French artist JR begins his giant ‘cave’ art inflation over Paris’ oldest bridge

PARIS (AP) — The oldest bridge in Paris has begun to vanish this week, as the artist JR — who is known as the “French Banksy” — began inflating a giant “cave” over the Pont Neuf.

The monumental, rocky illusion is swallowing the 17th-century landmark, which has carried Parisians across the Seine for more than 400 years. By Thursday, it looked as if a prehistoric cliff had risen in the heart of the city.

The inflation process, which was carried out overnight — after being delayed by bad weather — is the most dramatic stage yet of a project more than a year in the making.

One of the most ambitious public artworks Paris has seen in decades, which has been funded by the sale of JR’s work and a handful of corporate partners, does not open to the public until June 6.

“We’re about to leave something pretty incredible in the middle of Paris,” JR told The Associated Press earlier this year at his studio in the city’s east, wearing his trademark hat and shades.

The transformation of the bridge has been documented by the AP since March with time-lapse cameras, including one fixed on a rooftop terrace high above the river, watching the bridge slowly disappear day by day.

From the outside, the installation looks like a rocky mass that “literally” breaks the landscape, said JR, who is famous for pasting enormous photographs on buildings, walls and rooftops around the world. This time he wanted Parisians to do something unusual on their busiest bridge: stop.

Visitors will be able to walk for free through a long, dark tunnel that lets in no daylight and where, according to JR, people “will lose track of time.”

The numbers are startling. The structure is 120 meters (393 feet) long and 18 meters (59 feet) tall — which is as high as a six-story building.

Yet it is built almost entirely from air — 80 fabric arches filled with 20,000 cubic meters of it — and weighs only about five tons. The fabric was hand stitched by 25 artisans in a village in Brittany.

Nothing digs into the historic stone.

Cut the air and the cliff would sink like a held breath — a collapse JR’s engineers spent weeks rehearsing in a hangar at Orly airport to be sure that if the power ever failed, the rock would come down gently.

The artwork, called La Caverne du Pont Neuf, is a tribute to a Parisian artistic legend.

In 1985, artist Christo and his wife, Jeanne-Claude, wrapped the same bridge in pale golden fabric — 13 kilometers of rope, a decade of arguing with city hall, three million visitors in two weeks. The act helped invent the idea of monumental art in modern cities.

A square beside the bridge now carries their names.

“It’s pretty hard to go after them,” JR said.

His idea, he said, is to bring “mineral and nature” back to the heart of the city. He is not covering the bridge but undressing it — sending the dressed stone back to the limestone quarries from which Paris itself was cut.

The cave is also a warning. JR built it as a nod to Plato’s allegory, in which prisoners mistake shadows on a wall for the real world.

“What are our caves today? Our phones,” he said. “Because we believe that our algorithm on social media is the reality.”

Then he walks straight into the contradiction: to enter his cave about screens, visitors raise their phones.

The tech company Snap has built an augmented-reality layer that shows what the eye cannot.

The sound is a low, mineral hum from Thomas Bangalter, formerly of Daft Punk — who was 10 the year Christo wrapped the bridge.

The cave will be open around the clock from June 6-28, closing the bridge to traffic and visible from the quays, from passing boats, even from the top of the Eiffel Tower.

It will coincide with Paris Fashion Week, World Music Day and the all-night Nuit Blanche arts festival.

When it comes down, the fabric will be reused or recycled. Air, JR likes to say, leaves no scar.

Then, like the golden wrapping 40 years before, the cave will be gone — and the Pont Neuf, older than the republic and older than the revolution, will reappear exactly as it was.

Inflation of the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, with the Eiffel Tower behind it, Thursday, May 21, 2026, in Paris, before its free opening to the public from June 6 to 28. (AP Photo/Thomas Padilla)

Inflation of the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, Thursday, May 21, 2026, in Paris, before its free opening to the public from June 6 to 28. (AP Photo/Thomas Padilla)

Inflation of the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, with the Eiffel Tower behind it, Wednesday, May 20, 2026, in Paris, before its free opening to the public from June 6 to 28. (AP Photo/Thomas Padilla)

Inflation of the artwork "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge, with the Eiffel Tower behind it, Wednesday, May 20, 2026, in Paris, before its free opening to the public from June 6 to 28. (AP Photo/Thomas Padilla)

A worker monitors the inflation of "The Pont Neuf Cave" by French street artist JR on the Pont Neuf bridge in Paris on Wednesday, May 20, 2026, before its free public opening from June 6 to 28. (AP Photo/Thomas Padilla)

DENVER (AP) — So much has changed for Carter Hart since his last Stanley Cup playoffs run. The one constant is his stellar play in net.

