushed back on that testimony, suggesting the witnesses’ livelihoods were tied to Diggs and that they had a financial interest in the outcome of the case.
Former New England Patriots wide receiver Stefon Diggs listens to his defense attorney cross examine witness Jamila Adams during his trial at Norfolk County District Court, Tuesday, May 5, 2026, in Dedham, Mass. (AP Photo/Charles Krupa, Pool)
Former New England Patriots wide receiver Stefon Diggs appears in court during his trial at Norfolk County District Court, Tuesday, May 5, 2026, in Dedham, Mass. (AP Photo/Charles Krupa, Pool)
Witness Jamila Adams testifies during the trial of former New England Patriots wide receiver Stefon Diggs at Norfolk County District Court, Tuesday, May 5, 2026, in Dedham, Mass. (AP Photo/Charles Krupa, Pool)
Witness Jamila Adams, right, walks past former New England Patriots wide receiver Stefon Diggs during Diggs' trial at Norfolk County District Court, Tuesday, May 5, 2026, in Dedham, Mass. (AP Photo/Charles Krupa, Pool)
Former New England Patriots wide receiver Stefon Diggs listens to his defense attorney cross examine witness Jamila Adams during his trial at Norfolk County District Court, Tuesday, May 5, 2026, in Dedham, Mass. (AP Photo/Charles Krupa, Pool)
Witness Jamila Adams testifies during the trial of former New England Patriots wide receiver Stefon Diggs at Norfolk County District Court, Tuesday, May 5, 2026, in Dedham, Mass. (AP Photo/Charles Krupa, Pool)
Judge Jeanmarie Carroll questions potential jurors as the assault trial of Stefon Diggs begins in Dedham, Mass., Monday May 4, 2026. (Pat Greenhouse/The Boston Globe via AP, Pool)
Former New England Patriots wide receiver Stefon Diggs leaves Norfolk County District Court, Monday, May 4, 2026, in Dedham, Mass. (AP Photo/Charles Krupa)
Stefon Diggs' former personal chef, Jamila Adams, is questioned by Assistant District Attorney Drew Virtue in Dedham District Court in Dedham, Mass., Monday May 4, 2026. (Pat Greenhouse/The Boston Globe via AP, Pool)
Stefon Diggs' former personal chef Jamila Adams is sworn in before giving testimony in Dedham District Court in Dedham, Mass., Monday May 4, 2026. (Pat Greenhouse/The Boston Globe via AP, Pool)
Former New England Patriots wide receiver Stefon Diggs returns to Norfolk County District Court, Monday, May 4, 2026, in Dedham, Mass. (AP Photo/Charles Krupa)