Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.
The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.
Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.
“It’s just a tremendous result," said Jim Orr, who oversees domestic distribution for Universal. "'Jurassic World Rebirth is exactly what audiences crave during the summer: a very big, fun, extraordinarily well-done adventure.”
“Jurassic World” was missing from IMAX screens domestically (due to a commitment to continue showing “F1”), but it thrived on the premium large format screens where it played. One of those options was Dolby Cinema, where it made nearly $8 million from only 167 screens in five days.
“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences.
The studio was struck by the broad audience turnout, from ages eight to 80, and the fact that the film exceeded estimates at every step despite the reviews.
“The word of mouth on it is stellar," Orr said. "And it should point to a very long run throughout the summer as well.”
Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.
“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.
The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.
No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.
Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends. “28 Years Later” rounded out the top five with $4.6 million.
A 41-year-old movie also made the domestic top 10: The re-release of Rob Reiner's 1984 film “This is Spinal Tap.”
Having the Fourth of July land on a Friday could have negatively impacted the overall box office, but the holiday didn't blow up the weekend's earnings.
“We had a solid Friday despite some pretty heavy competition from the fireworks,” said Paul Dergarabedian, the senior media analyst for Comscore.
And there's still some major movies to come in the packed summer movie calendar, including “Superman,” which opens later this week.
“This is one of the most competitive summer movie seasons ever,” Dergarabedian said. "For moviegoers, it’s so much fun.”
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:
1. “Jurassic World Rebirth,” $91.5 million.
2. “F1 The Movie,” $26.1 million.
3. “How to Train Your Dragon,” $11 million.
4. “Elio,” $5.7 million.
5. “28 Years Later,” $4.6 million.
6. “Lilo & Stitch,” $3.8 million.
7. “M3GAN 2.0,” $3.8 million.
8. “Mission: Impossible – The Final Reckoning,” $2.7 million.
9. “Materialists,” $1.3 million.
10. “This is Spinal Tap” (41st Anniversary re-release), $931,737.
Scarlett Johansson, left, and Jonathan Bailey attend the "Jurassic World Rebirth" premiere on Monday, June 23, 2025, at Lincoln Center in New York. (Photo by Evan Agostini/Invision/AP)
Mahershala Ali, from left, Scarlett Johansson, Jonathan Bailey, and Rupert Friend attend the "Jurassic World Rebirth" premiere on Monday, June 23, 2025, at Lincoln Center in New York. (Photo by Evan Agostini/Invision/AP)
Actor Rupert Friend, left, actress Scarlett Johansson and actor Jonathan Bailey, right, pose during a press conference to promote their latest movie "Jurassic World Rebirth" in Seoul, South Korea, Tuesday, July 1, 2025. (AP Photo/Ahn Young-joon)
Cameron Boozer was at the center of everything for Duke this season.
The 6-foot-9, 250-pound forward proved tough enough to score through physical play. Rangy enough to space the floor and shoot from outside. Deft enough as a passer to find teammates, whether against constant double teams coming for him as the top name on every scouting report or while running the entire offense from up top.
“You just want to affect winning in whatever way you can,” Boozer said.
The high-end NBA prospect did that all season for a team that won 35 games, reached No. 1 in the AP Top 25 poll, claimed the top overall seed for March Madness and reached the NCAA Tournament's Elite Eight. Now he's The Associated Press men’s college basketball national player of the year, only the fifth freshman to earn the honor and the second in a row for a Duke program that keeps adding to the longest list of winners in the country.
“It just goes to show more about what our team has done, just because I think that really helps awards like this, having great team success,” Boozer told the AP. “It’s really just not me.”
Boozer, named unanimous first-team AP all-American last month, received 59 of 61 votes from AP Top 25 voters in results released Friday. BYU freshman AJ Dybantsa, another potential top NBA pick, received the other two votes after averaging a national-best 25.5 points per game.
Boozer, son of Duke and longtime NBA player Carlos Boozer, ranked averaged 22.5 points (ninth in Division I) and 10.2 rebounds (12th) while finishing tied for the national lead with 22 double-doubles. He also averaged 4.1 assists while posting efficient shooting numbers at 55.6% overall and 39.1% from 3-point range.
