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A New Mexico judge ordered new child safeguards for Meta. Advocates hope other courts follow

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A New Mexico judge ordered new child safeguards for Meta. Advocates hope other courts follow
News

News

A New Mexico judge ordered new child safeguards for Meta. Advocates hope other courts follow

2026-08-08 12:04 Last Updated At:12:20

In a landmark ruling against Meta, a New Mexico judge likened the company’s social media platforms to factories. The psychological harm to children who use Facebook and Instagram, he said, can be seen as their pollution.

Judge Bryan Biedscheid fined the company $567 million in his ruling Thursday, but he also prescribed steps to clean up what he described as its byproducts. He ordered new safety measures, including a time limit of 90 hours per month for users under 18, AI chatbot restrictions, and mandatory warnings on the platforms.

How easily those features can be implemented, and how effective they could be at protecting young users from mental health harms, are unresolved questions. They also would apply only to children in New Mexico, Meta has no deadline to introduce them, and the company has said it will appeal the ruling.

But the judge’s order showed a possible path forward for other court fights around the country as Meta faces mounting legal, regulatory and public pressure to do more to protect young people.

The ruling came in the second phase of a trial in a lawsuit the state of New Mexico filed against the social media giant. The new financial penalty is in addition to the $375 million in civil penalties that jurors ordered against Meta in March after determining the company knowingly harmed children’s mental health and concealed what it knew about child sexual exploitation on its platforms.

Meta said in a statement Thursday that it works to keep people safe on its platforms and has been transparent about the challenges of identifying and removing bad actors and harmful content.

“We remain confident in our record of protecting teens online and will continue to defend ourselves against claims that misrepresent the facts,” the company said.

Many of the changes ordered by Biedscheid hinge on strong age-verification measures. The ruling says Meta must improve its age assurance models and tools in New Mexico and proactively request proof of age for users they know or estimate to be under 13.

What that proof of age could look like, however, is unclear.

Age verification “can be done well in a privacy-protective way, but it is not easy,” said Peter Ormerod, an associate professor of law at Villanova University.

Federal children’s privacy laws prevent Meta from applying age-verification tools to children under 13. The Children’s Online Privacy Protection Act means the court cannot order Meta to request children to submit personal data or be passively tracked online, even for age verification purposes.

Identifying which users are in New Mexico, and subject to the court-ordered protections, could also pose a challenge. Ormerod said Meta could likely check if a user is accessing the platform from an IP address associated with New Mexico, a solution “that works reasonably well enough.”

Meta has several safety tools already in place. Instagram Teen Accounts, for one, have built-in protections to limit who can contact teens and what content they can see, and give parents the ability to set time limits.

Brooke Istook, the president and chief strategy officer at the advocacy organization Heat Initiative, said she was glad to see the judge's reforms will be court-supervised.

“Now, we will have someone in an official capacity checking the homework of these companies,” she said. “The fact that we have the court now involved, they’re able to evaluate how they’re implemented, whether or not they’re effective and whether or not they are actually working to keep kids safe online.”

Meta's critics say some of the most recognizable and potentially harmful aspects of Instagram and Facebook's designs are untouched by the ruling.

Features like autoplay, infinite scroll and algorithmic content recommendations have been the prime targets of legal arguments that social media platforms are designed to be addictive. But Biedscheid wrote in his ruling that these features are used across the social media industry on other platforms, so restricting Meta's features but not those of its competitors would harm the company.

That was disappointing to see for Sophia Choukas-Bradley, an associate professor of psychology at the University of Pittsburgh.

“Those design features have played a very important role in what leads to problematic use of social media by adolescents and, in turn, mental health problems,” Choukas-Bradley said.

Still, Choukas-Bradley said she was in favor of several safety measures in the ruling, especially one that orders the “like counts” on the apps be hidden by default on minors' accounts, a setting that could only be overridden by a parent or guardian. She also supports a measure that would create a stronger separation between children and “unconnected” adults on the platforms. Meta would not be able to recommend a child's account to an adult's account, and adults who are not “friends” or followers of a minor's account would be barred from messaging the child.

“There are just too many documented cases of sextortion, sexploitation and sex trafficking that start in the online context for us to ignore this any longer,” Choukas-Bradley said.

It is unclear which features on social media platforms are most harmful for children's mental health, said Sonia Livingstone, a professor at the London School of Economics and Political Science. There is ample evidence, however, that more vulnerable children are more susceptible to the companies' design features, she said.

“Tested one by one, the evidence for each design feature will be weaker, as it is the combination of features that really will make the difference for children’s outcomes,” said Livingstone, who leads the Digital Futures for Children research center.

Because the measures in the judge's order are specific to users in New Mexico, experts say piecemeal rulings and inconsistent legislation at the state level could create a new crop of issues.

“It really needs to be uniform at the congressional level, it causes all sorts of problems,” said Neama Rahmani, a former federal prosecutor and president of West Coast Trial Lawyers. “It just doesn’t make sense in today’s era of technology.”

Some advocates say they hope similar rulings in other states could stir action in Congress, and spur new efforts to pass federal legislation.

For parents in New Mexico, the ruling could change the conversations with their teens about social media use. Heather Statum, an Albuquerque mother of a 13-year-old girl, says her daughter is constantly requesting access to various social media platforms.

Statum has heard horror-stories about predators lurking on Instagram or Snapchat. She's also aware that among her daughter’s peers, discussions of suicide and other mental health issues are prominent online and worries about her daughter being exposed to disturbing content.

