Mark Pinkstone/Former Chief Information Officer of HK government
US President Donald Trump has started an international biased war on trade; biased in a way that places like Hong Kong are being penalised even though they have a deficit trade balance with the US.
The US goods trade surplus with Hong Kong was US$21.9 billion in 2024, a 7.6 per cent increase over 2023.
Yet, Hong Kong has long been considered a separate customs territory from the mainland of China as stipulated in the Basic Law and by the World Trade Organisation (WTO) before and after the Handover in 1997. It also enjoyed preferential treatment from the US in terms of trade and economy under US law since 1992. But Trump put an end to that with an executive order in his first term of office in 2019 when he sided with the rioters in Hong Kong.
Total goods traded between the US and Hong Kong last year totalled US$33.8 billion. US exports to Hong Kong were US$27.9 billion while Hong Kong exports to the US totalled only $6 billion, thus the near US$22 billion surplus in favour of the US.
By wrongfully lumping Hong Kong’s trade figures with that of the mainland, Hong Kong is being penalised by the US for something it hasn’t done.
Trade lecturer at City University of Hong Kong, Julien Chaisse, has been quoted in the local press as saying “Hong Kong is in a tough spot. The US no longer treats Hong Kong as a separate from the mainland, which strips away any trade advantages we once had.”
Hong Kong has, naturally, lodged a complaint against the US with the WTO. A spokesman for the Special Administration Region (SAR) Government of Hong Kong, said “The US measures are grossly inconsistent of the relevant WTO rules and ignore our status as a separate customs territory as stipulated in Article 116 of the Basic Law and recognized by the WTO.”
The HKSAR Government will formally launch procedures in accordance with the WTO Dispute Settlement Mechanism against the US’ unreasonable measures to defend our legitimate rights.
However, although the WTO is an independent body it is currently being controlled by the US.
Traditionally the Appellate Court of the WTO adjudicates disputes between member states, but it is currently composed of only one judge. In normal circumstances, the court has seven judges, but a minimum of three is required for a quorum. The appellate body fell to one judge on December 10 last year when member states failed to make new appointments. That in turn has halted all appeal judgements on trade matters until a new solution is reached. Also, the US has threatened to block the body’s budget. So, even though both China and Hong Kong, plus many other member states, have lodged complaints against the US for its tariffs war, very little can be done until more judges are appointed. And that could take ages as such appointments will continue to be blocked by the US.
It is well recognized that there are no winners in trade wars, and it is the little man, the man in the street who suffers as the tariffs are passed down the line to the consumer, thus causing inflation to rise. But Trump thinks nought for the little man, only himself.
The Chinese ambassador to the US, Xie Feng, also believes there are no winners in trade wars nor in wars over science, technology or industry. Differences, he said between the two nations should be the driving force for exchanges and mutual learning rather than “the excuse for rejection and confrontation and that successes of each were opportunities for the other.”
On the sidelines of last week’s National Peoples’ Congress in Beijing, China’s commerce minister Wang Wentao, hit back at Trump saying that coercion and threats would not work on China, nor would they scare China. “China’s determination to defend its own interests is unswerving. There are no winners in a trade war.
“If the American side goes further down this wrong path, we will fight to the end,” he warned.
China is the main trading partner in 140 countries and has free trade agreements (FTAs) with 30. And it is ready to sign even more FTAs to minimize the impact of restrictions imposed by the US.
So, China as perhaps the world’s largest trading partner and a key cog in the supply chain mechanism, the US bullying tactics would have little impact on China’s Gross Domestic Product by as little as 1 per cent, even if the tariffs went as high as 60 per cent.
Mark Pinkstone
** The blog article is the sole responsibility of the author and does not represent the position of our company. **
Without a doubt Hong Kong is a major player in global financial markets, an accolade that is being further enhanced with the city’s rising status as the top arts hub in Asia with global recognition in its sights.
