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restor3d Announces Full Commercial Launch of Ossera™ AFX Ankle Fusion Cage System, Immediately Available in Both Standard and Made-to-Order Options

Business

restor3d Announces Full Commercial Launch of Ossera™ AFX Ankle Fusion Cage System, Immediately Available in Both Standard and Made-to-Order Options
Business

Business

restor3d Announces Full Commercial Launch of Ossera™ AFX Ankle Fusion Cage System, Immediately Available in Both Standard and Made-to-Order Options

2026-02-09 18:00 Last Updated At:18:42

DURHAM, N.C.--(BUSINESS WIRE)--Feb 9, 2026--

restor3d, a leader in 3D-printed, personalized orthopedic solutions, today announced the full commercial launch of the Ossera™ AFX Ankle Fusion Cage System, a comprehensive platform engineered to address complex ankle fusion cases and now available in both standard off-the-shelf and made-to-order configurations.

This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20260209927477/en/

Following a successful limited market release over the past several months, restor3d has expanded the Ossera™ AFX portfolio to include a standardized implant offering in Cylinder, Dome, and Pill geometries. These geometries were developed through years of analysis of restor3d patient case data to optimize fit across a broad range of anatomies. Designed specifically for foot and ankle procedures, the system combines 3D-printed Titanium alloy implants, foot and ankle-specific reusable instrumentation, and TIDAL Technology™, restor3d’s proprietary porous architecture engineered to support osseointegration.

“The Ossera™ AFX System is a readily available, standardized solution to deal with critical bone defects and has superior mechanical and osseointegration properties compared to allograft,” said Christopher Kreulen, MD. “The foot and ankle specific instrumentation and robust selection of sizes have significantly changed my complex limb salvage practice.”

Ossera™ AFX is designed for rapid delivery, with sterile-packed implants and reusable instrumentation available immediately. The system’s thoughtful design, including cannulated reamers, flat cut guides, and lateral fibular relief across implant geometries, supports efficient, reproducible surgical workflows while providing intraoperative flexibility.

“We understand that every surgeon has unique preferences and approaches when it comes to patient care,” said Ken Gall, Chief Commercial Officer at restor3d. “That’s why we offer a comprehensive array of personalization options across our portfolio. Our goal is to ensure that every surgeon has access to the right tools to achieve the best possible outcomes.”

The Ossera™ AFX Ankle Fusion Cage System is launching to full-scale commercial distribution on February 6, 2026. To learn more about the system please visit https://www.restor3d.com/ossera-afx/

About restor3d, Inc.

restor3d is a world leader in 3D printed patient specific musculoskeletal implants and driven by the belief that every patient deserves personalized care. The company holds proprietary expertise and intellectual property in 3D printing of osseointegrative materials, AI-based planning and design automation tools, and digital health solutions to provide seamless data-backed care to optimize individual patient outcomes. Alongside its customers, restor3d is reimagining the musculoskeletal reconstruction landscape. More information is available at www.restor3d.com.

Forward-Looking Statements

Certain statements made in this release that are not statements of historical or current facts are forward-looking statements which involve known and unknown risks, uncertainties and other factors that may cause the actual results, performance or achievements of the company to be materially different from historical results or from any future results or projections expressed or implied by such forward-looking statements. In many cases, forward-looking statements can be identified by terms such as “future,” “believes,” “expects,” “may,” “will,” “should,” “potential,” “estimates,” “intends,” “anticipates” or “plans” or the negative of these terms or other comparable terminology. Forward-looking statements are based upon management’s beliefs, assumptions and current expectations but are subject to known and unknown risks and uncertainties including, without limitation, distribution challenges, market trends and demand, product efficacy and safety concerns, product or raw material availability and other supply constraints. Although management believes that the expectations reflected in the forward-looking statements are reasonable, forward-looking statements are not, and should not be relied upon as a guarantee of future performance or results. The forward-looking statements included are made only as the date of this release. The company assumes no obligation to update any information or forward-looking statement contained herein, save for any information required to be disclosed by law.

Ossera™ AFX is designed for rapid delivery, with sterile-packed implants and reusable instrumentation available immediately.

Ossera™ AFX is designed for rapid delivery, with sterile-packed implants and reusable instrumentation available immediately.

MILAN (AP) — On the same day Amber Glenn won Olympic gold as part of the team event, and stepped away from social media due to backlash over her comments on politics and the LGBTQ+ community, the American figure skater ended up with another headache.

Canadian artist Seb McKinnon, who produces music under the name CLANN, took to social media late Sunday to object to the use of his song “The Return,” which Glenn had used in her free skate — and has been using for the past two years without issue.

