The next Met Gala exhibit will spotlight fashion across art history

NEW YORK (AP) — If there's been one uniting theme of all the blockbuster fashion exhibits at the Metropolitan Museum of Art, it’s the simple idea that fashion is art.

“Costume Art,” announced Monday as the next big show at the museum’s Costume Institute — launched by the starry Met Gala in 2026 — aims to make that connection more literal than ever, pairing garments with objects from across the museum to show how fashion has long been intertwined with different art forms.

Max Hollein, CEO and director of the Met, said in an interview ahead of Monday’s announcement that he hopes the exhibit will take visitors to the New York museum on a (very fashionable) journey through art history, where they will see connections throughout.

“It’s a show that can really live in fascinating ways at the museum and can pull from all different areas of our collection — paintings, sculpture, drawings,” Hollein said.

“I hope we all agree that fashion is art,” Hollein added. “But actually I think the exhibition … will make it obvious how fashion is actually happening, so to say, all across the museum and in all different mediums already.”

The new show will examine the dressed body, and will be organized thematically by different body types, according to the Costume Institute's curator in charge, Andrew Bolton. It will include the “Naked Body” and the “Classical Body,” for example, but also less expected themes like the “Pregnant Body” and the “Aging Body.”

The connections that will be drawn between artworks and garments will range, curators said in a statement, “from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound.”

One example: in the “Naked Body” section, a 1504 print from German artist Albrecht Dürer will be paired with spandex bodysuits by Belgian designer Walter Van Beirendonck from a 2009 collection that revisits the story of Adam and Eve in the Garden of Eden.

On hand for Monday's announcement was Misty Copeland, who recently retired from American Ballet Theatre after a trailblazing career that saw her become the company's first Black female principal dancer. In her remarks, she spoke of the interplay between fashion and dance and said the show makes a “powerful case for the body, in all its forms, as a work of art, worthy of being seen, elevated, and celebrated.”

“Of course, both fashion and dance have long held up an ‘ideal’ body, one that has historically meant thin, white, and female. That bias shaped my own experience,” she said. “Early in my career, I was made to feel that my body didn’t fit the mold. My skin was too dark, my muscles too defined. Being a Black woman and a ballerina was presented almost as a contradiction.”

Copeland said she fought to challenge that idea and stood “firmly in the value and beauty of my body, and of the many Black and brown dancers whose bodies have so often been overlooked.” The new exhibit — following the lauded “Superfine: Tailoring Black Style,” which focused on Black menswear — adds to that conversation, Copeland said.

It’s also a show that will have a new home. “Costume Art,” which opens to the public May 10, will inaugurate new gallery space occupying some 12,000 square feet (1,115 square meters), right off the museum’s Great Hall.

That means that when the A-listers come up the main steps on May 4 at the Met Gala — perhaps dressed to channel famous objects of art — they will be only feet from the exhibit, making it easier to view the art before sipping and socializing. (Gala details — such as the celebrity hosts and specific dress code — will be shared later.)

Hollein said the museum was mainly concerned with giving fashion a more prominent home — and giving regular visitors a smoother experience. In past years, long lines for fashion exhibits would snake through other galleries and create bottlenecks in inconvenient places.

The new Conde M. Nast galleries — created from what was formerly the museum’s retail store — will house not only all spring Costume Institute exhibits to come, but other shows from different parts of the museum.

Bolton said in a statement that the gallery space “will mark a pivotal moment for the department, one that acknowledges the critical role fashion plays not only within art history but also within contemporary culture.”

“Costume Art” opens to the public May 10, 2026, and runs until Jan. 10, 2027.

This story has been updated to correct the date of the 2026 Met Gala. It's May 4, not May 5.

Misty Copeland, who recently retired from American Ballet Theatre, speaks during the announcement, at the Metropolitan Museum of Art, in New York, Monday, Nov. 17, 2025, about the next spring fashion exhibit "Costume Art," which is set to launch at the Met Gala in 2026. (AP Photo/Richard Drew)

A spandex bodysuit by Belgian designer Walter Van Beirendonck from a 2009 collection, right, is displayed during the announcement, at the Metropolitan Museum of Art, in New York, Monday, Nov. 17, 2025, about the next spring fashion exhibit "Costume Art," which is set to launch at the Met Gala in 2026. (AP Photo/Richard Drew)

"Bustle" by Charles James, right, is displayed at the announcement, at the Metropolitan Museum of Art, in New York, Monday, Nov. 17, 2025, about the next spring fashion exhibit "Costume Art," which is set to launch at the Met Gala in 2026. (AP Photo/Richard Drew)

Designer Michel Kors, second left, former Vogue magazine's editor-in-chief Anna Wintour, third left, and Misty Copeland, right, who recently retired from American Ballet Theatre, listen during the announcement, at the Metropolitan Museum of Art, in New York, Monday, Nov. 17, 2025, about the next spring fashion exhibit "Costume Art," which is set to launch at the Met Gala in 2026. (AP Photo/Richard Drew)