“The stuff (social media companies) have in place to protect them, I don’t think any of it actually works,” Statum said. “It does cause major problems between us because she thinks that I’m too strict.”

Statum says the platform-level changes from the ruling could promote safe usage, but said it will be hard to balance safety with freedom. She believes educating kids on dangers is the best path forward.

FILE - A Meta logo is shown on a video screen at LlamaCon 2025, an AI developer conference, in Menlo Park, Calif., April 29, 2025. (AP Photo/Jeff Chiu, File)

FILE - A Meta logo is shown on a video screen at LlamaCon 2025, an AI developer conference, in Menlo Park, Calif., April 29, 2025. (AP Photo/Jeff Chiu, File)

FILE - New Mexico Attorney General Raúl Torrez speaks during a rally to protect kids online on Capitol Hill in Washington, Wednesday, Jan. 31, 2024. (AP Photo/Jose Luis Magana, File)

FILE - New Mexico Attorney General Raúl Torrez speaks during a rally to protect kids online on Capitol Hill in Washington, Wednesday, Jan. 31, 2024. (AP Photo/Jose Luis Magana, File)

EPIDAURUS, Greece (AP) — As Christopher Nolan’s “The Odyssey” renews global fascination with Homer, a cast of disabled and non-disabled performers in Greece is staging the war’s other story.

It’s not about the triumph of returning heroes, but the suffering they left behind.

“The Trojan Women,” with a cast of 22, was staged at Epidaurus, the ancient open-air stone arena in southern Greece. It marked what organizers called the first fully accessible performance in the ancient theater’s 2,300-year history.

While Homer followed warriors sailing home from Troy, the playwright Euripides — writing some three centuries later — turned to the city’s ruins and its women, forced into exile and enslavement.

The ancient theater offered a full range of accessibility services for the Aug. 2 performance. Blind audience members received Braille programs, tactile models and live audio description, while deaf spectators followed overhead titles. Physical adaptations also improved access throughout the site.

“It’s the first time a performance at Ancient Epidaurus has been made accessible to everyone,” said Greg Polychronidis, a Paralympic gold medalist who attended the event. “Today was a celebration of equality and it should serve as an example for everyone, forever.”

For many of the performers, standing on the ancient stage was itself part of the message: a voice for those often overlooked. Eirini Kourouvani, a 58-year-old cast member who uses a wheelchair, had never set foot inside the theater before.

“It is just grand,” she said. “I feel my heart opening up as wide as this theater is.”

Ioanna-Maria Gertsou, a blind psychologist, attended with Babu, her guide dog.

“We too have the right to attend performances on an equal footing,” she said, relieved that her dog remained quiet during the play.

The National Theater of Greece produced the performance, and accessibility services were designed by the nonprofit Liminal with financial support from Greece’s Alpha Bank.

Argyro Chioti, the National Theater’s artistic director, said the production should become the norm rather than the exception.

“This was complex, not simple. It required months of planning. It cost money. And it required very specific organizational expertise,” she said. “But that’s the standard and venues we need to reach — the major stages and the major theaters.”

—— Gatopoulos reported from Athens

A visually impaired theatergoer and his companion make their way to their seats before a performance of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece at the Ancient Theater of Epidaurus on Sunday, Aug. 2, 2026. (AP Photo/Petros Giannakouris)

A visually impaired theatergoer and his companion make their way to their seats before a performance of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece at the Ancient Theater of Epidaurus on Sunday, Aug. 2, 2026. (AP Photo/Petros Giannakouris)

Cast members with and without disabilities acknowledge the audience with a curtain call after a performance of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece at the Ancient Theater of Epidaurus, Greece, on Sunday, Aug. 2, 2026. (AP Photo/Petros Giannakouris)

Cast members with and without disabilities acknowledge the audience with a curtain call after a performance of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece at the Ancient Theater of Epidaurus, Greece, on Sunday, Aug. 2, 2026. (AP Photo/Petros Giannakouris)

Audience members watch a performance of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece at the Ancient Theater of Epidaurus, Greece, on Sunday, Aug. 2, 2026. (AP Photo/Petros Giannakouris)

Audience members watch a performance of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece at the Ancient Theater of Epidaurus, Greece, on Sunday, Aug. 2, 2026. (AP Photo/Petros Giannakouris)

Oltjana Zoupas, an artist who uses a wheelchair, leaves the Ancient Theater of Epidaurus after attending a performance of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece, in Epidaurus, Greece, on Sunday, Aug. 2, 2026. (AP Photo/Petros Giannakouris)

Oltjana Zoupas, an artist who uses a wheelchair, leaves the Ancient Theater of Epidaurus after attending a performance of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece, in Epidaurus, Greece, on Sunday, Aug. 2, 2026. (AP Photo/Petros Giannakouris)

From left to right, Eirini Kourouvani, a wheelchair dancer, Evi Saoulidou and Lydia Fotopoulou perform during a dress rehearsal of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece, at the Ancient Theater of Epidaurus, Greece, on Thursday, July 30, 2026. (AP Photo/Petros Giannakouris)

From left to right, Eirini Kourouvani, a wheelchair dancer, Evi Saoulidou and Lydia Fotopoulou perform during a dress rehearsal of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece, at the Ancient Theater of Epidaurus, Greece, on Thursday, July 30, 2026. (AP Photo/Petros Giannakouris)

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