Captain Clutch: Jalen Brunson comes up with late-game heroics, Knicks top Spurs in Game 1 of finals

SAN ANTONIO (AP) — Jalen Brunson gave the New York Knicks a huge scare in the first quarter, limping off and leaving the floor to deal with what appeared to be some sort of knee and ankle issues.

He wasn't gone for long.

And by the fourth quarter, all that was forgotten.

Brunson won the NBA's clutch player award in 2025, and in case anyone forgot why, he provided a series of reminders in a scintillating final 7 1/2 minutes that helped the Knicks beat the San Antonio Spurs 105-95 in Game 1 of the NBA Finals on Wednesday night.

He scored 30 points in the game, 13 in that final stretch — outscoring the Spurs by himself in those game-deciding minutes.

“He’s a tremendous player that’s skilled, picks his spots, knows his angles, shoots contested shots without being sped up,” Spurs coach Mitch Johnson said. “He’s a phenomenal player. We just got to keep making him work. Again, he had a phenomenal game. He got going.”

The numbers from that final burst, which started with 7:37 left and the game tied at 86:

— Brunson shot 5 for 9, while the Spurs shot 2 for 11.

— Brunson outscored the Spurs 13-9 by himself, the Knicks outscored them 19-9 as a team.

— He went on a personal 8-0 run to give New York a 94-86 lead, and when the Spurs answered with a 9-0 run for a 95-94 edge, Brunson delivered a corner 3-pointer that put the Knicks on top for good.

— The Spurs never scored again.

“I think we know what we have to do,” Brunson said. “I think we are a pretty together group. Be able to trust each other and still have each other’s back and know that we just have to keep chipping away, chipping away. It’s just a credit to the mentality that we have as a team.”

The Knicks have won 12 straight games, just the third team to do that in a single postseason. The other two — San Antonio in 1999 (in a finals against New York) and Golden State in 2017 — became NBA champions.

If the Knicks are going to get there, they likely need Brunson at his best. And when he came back from that locker room — well, it wasn't quite a Willis Reed moment for New York, but made Knicks center Karl-Anthony Towns feel better about things right away.

“When we all saw him limp off, we were worried not only because he’s Jalen Brunson but more because he’s our brother and we are a family in our locker room,” Towns said. “But when we were on the court and I saw him walking back out to the bench, it was a relief feeling just to know he’s safe.”

And while many of those games have been glittery blowouts during this New York win streak, there's been some gritty comebacks as well. Wednesday's game was the third in these playoffs where the Knicks erased a double-digit deficit to win. They were down by 22 in Game 1 of the Eastern Conference finals against Cleveland, down 12 in Game 3 of the East semis against Philadelphia, and down 14 to the Spurs.

“It’s a position we obviously don’t want to be in but it’s always a next-play mentality,” Brunson said. “We have to control the things that we can control and our team is going to go on runs. Things are going to happen and somehow we bounce back. We continue to find a way and just kind of keep chipping away. We knew one play was not going to bring us all the way back but we just kept chipping away.”

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New York Knicks guard Jalen Brunson (11) is pressured by San Antonio Spurs guard Dylan Harper (2) during the first half of Game 1 of the NBA Finals basketball series, Wednesday, June 3, 2026, in San Antonio. (AP Photo/Eric Gay)

New York Knicks guard Jalen Brunson shoots past San Antonio Spurs guard Dylan Harper (2) during the first half of Game 1 of the NBA Finals basketball series, Wednesday, June 3, 2026, in San Antonio. (AP Photo/David J. Phillip)

San Antonio Spurs forward Keldon Johnson (3) drives as New York Knicks guard Jalen Brunson (11) defends during the first half of Game 1 of the NBA Finals basketball series, Wednesday, June 3, 2026, in San Antonio. (AP Photo/Eric Gay)

New York Knicks guard Jalen Brunson (11) spins as San Antonio Spurs guard Dylan Harper, left, defends during the first half of Game 1 of the NBA Finals basketball series, Wednesday, June 3, 2026, in San Antonio. (AP Photo/Eric Gay)

New York Knicks guard Jalen Brunson motion after a basket against the San Antonio Spurs during the second half of Game 1 of the NBA Finals basketball series, Wednesday, June 3, 2026, in San Antonio. (AP Photo/Eric Gay)

PARIS (AP) — Acclaimed Iranian-French cartoonist and filmmaker Marjane Satrapi, a prominent advocate for women's rights and author of “Persepolis,” has died at 56, the French presidency said Thursday.