"Corset Anatomia" by Renata Buzzo, right, is displayed during the announcement, at the Metropolitan Museum of Art, in New York, Monday, Nov. 17, 2025, about the next spring fashion exhibit "Costume Art," which is set to launch at the Met Gala in 2026. (AP Photo/Richard Drew)

FILE - People sit outside the Metropolitan Museum of Art on May 2, 2020 in New York. (AP Photo/Ron Blum, file)

BRISBANE, Australia (AP) — Steve Smith took a brilliant reflex catch to end England's obdurate seventh-wicket partnership and then Ben Stokes' defiant half-century ended quickly as Australia set up a victory chase of just 65 for a 2-0 Ashes series lead.

It was a tale of two captains.

England skipper Stokes had dug in, curbing his attacking instincts, to get England through the first three hours on Day 4 unscathed and give the tourists a small lead after starting Sunday 43 runs in arrears in the day-night test at the Gabba.

Stokes shared a 96-run stand with Will Jacks (41) that got England to the brink of the night session, but that ended when Smith — Australia's stand-in captain — took a stunning one-hander diving to his left at slip off Michael Neser's bowling to break the partnership.

That was the momentum changer. The slide then happened quickly, with England losing four wickets for 17 runs to be all out for 241 in its second innings and Neser finishing with a five-wicket haul.

Stokes took a single to reach his 50 from 148 balls, the second-slowest half century of his career. It was only four balls behind the 152 he needed to make 50 at Headingley in 2019, where he scored an unbeaten 135 with the tailenders to guide England to a stunning, unexpected, one-wicket Ashes victory chasing 359.

This time, he didn’t go on. He was caught behind by wicketkeeper Alex Carey standing up to the wickets to Neser.

Stokes twirled his bat in the air in disbelieve and smacked the front of his helmet as he strode off.

At that stage, England was 227-8. Brendan Doggett dismissed Gus Atkinson to make it 231-9, with Smith taking a regulation catch this time. Neser (5-42) and Smith combined to remove Brydon Carse (7) to end the innings.

England had resumed Sunday at 134-6, and took an hour and 36 minutes — 18.2 overs — to score the 43 runs needed to erase the deficit, batting watchfully against an Australian attack.

Stokes dispensed with Bazball and pragmatically set about reviving England's Ashes prospects with a watchful 36 in the first session of the day.

It gave England a 16-run lead at the break but, more important, it kept the day-night match alive at the Gabba and ensured Australia would have to bat again.

The Australian attack bowled a tight line and length and mixed it up with some short-pitch deliveries in an attempt to entice the usually aggressive England batters to have a go.

Stokes and Jacks resisted the temptation for the entire afternoon session, knowing that a wicket would expose the tailenders. It was a completely different approach to England's usual attack-at-all costs mentality that has attracted wide criticism in the first two Ashes tests so far.

Australia won the series-opening test on Day 2 of the scheduled five. At least the second test has gone well into a fourth day.

AP cricket: https://apnews.com/hub/cricket

Australia's Michael Neser, second left, celebrates with teammates the wicket of England's Will Jacks during the second Ashes cricket test match between Australia and England in Brisbane, Sunday, Dec. 7, 2025.. (AP Photo/Tertius Pickard)

England's captain Ben Stokes lies down after being hit by the ball during the second Ashes cricket test match between Australia and England in Brisbane, Sunday, Dec. 7, 2025.. (AP Photo/Tertius Pickard)

Australia's Michael Neser shows the ball after getting five wickets during the second Ashes cricket test match between Australia and England in Brisbane, Sunday, Dec. 7, 2025.. (AP Photo/Tertius Pickard)

England's captain Ben Stokes throws bat after loosing his wicket during the second Ashes cricket test match between Australia and England in Brisbane, Sunday, Dec. 7, 2025.. (AP Photo/Tertius Pickard)

England's captain Ben Stokes plays a shot during the second Ashes cricket test match between Australia and England in Brisbane, Sunday, Dec. 7, 2025.. (AP Photo/Tertius Pickard)

England's Will Jacks plays a shot during the second Ashes cricket test match between Australia and England in Brisbane, Sunday, Dec. 7, 2025.. (AP Photo/Tertius Pickard)

England's captain Ben Stokes reacts in the hot condition during the second Ashes cricket test match between Australia and England in Brisbane, Sunday, Dec. 7, 2025.. (AP Photo/Tertius Pickard)

England's captain Ben Stokes avoids a bouncer during the second Ashes cricket test match between Australia and England in Brisbane, Sunday, Dec. 7, 2025.. (AP Photo/Tertius Pickard)