Bare skin, fantasy and the machine: 3 takeaways from Paris' starry couture week

PARIS (AP) — Demi Moore and Cynthia Erivo were among celebrities who took their seats in a sweltering university courtyard for the most anticipated show of Paris couture week: Designer Pierpaolo Piccioli’s debut for Balenciaga.

In his first Balenciaga couture show — and the fashion house's biggest statement since it revived its haute couture line in 2020 — Piccioli sent out ballooning gowns and hooded feather cocoons on Wednesday, then closed with model Gigi Hadid engulfed in rooster feathers.

For his bow, he walked out flanked by his entire atelier in white coats, to a standing ovation.

The debut capped a four-day season ending Thursday that came down to three things: flesh, fantasy and the machine.

Across 30 houses, five showing for the first time, designers bared the body and made it vanish, fled into make-believe as a heat wave gripped the city, and reached for particle accelerators and lab-grown silk while insisting couture still belongs to the human hand.

Couture — handmade, made-to-measure clothing that can cost as much as a house and reaches only a few hundred clients worldwide — is the industry’s laboratory and its loudest advertisement, a halo for the perfumes, handbags and ready-to-wear that pay the bills.

It matters more than usual this year: Luxury is clawing out of a two-year slump, and major houses are betting on newly installed designers — Piccioli, Jonathan Anderson at Dior, Matthieu Blazy at Chanel and Silvana Armani at Armani Privé — to re-energize it.

Cate Blanchett opened the celebrity run at Armani Privé, while Pedro Pascal and Tilda Swinton sat front row at Chanel.

The first question was what couture could do to the figure: expose it, armor it, inflate it or make it disappear.

Silvana Armani, showing her second Armani Privé collection since her uncle Giorgio died last September, titled the show “Boudoir” but sidestepped the obvious.

Rather than join the sheer-everything trend, she played cover against reveal: embroidered teddies under tuxedo jackets, a bomber unzipping from the hem to expose a strip of midriff, animal prints muted until they read as texture.

At 57 looks — about half the founder’s usual count — it was the week’s most restrained take on skin. Blanchett signaled it on arrival, in a plunging velvet suit beside Lou Doillon, Rosamund Pike and Anna Wintour.

Daniel Roseberry pushed further at Schiaparelli at the Petit Palais under the title “The Call of the Void.”

He treated flesh as raw material: corsets molded into lifelike torsos, silicone gills up a bare back, a latex jacket rigged with inflating tentacles.

The techniques came from a workshop that makes lifelike silicone infants for films barred from using real newborns.

Models walked a runway where even the prettiest look, a prom dress beaded in putty-pink pearls, carried an edge of menace.

Piccioli and Iris van Herpen went furthest, erasing the body outright.

At Balenciaga, it meant 3D body scans to build new mannequins, leather and cashmere molded by hand, volume inflated until the wearer became pure outline, from balloon-hemmed gazar to a strapless gown carrying 24,150 shreds of gazar.

Van Herpen dissolved the figure into some 30,000 hand-blown glass beads on sheer tulle.

The second fixation was make-believe. The shows unfolded against a Middle East conflict, jittery markets and the heat wave outside.

Elie Saab staged a masked ball, drawing on Truman Capote’s 1966 black-and-white bash and the old-Hollywood glamour of Elizabeth Taylor and Richard Burton.

As luxury shoppers drift toward casual clothes, Saab pushed the other way with velvet corseted gowns, New Look waists, and tuxedos and capes cut for women as well as men, part of a menswear line the house is expanding.

Zuhair Murad took fantasy into a darker garden, with velvet roses, night larks, butterflies and feathered capes moving through deep green, burgundy and black.

Stéphane Rolland turned the mood to mourning.

He staged his show at the Olympia, the Paris hall where Dalida performed, and dressed the collection almost entirely in white in tribute to the singer nearly four decades after her death — satin macramé, ostrich feathers, agate and diamonds.

At Chanel, Blazy turned the Grand Palais into a fairy tale: beanstalks rising through the floor, heels shaped like pea pods and golden eggs.

At Dior, Anderson built a sculptural fantasy around American artist Lynda Benglis: crushed pleated hats, sheer tasseled fans and a wedding-gown finale trailing feathery fronds.

The third preoccupation was technology — and what survives of the handmade in an era when software can generate any image.

Schiaparelli made the case in the materials themselves: baked fish scales, pools of paint set into sheets and silicone shaped by hand, a collection that read as an argument for the made-by-hand against the machine-made.

Van Herpen went literal. She sent a dress through a particle accelerator, froze it and planned for the model to discharge lightning on the runway.

The charge escaped early, burning branching channels through the fabric before the show.

Balenciaga paired lab-grown Amsilk silk, which the house says is stronger than steel, with its all-human, white-coated bow to end the show.