“So just found out an Olympic figure skater used one of my songs without permission for their routine. It aired all over the world ... what? Is that usual practice for the Olympics?” McKinnon posted to X, shortly after the team competition had ended.

Figure skaters are required to obtain permission for the music they use, but that process is hardly straightforward.

Sometimes the label or record producer owns the copyright, other times the artist themselves, and often there are multiple parties involved. Skaters sometimes will piece together different cuts of music, too. Throw in third-party companies such as ClicknClear that try to smooth out the permission process, and the entire copyright issue becomes murky and nuanced.

According to McKinnon, “The deal I have with my label is that I alone can give the OK to license my music.”

Glenn was not available for comment on the music issue early Monday. She planned to take the day off from training and then leave Milan to practice elsewhere ahead of the individual women's event, which begins Feb. 17 with the short program.

Messages left by The Associated Press with U.S. Figure Skating about Glenn's copyright problem were not immediately returned.

The issue is not the first bit of controversy involving Glenn at the Milan Cortina Games.

The outspoken LGBTQ+ rights activist said she received threats on social media after saying during a pre-Olympics press conference that the queer community is going through a “hard time” amid the political climate under President Donald Trump.

“I was disappointed because I’ve never had so many people wish me harm before, just for being me and speaking ‍about being decent — human rights and decency,” Glenn said Sunday night, wearing an LGBTQ+ pin on her team jacket during the team medal ceremony.

“So that was really disappointing,” Glenn said, “and I do think it kind of lowered that excitement for this.”

Copyrights never used to be a problem in figure skating because the International Skating Union barred any music involving vocals, and most classical music is considered public domain. But when those rules were relaxed in 2014, and modern music began to be used, artists soon demanded that they receive compensation for their work.

It all came to a head at the 2022 Beijing Olympics, when one of the indie artists who covered “House of the Rising Sun” objected to its use by American pairs skaters Alexa Knierim and Brandon Frazier. The ensuing lawsuit prompted the ISU to step in and try to develop systems that would help skaters avoid copyright infringement claims.

“It's never been an issue and then suddenly it is, and I don't understand why," Glenn told the AP ahead of the Winter Games. "I understand there was a big upset at the last Olympics because some artist — I’m sorry, they decided to be (jerks). Like, they couldn’t just appreciate this Olympic team competing? It wasn’t even their song to begin with; it was a cover.

“It’s not like we’re a TV show and playing music in the background for an emotional scene. It just feels like a cash grab for different companies, and it’s really upsetting that they can’t just appreciate that their music has inspired something creative.”

Justin Dillon, the director of high performance for U.S. Figure Skating, said the governing body has tried to help its skaters avoid any copyright claims. It is unclear whether the organization played any role in getting Glenn's music approved.

Numerous fans and even fellow skaters have been quick to rush to the American's defense.

“I’d be so honored that someone wants to skate to my music and give the music some amazing exposure,” said retired Canadian pairs skater Meagan Duhamel, a two-time Olympian and three-time medalist. "I used a piece of music for the 2018 Olympics and the artist was so excited she flew to the Olympics to listen and watch it live.”

After Nathan Chen won gold at the Beijing Games with a free skate set to “Rocket Man,” Elton John effusively praised the American for his performance. Chen later collaborated with the musical legend for a music video to a version of “Hold Me Closer.”

“We really rely on our music,” said Alysa Liu, part of the gold medal-winning U.S. team. "Without music, we’re not really our sport.”

AP Olympics: https://apnews.com/hub/milan-cortina-2026-winter-olympics

Amber Glenn of the United States reacts to her scores after competing during the figure skating women's team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Natacha Pisarenko)

Amber Glenn of the United States reacts to her scores after competing during the figure skating women's team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Natacha Pisarenko)

Amber Glenn of the United States competes during the figure skating women's team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Natacha Pisarenko)

Amber Glenn of the United States competes during the figure skating women's team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Natacha Pisarenko)

Amber Glenn of the United States competes during the figure skating women's team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Ashley Landis)

Amber Glenn of the United States competes during the figure skating women's team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Ashley Landis)

Amber Glenn of the United States competes during the figure skating women's team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Ashley Landis)

Amber Glenn of the United States competes during the figure skating women's team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Ashley Landis)

Team USA's Amber Glenn celebrates with her gold medal after the figure skating team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Ashley Landis)

Team USA's Amber Glenn celebrates with her gold medal after the figure skating team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Ashley Landis)

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