He joins fellow Blue Devils star Cooper Flagg last year, another Duke player in Zion Williamson (2019), Kentucky’s Anthony Davis (2012) and Texas star Kevin Durant (2007) as freshmen to win the AP award. Each went No. 1 or No. 2 in the NBA draft that year.
“I’m very grateful just that I’m even in those (NBA) conversations,” Boozer said. “I think a lot of people dream of being where I am. Sometimes you’ve got to take a step back and just remember that once upon a time, you were a kid dreaming to be here. So I think it’s very special.”
His coaches think the same of him.
“We’ve been fortunate enough the last two years to have two of the best freshmen to ever play in college basketball back to back,” Duke associate head coach and former Blue Devils player Chris Carrawell said. “And Cam is right up there.
Boozer is Duke's ninth AP winner, each coming from a different player. UCLA is the next closest with five winners, though that included Kareem Abdul-Jabbar (1967 and 1969) and Bill Walton (1972 and 1973) as two-time selections.
UCLA, Ohio State and Duke rival North Carolina are the only other programs with as many as three different players to win the award.
Boozer arrived at Duke alongside twin brother Cayden after the two led Miami's Columbus High to four straight state championships. By late February, the Blue Devils were starting a four-week reign atop the AP Top 25 that would carry to March Madness. Boozer — who said he looks at winning as a skill — routinely posted top performances in Duke's biggest games, including during a rugged nonconference slate.
He matched a season high with 35 points in a November win against Arkansas. He followed with 29 points against defending national champion Florida. He also had big performances at Michigan State (18 points, 15 rebounds) and flirted with a triple-double (18 points, 10 rebounds, seven assists) in a February win against Michigan.
Along the way, he pushed through bumps and shoves. He closed Sunday's season-ending loss to UConn with 27 points and his right eye swollen from a first-half blow.
“There’s no agenda other than figuring out a way to win,” Wolverines coach Dusty May said. “I’ve seen him play a number of times this year where there’s six guys in the paint, and it’s not as if he’s jumping 40, 50 inches off the floor. His desire to rebound the ball, to set physical screens, to play to his advantages, is as impressive as any freshman that I can recall.”
The other challenge was managing the scrutiny that comes from expectations for greatness. A missed shot. A turnover. The 3-for-17 shooting while battling rising frustration and Virginia shot-blocker Ugonna Onyenso in the ACC title game.
“He does a great job of flushing it and not letting it dwell on him too much,” Cayden said. “That’s something he’s always been able to do since we were younger. Obviously I talk to him when he needs me to. And I sometimes just understood that, hey, he’s going through something, give him some space for a little bit and he’ll figure it out.”
Cameron said getting away for time alone and putting down the phone helps. He points to prayer and even a recent effort to read more.
The rest of the time, though, he'll throw himself into becoming a better player. There's comfort in that routine, the results yet to fail him.
“I think just being prepared alleviates pressure," Cameron said. "Being ready for a game, watching film, working out, knowing you put your time in, being confident in yourself — I think all that takes away a lot of the pressure that people talk about. At the end of the day, pressure really is what you put on yourself.”
AP March Madness bracket: https://apnews.com/hub/ncaa-mens-bracket and coverage: https://apnews.com/hub/march-madness
Duke forward Cameron Boozer (12) reacts after scoring during the second half in the second round of the NCAA college basketball tournament against TCU, Saturday, March 21, 2026, in Greenville, S.C. (AP Photo/Brynn Anderson)
Duke guard Cayden Boozer, left, and Duke forward Cameron Boozer, right, share a laugh during a press conference ahead of a game against UConn in the Elite Eight of the NCAA college basketball tournament Saturday, March 28, 2026, in Washington. (AP Photo/Abbie Parr)
Duke forward Cameron Boozer (12) shoots over St. John's forward Bryce Hopkins (23) during the second half in the Sweet 16 of the NCAA college basketball tournament, Friday, March 27, 2026, in Washington. (AP Photo/Abbie Parr)
Duke forward Cameron Boozer (12) shoots over St. John's forward Bryce Hopkins (23) during the first half in the Sweet 16 of the NCAA college basketball tournament, Friday, March 27, 2026, in Washington. (AP Photo/Stephanie Scarbrough)