By Thursday, the pattern was clear: couture in 2026 wanted the impossible — a body without a body, fantasy with commercial purpose, and machines that still bowed to the hand.

A model wears a creation as part of the Giorgio Armani Privé Haute Couture Fall/Winter 2026-2027 Women's collection presented in Paris, Tuesday, July 7, 2026. (AP Photo/Emma Da Silva)

A model wears a creation as part of the Giorgio Armani Privé Haute Couture Fall/Winter 2026-2027 Women's collection presented in Paris, Tuesday, July 7, 2026. (AP Photo/Emma Da Silva)

Bad Bunny arrives for the Schiaparelli Haute Couture Fall/Winter 2026-2027 Women's collection presented in Paris, Monday, July 6, 2026. (AP Photo/Emma Da Silva)

Models wear creations as part of the Chanel Haute Couture Fall/Winter 2026-2027 Women's collection presented in Paris, Tuesday, July 7, 2026. (AP Photo/Emma Da Silva)

A model wears a creation as part of the Christian Dior Haute Couture Fall/Winter 2026-2027 Women's collection presented in Paris, Monday, July 6, 2026. (AP Photo/Emma Da Silva)

MEXICO CITY (AP) — Mexico will request criminal charges over 17 Mexicans who died in ICE custody or during immigration enforcement operations by the Trump administration, officials said Thursday.

Mexican Foreign Minister Roberto Velasco's announcement Thursday morning further escalated tensions with the United States, as Mexico's government has sharply criticized the treatment of its citizens under U.S. President Donald Trump's push to increase deportations.

The request, which carries no legal weight, will be submitted to state prosecutors’ offices and the U.S. Department of Justice, asking them to consider criminal charges against those responsible for the deaths.

It will be accompanied by civil lawsuits against the companies that operate the detention centers in an effort to put an end to human rights violations in those facilities, Velasco said.

President Claudia Sheinbaum said Thursday that Mexico decided to “move beyond diplomatic channels” and escalate its complaints after an ICE agent killed Mexican citizen Lorenzo Salgado Araujo in Houston this week. Sheinbaum said the killing “is not only sad and regrettable, but also appears to have been targeted.”

“We are going to do everything in our power, because we cannot stand silent” in the face of the deaths of Mexicans “whose only crime is working honestly in the United States,” Sheinbaum said.

Salgado Araujo had been living in the country for decades. He was transporting a work crew to a housing construction site when he was shot. His family demanded a thorough investigation into what happened.

According to the U.S. Department of Homeland Security, which oversees ICE, agents were pursuing him because he was living in the country without legal authorization. Salgado Araujo, the department added, was shot after disregarding orders and attempting to ram an agent, who fired his weapon in self-defense.

According to the Mexican government, 14 Mexicans have died while in ICE custody and 3 during ICE operations.

Until now, the Mexican government had supported the victims’ families, sent diplomatic notes to Washington demanding investigations, and raised the issue with the Inter-American Commission on Human Rights. Sheinbaum earlier this year ordered consulates to regularly check in with ICE detainees, and her government even lodged a complaint with the U.N. High Commissioner for Human Rights.

Mexico's latest request adds to an already strained relationship with the Trump administration. Sheinbaum has cracked down more fiercely than her predecessors on organized crime in the wake of mounting threats by Trump to take military action against cartels. She has also sought to keep an amicable relationship with her U.S. counterpart as the countries renegotiate the decades-old free trade agreement. At the same time, she's taken a strong stance on immigration enforcement and the rights of Mexican citizens in U.S. custody.

Follow AP’s coverage of Latin America and the Caribbean at https://apnews.com/hub/latin-america

A man walks home draped in a Mexican flag after a vigil for Lorenzo Salgado Araujo, a Mexican national fatally shot by a federal immigration agent a day prior, Wednesday, July 8, 2026, in Houston. (AP Photo/Mark Felix)

People march during a vigil for Lorenzo Salgado Araujo, a Mexican national fatally shot by a federal immigration agent a day prior, Wednesday, July 8, 2026, in Houston. (AP Photo/Mark Felix)

Ronaldo Salgado, right, son of Lorenzo Salgado Araujo, speaks as his brother, Lorenzo Jr. holds family photographs during a news conference Wednesday, July 8, 2026, in Houston. (AP Photo/David J. Phillip)

Attendees light candles during a vigil for Lorenzo Salgado Araujo, a Mexican national fatally shot by a federal immigration agent a day prior, Wednesday, July 8, 2026, in Houston. (AP Photo/Mark Felix)

Ronaldo Salgado and Lorenzo Jr., sons of Lorenzo Salgado Araujo, hold a photograph of their father during a news conference Wednesday, July 8, 2026, in Houston. (AP Photo/David J. Phillip)