International attention is focused on Hong Kong during March as it hosts a series of art-related events culminating in the world-acclaimed Art Basel Hong Kong 2026. For Hong Kong and, indeed, the art world, this is a major event where outstanding works of art are displayed and sold.
Art Basel Hong Kong kicked off locally in 2013 and has become a prominent flagship on the city’s international calendar every year thereafter. And it brings in thousands of visitors. Last year, for example, it featured 240 galleries from 42 countries and regions, attracting 85,500 visitors, half of which travelled to Hong Kong for the event. Another 240 galleries from Australia, Japan, Turkey, the Netherlands, France, Georgia, Spain and the United States are taking part in the exhibition this year.
A curtain raiser to Art Basel is the home-grown Art Central along the Central harborfront, which featured some 117 galleries with 500 artists from around the world. That makes 357 galleries featured in these two exhibitions this week.
This highlight of Hong Kong’s event calendar is a boon for our tourist industry, attracting several million visitors in a single month. Hotels are booked to capacity and bars and restaurants report an additional 15-20 per cent increase in revenue during the month. Government economists estimate that every 1.5 million tourists add HK$3 billion to Hong Kong’s Gross Domestic Product (GDP).
Since its inaugural edition in 2015, Art Central has established itself as a leading platform for innovation in contemporary art, advancing the profiles of artists and galleries and reinforcing their presence within the international art landscape.
It was Betty Fung Ching Suk-yee, CEO of the West Kowloon Cultural District Authority (WestK) who noted that the cultural industry is closely connected with finance, as family offices are increasingly looking to invest in art in Hong Kong.
“We could also work with financial institutions to encourage more of their clients to become art collectors,” she said. “It’s not going to be overnight, you might first become a member of a museum, then a patron, then you might start to buy or even donate.”
Having already developed a reputation as an art trading centre, the city is now making its mark as an arts and cultural hub, led by the continued development of WestK.
These two art exhibitions are in a place where new talent is discovered. Collectors generally buy art from well established artists like Pablo Picasso, who has a collection of about 30 pieces of his works on display at the Hong Kong Convention and Exhibition Centre. These art pieces are regarded as minor works and can be purchased for several thousand US dollars.
The art market has fully recovered from the declines due to the COVID outbreak and in 2024 sales of art works through auctions and private negotiations reached about US$39 million (HK$300 million).
The art market is full of artists that have yet to gain a following or break into the blue-chip world. Up-and-coming artists often produce top-tier quality works for a fraction of the price of blue-chip pieces because they don’t yet have the name recognition. Up and coming artists who have won competitions organised by the Sovereign Art Foundation and others have made the first step to such recognition.
Knowledge of the art world and art market is helpful, so beginners are not likely to stumble upon the next Andy Warhol. This form of investing is highly speculative compared to investing in old masters or blue-chip work. The exhibition is a showcase for new artists to make their debut to the international buyers and collectors looking for new talent with potential.
Hong Kong’s West Kowloon arts hub has signed agreements with 12 international institutions from Australia, the UK, Saudi Arabia and elsewhere, paving the way for future collaborations as the city seeks to strengthen its role as an East-meets-West cultural hub. This will help bring more international performances to the city, showcase Hong Kong productions to global audiences, support the exchange of talent and more. The agreements were signed during a two-day International Cultural Summit held in conjunction with the cultural festivities.
But the agreement which cements Hong Kong as the arts hub of Asia was that signed by Art Basel of Switzerland to continue holding Art Basel Hong Kong for the next five years.
The collaboration with Art Basel for the next five years is the result of sustained investment in Hong Kong’s role as a global financial centre, collaboration and a shared commitment to make Hong Kong a place where the arts can truly flourish.
Internationally acclaimed artists bring fame to Hong Kong, a melting pot where culture transcends borders. And even without such major events, Hong Kong’s array of galleries along Hollywood Road is a living museum of fine arts, a major tourist attraction in the city.