In 2020, he was a 21-year-old starting goaltender for the Philadelphia Flyers, going 9-6 in their run to the second round in the Eastern Conference during the Toronto bubble, posting a .926 save percentage and two shutouts.

After serving time in hockey exile while mired in the Hockey Canada sexual assault scandal — for which he was acquitted — Hart joined the Vegas Golden Knights last December. He's sparked them in these playoffs, going 9-4 and helping the Golden Knights steal home ice with a 4-2 win at top-seeded Colorado in the opener of their Western Conference Final on Wednesday night.

“We know they’re a good team," said Hart, who has a .920 save percentage in these playoffs while allowing just 2.35 goals per game. “We know they got a lot of skill on their team and we respect that, but you can’t respect them too much. And I thought we did a good job of defending and limiting their time in space and I thought we blocked a lot of shots tonight and got in a lot of lanes and tied up some sticks.”

Hart was stellar in stopping the pucks that reached him, turning away 36 of 38 shots. The only ones he allowed to get through were a between-the-legs aberration by Valeri Nichushkin and a late goal from Gabe Landeskog when the Avs had pulled goaltender Scott Wedgewood on a power play for a two-man advantage.

“Carter Hart’s a hell of a goalie,” said Golden Knights coach John Tortorella, who took over in Vegas on March 29 and who also coached Hart in Philadelphia. "He was great in Philly for me, and we’ve got two good ones, you know. (Adin Hill)'s kind of been put off to the side a little bit, that’s a guy that just won a Stanley Cup a couple years ago.

"But Carter, I think he’s grown so strong mentally. I don’t think much bothers him. He is just zeroed in. And he’s going to have to be, because we’ve got a lot of work to do here.”

The respect is mutual.

“Yeah, I think he’s done a great job coming in here,” Hart said. “It’s never easy coming in late in the season like he did and I think he’s done a tremendous job of just rallying the group and earning the guys’ trust and I really enjoy playing for him. I enjoyed playing for him in Philly and I’m happy he’s here.”

Beginning in early 2024, Hart was placed on an indefinite leave of absence from hockey after he was charged in connection with an alleged sexual assault involving members of Canada’s 2018 world junior team as part of the Hockey Canada sexual assault scandal; he was acquitted of all charges last year and resumed his career with Vegas.

The league reviewed the case and agreed to allow the acquitted defendants to play starting Dec. 1, 2025. Hart was the first of those five Canada junior players to agree to an NHL deal, signing a two-year, $4 million contract before working with Vegas’ American Hockey League affiliate in Henderson, Nevada.

After he agreed to sign, Hart read a statement to reporters that, in part, said he wanted “to show the community my true character and who I am and what I’m about.”

He's also showing how much help he can be for Vegas' hopes of winning another Stanley Cup. He made 10 stops in the scoreless first period as the Golden Knights served notice that they weren't going to be like the Los Angeles Kings or Minnesota Wild, who went a combined 1-8 against Colorado in prior rounds.

“It’s huge,” Hart said. “To come out like we did, I thought we came out really good in the first period and I know this is a hard building to play in and it was huge for us just to get rolling and just start off the right way and then build off that.”

AP NHL: https://apnews.com/hub/stanley-cup and https://apnews.com/hub/nhl

Vegas Golden Knights defenseman Brayden McNabb, back, struggles to control the puck as goaltender Carter Hart, front, runs into Colorado Avalanche left wing Gabriel Landeskog during the first period in Game 1 of the Western Conference finals NHL hockey Stanley Cup playoff series Wednesday, May 20, 2026, in Denver. (AP Photo/David Zalubowski)

Colorado Avalanche left wing Gabriel Landeskog, right, tries to redirect the puck as Vegas Golden Knights goaltender Carter Hart defends during the first period in Game 1 of the Western Conference finals NHL hockey Stanley Cup playoff series Wednesday, May 20, 2026, in Denver. (AP Photo/David Zalubowski)

Vegas Golden Knights goaltender Carter Hart deflects a shot during the third period in Game 6 of a second-round NHL hockey Stanley Cup playoff series against the Anaheim Ducks, Thursday, May 14, 2026, in Anaheim, Calif. (AP Photo/Mark J. Terrill)

Vegas Golden Knights goaltender Carter Hart, right, stops a shot off the stick of Colorado Avalanche left wing Gabriel Landeskog during the third period in Game 1 of the Western Conference finals NHL hockey Stanley Cup playoff series Wednesday, May 20, 2026, in Denver. (AP Photo/David Zalubowski)