“Her passing marks the loss of a leading figure of French culture and an artist devoted to freedom, whose work carried a universal message and earned her immense international acclaim,” the French presidency said in a statement.

President Emmanuel Macron and his wife “pay tribute to a remarkable artist who transformed an Iranian childhood into a universal fable,” the statement said.

News broadcaster BFM TV and other French media reported Satrapi has “died of sadness” a little over a year after the death of her husband, Swedish film producer and actor Mattias Ripa, according to a statement from people close to the artist.

The French Academy of Fine Arts, of which she was a member, expressed its deep sadness in a social media statement, paying tribute to “a passionate advocate for cinema and film education” who earlier this year created a foundation to help international students come to Paris to study film.

Satrapi is best-known for her monochrome autobiographical comic book and film “Persepolis,” a coming-of-age tale set against the Islamic Revolution in her native Iran.

“Persepolis” won the Film Critics Grand Prix at the Cannes Festival in 2007 and the César Award for Best Adapted Screenplay in 2008, in addition to being nominated for Best Animated Feature at the 2008 Oscars.

The film, which details her life in Tehran as the willful daughter of intellectual Marxists, is a reminder that Iranians are just like everyone else, Satrapi told The Associated Press in a 2007 interview in Cannes.

“What we wanted to say is, if these people scare you, look closer: They have parents, they have lovers, they have hope, they have stories," she said.

Iranian authorities at the time protested the movie’s inclusion at Cannes, sending a letter to the French Embassy in Tehran.

Satrapi was born on Nov. 22, 1969, in Rasht, Iran, but her parents sent her to Vienna, Austria, in 1983 to finish her studies because of the extremism in their country following the 1979 Revolution that brought Ayatollah Khomeini to power.

But Satrapi, who found Austria hostile and who desperately missed her parents, returned to Iran in 1989 to attend Tehran University, where she earned a degree in visual communications.

By the time she graduated, Satrapi decided she finally was ready to leave Iran and accept the opportunities her parents had been so desperate to give her a decade before. In 1994 she moved to France. She studied in Strasbourg and later moved to Paris.

Her graphic novels also include “Broderies” (“Embroideries”) and “Poulet aux prunes” (“Chicken with plums”), which also was adapted into a film. As a filmmaker, she has directed several works including “La Bande des Jotas” (“The Gang of Jotas”) and “Radioactive” (“Madame Curie”), a biography about the Polish physicist Marie Curie.

Satrapi in 2023 coordinated the book “Femme, vie, liberté” (“Woman, Life, Freedom”) together with a group of artists and academics to illustrate the revolts that occurred in Iran after the death of Mahsa Amini in 2022 at the hands of the so-called “morality police.” The work denounces the repression and lack of human rights that Iranian society, especially women, suffers at the hands of the Iranian regime, the foundation said.

Satrapi was elected member of the French Academy of Fine Arts in 2024. She also was offered France's highest award, the Legion of Honor, that same year but declined it, arguing France was not doing enough to support Iranian people fighting for democracy.

“Supporting the women’s revolution in Iran cannot be reduced to photos or speeches,” she wrote in a January 2025 letter to French authorities. “When people are fighting for democracy, we should support them.”

In 2024, Satrapi won the Princess of Asturias Foundation award in Spain for communication and humanities. The organization said she was “an essential voice in the defense of human rights and freedom.” The judges described her as “a symbol of civic engagement led by women."

Satrapi's husband died in April 2025 at 53. On her Instagram page, only one message was left in a series of posts: “Because I have lost the love of my life.”

FILE - Director, illustrator and author Marjane Satrapi poses for photographers as she arrives to present the movie "La Bande des Jotas" at the 7th edition of the Rome International Film Festival in Rome, on Nov. 16, 2012. (AP Photo/Alessandra Tarantino, File)